AUDITORY posting archive 2001

• Thread Index

• [AUD] Richard Rutkowski: Near-field speakers for animal studies
  • From: Dan Ellis
• Re: periodicity
  • From: Stephen McAdams
• Help!
  • From: cel1053
• Re: Help!
  • From: Tom Brennan
• Faculty positions available
  • From: DeLiang Wang
• Research Opportunities in CASA at OSU
  • From: DeLiang Wang
• Re: [Neural] From representation in AN to speech perception cues
  • From: Jont Allen
• phase-locking
  • From: Neil Todd
• Free software for stimulus delivery/experimental control
  • From: David L. Woods
• Hearing Range of Walleye and Bass
  • From: Aaron Hastings
• Directional Perception
  • From: John G. Neuhoff
• Re: Directional Perception
  • From: Tom Brennan
• Call for participation--SMPC2001
  • From: Lola L. Cuddy
• Re: Directional Perception
  • From: John Neuhoff
• Fw: Post Doc needed at Western
  • From: Al Bregman
• inexpensive recording technology
  • From: Aniruddh Patel
• Re: inexpensive recording technology
  • From: Brian Gygi
• Re: inexpensive recording technology
  • From: mup1dm
• Re: inexpensive recording technology
  • From: Mark Ballora
• [no subject]
  • From: Yale E. Cohen
• Re: inexpensive recording technology
  • From: daniel salomons
• Re: Directional Perception
  • From: Bradley Wood Libbey
• Re: Directional Perception
  • From: Tom Brennan
• postdoc position
  • From: Sid P. Bacon
• Help on cochlea model.............
  • From: Yadong Wang
• sounds too loud
  • From: Jont Allen
• Re: sounds too loud
  • From: Jeff Bilmes
• Re: sounds too loud
  • From: Tom Brennan
• Re: sounds too loud
  • From: Brent Edwards
• Re: sounds too loud
  • From: Tom Brennan
• Re: sounds too loud
  • From: Tom Brennan
• Re: sounds too loud
  • From: Tom Brennan
• Re: sounds too loud
  • From: Brent Edwards
• Re: sounds too loud
  • From: stallen
• Re: sounds too loud
  • From: Daniel Levitin
• Job opportunity at Oticon, Copenhagen
  • From: Lars Bramsløw
• old JASA's
  • From: James W. Beauchamp
• Re: old JASA's
  • From: MORI Koichi
• Re: old JASA's
  • From: Jont Allen
• [AUD]: "Song Stuck in Your Head" phenomenon
  • From: Dan Ellis
• Re: [AUD]: "Song Stuck in Your Head" phenomenon
  • From: Tom Brennan
• new JASA CD-ROMs
  • From: James W. Beauchamp
• Re: [AUD]: "Song Stuck in Your Head" phenomenon
  • From: Mike Ravicz
• Re: [AUD]: "Song Stuck in Your Head" phenomenon
  • From: Tom Brennan
• Re: [AUD]: "Song Stuck in Your Head" phenomenon
  • From: Greg O'Beirne
• Re: [AUD]: "Song Stuck in Your Head" phenomenon
  • From: Christian Spevak
• Re: sounds too loud
  • From: Martin Braun
• Re: sounds too loud
  • From: Martin Braun
• JASA CDROM on the MAC: Printing problem
  • From: Jont Allen
• Re: sounds too loud
  • From: Tom Brennan
• Re: [AUD]: "Song Stuck in Your Head" phenomenon
  • From: Lonce Wyse
• Re: [AUD]: "Song Stuck in Your Head" phenomenon
  • From: Roland Mathijssen
• Re: sounds too loud
  • From: Jont Allen
• Ohrwurm
  • From: Christian Kaernbach
• Fw: from Pascal, friend of Tony Myatt
  • From: Peter Lennox
• Intelligibility of reversed speech, Why?
  • From: Yadong Wang
• Interesting dichotic effect
  • From: Mitchell Sommers
• Re: Intelligibility of reversed speech, Why?
  • From: John Hershey
• Re: Interesting dichotic effect
  • From: robert bolia
• Re: Intelligibility of reversed speech, Why?
  • From: Jont Allen
• Re: Interesting dichotic effect
  • From: Jesteadt, Walt
• interesting dichotic effect
  • From: Diana Deutsch
• Re: Interesting dichotic effect
  • From: Al Bregman
• Re: Curious dichotic effect
  • From: Pierre Divenyi
• Re: Intelligibility of reversed speech, Why?
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• Re: Intelligibility of reversed speech, Why?
  • From: Ward Drennan
• Re: Intelligibility of reversed speech, Why?
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• Re: Intelligibility of reversed speech, Why?
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• Re: Intelligibility of reversed speech, Why?
  • From: Jont Allen
• FW: Intelligibility of reversed speech, Why?
  • From: Yadong Wang
• Re: Curious dichotic effect
  • From: Sanja Dupor
• manuscript in press
  • From: Claude Alain
• Re: FW: Intelligibility of reversed speech, Why?
  • From: John Hershey
• Re: Intelligibility of reversed speech, Why?
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• Simple demonstrations
  • From: John ffitch
• Re: Simple demonstrations
  • From: Riccardo Coen
• Re: Simple demonstrations
  • From: Yoshitaka Nakajima
• CASA problems and solutions
  • From: John K. Bates
• Re: Simple demonstrations
  • From: Al Bregman
• Re: CASA problems and solutions
  • From: Al Bregman
• Re: CASA problems and solutions
  • From: John Culling
• Re: CASA problems and solutions
  • From: DeLiang Wang
• sound synthesis program
  • From: G.Robert Arrabito
• Re: CASA problems and solutions
  • From: Ward Drennan
• Re: CASA problems and solutions
  • From: John K. Bates
• Re: CASA problems and solutions
  • From: John K. Bates
• musical illusions
  • From: Riccardo Coen
• Post-Doc Position to study cortical responses to cochlear implant stimulation
  • From: John Middlebrooks
• Re: CASA problems and solutions
  • From: John K. Bates
• Re: CASA problems and solutions
  • From: James W. Beauchamp
• summary to my post concerning a program for doing sound synthesis
  • From: G.Robert Arrabito
• Re: summary to my post concerning a program for doing sound synthesis
  • From: Ben Woodeson
• ASA - Chicago
  • From: W. M. Hartmann
• Re: CASA problems and solutions
  • From: Pierre Divenyi
• Re: CASA problems and solutions
  • From: Al Bregman
• Re: CASA problems and solutions
  • From: DeLiang Wang
• Re: CASA problems and solutions
  • From: Peter Cariani
• Re: spatial separation and ASA
  • From: Al Bregman
• Re: CASA discussion
  • From: Al Bregman
• Re: spatial separation and ASA
  • From: John Culling
• Re: CASA problems and solutions
  • From: Dr.-Ing. Uwe Baumann
• Re: CASA problems and solutions
  • From: Peter Meijer
• Re: spatial separation and ASA
  • From: Ward Drennan
• Re: summary to my post concerning a program for doing sound synthesis
  • From: Kevin L. Baker
• Re: summary to my post concerning a program for doing sound synthesis
  • From: John ffitch
• Re: spatial separaton
  • From: Peter Lennox
• NYTimes.com Article: Research Suggests Great Conductors Can Tune In
  • From: Bo Gehring
• my request for info on Apple Mac audio packages.
