AUDITORY posting archive 2010

• Thread Index

• Tinnitus
  • From: Kevin Austin
• Away from my mail
  • From: Matt Davis
• Re: Tinnitus
  • From: Tom Brennan
• Re: Tinnitus
  • From: Yi Yu
• Re: Tinnitus
  • From: Tom Brennan
• Reminder: Int. Symposium on Ambisonics and Spherical Acoustics, Paris, May 2010 - Call for Papers
  • From: Markus Noisternig
• PhD and Postdoc Positions at Northwestern
  • From: Charles Larson
• Re: auditory illusion
  • From: Al Bregman
• SV: [AUDITORY] auditory illusion
  • From: Guy Madison
• Re: SV: [AUDITORY] auditory illusion
  • From: Alexandre Lehmann
• Raised cosine ramp/window
  • From: Imran Dhamani
• Re: Raised cosine ramp/window
  • From: Massimo Grassi
• Re: Raised cosine ramp/window
  • From: Julian Villegas
• M.A. in Communication and New Media at McMaster
  • From: David Ogborn
• GSI 16 Audiometer Manual request
  • From: Trevor Shackleton
• Deadline extension: Int. Symposium on Ambisonics and Spherical Acoustics 2010 - Submission of Abstracts due January 15th!
  • From: Markus Noisternig
• New deadline February 1st, 7th Intl Symp on Computer Music Modeling and Retrieval (CMMR), Malaga,Spain, June 21th-24th, 2010. Music is in the Sound.
  • From: Isabel Barbancho
• Developer Position / Ircam / Quaero Project
  • From: Geoffroy Peeters
• Auditory illusion sound example links
  • From: Guy Madison
• Post-Doctoral Positions at the University of Victoria, Canada
  • From: George Tzanetakis
• Deputy to Senior Scientist position at the Naval Submarine Medical Research Laboratory, Groton, CT
  • From: Judi Lapsley Miller
• Research Assistant position at the Naval Submarine Medical Research Laboratory, Groton, CT
  • From: Judi Lapsley Miller
• Call for Workshop Proposals: IEEE ICSC 2010
  • From: Schuller, Björn
• 2nd CfP: 16th Intl Conf Auditory Display (ICAD), Washington, D.C, USA, June 9-15, 2010
  • From: Eoin.Brazil
• Call for Papers: Second IEEE/IET Conference on Audio, Language and Image Processing
  • From: Jun Yang
• Research associateship at Stirling University
  • From: Leslie Smith
• Northeast Music Cognition Group: Call for Participation
  • From: Mary Farbood
• Postdoctoral positions at the University of the Basque Country
  • From: Martin Cooke
• PhD position in hearing and speech science at UCL, London
  • From: Stuart Rosen
• BRAMS Auditory Cognitive Neuroscience symposium one day before the CNS conference in Montreal.
  • From: Marc Schoenwiesner
• Re: Auditory illusion sound example links
  • From: Dan Stowell
• CFParticipation - MIR 2010 - International Conference on Multimedia Information Retrieval
  • From: XAVIER ANGUERA MIRO
• [no subject]
  • From: Neil Waterman
• [no subject]
  • From: Scott Pennock
• New device approach to modeling auditory perception
  • From: Bob Kovsky
• ear buds
  • From: Yale Cohen
• Re: ear buds
  • From: Paweł Kuśmierek
• Job for audio engineer at Meridian
  • From: Brian C. J. Moore
• CFP: Special Issue of the EURASIP Journal on Advances in Signal Processing on Emotion and Mental State Recognition from Speech
  • From: Schuller, Björn
• sharing teaching materials
  • From: Richard Parncutt
• Posdoc position in Finland
  • From: Ville Pulkki
• Ph.D. Research Studentship Opportunity
  • From: Sue Denham
• Speech audiometry in spanish
  • From: Patricia Perez-Gonzalez
• CONF: Mediality of Music Cognition and Aisthesis (February 19-20, 2010)
  • From: Jin Hyun Kim
• Headphones for testing
  • From: dominic ward
• Re: Headphones for testing
  • From: Al Bregman
• Re: Headphones for testing
  • From: Steve Beet
• Post-doc position at University Barcelona
  • From: Sabine Grimm (UB)
• Spreadsheets and/or MATLAB for calculating loudness
  • From: Ralph Muehleisen
• Postdoctoral Researcher position
  • From: Ifat Yasin
• Music Psychology Training: Music, Mind & Technology / Music Therapy
  • From: Olivier Lartillot
• 2nd CfP: CI2010, Stockholm - 11th International Conference on Cochlear Implants and Other Implantable Auditory Technologies
  • From: Martin Eklöf
• Ira J. Hirsh, one of the founders of audiology, 87
  • From: Antonio Miller
• CfP: reminder : 16th Intl Conf Auditory Display (ICAD) - Deadline 5th February 2010
  • From: Eoin.Brazil
• call for paper: f(MIR): 2nd WORKSHOP ON THE FUTURE OF MIR
  • From: Thierry Bertin-Mahieux
• post-doctoral position
  • From: Yale Cohen
• CD player
  • From: Monita Chatterjee
• Re: CD player
  • From: Bob Masta
• Re: CD player
  • From: Neil Waterman
• Re: CD player
  • From: Paweł Kuśmierek
• Re: CD player
  • From: Ward R. Drennan
• Re: CD player
  • From: Stefan Strahl
• Re: CD player
  • From: Monita Chatterjee
• Re: CD player
  • From: Steve Beet
• Post-doc position in Lyon (France)
  • From: Nicolas Grimault
• interesting podcast about sound and hearing
  • From: Jaime Undurraga
• CMMR 2010 Deadline extension 14th February. 7th Intl Symp on Computer Music Modeling and Retrieval, Malaga,Spain, June 21th-24th, 2010
  • From: Isabel Barbancho
• Open Research Positions at DOLBY Beijing!
  • From: #ARIJIT BISWAS#
• New book set: The Oxford Handbook of Auditory Science
  • From: Dan Ellis
• Wessel (1973)
  • From: Bruno L. Giordano
• Invitation to new MIR and Auditory research social network site
  • From: Yi Yu
• Re: sharing teaching materials
  • From: Peter Lennox
• Temporal Envelope based pitch perception
  • From: Imran Dhamani
• Re: Temporal Envelope based pitch perception
  • From: Matthias Milczynski
• Job Opportunity At Advanced Bionics
  • From: Leonid Litvak
• Re: Temporal Envelope based pitch perception
  • From: Imran Dhamani
• SST-2010 First Call for Papers
  • From: David Grayden
• PhD studentship available at IHR/University of Nottingham, UK
  • From: Christian Sumner
• Re: Temporal Envelope based pitch perception
  • From: Erick Gallun
• Re: Temporal Envelope based pitch perception
  • From: Imran Dhamani
• Call for participation: 2nd Community-based Signal Separation Evaluation Campaign (SiSEC 2010)
  • From: Emmanuel Vincent
• 2 Researchers Position / Ircam / Quaero Project
  • From: Geoffroy Peeters
• August ISMA symposium
  • From: James W. Beauchamp
• Room acoustics, after ICA2010
  • From: Densil Cabrera
• Internship at France Telecom R&D
  • From: Adrien DANIEL
• Room acoustics, after ICA2010
  • From: Stefanie Stadler Elmer
• CMMR 2010 Final call for paper deadline 14th February. 7th Intl Symp on Computer Music Modeling and Retrieval, Malaga,Spain, June 21th-24th, 2010
  • From: Isabel Barbancho
• Prize Lectureships at Sheffield
  • From: Phil Green
• Re: origin of 'timbre'
  • From: Richard F. Lyon
• Deadline Extension to 1st March: 3rd Workshop on EMOTION (satellite of LREC2010)
  • From: "Schuller, Björn"
• Re: origin of 'timbre'
  • From: Richard F. Lyon
• Post-doctoral Position: Research in Singing
  • From: Annabel Cohen
• Auditory Attention at Telluride Neuromorphic Workshop
  • From: Malcolm Slaney
• Headphone for psychoacoustics
  • From: Jungmee Lee
• Symposium on Auditory Brainstem Implants, June 29th, Uppsala, Sweden
  • From: Susanne Köbler
• Re: Headphone for psychoacoustics
  • From: Michael Mihocic
• Re: Headphone for psychoacoustics
  • From: David Schönstein
• 1. Headphone for psychoacoustics
  • From: Lorenzo Picinali
• harmonics
  • From: S.L. ARKETTE
• Re: harmonics
  • From: Julian Villegas
• Online survey on musicians' use of the notion of musical shapes
  • From: Stephen McAdams
• Reminder: Call for papers: LVA/ICA 2010, September 27-30, 2010, Saint-Malo, France
  • From: Emmanuel Vincent
• Subscription probe for AUDITORY - please ignore
  • From: McGill University NCS LISTSERV Server (14.5)
• need recommendation on PC sound card
  • From: G. Robert Arrabito
• Re: need recommendation on PC sound card
  • From: Neil Waterman
• Experimental Approaches to Perception and Production of Language Variation (ExAPP2010)
  • From: A. Schueppert
• Re: need recommendation on PC sound card
  • From: Paweł Kuśmierek
• Re: need recommendation on PC sound card
  • From: Neil Waterman
• Re: need recommendation on PC sound card
  • From: Paweł Kuśmierek
• Re: need recommendation on PC sound card
  • From: Christian Borss
• Re: need recommendation on PC sound card
  • From: Neil Waterman
• Re: need recommendation on PC sound card
  • From: Hacihabiboglu, Huseyin
• 1. need recommendation on PC sound card
  • From: Lorenzo Picinali
• Open PhD positions at Deutsche Telekom Labs, TU Berlin
  • From: Alexander Raake
• Re: need recommendation on PC sound card
  • From: Bob Masta
