AUDITORY posting archive 2002

• Thread Index

• Hideki Kawahara: ICAD'2002 and satellite workshop
  • From: Dan Ellis
• AES22 Int. Conf. Extended Deadline: 31 Jan. 2002
  • From: Tapio Lokki
• Michel Fingerhut: ISMIR 2002 - 3rd Int'l Conf. on Music IR
  • From: Dan Ellis
• ICAD 2002 Japan Second Call for Papers
  • From: Rodney Berry
• Rhythm Perception and Production: Special issue of Psychological Research
  • From: Neil Todd
• Audibility of frequency notches
  • From: David I. Havelock
• Re: Audibility of frequency notches
  • From: Sheila M Williams
• Re: Audibility of frequency notches
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• initial transients of musical instruments
  • From: alexander lerch
• Re: initial transients of musical instruments
  • From: Dennis P. Phillips, Ph.D.
• Paper required..
  • From: Manish N. Landge
• Re: initial transients of musical instruments
  • From: John Lazzaro
• Re: initial transients of musical instruments
  • From: beauchamp james w
• New Dissertation Available
  • From: David Spondike
• Re: initial transients of musical instruments
  • From: Regis Rossi Alves Faria
• Re: initial transients of musical instruments
  • From: beauchamp james w
• Re: initial transients of musical instruments
  • From: Chris Chafe
• cochlear implant/musical instrument identification
  • From: Rebecca Danielle Reich
• [CRAC] Call for papers: Special issue on Real-World Sound Recognition
  • From: Dan Ellis
• David Pearce: ICSLP 2002 Special Session on NOISE ROBUST RECOGNITION
  • From: Dan Ellis
• Postdoc position at CNBH, Cambridge
  • From: Roy Patterson
• Job announcement - auditory localization
  • From: Ahroon, William A Dr USAARL-Ft Rucker
• Effects of grouping in contextual modulation
  • From: Jont Allen
• Meeting plans changed - position announcement
  • From: Ahroon, William A Dr USAARL-Ft Rucker
• sad news
  • From: Fred Wightman
• Announce: F0 estimation software
  • From: Alain de Cheveigne'
• headphone calbrations
  • From: Dave Van Valkenburg
• Phonotactics of languages
  • From: Satrajit S Ghosh
• Re: AUDITORY Digest - 28 Jan 2002 to 29 Jan 2002 (#2002-14)
  • From: REDDY SIVAPRASAD
• Re: Phonotactics of languages
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• Phonotactics of languages
  • From: Neil Todd
• Re: Phonotactics of languages
  • From: Satrajit S Ghosh
• Re: Phonotactics of languages
  • From: Satrajit S Ghosh
• Re: Phonotactics of languages
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• Cochlear filter inversion
  • From: #DONNY TAGORA SUHARTONO#
• List etiquette and email attachments
  • From: Dan Ellis
• Re: List etiquette and email attachments
  • From: Thomas G Brennan
• I am sorry
  • From: #DONNY TAGORA SUHARTONO#
• Re: Cochlear filter inversion
  • From: Matthew Flax
• [no subject]
  • From: Brian C. J. Moore
• New report available on pitch tracking
  • From: Mingyang Wu
• Perceived rhythmic deformation
  • From: gregory.pallone@libertysurf.fr
• Re: Perceived rhythmic deformation
  • From: Massimo Grassi
• strange and unreadable messages
  • From: Barbara Muller
• stereo microphones
  • From: Mingyang Wu
• Re: stereo microphones
  • From: David Landsberger
• Position available
  • From: Brian C. J. Moore
• Head of Center for Applied Hearing Research
  • From: Torben Poulsen
• ICAD2002final Call for Papers... reminder...
  • From: Rodney Berry
• Postdoctoral positions to study auditory cortex
  • From: Didier A. Depireux
• Book announcement--Temperley, Cognition of Musical Structures
  • From: Dan Ellis
• Announcing the Carnegie SpeechTM YOUTH database
  • From: Maxine Eskenazi
• Sound Design Symposium
  • From: Patrick Susini
• snail mail
  • From: Ken Grant
• Free software for stimulus delivery and experimental control
  • From: David L. Woods
• Applications invited for 2 new jobs
  • From: Hugh McDERMOTT
• Fw: Budapest Open Access Initiative
  • From: Al Bregman
• "mahmood soleimani": Comparison of speech distractors
  • From: Dan Ellis
• sound attenuation in ceilings
  • From: Kevin L. Baker
• Re: sound attenuation in ceilings
  • From: Peter Lennox
• Binaural loudness processing
  • From: Daniel Rowan
• Signal to Noise Software
  • From: Michael S. Gordon
• Fw: Faculty position in Language Neuroscience
  • From: Al Bregman
• Job at CNBH in Cambridge UK
  • From: Roy Patterson
• Using sound to modulate attention
  • From: Paul Satchell
• simulated reverberation
  • From: John Hershey
• In-the-ear headphones
  • From: Alberto López Nájera
• Re: simulated reverberation
  • From: Bradley Wood Libbey
• Re: simulated reverberation
  • From: Peter Lennox
• earphones
  • From: Jont Allen
• room reverberation simulations
  • From: Jont Allen
• Re: room reverberation simulations
  • From: Eckard Blumschein
• APCAM
  • From: John Neuhoff
• vocal sound sources
  • From: beauchamp james w
• Mar 2002 to 8 Mar 2002 (#2002-35) Jim Beauchamp
  • From: Jane Karwoski
• Professorship in Oldenburg
  • From: Dan Ellis
• Re: vocal sound sources
  • From: Huseyin Hacihabiboglu
• animal call/vocalization spectra/SPLs?
