I wonder if anyone has any thoughts or knows of relevant research for the
following phenomenon. In the course of calibrating headphones for a
dichotic listening task, we generated stimuli consisting of two pure
tones. The stimuli were presented as follows. Stimulus 1 presented
to the right ear had equal-amplitude tones at 100 and 150 Hz. Stimulus 2
presented to the left ear had equal-amplitude tones (same amplitude as in
stimulus 1) of 200 and 250 Hz. Stimuli 3 and 4 were simply
the reverse of these two ( left ear gets 100 and 150; right ear gets 200 and
250). The rationale behind playing with these stimuli was that "perfect"
integration across the two ears should produce the identical percept for both
pairs of tones. That is, stimuli 1 and 2 presented dichotically, should
sound identical to stimuli 3 and 4 presented dichotically because the spectral
content is the same, we just switched the ear to which each was
presented. Instead, the perceptual experience was a change in
pitch. Interestingly of 4 listeners 2 perceived a decrease in pitch and
2 perceived an increase (i.e., when 3 and 4 were presented dichotically after
hearing 1 and 2, there was either a decrease or increase in pitch). We
then tried simply reversing the headphones (left transducer on right ear and
vice-versa) and the perception was the same. We also tried a different
combination such that stimulus 1 had equal-amplitude components at 100 and 400
Hz and stimulus 2 had equal amplitude components at 200 and 300 Hz.
Again, the perception was a pitch change when we switched channels for
stimulus 1 and 2. I'd be interested in any ideas as to why we would get
a clear pitch change using this stimulus configuration. Many
thanks
Mitch Sommers
Mitchell S. Sommers, Ph.D.
Associate Professor
Department of
Psychology
Washington University
Campus Box 1125
St. Louis, MO
63130