  • From: Ben Woodeson
• Re: spatial separaton
  • From: Al Bregman
• Re: spatial separaton
  • From: mup1dm
• All the information I got on Mac sound Apps
  • From: Ben Woodeson
• Re: summary to my post concerning a program for doing sound synthesis
  • From: Jim Stevenson
• Q: Looking for audio-visual database
  • From: gina
• Re: Q: Looking for audio-visual database
  • From: John Hershey
• Appendix re. Schouten's triangle, etc.
  • From: John K. Bates
• [Fwd: job in UK]
  • From: Aniruddh Patel
• perceptual learning
  • From: Claude Alain
• postdoc position available now
  • From: A.Watkins
• developing software
  • From: Christian Kaernbach
• Cognitive/Quantitative Psychologist Opening
  • From: Daniel Levitin
• MOTOROLA STUDENTSHIPS in SPEECH RECOGNITION
  • From: Phil Green
• CFP of special issue of SPEECH COMMUNICATION on speech processing for hearing aids
  • From: Luo, Fa Long (Redwood City)
• 19. Danavox Symposium
  • From: Torben Poulsen
• Analytical approach to temporal coding, CASA and other matters
  • From: Ramdas Kumaresan
• FW: "audioshock"
  • From: Andrew Bell
• Information loss (Re: Analytical approach to temporal coding...)
  • From: Dan Ellis
• Re: Information loss (Re: Analytical approach to temporal coding...)
  • From: John Hershey
• Get lost, Mr. Cochlea!! --- The Brain
  • From: Yadong Wang
• resonant dynamics of speech perception
  • From: Stephen Grossberg
• Re: Get lost, Mr. Cochlea!! --- The Brain
  • From: Michael Norris
• Re: Get lost, Mr. Cochlea!! --- The Brain
  • From: Al Bregman
• Re: Information loss (Re: Analytical approach to temporal coding...)
  • From: Ramdas Kumaresan
• PostDoc Fellowship at NIDCD/NIH
  • From: Fatima Husain
• Sensitivity across frequency
  • From: B Suresh Krishna
• Re: Get lost, Mr. Cochlea!! --- The Brain
  • From: Jont Allen
• Get lost, Mr. Cochlea!
  • From: John K. Bates
• Re: Get lost, Mr. Cochlea!
  • From: Mikael.Fernstrom
• meaning
  • From: Bill Noble
• Latin lady provides actuality
  • From: Eckard Blumschein
• More ecological theory please
  • From: Paul Treffner
• Re: Get lost, Mr. Cochlea!! --- The Brain (Jont Allen )
  • From: Ramdas Kumaresan
• Modifying speech
  • From: Fatima Husain
• Re: Get lost, Mr. Cochlea!! --- The Brain (Jont Allen )
  • From: David Mountain
• Masking ... was Re: Get lost, Mr. Cochlea!! --- The Brain (Jont Allen )
  • From: flatmax
• Re: Modifying speech
  • From: Pascal BELIN
• Thanks! Re: modifying speech.
  • From: Fatima Husain
• Re: Modifying speech
  • From: Jont Allen
• Velocity of travelling wave in the cochlea
  • From: Annemarie Seither-Preisler
• CASA in the lateral plane for 2 channel loudspeaker
  • From: John
• FW: modifying speech
  • From: Fatima Husain
• Informational Masking
  • From: Peter Lennox
• Re: meaning / Gibson
  • From: Peter Lennox
• Re: meaning / Gibson
  • From: Paul Treffner
• Re: meaning / Gibson
  • From: Pierre Divenyi
• Re: Informational Masking
  • From: Jont Allen
• Re: meaning / Gibson
  • From: Al Bregman
• Re: Informational Masking
  • From: Christian Kaernbach
• modifying speech
  • From: Stuart Rosen
• modifying speech -- correction
  • From: Stuart Rosen
• Re: Informational Masking
  • From: Bill Schottstaedt
• meaning / Gibson (and moderation)
  • From: John G. Neuhoff
• Re: Informational Masking
  • From: Peter Lennox
• Re: Informational Masking
  • From: Christian Kaernbach
• Re: meaning / Gibson
  • From: Peter Lennox
• Re: Informational Masking
  • From: Peter Lennox
• meaning / Gibson (and moderation)
  • From: Stephen Grossberg
• Re: Gibson
  • From: Al Bregman
• Job announcement in Finland
  • From: Stephen McAdams
• Re: Get lost, Mr. Cochlea!! --- The Brain (Jont Allen )
  • From: Jont Allen
• Re: Gibson
  • From: Christian Kaernbach
• Re: Gibson
  • From: Peter Lennox
• Readership/Professorship in Auditory Psychophysics/Computational Neuroscience
  • From: Sue Denham
• real-time information
  • From: Eckard Blumschein
• Re: real-time information
  • From: Paris Smaragdis
• Re: Gibson
  • From: Al Bregman
• Re: Gibson
  • From: Christian Kaernbach
• Re: Gibson
  • From: Christian Kaernbach
• Helsinki Summer School in Cognitive Neuroscience 2001
  • From: Titia van Zuijen
• Suggested readings
  • From: Riccardo Coen
• New progress report from Phonetics & Linguistics, UCL
  • From: Stuart Rosen
• Re: real-time information
  • From: Eckard Blumschein
• Re: real-time information
  • From: Paris Smaragdis
• Re: Get lost, Mr. Cochlea!! --- The Brain (Jont Allen )
  • From: Ramdas Kumaresan
• real-time information
  • From: Ramdas Kumaresan
• [no subject]
  • From: Eckard Blumschein
• Claude Shannon
  • From: Neil Todd
• Re: Claude Shannon
  • From: Laura A. Drake
• SOLA
  • From: Stuart Rosen
• pitch shifting algorithm
  • From: flatmax
• Audio recording on an SGI320
  • From: Kathy Melih
• Re: Audio recording on an SGI320
  • From: Jont Allen
• audition vs. vision
  • From: Aniruddh Patel
• Re: audition vs. vision
  • From: Peter Cariani
• phoneme recognition and stimulus length
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• Re: phoneme recognition and stimulus length
  • From: Jont Allen
• Re: phoneme recognition and stimulus length
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• Re: phoneme recognition and stimulus length
  • From: Richard Pastore
• New Member - Introduction
  • From: Sheila Garfield
• Re: phoneme recognition and stimulus length
  • From: Jont Allen
• Re: phoneme recognition and stimulus length
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• How to classify/categorize sounds
  • From: Pawel Kusmierek
• Re: genetic algorithms, neural nets, making sounds?