• Haptic-audio interaction desing (HAID) 2010 - First call
  • From: Stefania Serafin
• The Science of hearing
  • From: Jaime Undurraga
• need some reference about pitch perception in noise
  • From: Ximing Li
• Postdoctoral researcher position in audio signal processing at FORTH-ICS
  • From: Athanasios Mouchtaris
• AES Brazil 2010 - Last Call for Papers
  • From: Regis Rossi A. Faria
• Re: need recommendation on PC sound card
  • From: Bill Woods
• Call for Papers: Second IEEE/IET Conference on Audio, Language and Image Processing
  • From: Jun Yang
• Call for Participation: AES 40th International Conference in Tokyo
  • From: MARUI Atsushi
• mechanical cochlear model
  • From: Christian Kaernbach
• paper request
  • From: Cris Lanting
• Re: mechanical cochlear model
  • From: Dana Massie
• Re: mechanical cochlear model
  • From: Andrew Bell (uni account)
• Deadline Extension to March 22: Call for Workshop Proposals IEEE ICSC 2010
  • From: "Schuller, Björn"
• AW: Re: mechanical cochlear model
  • From: reinifrosch@xxxxxxxxxx
• Re: mechanical cochlear model
  • From: Lina Reiss
• Re: mechanical cochlear model
  • From: Sunil Puria
• Bekesy model
  • From: Douglas Creelman
• model
  • From: David John SMith
• Re: mechanical cochlear model
  • From: Andrew Bell
• PhD studentships in Media and Arts Technology
  • From: Mark Plumbley
• announcement : free MATLAB Loudness Toolbox
  • From: Stéphane Molla
• Re: announcement : free MATLAB Loudness Toolbox
  • From: Brian Gygi
• Re: announcement : free MATLAB Loudness Toolbox
  • From: Bruno L. Giordano
• Re: mechanical cochlear model
  • From: Andrew Bell (uni account)
• Re: announcement : free MATLAB Loudness Toolbox
  • From: Stéphane Molla
• Signals and Systems for Speech and Hearing by Stuart Rosen & Peter Howell
  • From: Stuart Rosen
• Re: mechanical cochlear model
  • From: reinifrosch@xxxxxxxxxx
• Re: mechanical cochlear model
  • From: Alain de Cheveigne'
• Re: mechanical cochlear model
  • From: reinifrosch@xxxxxxxxxx
• Software cochlear models
  • From: Kyle Stratis
• Re: mechanical cochlear model
  • From: Martin Braun
• Re: mechanical cochlear model
  • From: Andrew Bell
• Re: mechanical cochlear model
  • From: reinifrosch@xxxxxxxxxx
• Call for papers - Perceptual Quality of Sytems - PQS 2010
  • From: Ercan Altinsoy
• Re: mechanical cochlear model
  • From: David Mountain
• Re: mechanical cochlear model
  • From: Richard F. Lyon
• Re: mechanical cochlear model
  • From: Daniel TAFT
• Frequency discrimination: effect of increment vs decrement
  • From: Varghese Peter
• double-wall sound proof booth attenuation
  • From: LAVANDIER mathieu
• Re: mechanical cochlear model
  • From: Alain de Cheveigne'
• Re: double-wall sound proof booth attenuation
  • From: Daniel Shub
• Re: mechanical cochlear model
  • From: reinifrosch@xxxxxxxxxx
• Re: mechanical cochlear model
  • From: Richard F. Lyon
• Cochlear Implant teaching slides
  • From: Robert Zatorre
• Re: mechanical cochlear model
  • From: Martin Braun
• Paper request
  • From: Joe Sollini
• SuperCollider Symposium 2010 Berlin - Calls
  • From: adc
• Re: mechanical cochlear model
  • From: Richard F. Lyon
• Re: mechanical cochlear model
  • From: Tollin, Daniel
• Re: mechanical cochlear model
  • From: Matt Flax
• Re: mechanical cochlear model
  • From: Lloyd Watts
• Re: mechanical cochlear model
  • From: Yi Yu
• Re: mechanical cochlear model - more movies
  • From: Lloyd Watts
• Re: mechanical cochlear model
  • From: Andrew Bell
• Re: AUDITORY Digest - 8 Mar 2010 (#2010-55)
  • From: Tim Wilson
• Re: Paper request
  • From: Joe Sollini
• Re: mechanical cochlear model
  • From: reinifrosch@xxxxxxxxxx
• Re: mechanical cochlear model
  • From: Martin Braun
• Re: mechanical cochlear model
  • From: Martin Braun
• Re: mechanical cochlear model
  • From: Daniel TAFT
• Re: Wessel (1973)
  • From: Bruno L. Giordano
• Re: mechanical cochlear model
  • From: reinifrosch@xxxxxxxxxx
• Re: mechanical cochlear model
  • From: David Mountain
• Re: mechanical cochlear model
  • From: reinifrosch@xxxxxxxxxx
• Re: mechanical cochlear model
  • From: Martin Braun
• Re: mechanical cochlear model
  • From: Richard F. Lyon
• Re: mechanical cochlear model
  • From: reinifrosch@xxxxxxxxxx
• postodoctoral position at Johns Hopkins
  • From: Mounya Elhilali
• Re: mechanical cochlear model
  • From: Peter van Hengel
• Re: mechanical cochlear model
  • From: Mitchell Cotter
• Paper request
  • From: Katrin Krumbholz
• Re: MCM: Q.1
  • From: Andrew Bell
• Re: MCM: Q.1
  • From: reinifrosch@xxxxxxxxxx
• Re: mechanical cochlear model
  • From: Michael RAPSON
• Re: mechanical cochlear model
  • From: Martin Braun
• Re: mechanical cochlear model
  • From: Peter van Hengel
• Re: mechanical cochlear model
  • From: Peter van Hengel
• Re: mechanical cochlear model
  • From: Michael RAPSON
• Re: mechanical cochlear model
  • From: Martin Braun
• Re: mechanical cochlear model
  • From: Richard F. Lyon
• Re: MCM: Q.1
  • From: reinifrosch@xxxxxxxxxx
• Re: mechanical cochlear model
  • From: Matt Flax
• Re: mechanical cochlear model
  • From: Martin Braun
• Re: mechanical cochlear model
  • From: Richard F. Lyon
• Topics for discussion
  • From: Al Bregman
• Re: Topics for discussion
  • From: Robert Zatorre
• Re : Topics for discussion
  • From: frédéric maintenant
• Re: Re : Topics for discussion
  • From: Yi Yu
• Re: Re : Topics for discussion
  • From: Yi Yu
• cochlear-amplifier email list Re: mechanical cochlear model
  • From: Matt Flax
• Re: mechanical cochlear model
  • From: Martin Braun
• cochlear models discussion
  • From: Keith Kluender
• cochlear models discussion
  • From: Ramdas Kumaresan
• Re: mechanical cochlear model
  • From: Peter van Hengel
• Re: mechanical cochlear model
  • From: Richard F. Lyon
• Re: mechanical cochlear model
  • From: Crockett, Brett
• Many thanks!
  • From: Katrin Krumbholz
• Re: Topics for discussion
  • From: Al Bregman
• Re: mechanical cochlear model
  • From: Martin Braun
• Re : [AUDITORY] Re : Topics for discussion
  • From: frédéric maintenant
• Re: Topics for discussion
  • From: Etienne Gaudrain
• Re: [Cochlea-amp.] [AUDITORY] Topics for discussion
  • From: Matt Flax
• Re: Topics for discussion
  • From: Margaret Mortz
• Re: Topics for discussion
  • From: Diana Deutsch
• Cochlear-amp
  • From: Jonathan Tapson
• Re: mechanical cochlear model
  • From: reinifrosch@xxxxxxxxxx
• Re: mechanical cochlear model [Q.2]
  • From: Andrew Bell
• Postdoctoral Position Available
  • From: Merri J. Rosen
• String fingering project -- volunteers needed
  • From: Eliot Handelman
• Auditory wheel
  • From: Michael H. Coen
• Re: Topics for discussion
  • From: Harvey Holmes
• Re: Auditory wheel
  • From: Gossmann, Joachim
• Re: Auditory wheel
  • From: Michael H. Coen
• Re: Auditory wheel
  • From: Diana Deutsch
• Re: Auditory wheel
  • From: Pierre Divenyi
• Re: Auditory wheel
  • From: Michael H. Coen
• Re: Auditory wheel
  • From: Michael H. Coen
• Re: Auditory wheel
  • From: Malcolm Slaney
• Re: Auditory wheel
  • From: Al Bregman
• Re: Auditory wheel
  • From: Hiroko Terasawa
• Re: Auditory wheel
  • From: Diana Deutsch
• Re: Auditory wheel
  • From: David John SMith
• Re: Auditory wheel
  • From: Leon Van Noorden
• 2010 Workshop Speech in Noise: presentations available
  • From: Gaston Hilkhuysen
• Re: Auditory wheel
  • From: Bob Carlyon
• A question on Békésy.
  • From: reinifrosch@xxxxxxxxxx
• Re: mechanical cochlear model
  • From: Martin Braun
• Re: Auditory wheel
  • From: Neil Waterman
• Re: Auditory wheel
  • From: Martin Braun
• Re: ***SPAM*** Re: [AUDITORY] Auditory wheel
  • From: Neil Waterman
• Re: A question on Békésy.
  • From: Harriet B Jacobster
• CFP: INTERSPEECH 2010 Paralinguistic Challenge - Now started.
  • From: "Schuller, Björn"
• Re: Auditory wheel
  • From: Matthew McCabe
• Re: Auditory wheel
  • From: Gossmann, Joachim
• Re: Auditory wheel
  • From: Dan Stowell
• Re: A question on Békésy.
  • From: David Mountain
• Re: A question on Békésy.
  • From: reinifrosch@xxxxxxxxxx
• Re: A question on Békésy.
  • From: David Mountain
• Re: A question on Bekesy.
  • From: reinifrosch@xxxxxxxxxx
• Re: A question on Bekesy.
  • From: reinifrosch@xxxxxxxxxx
• color wheel, and sound wheel
  • From: Kevin Austin
• Re: A question on Bekesy.
  • From: reinifrosch@xxxxxxxxxx
• Re: A question on Bekesy.
  • From: reinifrosch@xxxxxxxxxx
• Stiffness of the basilar membrane.
  • From: reinifrosch@xxxxxxxxxx
• Re: A question on Bekesy.