  • From: David William Smith
• Applications invited for 2 new jobs
  • From: Hugh McDERMOTT
• Lectureships in Audiology and in Speech and Language Therapy
  • From: Richard J Baker
• Job announcement
  • From: Daniel Levitin
• paper on human cochlear tuning
  • From: Christopher Shera
• Postdoc Fellowship in Music Cognition
  • From: Caroline Palmer
• Re: paper on human cochlear tuning
  • From: Andrew Bell
• Re: paper on human cochlear tuning
  • From: Fred Wightman
• Re: paper on human cochlear tuning
  • From: Andrew Bell
• Re: Gold & Pumphrey
  • From: Christopher Shera
• PhD position on The Design of Product Sounds
  • From: Rene van Egmond
• SPL of pulse
  • From: KEVIN AUSTIN
• Percussive morphs
  • From: mffm Matt Flax
• Neural Sound Processing Schemes
  • From: M & E
• Re: SPL of pulse
  • From: Thomas G Brennan
• Re: Neural Sound Processing Schemes
  • From: Peter Lennox
• Re: AUDITORY Digest - 24 Mar 2002 to 25 Mar 2002 (#2002-43)
  • From: Jont Allen
• Re: AUDITORY Digest - 24 Mar 2002 to 25 Mar 2002 (#2002-43)
  • From: David Mountain
• Re: AUDITORY Digest - 24 Mar 2002 to 25 Mar 2002 (#2002-43)
  • From: Christopher Shera
• conversion of files to djvu
  • From: Jont Allen
• Re: AUDITORY Digest - 24 Mar 2002 to 25 Mar 2002 (#2002-43)
  • From: Jont Allen
• Re: AUDITORY Digest - 24 Mar 2002 to 25 Mar 2002 (#2002-43)
  • From: David Mountain
• Perfect pitch karaoke
  • From: Paul Lemmens
• maximum 'tatum' speed perception
  • From: Brian Whitman
• Measures of articulatory variability
  • From: Satrajit S Ghosh
• Is there a gender difference for speech identification in noise.
  • From: sharad govil
• Re: Is there a gender difference for speech identification in noise.
  • From: Martin Braun
• John Robinson Pierce, 92, Father of the Transistor, Dies
  • From: Malcolm Slaney
• Re: maximum 'tatum' speed perception
  • From: beauchamp james w
• Re: maximum 'tatum' speed perception
  • From: mercuri
• Re: maximum 'tatum' speed perception
  • From: Geoffrey L. Collier
• Re: John Robinson Pierce, 92, Father of the Transistor, Dies
  • From: Volpe, Christopher R (Research)
• Re: AUDITORY Digest - 5 Apr 2002 to 7 Apr 2002 (#2002-50)
  • From: Watson, Charles S
• Re: maximum 'tatum' speed perception
  • From: Bruno Repp
• Re: maximum 'tatum' speed perception
  • From: Bruno Repp
• Re: maximum 'tatum' speed perception
  • From: Jeff Bilmes
• Re: maximum 'tatum' speed perception
  • From: beauchamp james w
• Re: maximum 'tatum' speed perception
  • From: Erick Gallun
• Re: maximum 'tatum' speed perception
  • From: Erick Gallun
• MMN in cochlear implant users
  • From: Joyce Van Duyvenboden
• Re: MMN in cochlear implant users
  • From: Alexander L. Francis
• MMN in cochlear implant users
  • From: Monita Chatterjee
• Re: MMN in cochlear implant users
  • From: David Landsberger
• <no subject>
  • From: Monita Chatterjee
• Re: maximum 'tatum' speed perception
  • From: John K. Bates
• maximum tatum (one tatum, two tata)
  • From: Pierre Divenyi
• Re: maximum tatum (one tatum, two tata)
  • From: mercuri
• Re: maximum tatum (one tatum, two tata)
  • From: Pierre Divenyi
• Re: maximum tatum (one tatum, two tata)
  • From: Eckard Blumschein
• Re: maximum tatum (one tatum, two tata)
  • From: Mikael.Fernstrom
• Re: maximum tatum (one tatum, two tata)
  • From: Thomas G Brennan
• maximum tatum (one tatum, two tata)
  • From: Bruno Repp
• There is only one clearly singular Tatum Re: maximum tatum (one tatum, two tata)
  • From: Andrew Faulkner
• Re: maximum tatum (one tatum, two tata)
  • From: Geoffrey L. Collier
• Re: maximum tatum (one tatum, two tata)
  • From: Jennifer Puente
• Re: maximum tatum (one tatum, two tata)
  • From: Bill Budd
• Re: maximum tatum (one tatum, two tata)
  • From: Bruno Repp
• Re: maximum tatum (one tatum, two tata)
  • From: Fabien Gouyon
• Re: maximum tatum (one tatum, two tata)
  • From: beauchamp james w
• PhDs in visualisation, Australia
  • From: Paul Treffner
• Tatum definition
  • From: Fabien Gouyon
• SPIN and Age,Gendr,& ear difference
  • From: sharad govil
• Re: SPIN and Age,Gendr,& ear difference
  • From: Pierre Divenyi
• About those "AUDITORY list edit URL" messages
  • From: Dan Ellis
• Musical intelligibility
  • From: John Usher, McGill
• sounds for signalling
  • From: Søren Bech
• Tech report on speech segregation
  • From: Guoning Hu
• A boy with fluctuating hearing loss
  • From: Al Bregman
• AES 22nd International Conference - Program & registration information
  • From: Tapio Lokki
• Conference Call: Canadian Acoustical Assoc.