  • From: Jim Stevenson
• Re: phoneme recognition and stimulus length
  • From: Bill Budd
• Re: How to classify/categorize sounds
  • From: Brian Gygi
• The Century Dictionary Online
  • From: Jont Allen
• music cognition symposium
  • From: Caroline Palmer
• Re: phoneme recognition and stimulus length
  • From: Pierre Divenyi
• audition vs. vision: responses
  • From: Aniruddh Patel
• Fwd: Animals in research...
  • From: Robert Zatorre
• Re: Fwd: Animals in research...
  • From: Pierre Divenyi
• Re: Fwd: Animals in research...
  • From: Dan Freed
• Re: Fwd: Animals in research...
  • From: jan schnupp
• Stimulus properties of sound streams
  • From: janet anderson
• News about ICAD 2001
  • From: Tapio Lokki
• Reminder: CRAC workshop on Consistent & Reliable Acoustic Cues
  • From: Dan Ellis
• Re: How to classify/categorize sounds
  • From: Holger Prante
• Re: Stimulus properties of sound streams
  • From: Al Bregman
• Child's scream
  • From: Torben Poulsen
• IEEE Mohonk WASPAA01 Call for Papers
  • From: Dan Ellis
• Re: Child's scream
  • From: James W. Beauchamp
• Re: Child's scream
  • From: Rebecca Mercuri
• Re: Child's scream
  • From: James W. Beauchamp
• Re: Child's scream
  • From: Rebecca Mercuri
• Child's scream
  • From: Diana Deutsch
• Re: Child's scream
  • From: Arnt Maasø
• MERL audio reseaarch internships
  • From: Michael A. Casey
• Hyperacute directional hearing
  • From: Martin Braun
• Re: Postgraduate courses in auditory perception
  • From: Al Bregman
• Development System for Auditory Modelling (ne' LUTEar) and Application released
  • From: OMard, Lowel P
• audtion & the cerebellum
  • From: Aniruddh Patel
• Re: audtion & the cerebellum
  • From: David Mountain
• Re: aud illusions, Dianna Deutsch?
  • From: Bob Masta
• Re: audtion & the cerebellum
  • From: Neil Todd
• bibliographic files
  • From: Jont Allen
• auditory illusions
  • From: Diana Deutsch
• Re: aud illusions, Dianna Deutsch?
  • From: Jim Stevenson
• Loudness of sounds
  • From: Fatima Husain
• Re: Loudness of Sounds
  • From: Fatima Husain
• Pe\~{n}a and Konishi Paper in latest Science
  • From: Harry Erwin
• Pe\~{n}a and Konishi Paper in latest Science (Correction)
  • From: Harry Erwin
• [no subject]
  • From: Yadong Wang
• d' calculation
  • From: Mitchell Sommers
• Armadillo upgrade
  • From: James W. Beauchamp
• Cat Purrs
  • From: Ross A Hendler
• Re: Cat Purrs
  • From: Martin Braun
• Why the music is music and the noise is noise?
  • From: Yadong Wang
• Re: Why the music is music and the noise is noise?
  • From: Brian Gygi
• Re: Why the music is music and the noise is noise?
  • From: James W. Beauchamp
• Re: Why the music is music and the noise is noise?
  • From: Pierre Divenyi
• Re: Why the music is music and the noise is noise?
  • From: Tom Brennan
• Re: Why the music is music and the noise is noise?
  • From: William L Martens
• Re: Why the music is music and the noise is noise?
  • From: Paul Treffner
• Re: Why the music is music and the noise is noise?
  • From: Peter Lennox
• Re: Why the music is music and the noise is noise?
  • From: Tom Brennan
• Re: Why the music is music and the noise is noise?
  • From: Ross A Hendler
• Re: Why the music is music and the noise is noise?
  • From: James W. Beauchamp
• Re: Why the music is music and the noise is noise?
  • From: Julian Vrieslander
• Re: Why the music is music and the noise is noise?
  • From: Tom Brennan
• Re: Why the music is music and the noise is noise?
  • From: Christian Kaernbach
• Re: Why the music is music and the noise is noise?
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• Re: Why the music is music and the noise is noise?
  • From: Beerends, J.G.
• Re: Why the music is music and the noise is noise?
  • From: Jeff Bilmes
• Re: Why the music is music and the noise is noise?
  • From: Ward Drennan
• Re: Why the music is music and the noise is noise?
  • From: Peter Meijer
• Re: Why the music is music and the noise is noise?
  • From: Bill Budd
• Re: Why the music is music and the noise is noise?
  • From: Bob Masta
• Re: Why the music is music and the noise is noise?
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• Re: Why the music is music and the noise is noise?
  • From: Biao Tian PhD
• Re: Why the music is music and the noise is noise?
  • From: Mikael.Fernstrom
• Re: Why the music is music and the noise is noise?
  • From: Pierre Divenyi
• Re: Why the music is music and the noise is noise?
  • From: Pierre Divenyi
• Re: Why the music is music and the noise is noise?
  • From: Bruno Repp (by way of Pierre Divenyi )" <repp@ALVIN.HASKINS.YALE.EDU>
• Re: Why the music is music and the noise is noise?
  • From: John Hershey
• Re: Why the music is music and the noise is noise?
  • From: Eckard Blumschein
• Re: Why the music is music and the noise is noise?
  • From: Bob Masta
• On the Grammar of Music
  • From: Martin Braun
• Re: Why the music is music and the noise is noise?
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• Re: Why the music is music and the noise is noise?
  • From: eliot handelman
• Fw: Why the music is music and the noise is noise?
  • From: Peter Lennox
• Fw: Re: Why the music is music and the noise is noise?
  • From: Peter Lennox
• Re: Fw: Why the music is music and the noise is noise?
  • From: Tom Brennan
• Re: Why the music is music and the noise is noise?
  • From: James W. Beauchamp
• CFP: DAFx-01
  • From: Mikael.Fernstrom
• Re: On the Grammar of Music
  • From: Robert Zatorre
• Re: On the Grammar of Music
  • From: Martin Braun
• Re: On the Grammar of Music
  • From: O.T.Furnes
• Re: Why the music is music and the noise is noise?
  • From: Bob Masta
• Re: Why the music is music and the noise is noise?
  • From: John Croft
• Re: On the Grammar of Music
  • From: Martin Braun
• CRAC: Submissions deadline imminent!
  • From: Dan Ellis
• Re: On the Grammar of Music
  • From: Julian Vrieslander
• Re: On the Grammar of Music
  • From: Stephen McAdams
• Re: On the Grammar of Music
  • From: Pierre Divenyi
• Re: On the Grammar of Music and rules
  • From: Pierre Divenyi
• Speech/song experiment
  • From: David Gerhard
• Re: On the Grammar of Music
  • From: Tom Brennan
• Re: On the Grammar of Music and rules
  • From: Christian Kaernbach
• Re: On the Grammar of Music
  • From: Michael Norris
• Re: On the Grammar of Music
  • From: O.T.Furnes
• Re: Why the music is music and the noise is noise?