  • From: David Mountain
• Re: color wheel, and sound wheel
  • From: David John SMith
• CFP: Quality of Experiencing Speech Services (Special Session at INTERSPEECH 2010)
  • From: Marcel Waeltermann
• Post-doc position in Lyon (France)
  • From: Nicolas Grimault
• SweetSpotter - Adaptive Sweet Spot Adjustment
  • From: Sebastian Merchel
• looking for bottling plant example described by Gaver et al. (1991)
  • From: G. Robert Arrabito
• Call for Student Volunteers at ASA_NOISE-CON 2010 in Baltimore, MD, April 19-23, 2010
  • From: Peter Marvit
• Call for demo CMMR 2010. Deadline 22th April 2010. 7th Intl Symp on ComputerMusic Modeling and Retrieval, Malaga,Spain, June 21th-24th, 2010
  • From: Isabel Barbancho
• looking for book: Keidel&Neff 1975 vol V/2
  • From: Richard F. Lyon
• Re: Auditory wheel
  • From: Marcelo Freitas Caetano
• What is the goal of finding an auditory circle analogy to the visual color circle?
  • From: Richard E Pastore
• Beware of circles
  • From: Bruno L. Giordano
• Re: Beware of circles
  • From: Brian Gygi
• Paper Request: Mel log spectrum approximation (MLSA) filter for speech synthesis
  • From: Md Sahidullah
• Re: Beware of circles
  • From: Gossmann, Joachim
• IEEE Benelux Symposium on Signal Processing for Hearing Aids
  • From: R. Heusdens
• mp3 and the perceptual coding
  • From: Massimo Grassi
• Re: mp3 and the perceptual coding
  • From: Matthias Milczynski
• Re: mp3 and the perceptual coding
  • From: Joachim Thiemann
• Re: mp3 and the perceptual coding
  • From: Laszlo Toth
• Re: mp3 and the perceptual coding
  • From: Massimo Grassi
• Re: mp3 and the perceptual coding
  • From: Christine Rankovic
• Re: looking for book: Keidel&Neff 1975 vol V/2
  • From: Tollin, Daniel
• Re: Topics for discussion
  • From: Al Bregman
• FW: [AUDITORY] mp3 and the perceptual coding
  • From: James Johnston
• Re: mp3 and the perceptual coding
  • From: James Johnston
• Deadline approaching: LVA/ICA 2010, September 27-30, 2010, Saint-Malo, France
  • From: Emmanuel Vincent
• Re: mp3 and the perceptual coding demo
  • From: Brian Gygi
• Pure-Tone Frequency Discrimination
  • From: vijay
• Job offer - please post it on the AUDITORY LIST
  • From: Dr. Gundula Meissner
• Re: mp3 and the perceptual coding
  • From: Danijel Domazet
• Basilar-membrane stiffness.
  • From: reinifrosch@xxxxxxxxxx
• Re: Pure-Tone Frequency Discrimination
  • From: Al Bregman
• ITU worst case listening position - how?
  • From: Nils Peters
• CFP: INTERSPEECH 2010 Speech Intelligibility Enhancement
  • From: Junfeng Li
• ITU worst case for 5.1
  • From: Kevin Austin
• [[Reminder]] [SiSEC2010] CALL FOR PARTICIPATION
  • From: Alexey Ozerov
• Re: Auditory wheel
  • From: Martin Braun
• POST-DOCTORAL POSITION: COGNITIVE NEUROSCIENCE OF MUSIC
  • From: Mary Farbood
• Re: mp3 and the perceptual coding
  • From: Fernando Alberto Marengo Rodriguez
• Re: ITU worst case for 5.1
  • From: James Johnston
• POSTDOCTORAL POSITION AVAILABLE: AUDITORY fMRI
  • From: Chris Stecker
• Re: mp3 and the perceptual coding
  • From: Max Neuendorf
• Auditory Spatial Stream Segregation
  • From: Imran Dhamani
• Basilar-membrane oscillations.
  • From: reinifrosch@xxxxxxxxxx
• Re: mp3 and the perceptual coding
  • From: James Johnston
• Re: Auditory Spatial Stream Segregation
  • From: Diana Deutsch
• Conference on Phonetic Universals
  • From: Heriberto Avelino
• Conference on Phonetic Universals
  • From: Heriberto Avelino
• Re: Auditory Spatial Stream Segregation
  • From: Dennis P. Phillips
• Re: Basilar-membrane oscillations.
  • From: David John SMith
• SST-2010 Second Call for Papers
  • From: David Grayden
• Re: mp3 and the perceptual coding
  • From: Max Neuendorf
• mp3 compressed speech signal using codec....
  • From: Vijaykumar Peddinti
• Call for Sonifications, Compositions, and Demonstrations - 16th Intl Conf Auditory Display (ICAD) - Deadline extended to 9th April 2010
  • From: Eoin.Brazil
• Auditory spatial stream segregation
  • From: Imran Dhamani
• Re: Auditory spatial stream segregation
  • From: Al Bregman
• Unwanted line breaks; evanescent waves.
  • From: reinifrosch@xxxxxxxxxx
• Line breaks and evanescent waves (2).
  • From: reinifrosch@xxxxxxxxxx
• Evanescent waves, line breaks (3).
  • From: reinifrosch@xxxxxxxxxx
• Paper request
  • From: Kyle Stratis
• personal amplifiers
  • From: Ferguson, Sarah Hargus
• EOAE
  • From: David John SMith
• Re: EOAE
  • From: Harriet B. Jacobster, AuD
• Re: Paper request
  • From: Richard F. Lyon
• Re: Paper request
  • From: Kyle Stratis
• Paper on whispered speech?
  • From: Stuart Rosen
• a novel method of estimation of DPOAE signals -paper and/or software needed
  • From: Drexl, Markus Dr.rer.nat.
• Paper request on listening effort
  • From: Karin B. Klink
• Evanescent waves, line breaks (4).
  • From: reinifrosch@xxxxxxxxxx
• Evanescent liquid-sound-pressure waves.
  • From: reinifrosch@xxxxxxxxxx
• Addendum on evanescent waves.
  • From: reinifrosch@xxxxxxxxxx
• Re: Request for information on ICA-Maximum likelihood approach
  • From: Taylan Cemgil
• Extended deadline for SiSEC2010 (Apr.21)
  • From: Alexey Ozerov
• 3rd Int. Workshop on Perceptual Quality of Systems
  • From: Dr. Ercan Altinsoy
• Request for a paper...
  • From: Vijaykumar Peddinti
• Re: Request for information on ICA-Maximum likelihood approach
  • From: Linda Seltzer
• Re: Request for information on ICA-Maximum likelihood approach
  • From: Brian Gygi
• Evanescent liquid-sound-pressure waves (2).
  • From: reinifrosch@xxxxxxxxxx
• Re: Request for information on ICA-Maximum likelihood approach
  • From: Linda Seltzer
• Paper Request
  • From: Ximing Li
• Re: Request for information on ICA-Maximum likelihood approach
  • From: Idrick Akhoun
• Request for information on ICA-Maximum likelihood approach
  • From: Vijaykumar Peddinti
• Textbook chapter on evanescent waves?
  • From: reinifrosch@xxxxxxxxxx
• I now have that paper on whispering ...
  • From: Stuart Rosen
• Auditory Cognitive Neuroscience Symposium in Montreal, April 16th
  • From: Marc Schoenwiesner
• Re: Paper Request
  • From: Beste Kalender
• Postdoc and RA positions at Northwestern
  • From: Patrick Wong
• Re: Request for information on ICA-Maximum likelihood approach
  • From: Bryan Paton
• Re: looking for book: Keidel&Neff 1975 vol V/2
  • From: Richard F. Lyon
• Audio Engineering Society Convention May 22-25 London, Registration and Technical Programme available
  • From: Josh Reiss
• Zwikers paper
  • From: Zlatan Ribic
• mp3 and the perceptual coding (resume)
  • From: Massimo Grassi
• Postdoc and PhD positions at MPI Leipzig, Auditory Cognition group
  • From: Jonas Obleser
• Cochlear modelers at Baltimore ASA meeting?
  • From: Michael RAPSON
• Re: Cochlear modelers at Baltimore ASA meeting?
  • From: Yi Yu
• Request for a paper
  • From: Junfeng Li
• CFP for Statistical and Perceptual Audition 2010
  • From: Paris Smaragdis
• Manuscript on evanescent waves.
  • From: reinifrosch@xxxxxxxxxx
• Post-doc position, Max-Planck Leipzig, Germany
  • From: Katharina von Kriegstein
• 2nd Call for demo CMMR 2010. Deadline 22th April 2010. 7th Intl Sympon ComputerMusic Modeling and Retrieval, Malaga,Spain, June 21th-24th, 2010
  • From: Isabel Barbancho
• Program for Intl. music cog. conference
  • From: Aniruddh Patel
• New PhD thesis on acoustic conditions on concert hall stages
  • From: Jens Jørgen Dammerud
• Research audiologist position
  • From: Lina Reiss
• 3rd Call for demo CMMR 2010. Extended Deadline 29th April 2010. 7th Intl Sympon ComputerMusic Modeling and Retrieval, Malaga,Spain, June 21th-24th, 2010
  • From: Isabel Barbancho
• Request for a paper
  • From: Patricia Perez-Gonzalez
• sound events database
  • From: Ernesto Accolti
• Re: sound events database
  • From: Bob Masta
• RE : [AUDITORY] sound events database
  • From: Spierer Lucas
• Re: sound events database
  • From: Ernesto Accolti
• Re: sound events database
  • From: Boris Defreville (ORELIA)
• Re: sound events database
  • From: Boris Defreville (ORELIA)
• Re: sound events database
  • From: Ernesto Accolti
• Re: sound events database
  • From: Neil Waterman
• Re: sound events database
  • From: Ernesto Accolti
• Re: sound events database
  • From: Bruno L. Giordano
• Re: sound events database
  • From: Neil Waterman
• Re: sound events database
  • From: Brian Gygi
• Ph.D. Thesis on Timbre Perception
  • From: Hiroko Terasawa
• Re : Ph.D. Thesis on Timbre Perception
  • From: frédéric maintenant
• open source speech(keyword) recognition database with phoneme-level transcription ?