  • From: Annabel Cohen
• Conf. Call: Can. Acoust Assoc. web address
  • From: Annabel J. Cohen
• Re the list's responses to Cubby's problem,
  • From: Al Bregman
• verbal fluency
  • From: Sylvie Hebert
• Post replies to Carolyn Knox?
  • From: Al Bregman
• 7th Intl Conf on Music Perception & Cognition - Draft Program
  • From: Kate Stevens
• Presentation 0.50 -- a new release with streaming video
  • From: David L. Woods
• Question about biological markers of stress
  • From: Al Bregman
• Re: Post replies to Carolyn Knox?
  • From: Peter Lennox
• Downloadable simultaneous speaker corpus for CASA and ICA research
  • From: Martin Cooke
• ShATR
  • From: Martin Cooke
• Time jitter in speakers
  • From: Roland werk
• music cognition postdoc
  • From: Caroline Palmer
• octave illusion
  • From: Chris Chambers
• Re: octave illusion
  • From: Ross A Hendler
• Post-Doctoral position in Auditory Perception and Cognition
  • From: Daniel Levitin
• Repost: Post-Doctoral position in Auditory Perception and Cognition
  • From: Daniel Levitin
• [no subject]
  • From: Daniel A. Levy
• Re: AUDITORY Digest - 1 May 2002 to 4 May 2002 (#2002-68)
  • From: M & E
• Dr Jeff Pressing
  • From: Kate Stevens
• Ph. D. positions
  • From: Henrik Møller
• Position Announcement
  • From: Bill Woods
• Research Fellow in Visualisation, Australia
  • From: Paul Treffner
• Ph.D. thesis announcement
  • From: Holger Prante
• brightness
  • From: gia
• Re: Brightness
  • From: Andrew D. Lyons
• Music and Mental Imagery
  • From: Andrew D. Lyons
• Re: brightness
  • From: beauchamp james w
• Re: AUDITORY Digest - 9 May 2002 to 10 May 2002 (#2002-72)
  • From: Andrew D. Lyons
• Re: AUDITORY Digest - 9 May 2002 to 10 May 2002 (#2002-72)
  • From: David Spondike
• Re: brightness
  • From: Martin Braun
• Re: brightness
  • From: gia
• high - low (was: brightness)
  • From: Christian Kaernbach
• Re: brightness
  • From: Densil Cabrera
• Re: brightness
  • From: gia
• Re: brightness
  • From: Densil Cabrera
• Re: Brightness
  • From: Mikael Fernström
• Speech discrimination studies
  • From: REDDY SIVAPRASAD
• Pitch Detection : Standard tests
  • From: Matt Flax
• Armin Kohlrausch/EHV/RESEARCH/PHILIPS is out of the office.
  • From: Armin Kohlrausch
• Re: brightness
  • From: Peter Lennox
• Re: Pitch Detection : Standard tests
  • From: Matt Flax
• ILD-JND for pitch-mismatched tones
  • From: Bernhard Laback
• Realtime Auditory Software
  • From: Michael S. Gordon
• Re: Realtime Auditory Software
  • From: Nicholas Smith
• Re: Realtime Auditory Software
  • From: Tarun Pruthi
• Re: Realtime Auditory Software
  • From: Bruno Crochet
• Re: Realtime Auditory Software
  • From: Bob Masta
• Automatic detection of nasals
  • From: Tarun Pruthi
• Gold & Pumphrey (Experiment I)
  • From: Andrew Bell
• Re: Gold & Pumphrey (Experiment I)
  • From: Eckard Blumschein
• Re: Gold & Pumphrey (Experiment I)
  • From: Long, Glenis
• Re: Gold & Pumphrey (Experiment I)
  • From: Dan Ellis
• CAA2002 conference announcement and call for papers
  • From: G. Robert Arrabito
• Re: Gold & Pumphrey (Experiment I)
  • From: Andrew Bell
• Talk on human speech recognition
  • From: Jont Allen
• AES 22nd conference registration DL extented
  • From: Tapio Lokki
• Molecular Sounds
  • From: Ross A Hendler
• Re: Molecular Sounds
  • From: Fabien Gouyon
• Music Technology Job Opportunities
  • From: Huseyin Hacihabiboglu
• Transfer function of middle ear
  • From: Vivek Srivastava
• Re: Transfer function of middle ear
  • From: alexander lerch
• Transfer function of middle ear
  • From: Jont Allen
• Middle ear transfer function
  • From: Brian C. J. Moore
• Psychometric function fitting software
  • From: Daniel J. Tollin
• Re: AUDITORY Digest - 22 May 2002 to 23 May 2002 (#2002-83)
  • From: Jont Allen
• Re: AUDITORY Digest - 23 May 2002 to 24 May 2002 (#2002-84)
  • From: Dr. Leon Deouell
• Re: AUDITORY Digest - 23 May 2002 to 24 May 2002 (#2002-84)
  • From: Matt Flax
• Re: AUDITORY Digest - 24 May 2002 to 25 May 2002 (#2002-85)
  • From: Jason Erik Summers
• "Bromley, Dr. Keith": Acoustic Analysis Workbench
  • From: Dan Ellis
• Freq to bark domain
  • From: Vivek Srivastava
• Re: Freq to bark domain
  • From: Matt Flax
• order effects
  • From: Simon Makin
• International Conference on Auditory Display 2002 Call for Participation, reminder...
