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Re: Can Musicians practice with hearing protectors? (latency) - bali

To: AUDITORY@xxxxxxxxxxxxxxx
Subject: Re: Can Musicians practice with hearing protectors? (latency) - bali
From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?= <tothl@xxxxxxxxxxxxxxx>
Date: Sun, 15 Sep 2002 18:39:00 +0200
Comments: To: Rodney Berry <rodney@ATR.CO.JP>
Delivery-date: Sun Sep 15 12:41:47 2002
In-reply-to: <3D8271B4.4060704@atr.co.jp>
Reply-to: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?= <tothl@xxxxxxxxxxxxxxx>
Sender: AUDITORY Research in Auditory Perception <AUDITORY@xxxxxxxxxxxxxxx>

On Sat, 14 Sep 2002, Rodney Berry wrote:

> 2. Gong Kebyar is traditionally played outside. Could a musical style
> that involves very loud instruments with sharp transient attacks and
> long sustained decays have developed in a 'concert hall' oriented music
> culture?
>
Is rock music 'concert hall oriented'?

               Laszlo Toth
        Hungarian Academy of Sciences         *
  Research Group on Artificial Intelligence   *   "Failure only begins
     e-mail: tothl@inf.u-szeged.hu            *    when you stop trying"
     http://www.inf.u-szeged.hu/~tothl        *

References:
- Re: Can Musicians practice with hearing protectors? (latency) - bali
  - From: Rodney Berry

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