  • From: Mohammad Abdollahi
• naming sounds database
  • From: Kevin Austin
• Re: sound events database
  • From: Dan Stowell
• More on evanescent waves.
  • From: reinifrosch@xxxxxxxxxx
• Regarding Long Term Memories and Dynamic Time wrapping for Automatic Speech Recognition
  • From: karan behar
• help request about FINALE
  • From: Beste Kalender
• Re: help request about FINALE
  • From: Wolfgang Dreier
• Request a paper
  • From: zetong zhang
• Re: help request about FINALE
  • From: Julian Villegas
• Re: sound events database
  • From: Ernesto Accolti
• British Society of Audiology Annual Conference 2010
  • From: Piers Dawes
• Re: help request about FINALE
  • From: Beste Kalender
• Finale export
  • From: Kevin Austin
• Re: sound events database
  • From: Mathieu Bernard
• CFP: 3rd International Workshop on Machine Learning and Music (MML 2010)
  • From: Rafael Ramirez
• CFP: 3rd International Workshop on Machine Learning and Music (MML 2010)
  • From: Rafael Ramirez
• CfP :: WOMRAD - Workshop on Music Recommendation and Discovery :: Barcelona. September, 26th
  • From: Amelie Anglade
• Article needed
  • From: Rodriguez, Joyce M.
• FW: Article needed
  • From: Rodriguez, Joyce M.
• Psychoacoustic Paper Request
  • From: Ximing Li
• Re: FW: Article needed
  • From: Mark Summers
• Evanescent waves in the cochlea.
  • From: reinifrosch@xxxxxxxxxx
• Interlibrary Loan; was RE: FW: Article needed
  • From: Maher, Rob
• Re: Interlibrary Loan; was RE: FW: Article needed
  • From: Laszlo Toth
• Re: Interlibrary Loan; was RE: FW: Article needed
  • From: Pierre Divenyi
• Re: Interlibrary Loan; was RE: FW: Article needed
  • From: Maher, Rob
• PhD studentship in auditory neuroscience, Lyon, France
  • From: Anne Caclin
• PhD position in psychology
  • From: Guy Madison
• Call for PANELS CMMR 2010. Deadline 14th May 2010. 7th Intl Sympon Computer Music Modeling and Retrieval, Malaga,Spain, June 21th-24th, 2010
  • From: Isabel Barbancho
• Re: sound events database
  • From: Laurie Heller
• SfN 2010 information on "nanosymposia"
  • From: Jennifer M. Groh
• Re: sound events database
  • From: Ernesto Accolti
• PhD studentship and PostDoc positions at InfoMus, DIST Univ of Genoa
  • From: Gualtiero Volpe
• ISO website models, apps
  • From: Brian Gygi
• Re: Request a paper
  • From: Richard F. Lyon
• experiment on roughness of complex tones
  • From: PORRES
• AW: experiment on roughness of complex tones
  • From: reinifrosch@xxxxxxxxxx
• Research Occupational Audiologist/Hearing Protection Specialist
  • From: Judi Lapsley Miller
• Remarkable animation: Bach cannon
  • From: Aniruddh Patel
• Whoops - misspelling
  • From: Aniruddh Patel
• Research Assistant Position Available -- Georgetown University
  • From: Amber Michelle Leaver
• Vocaloid2
  • From: Beste Kalender
• Re: experiment on roughness of complex tones
  • From: Tufts, Jennifer
• Re: Vocaloid2
  • From: Marcelo Freitas Caetano
• Re: Vocaloid2
  • From: Julian Villegas
• Change of email
  • From: Ken Grant
• Post doc position
  • From: Meddis, Raymond
• CFP for Statistical and Perceptual Audition 2010
  • From: Paris Smaragdis
• Unsubscribe
  • From: Jon Stammers
• CfP: Journal of New Music Research - Special Issue on Music and Machine Learning
  • From: Rafael Ramirez
• Re: Vocaloid2
  • From: Stefan Huber
• Paper request
  • From: Jaime Undurraga
• paper request : Jeffress 1948
  • From: Mathieu Bernard
• Paper request (Johannesma 1972, on gammatone filters)
  • From: Alexander Lindau
• Re: Paper request (Johannesma 1972, on gammatone filters)
  • From: Stefan Strahl
• echo in the freq. domain
  • From: Danijel Domazet
• Studentships for IHCON
  • From: Brian C. J. Moore
• please post: APAN 2010
  • From: Yale Cohen
• Second Call for PANELS CMMR 2010. Extended deadline 17th May 2010. 7th Intl Sympon ComputerMusic Modeling and Retrieval, Malaga,Spain, June 21th-24th, 2010
  • From: Isabel Barbancho
• Re: echo in the freq. domain
  • From: Dan Stowell
• Re: echo in the freq. domain
  • From: James Johnston
• Training software
  • From: Mishra, Srikanta
• Re: echo in the freq. domain
  • From: Danijel Domazet
• Haptic and Audio Interaction Design (HAID): call for demos and posters
  • From: Sofia Dahl
• Re: Training software
  • From: David Little
• Re: Training software
  • From: Karen Banai
• sex differences in perception of environmental sounds
  • From: Joanna Kantor-Martynuska
• Re: sex differences in perception of environmental sounds
  • From: Brian Gygi
• Interesting question regarding perceived note onset
  • From: James Johnston
• Re: sex differences in perception of environmental sounds
  • From: valeriy shafiro
• Re: sex differences in perception of environmental sounds
  • From: Joanna Kantor-Martynuska
• Re: sex differences in perception of environmental sounds
  • From: Joanna Kantor-Martynuska
• Re: sex differences in perception of environmental sounds
  • From: Bruno L. Giordano
• Re: sex differences in perception of environmental sounds
  • From: David Mountain
• Re: sex differences in perception of environmental sounds
  • From: Massimo Grassi
• Re: sex differences in perception of environmental sounds
  • From: Brian Gygi
• Re: sex differences in perception of environmental sounds
  • From: Guillaume Lemaitre
• Re: sex differences in perception of environmental sounds
  • From: Abbs, Brandon,Ph.D.
• Re: sex differences in perception of environmental sounds
  • From: Bruno L. Giordano
• Re: Interesting question regarding perceived note onset
  • From: Bruno Repp
• Re: experiment on roughness of complex tones
  • From: reinifrosch@xxxxxxxxxx
• GPL realtime auditory modelling
  • From: Dan Stowell
• Re: sex differences in perception of environmental sounds
  • From: Milena Droumeva
• RE : [AUDITORY] sex differences in perception of environmental sounds
  • From: Spierer Lucas
• Re: sex differences in perception of environmental sounds
  • From: Peter Lennox
• Re: GPL realtime auditory modelling
  • From: Richard F. Lyon
• Regarding Design of Experiments for Automatic Speech Recognition
  • From: karan behar
• Re: pesky cultural factors in perception of environmental sounds
  • From: Brian Gygi
• Subcategorizing environmental sounds
  • From: Brian Gygi
• ASCII / html and Digest
  • From: Kevin Austin
• Re: sex differences in perception of environmental sounds
  • From: valeriy shafiro
• Re: sex differences in perception of environmental sounds
  • From: Joanna Kantor-Martynuska
• Re: GPL realtime auditory modelling
  • From: Peter L. Soendergaard
• comparing cochlear models ?
  • From: emad burke
• Re: comparing cochlear models ?
  • From: Jon Boley
• Re: sex differences in perception of environmental sounds
  • From: Guillaume Lemaitre
• Re: sex differences in perception of environmental sounds
  • From: Tjeerd Andringa
• Re: sex differences in perception of environmental sounds
  • From: Julian Rohrhuber
• Drop in pitch on offset of chord
  • From: ericlepage@xxxxxxxxxxxxxxx
• Re: sex differences in perception of environmental sounds
  • From: David John SMith
• Re: sex differences in perception of environmental sounds
  • From: Milena Droumeva
• Re: "gender" differences in perception of environmental sounds
  • From: Jose Ignacio Alcantara
• Re: "gender" differences in perception of environmental sounds
  • From: Gossmann, Joachim
• software for automatic detection of voice activity
  • From: Boris Defreville (ORELIA)
• Re: sex differences in perception of environmental sounds
  • From: David John SMith
• Re: sex differences in perception of environmental sounds
  • From: Kevin Austin
• Re: ... differences in perception of ... sound[s]
  • From: Kevin Austin
• Re: ... differences in perception of ... sound[s]
  • From: Anna Preis
• Re: sex differences in perception of environmental sounds
  • From: Seana
• comparing cochlear models ?
  • From: John Bates
• Re: ... differences in perception of ... sound[s]
  • From: Kevin Austin
• Re: comparing cochlear models ?
  • From: Kevin Austin
• Re: comparing cochlear models ?
  • From: Bastian Epp
• abstract deadline for BSA2010 approaching
  • From: Colette Mckay
• Re: GPL realtime auditory modelling
  • From: Dan Stowell
• Re: comparing cochlear models ?
  • From: emad burke
• Automatic detection of music
  • From: Aniruddh Patel
• Subscription probe for AUDITORY - please ignore
  • From: McGill University NCS LISTSERV Server (14.5)
• Re: comparing cochlear models ?
  • From: reinifrosch@xxxxxxxxxx
• Book announcement: Psychology of music
  • From: Peter Pfordresher
• Marie Curie Actions Open Calls
  • From: Isabel Barbancho
• Fellowship opportunities for C4DM, Queen Mary University of London
  • From: Mark Plumbley
• [CFP] IROS 2010 Workshop on Robots and Musical Expressions
  • From: fabien gouyon
• interesting
  • From: Jaime Undurraga
• Postdoctoral position
  • From: Ingrid Johnsrude
• Fall 2010 internship positions available
  • From: Tao Zhang
• Re: interesting
  • From: Christian Borss
• Post-doctoral position available
  • From: Rodriguez, Joyce M.
