Re: Can Musicians practice with hearing protectors?

[Harvey Holmes <H.Holmes@xxxxxxxxxxx>]

Dear list,

I think this latest comment does a disservice to classical organists, who 
often have to synchronize with major professional orchestras, choirs and 
soloists in very demanding classical sacred music, organ symphonies etc., 
such as mass settings by composers such as Mozart, Haydn, Verdi and 
Bruckner.  The demands of this music on precision are at least comparable 
to those of jazz, but are routinely satisfied by organists who are trained 
to handle this latency problem.

        Harvey Holmes

At 23:57 13/09/2002, you wrote:

> It is true that church organ musicians routinely work with long latencies.
> However, few church organists work in jazz fusion bands where precise timing
> is much more crucial.  The several hundred millisecond delays, while
> tolerable for the church organist and an individual singing the national
> anthem at stadium events, would have disastrous musical consequences in
> contemporary jazz settings.
>
> Andy
>
> -----Original Message-----
> From:   AUDITORY  Research in Auditory Perception
> [mailto:AUDITORY@LISTS.MCGILL.CA] On Behalf Of Mikael Fernström
> Sent:   Friday, September 13, 2002 6:06 AM
> To:     AUDITORY@LISTS.MCGILL.CA
> Subject:        Re: Can Musicians practice with hearing protectors?
>
> About the issue of MIDI versus "real" instruments and latency:
> I think that musicians are extremely flexible people ;-) For example, a
> piano player that learns to play church organ. Suddenly you can have
> latencies up to several hundred milliseconds, primarily due to the
> mechanism, secondarily due to the speed of sound if the pipes are far away
> from the console. And still, excellent music can be made.
> /Mikael