  • From: rodney
• IEEE-Harvard sentences
  • From: Andrew Faulkner
• IEEE-Harvard sentences located
  • From: Andrew Faulkner
• HOARSE: Research Opportunities in Speech and Hearing
  • From: Phil Green
• Brian Moore strikes again
  • From: Bob Carlyon
• PhD Scholarships at Univ of Queensland: sonification, auditory attention
  • From: Penelope Sanderson
• desperately seeking sennheiser
  • From: Bob Carlyon
• Matlab/Octave ACF based pitch extraction
  • From: Matt Flax
• Part-Time Psychology of Music Position at Tufts
  • From: Christopher Shera
• Re: Matlab/Octave ACF based pitch extraction
  • From: Matt Flax
• Research Assistant Position: OAEs & Hearing Conservation
  • From: Judi Lapsley Miller
• Research positions in visual and auditory modelling and psychophysics
  • From: Sue Denham
• voice tracking
  • From: Piet Vos
• Re: voice tracking
  • From: beauchamp james w
• Re: voice tracking
  • From: Eckard Blumschein
• 3 port ER10
  • From: Long, Glenis
• Price of three port ER 10
  • From: Long, Glenis
• Is there anyone have the information on timbre analysis ?
  • From: wangdong
• Re: 1. Is there anyone have the information on timbre analysis ?
  • From: Judy Brown
• [AUD] ISMIR 2002 Preliminary Program
  • From: Dan Ellis
• special issue
  • From: Bob Carlyon
• External sound devices for laptops
  • From: Andrew Faulkner
• MATLAB wavplay.m glitches in Windows 2000
  • From: Andrew Faulkner
• Interactive audio
  • From: Luiz Henrique
• Response of Basilar membrane to Infrasound
  • From: Jishnu Subedi
• Bit-rate reduced audio and hearing loss
  • From: Lars Bramsløw
• Re: Bit-rate reduced audio and hearing loss
  • From: alexander lerch
• APCAM 2002
  • From: John Neuhoff
• Re: AUDITORY Digest - 11 Jul 2002 to 12 Jul 2002 (#2002-107)
  • From: Jont Allen
• Re: MATLAB wavplay.m glitches in Windows 2000
  • From: Jim Stevenson
• Announcement - Auditory Perception Toolbox v1.0 release
  • From: Rua Haszard Morris
• Hair Cell Models
  • From: Harry Erwin
• Re: Announcement - Auditory Perception Toolbox v1.0 release
  • From: Kim, Doh-Suk (DS)
• Tech report on location-based segregation
  • From: Nicole Roman
• matlab pitch/stretch
  • From: John Hershey
• Re: matlab pitch/stretch
  • From: Matt Flax
• inharmonic partials
  • From: Bruno Giordano
• Re: inharmonic partials
  • From: Fabien Gouyon
• separating odd/even harmonics
  • From: gia_BERLIN
• Re: separating odd/even harmonics
  • From: Matt Flax
• light up my keyboard
  • From: Daniel Rowan
• Re: light up my keyboard
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• Flash
  • From: Luiz Henrique
• Re: light up my keyboard
  • From: Richard J Baker
• post doc positions
  • From: norm weinberger
• [no subject]
  • From: norm weinberger
• New Book on Physical Modeling by Perry Cook
  • From: Daniel Levitin
• "Evan Balaban": 3-tone DPOAE response spectra
  • From: Dan Ellis
• Frequency Content
  • From: Marius & Elsabe
• 5 Faculty Postings - Brain Research Centre
  • From: brainres
• 5 Faculty Positions at the Brain Research Centre, UBC
  • From: brainres
• Re: Frequency Content
  • From: Thomas G Brennan
• Re: Frequency Content
  • From: beauchamp james w
• Question on critical bands and level
  • From: Deirdre.Bolger
• Re: AUDITORY Digest - 29 Jul 2002 to 30 Jul 2002 (#2002-117)
  • From: Ian Knopke
• <AUDITORY> Re: Frequency Content
  • From: Paul Boersma
• Frequency Content - Thanks
  • From: Marius & Elsabe
• singing and hesitation
  • From: J-F Giguere
• SST-2002 Conference Announcement
  • From: David GRAYDEN
• Objective tinnitus due to high-level SOAE
  • From: Martin Braun
• Re: Objective tinnitus due to high-level SOAE
  • From: Thomas G Brennan
• two discreet sets of identical frequ. fire rates
  • From: Peter
• two discreet sets of identical frequ. fire rates
  • From: Peter
• Post Doc Position
  • From: John Neuhoff
• musical hallucinations
  • From: W. M. Hartmann
• Re: musical hallucinations
  • From: Daniel Rowan
• Re: AUDITORY Digest - 1 Aug 2002 to 4 Aug 2002 (#2002-120)
  • From: Jont Allen
• Re: [Cochlea] Re: AUDITORY Digest - 1 Aug 2002 to 4 Aug 2002 (#2002-120)
  • From: Jont Allen
• musical hallucinations
  • From: Diana Deutsch
• 1042 Hz Tinnitus
  • From: Peter
• Re: musical hallucinations
  • From: Al Bregman
• Re: musical hallucinations
  • From: Pierre Divenyi
• Re: musical hallucinations
  • From: Brian Gygi
• re musical hallucinations
  • From: Paul Satchell
• musical hallucinations
  • From: Diana Deutsch
• musical hallucinations
  • From: Diana Deutsch
• Re: musical hallucinations
  • From: Stephen Grossberg
• [AUD] Jim Jenkins: Auditory hallucinations
  • From: Dan Ellis
• re musical hallucinations
  • From: Colette McKAY
• Re: Charles Bonnet syndrome (was 'musical hallucinations')
  • From: Peter Meijer
•   Re: musical hallucinations
  • From: David Spondike
• Re: musical hallucinations
  • From: Massimo Grassi
• Re: musical hallucinations
  • From: Mikael Fernström
• Re: musical hallucinations
  • From: Thomas G Brennan
• There are hallucinations and there are hallucinations
  • From: Brian Gygi
• Re: musical hallucinations
  • From: Regis Rossi Alves Faria
• musical hallucinations
  • From: N.J. Versfeld
• How to call this measure.