• New Book: See What I'm Saying
  • From: Lawrence Rosenblum
• Event1:Recommender Functions on MIR Community
  • From: Yi Yu
• Event1:Recommender Functions on MIR Community
  • From: Yi Yu
• Psychoacoustics: a comprehensive MATLAB toolbox for auditory testing
  • From: Massimo Grassi
• Re: New Book: See What I'm Saying
  • From: Peter Meijer
• Re: comparing cochlear models ?
  • From: Michael RAPSON
• Re: New Book: See What I'm Saying
  • From: Pierre Divenyi
• The Neurosciences and Music IV
  • From: Aniruddh Patel
• Opportunities at Advanced Bionics
  • From: Leonid Litvak
• BSA abstract deadline extended
  • From: Colette Mckay
• Re: mechanical cochlear model
  • From: Martin Braun
• Re: mechanical cochlear model
  • From: Peter van Hengel
• Opening for Post-doctoral or Research Associate Position
  • From: Bob Lutfi
• Re: mechanical cochlear model
  • From: Martin Braun
• Haptic and Audio Interaction Design (HAID): Deadline extension until June 20
  • From: Sofia Dahl
• Re: mechanical cochlear model
  • From: reinifrosch@xxxxxxxxxx
• 2nd Call for Papers - WOMRAD: Workshop on Music Recommendation and Discovery, Barcelona. September, 26th 2010
  • From: Amelie Anglade
• Television sound levels
  • From: Hornsby, Benjamin Wade Young
• Re: Television sound levels
  • From: Eric Benjamin
• Re: Television sound levels
  • From: Dan Stowell
• Hearing Assist Technologies
  • From: Matthew McCabe
• Re: Hearing Assist Technologies
  • From: Margaret Mortz
• metadata for people with hearing impairments
  • From: Danilo Hollosi
• F0 estimation software
  • From: Federman, Jeremy
• Re: F0 estimation software
  • From: Stefanie Stadler Elmer
• Re: F0 estimation software
  • From: Heriberto Avelino
• Re: F0 estimation software
  • From: Stefanie Stadler Elmer
• Do you want me to refer to your website?
  • From: Al Bregman
• AW: [AUDITORY] F0 estimation software
  • From: Bjoern Schuller
• teaching material / auditory processing in blind people
  • From: Spierer Lucas
• PhD position in diagnostic method for voice quality at Orange Labs in Lannion (France)
  • From: adrien leman
• Software Developer: Audio and Digital Music
  • From: Mark Plumbley
• Re: teaching material / auditory processing in blind people
  • From: Peter Meijer
• Cochlear Mechanics Short Course, Rome, Sept 2010
  • From: Lineton B.
• Re: F0 estimation software
  • From: James W. Beauchamp
• Re: F0 estimation software
  • From: Arturo Camacho
• Postdoctoral position at University of Illinois
  • From: Fatima Husain
• Question
  • From: Prieto Raphael
• Matlab code for deconvolution?
  • From: Ursula Kwong-Brown
• question
  • From: Obahamas Studio
• Re: Matlab code for deconvolution?
  • From: ita katz
• Re: Matlab code for deconvolution?
  • From: Itamar Katz
• Request for a paper (Danhauer and Leppler, 1979)
  • From: Patricia Perez-Gonzalez
• Deadline extension until June 13, 2010: ACM MM 3rd International Workshop on Machine Learning and Music (MML 2010)
  • From: Rafael Ramirez
• Post-doctoral research position at Walter Reed Army Medical Center
  • From: Bernstein, Joshua G Dr CIV USA MEDCOM WRAMC
• SST-2010 Final Call for Papers
  • From: David Grayden
• Spanish Government - Funding for the mobility of foreign researchers in Spanish research centres
  • From: Isabel Barbancho
• Ask for help
  • From: Pang
• NAL-1 or similar hearing aid simulator?
  • From: Richard - UK
• PhD position in Kiel, Germany
  • From: Christian Kaernbach
• Re: NAL-1 or similar hearing aid simulator?
  • From: Matt Flax
• PhD position in Music Cognition
  • From: Henkjan Honing
• JASA impact factor - by topic
  • From: Bruno L. Giordano
• Testing whether some humans can hear high frequencies inaudible to "normal" humans
  • From: Divakaran, Ajay
• Re: Testing whether some humans can hear high frequencies inaudible to "normal" humans
  • From: Harriet B. Jacobster, AuD
• Re: Testing whether some humans can hear high frequencies inaudible to "normal" humans
  • From: Harriet B. Jacobster, AuD
• Rationale for Critical Bands
  • From: Daniel Bowling
• Re: Testing whether some humans can hear high frequencies inaudible to "normal" humans
  • From: Peter Lennox
• Re: Rationale for Critical Bands
  • From: Martin Braun
• Re: Rationale for Critical Bands
  • From: Ximing Li
• Re: Testing whether some humans can hear high frequencies inaudible to "normal" humans
  • From: Tom Brennan
• Re: Rationale for Critical Bands
  • From: Richard F. Lyon
• Re: Rationale for Critical Bands
  • From: Martin Braun
• Re: Rationale for Critical Bands
  • From: James Johnston
• Re: Rationale for Critical Bands
  • From: Richard F. Lyon
• Re: Rationale for Critical Bands
  • From: Richard F. Lyon
• Re: Rationale for Critical Bands
  • From: Richard F. Lyon
• Re: Rationale for Critical Bands
  • From: Peter Meijer
• Re: Testing whether some humans can hear high frequencies inaudible to "normal" humans
  • From: Peter Lennox
• Re: Rationale for Critical Bands
  • From: Etienne Gaudrain
• Re: Rationale for Critical Bands
  • From: reinifrosch@xxxxxxxxxx
• Re: Rationale for Critical Bands
  • From: Daniel Shub
• Re: Testing whether some humans can hear high frequencies inaudible to "normal" humans
  • From: Bob Masta
• Re: Rationale for Critical Bands
  • From: Martin Braun
• Rationale for Critical Bands
  • From: Wiebe Horst
• Re: [***SPAM 7.329***] Re: Rationale for Critical Bands
  • From: Ramdas Kumaresan
• Re: Rationale for Critical Bands
  • From: Martin Braun
• Fwd: recordings of screaming children?
  • From: Kevin Austin
• Re: Rationale for Critical Bands
  • From: Brian C. J. Moore
• Testing whether some humans can hear high frequencies inaudible to "normal" humans
  • From: Kevin Austin
• Re: recordings of screaming children?
  • From: José Ignacio Alcántara
• Re: Fwd: recordings of screaming children?
  • From: Luca Del Bo tel. 02 48011361
• Re: Fwd: recordings of screaming children?
  • From: Gaab, Nadine
• Re: recordings of screaming children?
  • From: Gossmann, Joachim
• Re: Rationale for Critical Bands
  • From: Martin Braun
• Re: Rationale for Critical Bands
  • From: James Johnston
• Re: Rationale for Critical Bands
  • From: James Johnston
• Re: Rationale for Critical Bands
  • From: Richard F. Lyon
• Re: Rationale for Critical Bands
  • From: Christine Rankovic
• Re: recordings of screaming children?
  • From: Harriet B. Jacobster, AuD
• Re: recordings of screaming children?
  • From: Brian Gygi
• Re: recordings of screaming children?
  • From: Peter Lennox
• Re: recordings of screaming children?
  • From: James Johnston
• ARTSTREAM model
  • From: Roberta Santoro
• Post-Doc Position in Digital Audio Signal Processing, AUSTRIA
  • From: Piotr Majdak
• Matlab implementation of Klatt synthesizer
  • From: Myles Mc Laughlin
• Re: Matlab implementation of Klatt synthesizer
  • From: Jim Stevenson
• Frequency discrimination testing and training program/software
  • From: Mishra, Srikanta
• Re: plain text was [AUDITORY] Matlab implementation of Klatt synthesizer
  • From: Jim Stevenson
• 3 PhD positions in European ITN: EBRAMUS
  • From: Barbara Tillmann
• BSA 2010 Conference: Advancing science, improving lives
  • From: Piers Dawes
• open source software
  • From: Heriberto Avelino
• Re: open source software (UNCLASSIFIED)
  • From: Hairston, W. Dave (Civ, ARL/HRED)
• FW: open source software
  • From: Tom Francart
• Audiometer recommendations and advice
  • From: Alastair Disley
• Re: open source software
  • From: Olivier Crouzet
• Re: Rationale for Critical Bands
  • From: Richard F. Lyon
• Re: Rationale for Critical Bands
  • From: Martin Braun
• interesting
  • From: Jaime Undurraga
• LVA/ICA 2010: Registration open + Call for Late-breaking / demo submissions
  • From: Emmanuel Vincent
• Book announcement (paperback)
  • From: Aniruddh Patel
• Postdoc positions at the University of the Basque Country
  • From: Martin Cooke
• information theory in psychoacoustics
  • From: Iftikhar Riaz (Lance) Nizami
• Re: information theory in psychoacoustics
  • From: alex olsen
• Re: Rationale for Critical Bands
  • From: Richard F. Lyon
• Re: Rationale for Critical Bands
  • From: Martin Braun
• libaudiomask - Audio masking threshold estimation library
  • From: Matt Flax
• Re: Rationale for Critical Bands
  • From: Richard F. Lyon
• Re: Rationale for Critical Bands
  • From: Alain de Cheveigne'
• Question on sound booths
  • From: Leonid Litvak
• Re: Question on sound booths
  • From: Hacihabiboglu, Huseyin
• Re: Rationale for Critical Bands
  • From: Martin Braun
• Re: Question on sound booths
  • From: Alain de Cheveigne'
• Fwd: Deadline extended: IROS 2010 Workshop on Robots and Musical Expressions
  • From: fabien gouyon
• Re: Question on sound booths
  • From: Idrick Akhoun
• Re: Question on sound booths
  • From: Harriet B. Jacobster, AuD
• Re: Question on sound booths
  • From: James Johnston
• SST-2010 Conference Deadline Extension
  • From: David Grayden
• Call for papers: Auditory Perception, Action and Cognition Meeting (APCAM) - 2010
  • From: Peter Pfrodresher
• Open positions at Dolby Research Beijing
  • From: #ARIJIT BISWAS#
• Tianshu Qu's HRTF
  • From: Julian Villegas
• Basilar-membrane stiffness versus distance-from-base.