  • From: Sigurd Saue
• pentatonic scales
  • From: John Culling
• Re: On the Grammar of Music
  • From: Martin Braun
• Re: On the Grammar of Music
  • From: Martin Braun
• pentatonic scales
  • From: Roger Watt
• Re: On the Grammar of Music
  • From: Martin Hansen
• Re: On the Grammar of Music and rules
  • From: Luke Windsor
• Re: On the Grammar of Music
  • From: Roger Watt
• Re: On the Grammar of Music
  • From: O.T.Furnes
• Re: pentatonic scales
  • From: Bill Schottstaedt
• Re: On the Grammar of Music
  • From: Martin Braun
• Re: On the Grammar of Music
  • From: O.T.Furnes
• Re: Why the music is music and the noise is noise?
  • From: Bob Masta
• Re: On the Grammar of Music and rules
  • From: Peter Marvit
• Re: On the Grammar of Music and rules
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• Re: Why the music is music and the noise is noise?
  • From: John Culling
• Re: On the Grammar of Music and rules
  • From: Pierre Divenyi
• Re: On the Grammar of Music
  • From: Tom Brennan
• A Test For Musical Rule Recognition ??
  • From: KEVIN AUSTIN
• The cardinal error of Maess et al.
  • From: Martin Braun
• Re: On the Grammar of Music
  • From: Martin Braun
• Re: On the Grammar of Music
  • From: O.T.Furnes
• Re: On the Grammar of Music
  • From: John Croft
• Re: Why the music is music and the noise is noise?
  • From: John Croft
• Re: On the Grammar of Music
  • From: O.T.Furnes
• Re: On the Grammar of Music
  • From: Alexandra Hettergott
• Re: On the Grammar of Music
  • From: Alexandra Hettergott
• On the Grammar of Music
  • From: Christian Kaernbach
• Re: On the Grammar of Music
  • From: John Croft
• Re: On the Grammar of Music
  • From: Alexandra Hettergott
• Let's have a test on chord grammar
  • From: Martin Braun
• Re: Why the music is music and the noise is noise?
  • From: Eckard Blumschein
• Re: pentatonic scales
  • From: Dan Freed
• Re: Let's have a test on chord grammar
  • From: Alexandra Hettergott
• Musical Semant[r]ic[k]s
  • From: KEVIN AUSTIN
• Re: Musical Semant[r]ic[k]s
  • From: Martin Braun
• Re: Kevin'Semant[r]ic[k]s
  • From: Alexandra Hettergott
• Rules (music / musical) question
  • From: KEVIN AUSTIN
• Re: Rules (music / musical) question
  • From: Tom Brennan
• RESULTS of chord-grammar test
  • From: Martin Braun
• COMMENT on test results
  • From: Martin Braun
• Maternal Hen Calls
  • From: Samia Toukhsati
• Re: KEMAR mannekins company?
  • From: robert bolia
• KEMAR mannekins company?
  • From: Olivier Crouzet
• grammar and music
  • From: Daniel J. Tollin
• Re: KEMAR mannekins company?
  • From: Olivier Crouzet
• Re: COMMENT on test results
  • From: O.T.Furnes
• Re: COMMENT on test results
  • From: Alexandra Hettergott
• Re: Rules (music / musical) question
  • From: Alexandra Hettergott
• Book
  • From: Fatima Husain
• Re: Maternal Hen Calls
  • From: Alexandra Hettergott
• Re: grammar and music
  • From: Martin Braun
• Re: Book
  • From: Malcolm Slaney
• Re: Rules (music / musical) question
  • From: Rebecca Mercuri
• Re: Rules (music / musical) question
  • From: KEVIN AUSTIN
• Re: Rules (music / musical) question
  • From: Tom Brennan
• Re: perfect pitch/transposing
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• Re: Book
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• correct term is "absolute pitch"
  • From: Martin Braun
• Re: KEMAR manikins company? -- follow up
  • From: Olivier Crouzet
• perception of rise/fall times
  • From: Dennis P. Phillips, Ph.D.
• Re: KEMAR manikins company? -- follow up
  • From: Mikael.Fernstrom
• Monaural vs diotic stimulus presentation
  • From: Susan E. Hall
• sound cards and sampling rates
  • From: Susan E. Hall
• Re: sound cards and sampling rates
  • From: Malcolm Slaney
• Re: perception of rise/fall times
  • From: Jont Allen
• Absolute frequency / Perfect Pitch ??
  • From: KEVIN AUSTIN
• Re: Absolute frequency / Perfect Pitch ??
  • From: Martin Braun
• Re: perception of rise/fall times
  • From: Stuart Rosen
• Re: Absolute frequency / Perfect Pitch ??
  • From: Christian Spevak
• Re: Absolute frequency / Perfect Pitch ??
  • From: Martin Braun
• Ph.D. thesis on computational audition available
  • From: Paris Smaragdis
• hemitonic pentatonic scales
  • From: B Suresh Krishna
• Absolute frequency / Absolute color
  • From: Christian Kaernbach
• Re: Monaural vs diotic stimulus presentation
  • From: Erick Gallun
• Re: Absolute frequency / Absolute color
  • From: Martin Braun
• Re: Absolute frequency / Absolute color
  • From: Diana Deutsch
• Re: Absolute frequency / Perfect Pitch ??
  • From: Alexandra Hettergott
• Absolute Pitch / Relative Color
  • From: KEVIN AUSTIN
• Re: Absolute frequency / Absolute color
  • From: Christian Kaernbach
• IRCAM COLLOQUIUM on Form in Time
  • From: Stephen McAdams
• Re: perception of rise/fall times
  • From: $B5\:d1I0l(B
• Re: perfect pitch
  • From: Diana Deutsch
• Re: absolute frequency/absolute color
  • From: Eckard Blumschein
• AP in all of us? New evidence from speech research
  • From: Martin Braun
• ICAD2001: Registration reminder
  • From: Tapio Lokki
• Re: AP in all of us? New evidence from speech research
  • From: Rebecca Mercuri
• Re: AP in all of us? New evidence from speech research
  • From: Martin Braun
• AP of 5, rather than 12 (!)