  • From: Pawel Kusmierek
• Re: musical hallucinations
  • From: Dr J.Stevenson's research assistant
• Research Assistant position
  • From: Laurel Trainor
• Re: AUDITORY Digest - 8 Aug 2002 to 9 Aug 2002 (#2002-125)
  • From: David Havelock
• [no subject]
  • From: Tomasz Letowski
• Re: Wrong address
  • From: Tomasz Letowski
• Re: There are hallucinations and there are hallucinations
  • From: Robert Zatorre
• Re: AUDITORY Digest - 12 Aug 2002 to 13 Aug 2002 (#2002-128)
  • From: Hugo de Paula
• Articulation Index
  • From: Hugo de Paula
• Re: Articulation Index
  • From: Brent Edwards
• Re: Articulation Index
  • From: John G. Beerends
• Re: AUDITORY Digest - 13 Aug 2002 to 14 Aug 2002 (#2002-129)
  • From: Jont Allen
• masked threshold as a function of signal duration
  • From: G. Robert Arrabito
• Re: Articulation Index
  • From: D. Sen
• Brain stem implants and children
  • From: Ward R. Drennan
• summary to masked threshold as a function of duration
  • From: G. Robert Arrabito
• Brain stem implants and children
  • From: Monita Chatterjee
• Re: Articulation Index
  • From: John G. Beerends
• Re: Articulation Index
  • From: David Isherwood
• Re: Articulation Index
  • From: D. Sen
• Auditory software
  • From: Dr. Michael Gordon
• Music catalogues
  • From: Duncan Hann
• how to open Auditory Nerve of Rat
  • From: Vassiliy Tsytsarev
• Re: Articulation Index
  • From: Geoffrey L. Collier
• Re: Articulation Index
  • From: D. Sen
• Re: SST-2002 Conference Announcement
  • From: David GRAYDEN
• Re: Articulation Index
  • From: John G. Beerends
• Second job at CNBH in Cambridge
  • From: Roy Patterson
• sharc
  • From: Donagh O'Shea
• request for info
  • From: REDDY SIVAPRASAD
• unsubscribe
  • From: Armand Dancer
• Request for info
  • From: REDDY SIVAPRASAD
• Sharc Timbre Database
  • From: Ward R. Drennan
• ICAD 2003 (July in Boston) Call for Papers
  • From: Barbara Shinn-Cunningham
• spatialisation using headphones
  • From: Hamish Innes-Brown
• Re: AUDITORY Digest - 28 Aug 2002 to 29 Aug 2002 (#2002-139)
  • From: Susanne Sterbing
• Re: spatialisation using headphones
  • From: Ward R. Drennan
• ISO 532B Updated Matlab Code
  • From: Aaron Hastings
• Re: spatialisation using headphones
  • From: Richard O. Duda
• Re: spatialisation using headphones
  • From: Holger Prante
• Special Session on Computational Models of Auditory Perception
  • From: Soo-Young Lee
• Re: helpful subject lines was AUDITORY Digest - 28 Aug 2002 to 29 Aug 2002 (#2002-139)
  • From: Jim Stevenson
• response!
  • From: Hamish Innes-Brown
• Postdoc opportunities at MARCS Auditory Laboratories, Australia
  • From: Kate Stevens
• Admin reminder: ASCII preferred
  • From: Dan Ellis
• Tucker Davis with Matlab
  • From: Jonathan Feldman
• pointers to nonsense-syllable recognition data ?
  • From: Hannes Muesch
• Perceptual vs. Informational masking
  • From: Ben Hornsby
• Re: pointers to nonsense-syllable recognition data?
  • From: Brent Edwards
• ICMPC7 Proceedings CDROM now available
  • From: Kate Stevens
• Mentor for student
  • From: Al Bregman
• [E-Job] Postdoctoral Research opportunity in Robust ASR / Multisource Decoding
  • From: Jon Barker
• Paper announcement: Auditory-nerve model for latency and SR
  • From: Suresh Krishna
• Musicians' use of hearing protectors
  • From: Ole Juhl Pedersen
• [no subject]
  • From: Roland werk
• [no subject]
  • From: Eckard Blumschein
• Can Musicians practice with hearing protectors?
  • From: Alex Galembo, PhD
• Re: Can Musicians practice with hearing protectors?
  • From: Mikael Fernström
• [no subject]
  • From: Ward R. Drennan
• EXPT: participants needed in AI experiment
  • From: g
• Re: Musicians' use of hearing protectors
  • From: Andy Vermiglio
• Difference Tones
  • From: Dr. Michael Gordon
• Re: Can Musicians practice with hearing protectors?