  • From: reinifrosch@xxxxxxxxxx
• CFP IEEE TRANSACTIONS ON AFFECTIVE COMPUTING Special Issue on Naturalistic Affect Resources for System Building and Evaluation
  • From: Bjoern Schuller
• DSP Research Engineer Position Available
  • From: Tao Zhang
• Density Perception
  • From: Dominic Ward
• Experiment on Roughness dyads with musical instruments (samples)
  • From: Alexandre Porres
• Reg. discount deadline - Intl. music cog. conference
  • From: Aniruddh Patel
• Job: Research Assistant (Java Programmer) in Collaborative Cross-modal Interaction (London)
  • From: Dan Ellis
• Question: Quality Testing in an Anechoic Chamber
  • From: Linda Seltzer
• REMINDER LVA/ICA 2010: Registration open + Call for Late-breaking / demo submissions
  • From: Emmanuel Vincent
• 5 PhD positions Brain & Music in France & Belgium
  • From: Aniruddh Patel
• question about earbuds for lab rats..
  • From: Monita Chatterjee
• headphones for babies
  • From: Josh McDermott
• CfP: Two Thousand + TEN symposium and Call for Improvisors, SARC, Belfast, 4-7 November 2010
  • From: Stéphanie Bertet
• Re: headphones for babies
  • From: Lynne Werner
• CFP
  • From: James Kennaway
• [Fwd: i-Perception Announcement]
  • From: Tony
• Electro-acoustic engineer position opening
  • From: Sunil Puria
• 3-day workshop: Sound in immersive digital performance environments
  • From: Gerda Strobl
• ISMIR2010 attendees
  • From: Yi Yu
• Lance Nizami re information theory
  • From: Iftikhar Riaz (Lance) Nizami
• Vacancy available: Research Fellow in Audio-visual Speech Separation, CVSSP, Surrey, UK
  • From: Wenwu W. Wang
• MEG programmer position in Toronto
  • From: Bernhard Ross
• Text-to-speech API with Australian accent?
  • From: Daniel TAFT
• Re: Text-to-speech API with Australian accent?
  • From: Neil Waterman
• Preliminary Announcement: "Cognitive Hearing Science for Communication" Conference
  • From: Ingrid Johnsrude
• Re: Density Perception
  • From: Claire Piché
• Looking for article: Terhardt, E. (1985). Some psycho-physical analogies between speech and music
  • From: Martin McKinney
• Re: Looking for article: Terhardt, E. (1985). Some psycho-physical analogies between speech and music
  • From: Martin McKinney
• References needed on Timbre representation
  • From: SIAN EDWARDS
• Invitation to attend: Third International Workshop on Perceptual Quality of Systems
  • From: Ercan Altinsoy
• Re: References needed on Timbre representation
  • From: Dan Stowell
• A CASA baseline system
  • From: azam rabiei
• Re: A CASA baseline system
  • From: Pierre Divenyi
• Looking for article: Noll (1969), Pitch determination of human speech by the harmonic product spectrum,...
  • From: alexander lerch
• Unmixed version of multitalker babble
  • From: Imran Dhamani
• Interactive Sonification workshop - ISon 2010: proceedings are on-line
  • From: Roberto Bresin
• Unmixed version of multitalker babble
  • From: Imran Dhamani
• Postdoc position in speech and audio coding at Orange Labs (Lannion, France)
  • From: Stephane Ragot
• FW: Job Available: Audio DSP Algorithm Developer
  • From: Scott Pennock
• CFP: Ircam Musical Research Residency 2011-2012
  • From: Arshia Cont
• Postdoctoral position in neuroimaging
  • From: Rutvik Desai
• New book
  • From: Dale Purves
• Ph.D. position in binaural psycho-acoustics
  • From: Steven van de Par
• NeuroImaging studies comparing "Pitch & Brightness in Music".
  • From: vijaymohan raja
• New book "Introduction to Cochlear Waves".
  • From: reinifrosch@xxxxxxxxxx
• changing a sound signal while listening to it
  • From: Daniel Bowling
• Re: changing a sound signal while listening to it
  • From: Matthias Vormann
• Re: changing a sound signal while listening to it
  • From: Gossmann, Joachim
• Re: changing a sound signal while listening to it
  • From: Matthias Milczynski
• Re: changing a sound signal while listening to it
  • From: Jeremy marozeau
• Re: changing a sound signal while listening to it
  • From: John ffitch
• Conversion of '*.bin' to '*.wav' extension
  • From: Vinay
• Head related impulse responses for auditory prostheses
  • From: John Culling
• Re: changing a sound signal while listening to it
  • From: Dan Stowell
• Re: Conversion of '*.bin' to '*.wav' extension
  • From: Christian Borss
• Re: Head related impulse responses for auditory prostheses
  • From: Hendrik Kayser
• Re: Conversion of '*.bin' to '*.wav' extension
  • From: Dan Stowell
• Re: Conversion of '*.bin' to '*.wav' extension
  • From: Sam Jelfs
• Re: Conversion of '*.bin' to '*.wav' extension
  • From: Marcelo Freitas Caetano
• Re: Head related impulse responses for auditory prostheses
  • From: Christian Borss
• Re: Conversion of '*.bin' to '*.wav' extension
  • From: John ffitch
• Re: changing a sound signal while listening to it
  • From: Daniel Bowling
• Re: Conversion of '*.bin' to '*.wav' extension
  • From: Joachim Thiemann
• Re: changing a sound signal while listening to it
  • From: Matt Flax
• Re: changing a sound signal while listening to it
  • From: Bob Masta
• Re: Conversion of '*.bin' to '*.wav' extension
  • From: Vinay
• Job Available: Senior Research Engineer in Virtual Acoustic Musical Instrument Synthesis
  • From: Eric Hirsh
• sources of unfamiliar music?
  • From: Jessica Grahn
• Re: sources of unfamiliar music?
  • From: Vinay
• Re: sources of unfamiliar music?
  • From: Brian Gygi
• Re: sources of unfamiliar music?
  • From: Paweł Kuśmierek
• Re: sources of unfamiliar music?
  • From: Wolfgang Dreier
• Abstracts online for Intl. Music Cognition Conference
  • From: Aniruddh Patel
• Re: sources of unfamiliar music?
  • From: Jasper van Dorp
• sources of unfamiliar music?
  • From: Hacihabiboglu, Huseyin
• Re: sources of unfamiliar music?
  • From: Rick
• Postdoc Opening
  • From: Eric Healy
• DSP Engineer Position at Cochlear Ltd (Denver, CO)
  • From: Christopher Long
• 2011 DSPE -- Special Session on Music, Acoustics and Signal Processing Education
  • From: Ray Migneco
• spoken sentences
  • From: Josh McDermott
• Re: spoken sentences
  • From: Antonio Miller
• Subscription probe for AUDITORY - please ignore
  • From: McGill University NCS LISTSERV Server (14.5)
• Faculty search announcement
  • From: Jonathan Berger
• Invitation to connect on LinkedIn
  • From: udaynag pisipati
• Unsubscribe
  • From: BRUCKERT laetitia
• Request for papers
  • From: "Patricia Pérez González"
• HRTF's
  • From: Ranjit Randhawa
• ICAD Conference: 1st Call for Hosting ICAD 2012
  • From: Bruce Walker
• 2nd CfP: Journal of New Music Research - Special Issue on Music and Machine Learning
  • From: Rafael Ramirez
• Re: HRTF's
  • From: Piotr Majdak
• Re: HRTF's
  • From: Kevin Austin
• Postdoctoral - electrical stimulation in auditory pathway
  • From: Jennifer M. Groh
• Fulbright Research Chair at CIRMMT, McGill University
  • From: Stephen McAdams
• Postdoctoral position (Northwestern University)
  • From: Sumitrajit Dhar
• Re: spoken sentences
  • From: Michael Mihocic
• Open PhD and Postdoc Positions
  • From: Stefan Koelsch
• Morning versus Evening Ragas
  • From: Douglas Eck
• Re: Morning versus Evening Ragas
  • From: Brian Gygi
• Re: Morning versus Evening Ragas
  • From: Bernard Mont-Reynaud
• Re: Morning versus Evening Ragas
  • From: Justin London
• Re: Morning versus Evening Ragas
  • From: Linda Seltzer
• Re: Morning versus Evening Ragas
  • From: Divakaran, Ajay
• Adding missing information Re: Morning versus Evening Ragas
  • From: Linda Seltzer
• Preference test for pitch transposition: small variations (1/2)
  • From: Gilles Degottex
• Post-doc position in Lyon (France)
  • From: Nicolas Grimault
• Barn owl question
  • From: Tollin, Daniel
• postdoctoral position at the Music Dynamics Laboratory
  • From: Edward Large
• Preference test for breathiness modification (only 10 pairs to compare !)