  • From: KEVIN AUSTIN
• Re: AP in all of us? New evidence from speech research
  • From: Tom Brennan
• Re: AP in all of us? New evidence from speech research
  • From: Eckard Blumschein
• Motor theory of absolute pitch
  • From: Daniel Levitin
• Re: Motor theory of absolute pitch
  • From: Pierre Divenyi
• Re: AP in all of us? New evidence from speech research
  • From: Martin Braun
• Re: AP in all of us? New evidence from speech research
  • From: Alexandra Hettergott
• Re: AP in all of us? New evidence from speech research
  • From: David Gerhard
• Re: AP in all of us? New evidence from speech research
  • From: Tom Brennan
• Re: AP in all of us? New evidence from speech research
  • From: Tom Brennan
• Re: AP in all of us? New evidence from speech research
  • From: lonce wyse
• Re: AP in all of us? New evidence from speech research
  • From: Rebecca Mercuri
• Re: AP in all of us? New evidence from speech research
  • From: Tom Brennan
• Re: AP in all of us? New evidence from speech research
  • From: Tom Brennan
• Re: AP in all of us? New evidence from speech research
  • From: James W. Beauchamp
• Re: Chinese tone and pitch
  • From: Alexander L. Francis
• periodicity digest
  • From: O.T.Furnes
• Re: Motor theory of absolute pitch
  • From: Harry Erwin
• Re: AP in all of us? New evidence from speech research
  • From: Rebecca Mercuri
• Absolute Pitch-Class
  • From: Martin Braun
• No evidence of notes in raw speech F0
  • From: Alain de Cheveigne'
• Re: AP in all of us? New evidence from speech research
  • From: Kevin L. Baker
• Re: No evidence of notes in raw speech F0
  • From: Martin Braun
• Chinese tones
  • From: Bruno Repp
• Re: AP in all of us? New evidence from speech research
  • From: Chuck Larson
• Chinese tone imaging references
  • From: Robert Zatorre
• streams and groups
  • From: A.Watkins
• Re: streams and groups
  • From: Bruno Repp
• Re: AP in all of us? New evidence from speech research
  • From: Tom Brennan
• Re: AP in all of us? New evidence from speech research
  • From: Pierre Divenyi
• Re: streams and groups
  • From: Stephen McAdams
• Perception of rise/fall times
  • From: Dennis P. Phillips, Ph.D.
• Re: Perception of rise/fall times
  • From: Pierre Divenyi
• Re: No evidence of notes in raw speech F0
  • From: Alain de Cheveigne'
• Re: AP in all of us? New evidence from speech research
  • From: Alexandra Hettergott
• Re: AP in all of us? New evidence from speech research
  • From: Tom Brennan
• A note on notes
  • From: Bruno Repp
• Re: Perception of rise/fall times
  • From: Chris Stecker
• Re: A note on notes
  • From: John Croft
• inhibition in cortical vs. subcortical neurons
  • From: Mark Sanderson
• Re: A note on notes
  • From: Bruno Repp
• Re: A note on notes
  • From: Chris Chambers
• Re: A note on notes
  • From: John Croft
• Re: streams and groups
  • From: Al Bregman
• musical tones in speech
  • From: Martin Braun
• Re: AP in all of us? New evidence from speech research
  • From: Biao Tian PhD
• Re: musical tones in speech
  • From: Alain de Cheveigne'
• Re: A note on notes
  • From: Bruno Repp
• Re: musical tones in speech
  • From: Bruno Repp
• Re: musical tones in speech
  • From: Alain de Cheveigne'
• Re: musical tones in speech
  • From: Bruno Repp
• Re: musical tones in speech
  • From: Pierre Divenyi
• Re: streams and groups
  • From: Bruno Repp
• Re: AUDITORY Digest - 10 May 2001 (#2001-88)
  • From: Watson, Charles S
• Re: AUDITORY Digest - 10 May 2001 (#2001-88)
  • From: Bruno Repp
• Re: A note on notes
  • From: Alexandra Hettergott
• Re: AUDITORY Digest - 10 May 2001 (#2001-88)
  • From: Ward Drennan
• grouping and streaming
  • From: W. M. Hartmann
• Re: musical tones in speech
  • From: Martin Braun
• Re: musical tones in speech
  • From: Martin Braun
• Re: musical tones in speech
  • From: Alain de Cheveigne'
• Re: musical tones in speech
  • From: Alain de Cheveigne'
• Re: AUDITORY Digest - 10 May 2001 (#2001-88)
  • From: Stephen Grossberg
• Re: musical tones in speech
  • From: Martin Braun
• Re: musical tones in speech
  • From: Alain de Cheveigne'
• histograms of F0 in speech contours
  • From: Christian Kaernbach
• Re: histograms of F0 in speech contours
  • From: Alain de Cheveigne'
• scientific misconduct
  • From: Martin Braun
• Re: streams and groups
  • From: Al Bregman
• Re: histograms of F0 in speech contours
  • From: Martin Braun
• Re: histograms of F0 in speech contours
  • From: Eckard Blumschein
• Re: musical tones in speech
  • From: Pierre Divenyi
• Fwd: Re: musical tones in speech
  • From: Pierre Divenyi
• Re: streams and groups
  • From: Bruno Repp
• IRCAM COLLOQUIUM: Form in Time
  • From: Stephen McAdams
• Re: Fwd: Re: musical tones in speech
  • From: Tom Brennan
• Re: streams and groups
  • From: John K. Bates
• Re: streams and groups
  • From: Bruno Repp
• Re: streams and groups
  • From: Sigurd Saue
• Re: streams and groups
  • From: Bruno Repp
• Re: streams and groups
  • From: Alexandra Hettergott
• Re: Bates's question about claps
  • From: Al Bregman
• Re: streams and groups
  • From: Peter Lennox
• I'm forwarding this question to the auditory list for comment
  • From: Harry Erwin
• Re: Bates's question about claps
  • From: Alexandra Hettergott
• Re: streams and groups
  • From: John K. Bates
• Re: Bates's question about claps
  • From: Eckard Blumschein
• Re: Fwd: Re: musical tones in speech
  • From: Eckard Blumschein
• Re: streams and groups
  • From: Peter Lennox
• apologies
  • From: Alain de Cheveigne'
• Re: streams and groups
  • From: Israel Nelken
• Re: streams and groups
  • From: Bruno Repp
• No apologies needed
  • From: Bruno Repp
• Re: apologies
  • From: Pierre Divenyi
• Re: apologies
  • From: Tom Brennan
• Re: streams and groups
  • From: lonce wyse
• Eckard or Christian?
  • From: Pierre Divenyi
• Re: Bates's question about claps
  • From: Alexandra Hettergott
• Re: streams and groups
  • From: Alexandra Hettergott
• Questions on Stethoscopes and Hearing Aids
  • From: Harry Erwin
• Re: Eckard or Christian?
  • From: Eckard Blumschein
• Re: apologies
  • From: jan schnupp
• Self-organization of rhythmic clapping
  • From: Christian Spevak
• Re: streams and groups
  • From: Jont Allen
• Re: streams and groups
  • From: Pierre Divenyi
• Re: Eckard or Christian?
