AUDITORY posting archive 1995

• Thread Index

• performance+constraints
  • From: Caroline M Palmer
• environmental sounds
  • From: Gary R. Kidd
• ASA Meeting
  • From: James W. Beauchamp
• Bill Treurniet: probe microphones
  • From: Dan Ellis
• Wieslaw Woszczyk: Job announcements
  • From: Dan Ellis
• AES Meeting in Japan
  • From: James W. Beauchamp
• [2nd CFP] IJCAI-95 Workshop on CASA
  • From: Hiroshi G Okuno
• probe microphones
  • From: Bill Treurniet
• [no subject]
  • From: John Lazzaro
• Digital Audio Workshop
  • From: James W. Beauchamp
• Announcement of Connection Science issue on Music and Creativity
  • From: Dan Ellis
• [no subject]
  • From: Jont Allen
• manhunt
  • From: HARTMANN
• Call for Papers
  • From: Lonce LaMar Wyse
• correction
  • From: Lonce LaMar Wyse
• call for papers
  • From: Caroline M Palmer
• Mario Ruggero
  • From: Malcolm Slaney
• John Locke (fwd)
  • From: Kevin Baker
• [no subject]
  • From: dkbeosbe
• Mario Ruggero
  • From: William Yost
• Re: - no subject (01HO70PZ8W328ZFK7H) -
  • From: Teresa Cygnarowicz 594-2080
• Auditory model sound resynthesis
  • From: Thierry Rochebois
• Fundamentals of Hearing
  • From: William Yost
• Re: Toshio Irino's Auditory model sound resynthesis
  • From: Thierry Rochebois
• Re: psychophysics books
  • From: Richard Lyon
• Software for Solving the Wave Equation
  • From: Dick Duda
• Re: your mail
  • From: Kevin Baker
• Ref for Toshio Irino's Auditory model sound resynthesis
  • From: Thierry Rochebois
• Damped sine waves analysis
  • From: Thierry Rochebois
• Re: Auditory model sound resynthesis
  • From: Malcolm Slaney
• Cochlear Nucleus Stellate Cells
  • From: Kien Seng, Wong
• [no subject]
  • From: Stefan Muenkner
• Re: Ref for Toshio Irino's Auditory model sound resynthesis
  • From: Toshio Irino
• Re: your mail
  • From: Argiris A. Kranidiotis
• Two senior positions in Audiology at Purdue
  • From: Glenis Long
• S&P Texts
  • From: deb
• High frequency sensitivity
  • From: Bob Stuart
• Re: High frequency sensitivity
  • From: Kevin Baker
• Re: High frequency sensitivity
  • From: Greg Sandell
• List of References: Neurophysiology and music
  • From: Stefan Muenkner
• Re: High frequency sensitivity
  • From: Dick Duda
• High-frequency hearing
  • From: Albert Bregman
• High Frequency Hearing - 2
  • From: Bob Stuart
• [no subject]
  • From: dkbeosbe
• Re: High-frequency hearing
  • From: ballas
• Speech shadowing, delayed feedback
  • From: Richard Fahey
• AL BREGMAN WINS ROUSSEAU AWARD
  • From: James Wright Mcgill
• Enquiry about the work on computational auditory model.
  • From: Chen Ke
• Re: Enquiry about the work on computational auditory model.
  • From: Richard Lyon
• Re: AL BREGMAN WINS ROUSSEAU AWARD
  • From: Al Bregman
• acoustic drivers
  • From: Jont Allen
• driver
  • From: Jont Allen
• Brian Moore
  • From: CJD
• List of References: Neurophysiology and music (II)
  • From: Stefan Muenkner
• ASA Elections
  • From: William Yost
• Summary of responses to my previous enquriy.
  • From: Chen Ke
• Bev Wright
  • From: Bob Carlyon
• an announcement from kamada
  • From: HARTMANN
• Postdoc positions at U. Toronto
  • From: Dan Ellis
• minimal audible change of SPL-increase
  • From: Andreas.Hellmann
• RT to offset of auditory stimuli
  • From: Andreas.Hellmann
• Scientific graphing software?
  • From: Peter Marvit
• Re: Scientific graphing software?