  • From: Andy Vermiglio
• Re: Difference Tones
  • From: Chen-gia TSAI
• Re: Difference Tones
  • From: Eckard Blumschein
• Re: Difference Tones
  • From: Donagh O'Shea
• CFP ISCA workshop on auditory quality of systems
  • From: Jonas Braasch
• Re: Can Musicians practice with hearing protectors?
  • From: Mikael Fernström
• Musicians and latency
  • From: Andy Vermiglio
• HOARSE: Research Opportunities in Speech and Hearing
  • From: Phil Green
• Re: Can Musicians Practice with Hearing protectors?
  • From: Peter Q. Pfordresher
• Re: Can Musicians practice with hearing protectors?
  • From: Harvey Holmes
• music and latency
  • From: Robert Port
• Re: Can Musicians practice with hearing protectors?
  • From: Andy Vermiglio
• Re: Can Musicians practice with hearing protectors?
  • From: Dan Freed
• Re: Can Musicians practice with hearing protectors? (latency) - bali
  • From: Rodney Berry
• 2nd Announcement: Can. Acoust. Assoc Meeting
  • From: Annabel Cohen
• Corrected 2nd Announce. Can. Acoust. Assoc
  • From: Annabel Cohen
• Latency and Ormandy
  • From: KEVIN AUSTIN
• grouping mechanism
  • From: Chen-gia TSAI
• Re: Can Musicians practice with hearing protectors? (latency) - bali
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• Re: grouping mechanism
  • From: Martin Braun
• physiological or ecological basis of auditory sharpness
  • From: Chen-gia TSAI
• Re: sonification of models?
  • From: Jim Stevenson
• Re: physiological or ecological basis of auditory sharpness
  • From: Daniel J. Tollin
• Pitch orientation-discriminating feature detectors?
  • From: Eliot Handelman
• Re: physiological or ecological basis of auditory sharpness
  • From: Eckard Blumschein
• Speech synthesis evaluation corpora
  • From: ZL Handley
• Re: Pitch orientation-discriminating feature detectors?
  • From: Robert Zatorre
• Pitch orientation-discriminating feature detectors?
  • From: Dennis P. Phillips, Ph.D.
• Re: Pitch orientation-discriminating feature detectors?
  • From: Bret Aarden
• Re: Pitch orientation-discriminating feature detectors?
  • From: FATIMA HUSAIN
• Re: Pitch orientation-discriminating feature detectors?
  • From: Didier A. Depireux
• cochlear nucleus : Higher level then the audio periphery
  • From: Matt Flax
• Re: Pitch orientation-discriminating feature detectors?
  • From: Oleg Korzyukov
• Re: Pitch orientation-discriminating feature detectors?
  • From: Peter Meijer
• Re: cochlear nucleus : Higher level then the audio periphery
  • From: David Mountain
• Re: Pitch orientation-discriminating feature detectors?
  • From: Pascal BELIN
• SMPC 2003 Call for Papers
  • From: MICHAEL D. HALL
• Postdoc MARCS & CSIRO, Australia - Call for expressions of interest
  • From: Kate Stevens
• portable audiometers
  • From: Bruce Walker
• Re: Pitch orientation-discriminating feature detectors?
  • From: Daniel Pressnitzer
• Re: Pitch orientation-discriminating feature detectors?
  • From: Al Bregman
• Re: Pitch orientation-discriminating feature detectors?
  • From: Pierre Divenyi
• Re: Pitch orientation-discriminating feature detectors?
  • From: Eckard Blumschein
• Re: Pitch orientation-discriminating feature detectors?
  • From: Martin Braun
• upward vs. downward frequency changes
  • From: Wolfgang Ellermeier
• Re: Pitch orientation-discriminating feature detectors?
  • From: Laurent Demany
• APCAM 2002 Call for Participation
  • From: John Neuhoff
• Re: Pitch orientation-discriminating feature detectors?
  • From: Daniel Pressnitzer
• displaying a modulation spectrum
  • From: Stuart Rosen
• Where does the audble 1 kHz come from?
  • From: Daniel Rowan
• Re: Pitch orientation-discriminating feature detectors?
  • From: vijaykumar narne
• Re: Where does the audible 1kHz come from?
  • From: F. Joseph Pompei
• Re: AUDITORY Digest - 26 Sep 2002 to 27 Sep 2002 (#2002-160)
  • From: Jont Allen
• Question on trill-tresholds
  • From: gunnar holmberg
• Re: Question on trill-tresholds
  • From: Al Bregman
• Feedback: Where did the 1 kHz tone come from?