  • From: Alexandra Hettergott
• Music Without Walls Conference
  • From: John Young
• Streams
  • From: Al Bregman
• Re: Questions on Stethoscopes and Hearing Aids
  • From: Jim Stevenson
• Re: Questions on Stethoscopes and Hearing Aids
  • From: Sanja Dupor
• Re: musical tones in speech
  • From: Martin Braun
• calculating F0 on non-verbal auditory alarms
  • From: G.Robert Arrabito
• Re: pure propaganda purposes
  • From: Alain de Cheveigne'
• Studentships to attend the Asilomar cochler implant conference
  • From: Stuart Rosen
• Re: Streams
  • From: Bruno Repp
• Quick IHC question
  • From: Thomas Ulrich Christiansen
• Improving SNR on the list
  • From: DeLiang Wang
• Re: Quick IHC question
  • From: David Mountain
• Re: Quick IHC question
  • From: Jont Allen
• Re: Quick IHC question
  • From: DeLiang Wang
• AUDITORY: how to get daily digest format
  • From: Dan Ellis
• groups vs streams
  • From: David Spondike
• Inhibition in cortical vs. subcortical areas
  • From: Mark Sanderson
• Reply to Quick IHC question
  • From: jan schnupp
• Re: Reply to Quick IHC question
  • From: Tom Brennan
• proposal to solve the list SNR problem
  • From: Jont Allen
• [AUD]: ISCA Workshop on speech perception
  • From: Dan Ellis
• summary to request for calculating F0 on non-verbal auditory alarms
  • From: G.Robert Arrabito
• Extraction of F0
  • From: Geoffrey L. Collier
• Re: groups vs streams
  • From: Michael Norris
• FW: EPSRC Studentship: Speech and Language Processing
  • From: Stuart Rosen
• public library
  • From: Robert Zatorre
• Re: public library
  • From: Davide Rocchesso
• Re: public library
  • From: Franck Ramus
• wav files of instrument sounds
  • From: Christian Kaernbach
• Pre- and postdoctoral positions available
  • From: Keith Kluender
• Re: wav files of instrument sounds
  • From: James W. Beauchamp
• journals and publishing
  • From: W. M. Hartmann
• roughness equation
  • From: O.T.Furnes
• Re: wav files of instrument sounds
  • From: Mark Hasegawa-Johnson
• Re: journals and publishing
  • From: Tom Brennan
• MDS of instrument sounds
  • From: Christian Kaernbach
• Unattended streams
  • From: Al Bregman
• Delays of neural responses induced by cochlear filtering
  • From: Annemarie Seither-Preisler
• Re: Delays of neural responses induced by cochlear filtering
  • From: Pierre Divenyi
• unattended streams
  • From: Bob Carlyon
• Re: unattended streams
  • From: Michael Norris
• Re: Request for sound files of Japanese traditional instruments
  • From: Deirdre.Bolger
• blindsight
  • From: Aniruddh Patel
• Re: blindsight
  • From: Andy Vermiglio
• Re: blindsight
  • From: Tom Brennan
• Delays of neural responses
  • From: Annemarie Seither-Preisler
• Does anyone know how to find this paper
  • From: Dr J.Stevenson's research assistant
• Re: Does anyone know how to find this paper
  • From: John Neuhoff
• blindsight
  • From: Dennis P. Phillips, Ph.D.
• Re: blindsight
  • From: Dr. Leon Deouell
• Re: blindsight
  • From: Pierre Divenyi
• Research Assistant - Signal Procesing
  • From: Denis Burnham
• Fw: RESEARCH POSITION AT THE CRC
  • From: Al Bregman
• Re: lost audio mail?
  • From: Jim Stevenson
• Subjective attenuation of low frequencies?
  • From: Bruno Repp
• auditory blindsight
  • From: Bob Carlyon
• [AUD] book announcement: Machine Musicianship by Robert Rowe
  • From: Dan Ellis
• Re: Subjective attenuation of low frequencies?
  • From: Volpe, Christopher R (CRD)
• Re: Subjective attenuation of low frequencies?
  • From: Bob Masta
• Reminder: CFP DAFx01, Limerick, Ireland, Deadline for abstracts J une 15 2001
  • From: Mikael.Fernstrom
• [Fwd: technical notes on data used by Martin Braun]
  • From: Christian Kaernbach
• Re: [Fwd: technical notes on data used by Martin Braun]
  • From: Paul Boersma
• Input Device
  • From: Bernhard Laback
• Position Available
  • From: Pedro Novo
• Re: Input Device
  • From: Bob Masta
• Outer ear transfer function measured with headphones.
  • From: Enrique A. Lopez-Poveda
• Re: [Fwd: technical notes on data used by Martin Braun]
  • From: Alain de Cheveigne'
• Re: Input Device
  • From: Tom Brennan
• Re: Outer ear transfer function measured with headphones.
  • From: Bradley Wood Libbey
• Post-doc in auditory localization
  • From: Didier A. Depireux
• Re: Input Device
  • From: Tom Brennan
• Re: Input Device
  • From: Bob Masta
• ANNOUNCEMENT and CALL FOR POSTERS
  • From: Christian Kaernbach
• Data Acquistion Standards
  • From: Bradley Wood Libbey
• Postdoc position available
  • From: Emily Buss
• Re: Data Acquistion Standards
  • From: Bob Masta
• Re: Data Acquistion Standards
  • From: David Isherwood
• Re: [Fwd: technical notes on data used by Martin Braun]
  • From: Paul Boersma
• Re: [Fwd: technical notes on data used by Martin Braun]
  • From: Martin Braun
• Alias due to lamps
  • From: Eckard Blumschein
• Re: Alias due to lamps
  • From: Tom Brennan
• Zwicker's masking curves
  • From: Flax
• Re: Outer ear transfer function measured with headphones.
  • From: Henrik Møller
• Ultrasonic dental drill
  • From: Pierre Divenyi
• Re: Zwicker's masking curves
  • From: Matt Flax
• control volume trough MATLAB
  • From: Stuart Rosen
• Workshop on Sound Perception and Modelling
  • From: Davide Rocchesso
• "El Cheapo" dummy heads?
  • From: Peter Marvit
• Fw: Re: "El Cheapo" dummy heads?
  • From: Peter Lennox
• Re: "El Cheapo" dummy heads?
  • From: Henrik Møller
• Re: "El Cheapo" dummy heads?
  • From: James W. Beauchamp
• Re: "El Cheapo" dummy heads?
  • From: Sanja Dupor
• Job announcement for MEG lab
  • From: Didier A. Depireux
• Re: "El Cheapo" dummy heads?
  • From: Henrik Møller
• Those messages about "AUDITORY list edit URL"
  • From: Dan Ellis
• Re: AUDITORY Digest - 13 Jul 2001 to 14 Jul 2001 (#2001-137)
  • From: Jont Allen
• how to equalize non-speech sounds in dB(A) level
  • From: G.Robert Arrabito
• AUDITORY Digest - 16 Jul 2001 to 17 Jul 2001 (#2001-140)
  • From: Automatic digest processor
• Re: finger nails on blackboard
  • From: Bob Carlyon
• ICMPC7 - Sydney, July 17-21, 2002 - 1st Call for Papers
  • From: Kate Stevens
• AI for MATLAB
  • From: Martin Vestergaard
• Re: AI for MATLAB
  • From: Olivier Crouzet
• Two Postdoc Positions at the U.S. Army Research Laboratory
  • From: Tomasz Letowski
• music recognition session
  • From: James W. Beauchamp
• Fw: Virus warning
  • From: Al Bregman
• Re: Fw: Virus warning
  • From: James W. Beauchamp
• Re: Fw: Virus warning
  • From: Tom Brennan
• Re: finger nails on blackboard
  • From: Neil Todd
• Re: finger nails on blackboard
  • From: Michael Norris
• Fwd: Re: finger nails on blackboard
  • From: Bob Carlyon
• Re: finger nails on blackboard
  • From: Neil Todd
• tones on new soundcards without opl
  • From: Jim Stevenson
• future of opl fm chip code??