  • From: Gilles Degottex
• Postdoctoral position in real-time music source separation
  • From: Emmanuel Vincent
• articel request
  • From: Stephen McAdams
• Preference test for pitch transposition: big variations (2/2)
  • From: Gilles Degottex
• Postdoctoral position available at Technicolor Research & Innovation, France
  • From: Huynh-Thu Quan
• NIME 2011 - Call for participation
  • From: Alexander Refsum Jensenius
• New platform-independence for auditory modelling using Matlab
  • From: Dr. Lowel P. O'Mard
• mosquito sound
  • From: Massimo Grassi
• Re: mosquito sound
  • From: Danijel Domazet
• Fwd: Listening for ... mosquito sound
  • From: Kevin Austin
• Need feedback on Thesis - Music in Images
  • From: Arjun Gupta
• Job opportunity
  • From: Al Bregman
• Postdoctoral position in auditory neuroethology
  • From: Mark Allen Bee
• Call for papers: AES 42nd Conference on Semantic Audio, Ilmenau, Germany, July 22-24, 2011
  • From: Anssi Klapuri
• CFP: Special Issue on Virtual and Mixed Reality Intelligent Environments
  • From: Harma, Aki
• Hearing Loss "False Positives"
  • From: Kevin Austin
• REMINDER: CFP Ircam Musical Research Residency 2011-2012
  • From: Arshia Cont
• AW: Hearing Loss "False Positives"
  • From: reinifrosch@xxxxxxxxxx
• Re: AW: Hearing Loss "False Positives"
  • From: Harriet B. Jacobster, AuD
• Re: Hearing Loss "False Positives"
  • From: reinifrosch@xxxxxxxxxx
• Fwd: Re: Hearing Loss "False Positives"
  • From: Harriet B. Jacobster, AuD
• Re: Hearing Loss "False Positives"
  • From: James Johnston
• Re: Hearing Loss "False Positives"
  • From: reinifrosch@xxxxxxxxxx
• Re: Hearing Loss "False Positives"
  • From: Jeffrey Willson
• Re: Hearing Loss "False Positives"
  • From: Laszlo Toth
• Re: loud music
  • From: Bill Thompson
• Echolocation
  • From: S.L. ARKETTE
• Re: Hearing Loss "False Positives"
  • From: reinifrosch@xxxxxxxxxx
• Re: loud music
  • From: Edward Large
• Re: loud music
  • From: Barry Blesser
• Re: Echolocation
  • From: Barry Blesser
• Re: loud music
  • From: Martin Braun
• Why it has to be played loud
  • From: Brian Gygi
• Re: Why it has to be played loud
  • From: James Johnston
• Re: loud music
  • From: Ward R Drennan
• Re: Why it has to be played loud
  • From: Alexandre Lehmann
• stable I/O SYNCH audio card devices on linux
  • From: Salvador Aguinaga
• Re: Why it has to be played loud
  • From: Gossmann, Joachim
• Re: Why it has to be played loud
  • From: Matthew McCabe
• Loud music
  • From: Linda Seltzer
• Re: Loud music
  • From: Bruno L. Giordano
• Re: Echolocation
  • From: Tom Brennan
• Re: Loud music
  • From: alex olsen
• Re: Loud music
  • From: David John SMith
• Re: Hearing Loss "False Positives"
  • From: Al Bregman
• Re: Why it has to be played loud
  • From: reinifrosch@xxxxxxxxxx
• PhD thesis announcement
  • From: Gautham J. Mysore
• Re: Why it has to be played loud
  • From: Kevin Austin
• Re: Why it has to be played loud
  • From: reinifrosch@xxxxxxxxxx
• Re: Loud music / Lady Gaga
  • From: Matthew McCabe
• Re: Why it has to be played loud
  • From: Martin Braun
• Cultural consonance
  • From: Kevin Austin
• Dissonance with integration?
  • From: Kevin Austin
• Re: Dissonance with integration?
  • From: Martin Braun
• Re: Dissonance with integration?
  • From: Matthew McCabe
• Re: Dissonance with integration?
  • From: reinifrosch@xxxxxxxxxx
• Re: Dissonance with integration?
  • From: Martin Braun
• Re: Loud music
  • From: Brian Gygi
• Re: Loud music - examples
  • From: Linda Seltzer
• On the political correctness of dissonance
  • From: Kevin Austin
• Re: Loud music - examples
  • From: Van Besouw R.M.
• Re: Loud music - examples
  • From: Laszlo Toth
• Re: Music listening styles
  • From: Guy Madison
• Open positions at UCL Cognitive, Perceptual and Brain Sciences
  • From: Stuart Rosen
• Re: Music listening styles
  • From: Leon van Noorden
• Re: Loud music - examples
  • From: Hermes, D.J.
• Re: Music listening styles
  • From: Harriet B. Jacobster, AuD
• Re: Music listening styles
  • From: Borden, Lawrence
• Pink music
  • From: Stephane Laurent Bungener
• Re: Music listening styles
  • From: Leon van Noorden
• faculty position
  • From: Tollin, Daniel
• Re: Loud music
  • From: James Johnston
• Re: Loud music
  • From: alex olsen
• Fwd: NYU "Music and the Moving Image" Conference: CALL FOR PAPERS
  • From: Dan Ellis
• Re: AUDITORY Digest - 26 Sep 2010 to 27 Sep 2010 - Special issue (#2010-228)
  • From: karan behar
• Re: Loud music
  • From: James Johnston
• Fwd: Call for Contributions: DMRN+5: Digital Music Research Network One-day Workshop 2010
  • From: Mathieu Barthet
• Re: AUDITORY Digest - 26 Sep 2010 to 27 Sep 2010 - Special issue (#2010-228)
  • From: R K Moore
• Re: Hearing Loss "False Positive"
  • From: Torben Poulsen
• Re: Pink music
  • From: Bob Masta
• Faculty Postion
  • From: Johnson, Tiffany
• Re: Loud music - examples
  • From: Rowan D.
• Re: Hearing Loss "False Positive"
  • From: Jeffrey Willson
• Re: Hearing Loss "False Positive"
  • From: Kevin Austin
• Re: Pink music
  • From: John ffitch
• B&K PULSE 3560C +".DAT" FILES
  • From: Julian Villegas
• Re: B&K PULSE 3560C +".DAT" FILES
  • From: Sam Jelfs
• Re: B&K PULSE 3560C +".DAT" FILES
  • From: Heriberto Avelino
• (Deadline extended) CFP Ircam Musical Research Residency 2011-2012
  • From: Arshia Cont
• Faculty Position
  • From: Ben Dyson
• Seeking two missing spectrogram tutorials
  • From: Stuart Rosen
• Re: Seeking two missing spectrogram tutorials
  • From: Richard F. Lyon
• Thanks to ...
  • From: Stuart Rosen
• About importance of "phase" in sound recognition
  • From: emad burke
• about pitch perception in noise
  • From: Ximing Li
• Re: About importance of "phase" in sound recognition
  • From: Kevin Austin
• Re: About importance of "phase" in sound recognition
  • From: Joachim Thiemann
• Re: About importance of "phase" in sound recognition
  • From: Laszlo Toth
• Re: About importance of "phase" in sound recognition
  • From: emad burke
• Re: About importance of "phase" in sound recognition
  • From: Daniel Möhlmann
• Re: About importance of "phase" in sound recognition
  • From: Laszlo Toth
• Paper on phase sensitivity
  • From: Brian C. J. Moore
• Re: About importance of "phase" in sound recognition
  • From: reinifrosch@xxxxxxxxxx
• Re: About importance of "phase" in sound recognition
  • From: Roy Patterson
• Re: About importance of "phase" in sound recognition
  • From: Bob Carlyon
• Re: About importance of "phase" in sound recognition
  • From: Bob Masta
• Re: About importance of "phase" in sound recognition
  • From: Gilles Degottex
• Phase & Hearing Impairment
  • From: Jon Boley
• Re: About importance of "phase" in sound recognition
  • From: Ken Schutte
• Re: AUDITORY Digest - 26 Sep 2010 to 27 Sep 2010 - Special issue (#2010-228)
  • From: karan behar
• Marie Curie post-doc position
  • From: fabien gouyon
• Symposium on Neuroscience, Healing, and Music
  • From: Psyche Loui
• 2011 Scholarships Now Available: MARCS Auditory Laboratories, Sydney, Australia
  • From: Kate Stevens
• Re: About importance of "phase" in sound recognition
  • From: reinifrosch@xxxxxxxxxx
• About importance of "phase" in sound recognition
  • From: Parncutt, Richard (richard.parncutt@xxxxxxxxxxx)
• Re: About importance of "phase" in sound recognition
  • From: Laszlo Toth
• Re: About importance of "phase" in sound recognition
  • From: ita katz
• Re: About importance of "phase" in sound recognition
  • From: ita katz
• Re: About importance of "phase" in sound recognition
  • From: Laszlo Toth
• Re: About importance of "phase" in sound recognition
  • From: Laszlo Toth
• Re: About importance of "phase" in sound recognition
  • From: Kevin Austin
• About importance of "phase" in sound recognition: Helmholtz experiment
  • From: Roy Patterson
• Re: About importance of "phase" in sound recognition
  • From: James W. Beauchamp
• Re: About importance of "phase" in sound recognition
  • From: Kevin Austin
• Research Lectureship in Cognitive Science (Rhythm and Timing), MARCS Auditory Labs, UWS, Australia
  • From: Kate Stevens
• 2011 Workshop Speech in Noise, Lyon, 6-7th January
  • From: LAVANDIER mathieu
• Re: About importance of "phase" in sound recognition
  • From: reinifrosch@xxxxxxxxxx
• Postdoc Research Assistant: Sparse Representations for Audio Signals
  • From: Mark Plumbley
• Re: About importance of "phase" in sound recognition
  • From: Laszlo Toth
• Re: About importance of "phase" in sound recognition
  • From: emad burke
• Re: Importance of "phase" in short frequency chirps
  • From: Roy Patterson
• Re: About importance of "phase" in sound recognition
  • From: Joachim Thiemann
• Re: About importance of "phase" in sound recognition
  • From: James Johnston
• Re: About importance of "phase" in sound recognition
  • From: James Johnston
• Re: About importance of "phase" in sound recognition
  • From: Steve Beet
• Re: About importance of "phase" in sound recognition
  • From: reinifrosch@xxxxxxxxxx
• phoneme research/music
  • From: Susie Allen
• Faculty position at the University of Maryland
  • From: Monita Chatterjee
• Re: About importance of "phase" in sound recognition
  • From: Joachim Thiemann
• Re: About importance of "phase" in sound recognition
  • From: Fred Herzfeld
• Tenure Track Faculty Position
  • From: Richard E Pastore
• Re: About importance of "phase" in sound recognition
  • From: James Johnston
• Re: About importance of "phase" in sound recognition
  • From: Joachim Thiemann
• Fwd: [AUDITORY] About importance of "phase" in sound recognition
  • From: Kevin Austin
• Re: About importance of "phase" in sound recognition
  • From: James Johnston
• Fwd: otoacoustic emissions
  • From: Kevin Austin
• Re: About importance of "phase" in sound recognition
  • From: James W. Beauchamp
• Importance of "phase" in sound recognition
  • From: John Bates
• Re: About importance of "phase" in sound recognition
  • From: David John SMith
• Re: About importance of "phase" in sound recognition
  • From: James Johnston
• Re: Importance of "phase" in sound recognition
  • From: ita katz
• Re: About importance of "phase" in sound recognition
  • From: Daniel Möhlmann
• Re: About importance of "phase" in sound recognition
  • From: Roy Patterson
• Announcing the PASCAL 'CHiME' Speech Separation and Recognition Challenge
  • From: jon
• Offer for a post-doc: UNDERSTANDING AND MODELING OF THE INFLUENCE OF AUDIO ON VISUAL PERCEPTION
  • From: Huynh-Thu Quan
• Pitch extraction by template matching
  • From: Roberta Santoro
• Re: About importance of "phase" in sound recognition
  • From: James Johnston
• Re: About importance of "phase" in sound recognition
  • From: James Johnston
• KayPentax Disordered Voice Database
  • From: Olaf Schleusing (audio)
• Re: KayPentax Disordered Voice Database
  • From: Shrivastav,Rahul
• Re: AUDITORY Digest - 11 Oct 2010 to 12 Oct 2010 (#2010-246)
  • From: Philip Robinson
• Re: About importance of "phase" in sound recognition
  • From: emad burke
• Job Openings Advanced Bionics European Research Center
  • From: Hamacher, Volkmar
• Second faculty position at the University of Maryland
  • From: Rochelle Newman
• Forum Acusticum 2011 Call for Structured Sessions
  • From: Ville Pulkki
• Rosalind Franklin Fellowships at the University of Groningen, The Netherlands
  • From: Deniz Baskent
• Information on dismantling a sound booth
  • From: Pete Howell
• That old chestnut ...