  • From: Daniel Rowan
• human andmachine speech recognition
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• Temporal integration for tones of different spectral bandwidth
  • From: Annemarie Seither-Preisler
• Re: Question on trill-tresholds
  • From: Mike Beauvois
• pitch neurons
  • From: Martin Braun
• PhD Studentship
  • From: Richard J Baker
• Re: AUDITORY Digest - 29 Sep 2002 to 1 Oct 2002 (#2002-163) (amanda is unavailable)
  • From: Amanda Lauer
• Music Technology Job
  • From: John Young
• Re: pitch neurons
  • From: Israel Nelken
• Re: pitch neurons
  • From: Martin Braun
• Ripple Stimuli
  • From: Yoav Arieh
• static spectral alterations
  • From: beauchamp james w
• Low frequency sound from PC
  • From: Jishnu Subedi
• Re: Low frequency sound from PC
  • From: Matt Flax
• Unsubscribe
  • From: Cheryl Van Ornam
• Re: Low frequency sound from PC
  • From: Bob Masta
• Re: pitch neurons
  • From: Eckard Blumschein
• Re: pitch neurons
  • From: Israel Nelken
• Iowa Musical Instrument Samples
  • From: Lawrence Fritts
• Re: pitch neurons
  • From: Jean-Sylvain Lienard
• Re: pitch neurons
  • From: Matt Flax
• Re: pitch neurons
  • From: Pierre Divenyi
• A new post-doc position at the U.S. Army Research Laboratory
  • From: Tomasz Letowski
• Re: pitch neurons
  • From: Chris Chambers
• Re: pitch neurons
  • From: Eckard Blumschein
• Re: pitch neurons
  • From: Nicolas Grimault
• Re: pitch neurons
  • From: Martin Braun
• Re: pitch neurons
  • From: Israel Nelken
• Re: AUDITORY Digest - 7 Oct 2002 to 8 Oct 2002 (#2002-168)
  • From: Jont Allen
• Re: AUDITORY Digest - 7 Oct 2002 to 8 Oct 2002 (#2002-168)
  • From: Jont Allen
• pitch neurons
  • From: Dennis P. Phillips, Ph.D.
• Re: pitch neurons (1)
  • From: Peter Cariani
• Re: pitch neurons (2)
  • From: Peter Cariani
• Efferent feedback to the organ of the Corti
  • From: Matt Flax
• Structure of sounds in the world
  • From: Brian Gygi
• Re: Efferent feedback to the organ of the Corti
  • From: Matt Flax
• (no subject)
  • From: Ramdas Kumaresan
• Re: (no subject)
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• Re: Efferent feedback to the organ of the Corti
  • From: Keith N. Darrow
• Re: pitch neurons
  • From: Martin Braun
• Research Post in effects of multimodality
  • From: Niall Griffith
• Re: pitch neurons
  • From: Martin Braun
• Re: Efferent feedback to the organ of the Corti
  • From: David W. Smith, Ph.D.
• pitch and unresolved harmonics
  • From: Chris Darwin
• pitch of unresolved harmonics
  • From: Alex Galembo, PhD
• Re: pitch neurons (2)
  • From: Eckard Blumschein
• Re: pitch neurons (2)
  • From: Cariani
• Re: pitch neurons
  • From: Chen-gia TSAI
• Re: pitch of unresolved harmonics
  • From: Martin Braun
• Re: pitch neurons
  • From: Martin Braun
• Re: pitch neurons
  • From: Alain de Cheveigné'
• Deadline extension: ISCA Workshop on Auditory Quality of Systems
  • From: Jonas Braasch
• Re: AUDITORY Digest - 12 Oct 2002 to 14 Oct 2002 (#2002-173)
  • From: Amanda Lauer
• Guy Torio
  • From: Sanja Dupor
• Re: pitch of unresolved harmonics
  • From: Alex Galembo, PhD
• [AUD]: Michel Fingerhut: ISMIR proceedings for sale
  • From: Dan Ellis
• [no subject]
  • From: Richard J Baker
• consonant and vowel probability ratio vs SNR
  • From: Jont Allen
• A new headphone query from a new member
  • From: Samu Mielonen
• Re: A new headphone query from a new member
  • From: Henrik Møller
• unsubscribe
  • From: Todd Fortune
• Re: A new headphone query from a new member
  • From: Samu Mielonen
• Yet another headphone query
  • From: Robert E. Remez
• Re: headphones + FCT + strange phenomenon
  • From: Eckard Blumschein
• HELP: database for music segregation
  • From: Yipeng Li
• unsubscribe
  • From: Jan Chomyszyn
• Re: pitch of unresolved harmonics
  • From: Martin Braun
• Re: A new headphone query from a new member
  • From: Samu Mielonen
• Re: AUDITORY Digest - 21 Oct 2002 to 22 Oct 2002 (#2002-178)
  • From: Douglas Creelman
• Open Position
  • From: Perfecto Herrera
• Postdoctoral position: fMRI imaging of auditory cortex
  • From: David L. Woods
• Two lecturers/senior lecturers in audiology at Manchester
  • From: Richard J Baker
• Job Opportunity in Australia
  • From: Al Bregman
• IBM's Superhuman Speech
  • From: Yadong Wang
• High frequency hearing
  • From: David Robinson
• Re: High frequency hearing
  • From: Bob Masta
• Re: free field
  • From: Bob Masta
• free field in anechoic?
  • From: Lawrence Fritts
• Re: High frequency hearing
  • From: Lars Bramsløw
• Re: High frequency hearing
  • From: Søren Buus
• Re: High frequency hearing
  • From: Robert Zatorre
• Re: High frequency hearing
  • From: John Neuhoff
• I wouldn't say 96 kHz audio equipment is a waste...
  • From: Michael J. Owren
• What do we hear in High frequency hearing
  • From: Brian Gygi
• Re: What do we hear in High frequency hearing
  • From: Didier A. Depireux
• Re: What do we hear in High frequency hearing
  • From: David Mountain
• Re: What do we hear in High frequency hearing
  • From: Søren Buus
• relative phase information in audition and vision
  • From: Timothy Justus
• Re: What do we hear in High frequency hearing
  • From: Harry Erwin
• Could you provide some insight on general audio similarity measure?
  • From: wangdong
• Re: What do we hear in High frequency hearing
  • From: Dr J.Stevenson's research assistant
• Re: What do we hear in High frequency hearing
  • From: Keith N. Darrow
• Re: Could you provide some insight on general audio similarity measure?