  • From: Jim Stevenson
• Re: tones on new soundcards without opl
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• Re: finger nails on blackboard
  • From: David Mountain
• The next wave
  • From: Ross A Hendler
• Art meets Science
  • From: Richard Parncutt
• Program to modify RMS levels
  • From: Mitchell Sommers
• Re: Program to modify RMS levels
  • From: Paul Boersma
• Re: Program to modify RMS levels
  • From: Marc Joanisse
• Re: Program to modify RMS levels
  • From: Summers, Walter V WRAMC-Wash DC
• Audiometric software?
  • From: Daniel Levitin
• Re: Audiometric software?
  • From: Scott Lipscomb
• Re: Audiometric software?
  • From: Tom Brennan
• Re: Audiometric software?
  • From: Brent Edwards
• Re: The next wave
  • From: Mike Ravicz
• recent PhD: Auditory-Visual Integration in Sound Localisation
  • From: Anthony Saliba
• Annoyance of cell phone use in public spaces
  • From: Hannes Muesch
• Re: Annoyance of cell phone use in public spaces
  • From: Michael Norris
• Re: Annoyance of cell phone use in public spaces
  • From: Pieter Jan
• Re: Annoyance of cell phone use in public spaces
  • From: Tom Brennan
• Re: Annoyance of cell phone use in public spaces
  • From: Dan Freed
• Re: Annoyance of cell phone use in public spaces (fwd)
  • From: Tom Brennan
• Perception and empirical data
  • From: Ju-Lee Hong
• Re: Perception and empirical data
  • From: O.T.Furnes
• Re: Perception and empirical data
  • From: O.T.Furnes
• Re: Annoyance of cell phone use in public spaces (fwd)
  • From: John Culling
• tolerance or no tolerance
  • From: Martin Braun
• Re: tolerance or no tolerance
  • From: O.T.Furnes
• Re: tolerance or no tolerance
  • From: Tom Brennan
• Re: Annoyance of cell phone use in public spaces
  • From: Peter Lennox
• Re: tolerance or no tolerance
  • From: Peter Lennox
• Re: tolerance or no tolerance
  • From: Tom Brennan
• Re: Annoyance of cell phone use in public spaces
  • From: Tom Brennan
• Engine Sounds
  • From: Aaron Hastings
• IEEE WASPAA 2001
  • From: Youngmoo Kim
• Re: Program to modify RMS levels
  • From: Pallier Christophe
• Matlab Masking Curve Calculation Script
  • From: Crockett, Brett
• threshold/masking data
  • From: Sheila M Williams
• Re: Annoyance of cell phone use in public spaces
  • From: OMard, Lowel P
• Re: threshold/masking data
  • From: Roy Patterson
• Re: Annoyance of cell phone use in public spaces
  • From: Tom Brennan
• Re: AUDITORY Digest - 15 Aug 2001 to 16 Aug 2001 (#2001-159)
  • From: Watson, Charles S
• Job Announcement - Auditory Localization
  • From: Ahroon, William A Dr USAARL-Ft Rucker
• Re: Annoyance of cell phone use in public spaces
  • From: Christian Kaernbach
• Re: Annoyance of cell phone use in public spaces
  • From: O.T.Furnes
• VS: Re: Annoyance of cell phone use in public spaces
  • From: O.T.Furnes
• Auditory Research Position available
  • From: Hiroshi Riquimaroux
• postdoc job in cambridge
  • From: Bob Carlyon
• Acoustic Flow Field Generation
  • From: Michael S. Gordon
• Re: Acoustic Flow Field Generation
  • From: Bradley Wood Libbey
• Re: Mike and Brad on Acoustic Flow Field Generation
  • From: Al Bregman
• Walking down halls ...
  • From: KEVIN AUSTIN
• Walking down halls ...Answers to Kevin
  • From: Michael S. Gordon
• Re: Acoustic Flow Field Generation
  • From: Peter Lennox
• Re: Acoustic Flow Field Generation
  • From: Mikael.Fernstrom
• Recordings in enclosed spaces.
  • From: Brad Libbey
• Re: Acoustic Flow Field Generation
  • From: Eckard Blumschein
• Re: Recordings in enclosed spaces.
  • From: Peter Lennox
• Lost data
  • From: Pieter Jan
• lost-data (2)
  • From: Pieter Jan
• Speech intelligibility and spatial information
  • From: Al Bregman
• Re: Speech intelligibility and spatial information
  • From: Al Bregman
• Re: AUDITORY Digest - 7 Sep 2001 to 14 Sep 2001 (#2001-172)
  • From: Norbert Kopco
• Loudness, Hearing loss, thresholds ...
  • From: KEVIN AUSTIN
• Re: Speech intelligibility and spatial information
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• Re: Speech intelligibility and spatial information
  • From: Qiang Fu
• Re: Speech intelligibility and spatial information
  • From: Tom Brennan
• Re: Speech intelligibility and spatial information
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• Re: Speech intelligibility and spatial information
  • From: Sheila M Williams
• Re: Speech intelligibility and spatial information
  • From: Eckard Blumschein
• Re: Speech intelligibility and spatial information
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• Re: Speech intelligibility and spatial information
  • From: Tom Brennan
• Re: Speech intelligibility and spatial information
  • From: Eckard Blumschein
• Re: Speech intelligibility and spatial information
  • From: Tom Brennan
• Re: Speech intelligibility and spatial information
  • From: Eckard Blumschein
• world events
  • From: Richard Parncutt
• Re: Speech intelligibility and spatial information
  • From: Tom Brennan
• Re: world events
  • From: dirk meister
• Re: world events
  • From: Shawn Weil
• Possible tool for psycological experiments
  • From: Matt Flax
• Re: world events
  • From: Marina Rose
• Re: world events
  • From: Noah MacKenzie
• Job Announcement
  • From: John Neuhoff
• Political debate
  • From: Al Bregman
• Re: Political debate
  • From: Robert Zatorre
• Re: world events
  • From: mercuri
• AES 22nd International Conference
  • From: Tapio Lokki
• Research positions
  • From: Henrik Møller
• subharmonics and roughness
  • From: gia_BERLIN
• Presence Research Conference in Eindhoven/Netherlands October 9/10, 2001
  • From: Armin Kohlrausch
• Perception of short duration sounds
  • From: Jonathan Roberts
• Re: Perception of short duration sounds
  • From: Soren Buus
• Standardization
  • From: Christian Kaernbach
• Re: Standardization
  • From: Henrik Møller
• Re: AUDITORY Digest - 4 Oct 2001 to 6 Oct 2001 (#2001-181)
  • From: Jont Allen
• Re: Standardization
  • From: William L Martens
• Bacteria Communication