  • From: Stuart Rosen
• CfP: Special Issue on Interactive Sonification - Springer Journal on Multimodal User Interfaces (JMUI)
  • From: Roberto Bresin
• Fwd: Exploring the Mind through Music 2011
  • From: Dan Ellis
• Re: That old chestnut ...
  • From: Bob Masta
• Save the date: CIAP 2011 July 24-28 2011, Asilomar Conference Center, Pacific Grove CA
  • From: Ruth Litovsky
• JHU Summer Workshops - Call for team research proposals
  • From: Mounya Elhilali
• New position at Northwestern University
  • From: Sumitrajit Dhar
• Ph.D. Studentship available
  • From: Brian C. J. Moore
• VRIC Workshop on "Haptics for Telepresence, Teleoperation and Collaborative Environments"
  • From: Lorenzo Picinali
• Re: About importance of "phase" in sound recognition.
  • From: reinifrosch@xxxxxxxxxx
• Evaluation of sound coding models
  • From: Daniel Möhlmann
• Gaetan Gilbert deceased, Oct 2010
  • From: Dan Ellis
• List of words used in speech audiometry?
  • From: Stuart Rosen
• Two Tenure Track Positions at ASU
  • From: William Yost
• Postdoc and Graduate Stipends in ACN
  • From: Caroline Palmer
• Three output channel DPOAE probe
  • From: Peter Johannesen
• PhD and Post-Doc positions available at UTD
  • From: Philip Loizou
• Postdoctoral position in auditory neuroscience at University of Pennsylvania
  • From: Maria Neimark Geffen
• Hair cells
  • From: Kevin Austin
• Assistant Professor Position
  • From: Lawrence Rosenblum
• New Textbook "Auditory Neuroscience"
  • From: Jan Schnupp
• Re: New Textbook "Auditory Neuroscience"
  • From: Jan Schnupp
• Call for Participation: Machine Listening Workshop, 20th December 2010, Queen Mary University of London
  • From: Matthew Davies
• Re: New Textbook "Auditory Neuroscience"
  • From: Jan Schnupp
• Position at Northwestern
  • From: Sumitrajit Dhar
• Assistant Professor - University of Louisville
  • From: Pavel Zahorik
• Ph.D. in Speech and Hearing Science at The Ohio State University
  • From: Larry Feth
• Positions for Graduate students in Computing Science, Simon Fraser University (Musical Acoustics and Sound Analysis/Synthesis)
  • From: Tamara Smyth
• CfP EmoSPACE 2011
  • From: Bjoern Schuller
• Cochlear implant research in Cambridge
  • From: Bob Carlyon
• University of Utah Department of Communication Sciences & Disorders 2011 Audiology Faculty Search Announcement
  • From: Sarah Hargus Ferguson
• Call for abstracts, CMMR2011 with FRSM in India, 9-12 March 2011
  • From: Solvi Ystad
• Call for Contributions: DMRN+5: Digital Music Research Network One-day Workshop 2010
  • From: Mark Plumbley
• workshop Speech in Noise 2011: registration is open
  • From: Gaston Hilkhuysen
• CfP Special Issue of Computer Speech and Language on Paralinguistics in Naturalistic Speech and Language
  • From: Bjoern Schuller
• Chair of Audiology at the UCL Ear Institute
  • From: Stuart Rosen
• An ASA cue for phase information
  • From: azam rabiei
• Neuroscience, Music, and Healing Symposium: two weeks before submission and early registration deadline
  • From: Psyche Loui
• Call for papers: AES 42nd Conference on Semantic Audio, Ilmenau, Germany, July 22-24, 2011
  • From: Anssi Klapuri
• Mozaiek grants for a PhD in the Netherlands
  • From: Deniz Baskent
• Book availability
  • From: Brian C. J. Moore
• Subscription probe for AUDITORY - please ignore
  • From: McGill University NCS LISTSERV Server (14.5)
• acoustic ray tracing
  • From: John Culling
• Re: acoustic ray tracing
  • From: Tapio Lokki
• SIX POST-DOCS AT MACQUARIE UNIVERSITY
  • From: Bill Thompson
• Audio Engineering Society 130th Convention, London, May 2011- Call for Papers
  • From: Josh Reiss
• Re: An ASA cue for phase information
  • From: Steve Beet
• 2nd call for participation to SMC2011 - Call for Music
  • From: federico avanzini
• Abstract on SOAEs.
  • From: reinifrosch@xxxxxxxxxx
• Special Session proposal for IJCNN 2011, San Jose, CA
  • From: Harry Erwin
• TR : Call for Participation: DMRN+5: Digital Music Research Network One-day Workshop 2010
  • From: Mathieu Barthet
• Tenure track position in Music Theory/Cognition
  • From: Michael Schutz
• First International Conference on Cognitive Hearing Scienc e for Communication, June 19-22, 2011 in Linköping , Sweden
  • From: Thomas Lunner
• Call for papers: SMPC 2011
  • From: Peter Quentin Pfordresher
• Associate professor in Communication Acoustics and Audiology, Technical University of Denmark
  • From: Torben Poulsen
• Job available: Acoustics Test Specialist
  • From: Scott Pennock
• CFP - MAMCA2011 - Workshop on Multimodal Audio-based Multimedia Content Analysis
  • From: XAVIER ANGUERA MIRO
• Job offer: Audiologist for CI Fitting Team
  • From: Büchler Michael Dr.
• CFP: Special Issue on Virtual and Mixed Reality Intelligent Environments
  • From: Harma, Aki
• 2nd CfP EmoSPACE 2011 - Submission deadline extended to 19 Dec 2010
  • From: Bjoern Schuller
• Extended submission deadline for CMMR2011 with FRSM in India, 9-12 March 2011
  • From: Solvi Ystad
• 2nd CfP: Extended submission deadline for Special Issue on Interactive Sonification - Springer Journal on Multimodal User Interfaces (JMUI)
  • From: Roberto Bresin
• Call for papers reminder: 130th Audio Engineering Society Convention, London, May 2011
  • From: Josh Reiss
• looking for a paper
  • From: Ximing Li
• Re: looking for a paper
  • From: Richard F. Lyon
• Special ASA session in the news
  • From: Antonio Miller
• Last CfP EmoSPACE 2011 - Submission deadline extended to 30 Dec 2010
  • From: Bjoern Schuller
• Rhythmic discrimination fovea?
  • From: Eliot Handelman
• SV: [AUDITORY] Rhythmic discrimination fovea?
  • From: Guy Madison
• Re: SV: [AUDITORY] Rhythmic discrimination fovea?
  • From: Eliot Handelman
• Signals and Systems in Speech and Hearing, 2nd edition
  • From: Stuart Rosen
• Re: SV: [AUDITORY] Rhythmic discrimination fovea?
  • From: Leon van Noorden
• Forum Acusticum 2011 abstract deadline soon!
  • From: Ville Pulkki
• Re: AUDITORY Digest - 20 Dec 2010 to 21 Dec 2010 (#2010-293)
  • From: Nikolai Novitski
• DAFX 2011: Call for Paper
  • From: Geoffroy Peeters
• pages 1265-1266 from Perception, 23(11), 1994?
  • From: Henkjan Honing
• pages 1265-1266 from Perception, 23(11), 1994?
  • From: Henkjan Honing
• .mov --> .mpeg --> DVD conversion
  • From: Mary Andrianopoulos
• Re: .mov --> .mpeg --> DVD conversion
  • From: Alexandre Lehmann
• Fwd: .mov --> .mpeg --> DVD conversion
  • From: Kevin Austin
• Fwd: .mov --> .mpeg --> DVD conversion
  • From: Kevin Austin
• Re: SV: [AUDITORY] Rhythmic discrimination fovea?
  • From: David Little
• Sound head of the 'Moviola'
  • From: ita katz
• seeking a paper
  • From: Yang-soo Yoon
• Re: Sound head of the 'Moviola'
  • From: Sam Jelfs
• Re: Sound head of the 'Moviola'
  • From: ita katz
• Measuring acoustic noise of MRI scanner
  • From: Fatima Husain
• Re: Sound head of the 'Moviola'
  • From: ita katz
• Re: Sound head of the 'Moviola'
  • From: Bob Masta
• Re: Measuring acoustic noise of MRI scanner
  • From: Abbs, Brandon,Ph.D.
• Re: Sound head of the 'Moviola'
  • From: Kevin Austin
• Re: Sound head of the 'Moviola'
  • From: Kevin Austin
• Re: Sound head of the 'Moviola'
  • From: James Johnston
• Re: Sound head of the 'Moviola'
  • From: Steve Beet
• Re: Sound head of the 'Moviola'
  • From: ita katz