  • From: Brian Gygi
• sound repository
  • From: Luis Felipe de Oliveira
• Re: What do we hear in High frequency hearing
  • From: Sanja Dupor
• Re: What do we hear in High frequency hearing
  • From: Bill Woods
• Re: AUDITORY Digest - 7 Nov 2002 to 8 Nov 2002 (#2002-188)
  • From: REDDY SIVAPRASAD
• Re: What do we hear in High frequency hearing
  • From: Dr J.Stevenson's research assistant
• Faculty Positions: Architectural Acoustics
  • From: Rendell R. Torres
• dichotic pitch perception
  • From: Heriberto Avelino
• responses to relative phase in audition and vision posting
  • From: Timothy Justus
• Questioning the volley principle
  • From: Matt Flax
• Re: AUDITORY Digest - 7 Nov 2002 to 8 Nov 2002 (#2002-188)
  • From: Anne Carey
• Re: Questioning the volley principle
  • From: Peter Cariani
• Re: Questioning the volley principle
  • From: Keith N. Darrow
• neural network for timbre recognition
  • From: Luis Felipe de Oliveira
• FW: position in auditory modelling
  • From: Neil Todd
• In search of an article
  • From: Ju-Lee Hong
• Re: In search of an article
  • From: William L Martens
• Fwd: Re: In search of an article
  • From: Robert Zatorre
• Re: Fwd: Re: In search of an article
  • From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?=
• Re: In search of an article
  • From: Ju-Lee Hong
• Re: In search of an article
  • From: Pierre Divenyi
• [AUD]: ISMIR 2003 - 4th Int'l Conf. on Music Information Retrieval
  • From: Dan Ellis
• Re: In search of an article
  • From: William L Martens
• Categorical Perception
  • From: Kala Lakshminarayanan
• Re: AUDITORY Digest - 17 Nov 2002 to 18 Nov 2002 (#2002-197)
  • From: Jont Allen
• Precedence Effect
  • From: Hüseyin Hacihabiboglu
• "Phase-Preserving Narrowed Autocorrelation"?
  • From: Fabien Gouyon
• Re: Precedence Effect
  • From: Suresh Krishna
• Harvard-MIT Ph.D. Program in Speech and Hearing
  • From: Antonio J. Miller
• ICAD 2003 Registration and Submission Open
  • From: ICAD 2003 General Chair
• Could anyone recommend a cheap sound card?
  • From: Jan Schnupp
• emotional tone
  • From: Bill Noble
• Job openning in speech recognition
  • From: DeLiang Wang
• environmental sounds and ERP
  • From: christian camen
• Re: emotional tone
  • From: Christel de Bruijn
• Re: environmental sounds and ERP
  • From: Thomas G Brennan
• Children's consonant confusion matrix
  • From: Anne Carey
• Re: environmental sounds and ERP
  • From: Brian Gygi
• Re: environmental sounds and ERP
  • From: SHAFIRO, VALERIY
• Etymotic OAE probe system
  • From: Peteris Skorovs
• Air to bone transmission characteristics
  • From: Neil Todd
• Re: Air to bone transmission characteristics
  • From: Mike Ravicz
• Modulation as grouping characteristic
  • From: Marguerite.Smith
• Re: environmental sounds and ERP
  • From: Jim Ballas
• Re: Modulation as grouping characteristic
  • From: DeLiang Wang
• summary of replies
  • From: Luis Felipe de Oliveira
• vacancy for Ph.D.student
  • From: Michael Ochse (Neuroakustik FB10 TUD)
• Re: AUDITORY Digest - 2 Dec 2002 to 6 Dec 2002 (#2002-205)
  • From: Jont Allen
• specific and total loudness calculation
  • From: Marc Schoenwiesner
• loudness calculation
  • From: Brian C. J. Moore
• synchrony tuning curves
  • From: Suresh Krishna
• MARCS-Chair in Auditory Research
  • From: Kate Stevens
• Frozen noise generation
  • From: Enrique A. Lopez-Poveda
• Re: Frozen noise generation
  • From: Susan E. Hall
• Re: Frozen noise generation
  • From: David Robinson
• Perceptible information measures
  • From: Bret Aarden
• WOLA analysis/synthesis filter banks
  • From: Qu Hongwei
• afferent/efferent pitch algorithm - source code available
  • From: Matt Flax
• Psychology of Music - January 2003 contents
  • From: Marianne Gill
• Re: afferent/efferent pitch algorithm - source code available
  • From: Peter Meijer
• Measured/Speculative difference in AN firing
  • From: Satrajit S. Ghosh
• Frozen noise generation
  • From: Enrique A. Lopez-Poveda
• Helmholtz's nasality revisited
  • From: Chen-gia TSAI
• Note identification for music
  • From: hmalik1
• Re: Note identification for music
  • From: Matt Flax
• data reduction: Ear damage by MP3, DVD and digital television?
  • From: Jont Allen
• Re: data reduction: Ear damage by MP3, DVD and digital television?
  • From: Yadong Wang
• Re: data reduction: Ear damage by MP3, DVD and digital television?
  • From: Martin Braun
• Re: data reduction: Ear damage by MP3, DVD and digital television ?
  • From: Brenner David-W18943
• Re: data reduction: Ear damage by MP3, DVD and digital television ?
  • From: Ward R. Drennan
• Loudness measure
  • From: Lior Barak
• Re: Note identification for music
  • From: Klapuri Anssi