  • From: Ross A Hendler
• job openings at Siemens Audiological Engineering
  • From: Kortekaas Reinier
• Standardization
  • From: David I. Havelock
• Call for papers on Sound Design
  • From: Patrick Susini
• IEEE WASPAA01
  • From: Youngmoo Kim
• AES 22nd International Conference
  • From: Tapio Lokki
• Job announcement - auditory localization
  • From: Ahroon, William A Dr USAARL-Ft Rucker
• Re: AUDITORY Digest - 4 Oct 2001 to 6 Oct 2001 (#2001-181)
  • From: Jim Stevenson
• ICMPC7 - Sydney, July 17-21, 2002 - reminder
  • From: Kate Stevens
• NATO Advanced Study Institute summer 2002: Dynamics of Speech Production and Perception
  • From: Pierre Divenyi
• NATO Advanced Study Institute summer 2002: Dynamics of Speech Production and Perception
  • From: Pierre Divenyi
• Re: NATO Advanced Study Institute summer 2002: Dynamics of Speech Production and Perception
  • From: Olivier Crouzet
• Announcement in PDF format
  • From: Pierre Divenyi
• NATO ASI 2002 -- Dynamics of Speech Production and Perception
  • From: Pierre Divenyi
• Brain and musicality
  • From: Sirpa Nummela
• Multichannel audio cards
  • From: Regis Rossi Alves Faria
• Re: Announcement in PDF format
  • From: mercuri
• Re: Multichannel audio cards
  • From: Matt Flax
• Re: Multichannel audio cards
  • From: David Isherwood
• Multichannel audio cards
  • From: Sanja Dupor
• Re: Brain and musicality
  • From: gia_BERLIN
• Re: Multichannel audio cards
  • From: Peter Lennox
• Re: Multichannel audio cards
  • From: Matt Flax
• Re: Brain and musicality
  • From: Martin Braun
• Re: Multichannel audio cards
  • From: Christof_Faller
• Re: AUDITORY Digest - 23 Oct 2001 to 24 Oct 2001 (#2001-192)
  • From: Jont Allen
• Re: Brain and musicality
  • From: Stephen Malloch
• Errata / Summer 2002 NATO ASI -- Dynamics of Speech Production and Perception
  • From: Pierre Divenyi
• Wind Noise
  • From: Derek Thompson
• Postdocs available in Cold Spring Harbor, NY
  • From: Carlos Brody
• postdoc position
  • From: Claude Alain
• Postdoctoral positions
  • From: Srikantan Nagarajan
• Dwight W. Batteau
  • From: herzfeld
• COST-G6 DAFx01 Registration Reminder
  • From: Eoin.Brazil
• Two questions
  • From: Al Bregman
• Merit estimations from paired comparison tests
  • From: Aaron Hastings
• Re: AUDITORY Digest - 10 Nov 2001 to 11 Nov 2001 (#2001-199)
  • From: Amanda Lauer
• symposium on sound design
  • From: Patrick Susini
• Graduate students in auditory display/HCI
  • From: Bruce Walker
• Tenure-Track Positions available at University of Toronto at Mississauga
  • From: Prof. Bruce Schneider
• Re: AUDITORY Digest - 11 Nov 2001 to 12 Nov 2001 (#2001-200)
  • From: Jont Allen
• Re: AUDITORY Digest - 11 Nov 2001 to 12 Nov 2001 (#2001-200)
  • From: Maribeth Back
• Dan Mapes-Riordan
  • From: John Neuhoff
• SUCCESSION OF PROF. JENS BLAUERT
  • From: Pedro Novo
• Re: AUDITORY Digest - 13 Nov 2001 to 15 Nov 2001 (#2001-202)
  • From: Amanda Lauer
• loudness
  • From: Isabelle Boullet
• Student looking for research experience
  • From: Al Bregman
• New Scientist Question
  • From: Greg O'Beirne
• Re: New Scientist Question
  • From: Beerends, J.G.
• distancing effect
  • From: gia_BERLIN
• Re: New Scientist Question
  • From: Martin Braun
• Re: New Scientist Question
  • From: Thomas G Brennan
• Re: New Scientist Question
  • From: Thomas G Brennan
• Re: distancing effect
  • From: beauchamp james w
• New Scientist Question
  • From: Susan E. Hall
• pressure-induced pitch shifts
  • From: William Hartmann
• Re: New Scientist Question
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• Re: New Scientist Question
  • From: Thomas G Brennan
• Re: New Scientist question and Pitch and pressure effects
  • From: Daniel Rowan
• Re: New Scientist Question
  • From: Martin Braun
• [no subject]
  • From: John Culling
• Re: pitch and middle ear
  • From: Daniel Rowan
• Re: New Scientist Question
  • From: Eckard Blumschein
• Re: New Scientist question and Pitch and pressure effects
  • From: Thomas G Brennan
• Re: New Scientist Question
  • From: Thomas G Brennan
• Re: your mail
  • From: Thomas G Brennan
• New Scientist question and Pitch and pressure effects
  • From: Christian Kaernbach
• New Scientist question and Pitch and pressure effects
  • From: Sanja Dupor
• Post Doc and Post Grad Positions
  • From: Niall Griffith
• Re: hearing aid research?
  • From: Jim Stevenson
• Re: hearing aid research?
  • From: Thomas G Brennan
• Cochlear implants and pitch.
  • From: Al Bregman
• effect of matching partials
  • From: Odd Torleiv Furnes
• Re: effect of matching partials
  • From: Thomas G Brennan
• Re: Cochlear implants and pitch.
  • From: Bob Masta
• Re: Cochlear implants and pitch.
  • From: Matthew Flax
• High Quality TXT-to-WAV for single words?
  • From: Peter Marvit
• Asst. Prof. Com. Dis., UW - Madison
  • From: Robert A. Lutfi
• Re: Cochlear implants and pitch.
  • From: Bob Carlyon
• sensory science
  • From: Laurel Trainor
• Re: AUDITORY Digest - 26 Nov 2001 to 27 Nov 2001 (#2001-209)
  • From: Jont Allen
• Room impulse responses for testing auditory models (fwd)
  • From: Kalle Palomäki
• Measuring Reverberation time
  • From: Ben Hornsby
• Re: Measuring Reverberation time
  • From: Bradley Wood Libbey
• Measuring Reverberation time
  • From: Sotirios Bakagiannis
• Re: AUDITORY Digest - 28 Nov 2001 to 29 Nov 2001 (#2001-211)
  • From: Jason Summers
• Ph.D. Opportunities in Speech and Hearing
  • From: Phil Green
• Familiar with OpenAL?
  • From: Bruce Walker
• Availability of the CIPIC HRTF Database
  • From: Richard O. Duda
• Correction to "Availability of the CIPIC HRTF Database"
  • From: Richard O. Duda
• Matlab for OS X
  • From: Didier A. Depireux
• Re: Matlab for OS X
  • From: Matthew Flax
• Audiometry Simulator
  • From: Richard J Baker
• Re: Audiometry Simulator
  • From: Thomas G Brennan
• A post-doctoral research fellowship
  • From: Colette McKAY
• Senior Clinical Audiologist at Oticon, Copenhagen
  • From: Lars Bramsløw
• post docs positions
  • From: Niall Griffith