  • From: Peter Marvit
• RT to offsets
  • From: Kathy Barsz
• Sound Quality metrics for ABS auto products
  • From: Khalid
• [no subject]
  • From: Pierre Divenyi
• auditory experiment on the internet
  • From: Andreas Weigend
• Re: Sound Quality metrics for ABS auto products
  • From: Khalid
• counting JNDs
  • From: Jont Allen
• Postdoc position
  • From: Al Bregman
• AEC - Acoustic Echo Control
  • From: Francky goes to Hollywood
• STUDENTSHIP IN AUDITORY SCENE ANALYSIS AND ROBUST ASR
  • From: Martin Cooke
• Short term research fellowships at Sheffield
  • From: Martin Cooke
• House Budget and Behavioral Sciences
  • From: William Yost
• Re: Faseb Alert on Hatfield amendment to restore NIH funding -Forwarded
  • From: William Yost
• SHARC Timbre Database
  • From: Greg Sandell
• Besides HRTF
  • From: Francky goes to Hollywood
• job search
  • From: MGREENE
• job opening
  • From: Jont Allen
• [no subject]
  • From: Dan Ellis
• Job opening
  • From: Al Bregman
• [no subject]
  • From: Jan Chomyszyn
• Audio-CD writer software
  • From: Kai Crispien
• University Lectureship Available
  • From: mjp
• Synthesiser/PowerSynthesiser 0.86
  • From: Paul Russell
• Synthesiser/PowerSynthesiser 0.86 - ABSTRACT
  • From: Paul Russell
• SDII-PlugIn
  • From: Bernhard Feiten
• Text-to-speech
  • From: Andrea Kennel
• Request for Administrative e-mail address
  • From: Dick Pastore
• AUDITORY Admin (was Request for Administrative e-mail address)
  • From: Dan Ellis
• The 9th Annual Institute for Music & Healing
  • From: Dan Ellis
• Avery Wang's sound separation thesis available by ftp
  • From: Avery Wang
• "Hard problems in computational auditory scene analysis"
  • From: Dan Ellis
• heart response to music
  • From: Terry Olesen
• letter to ASA workshop people
  • From: Neil Todd
• Perfect Pitch en masse at public sporting events
  • From: Gregory J. Sandell
• Re: heart response to music
  • From: Al Bregman
• Re: heart response to music
  • From: Bernice Laden
• hintzman@oregon.uoregon.edu: More on basketball
  • From: Dan Ellis
• Biophysics of sound (was: Re: heart response to mu~s Biophysics of sound (was: Re: heart response to music)
  • From: Eliot Handelman
• Re: Biophysics of sound production
  • From: Bill Schottstaedt
• heart response to music
  • From: James Wright Mcgill
• Basketball pitch
  • From: Daniel Levitin
• Re: hintzman@oregon.uoregon.edu: More on basketball (fwd)
  • From: charles s. watson
• Airball
  • From: Kevin Baker
• Re: Basketball pitch
  • From: Steve Mcadams
• Why D and not F? Why 5-foot-8 and not 5-foot-10?
  • From: Daniel Levitin
• Re: Basketball pitch
  • From: Steven M. Boker
• Re: Why D and not F? Why 5-foot-8 and not 5-foot-10?
  • From: charles s. watson
• masked speech responses
  • From: RJ ZATORRE
• [no subject]
  • From: Ervin R. Hafter
• Re: Pitch Memory
  • From: Rebecca Mercuri
• Biophysics of sound production
  • From: Rebecca Mercuri
• Re: Pitch Memory
  • From: Don Hill
• Why D and not F?
  • From: Edward M. Burns
• Re: Pitch Memory
  • From: Peter Marvit
• Re: Biophysics of sound production
  • From: Terry Olesen
• Re: Biophysics of sound (was: Re: heart response to mu~s Biophysics of sound (was: Re: heart response to music)
  • From: Terry Olesen
• Music-processing in hearing-aids
  • From: Bernhard Laback
• Re: Biophysics of sound (was: Re: heart response to mu~s Biophysics of sound (was: Re: heart response to music)
  • From: brian meredith gygi
• Speech Recognition on the Mac?
  • From: brian meredith gygi
• Re: natural non-speech sound corpus?
  • From: Bill Schottstaedt
• natural non-speech sound corpus?
  • From: Kevin Baker
• Re: natural non-speech sound corpus?
  • From: dfr
• Re: Biophysics of sound (was: Re: heart response to mu~s Biophysics of sound (was: Re: heart response to music)
  • From: Terry Olesen
• Two notices
  • From: Dan Ellis
• PhD Studentship in Speech and Hearing
  • From: mjp
• Re: heart response to music
  • From: Terry Olesen
• falling minor thirds
  • From: R. Parncutt
• Re: falling minor thirds
  • From: Terry Olesen
• Computational Auditory Scene Analysis Workshop Summary
  • From: Malcolm Slaney
• Auditory/Speech Workshop
  • From: Dan Ellis
• Next ARO Meeting Date?
  • From: mjp
• DAT-PC hookup
  • From: Mark A Pitt
• Re: DAT-PC hookup
  • From: Dan Freed
• Re: DAT-PC hookup
  • From: Ken Ferens
• Re: DAT-PC hookup
  • From: Steven M. Boker
• Re: DAT-PC hookup
  • From: Lonce LaMar Wyse
• Re: DAT-PC hookup
  • From: Malcolm Slaney
• source separation
  • From: Lonce LaMar Wyse
• [winnie@teleport.com: DAT to computer]
  • From: Dan Fain
• Re: DAT-PC hookup
  • From: Lonce LaMar Wyse
• Re: DAT-PC hookup
  • From: Jont Allen
• Faculty/Postdoctoral Positions in Auditory Neuroscience
  • From: Dan Ellis
• Faculty position at CCRMA
  • From: Dan Ellis
• Two helps
  • From: Kevin Baker
• Re: Two helps
  • From: houtsma
• Re: Two helps
  • From: Kevin Baker
• Preprint available on auditory scene analysi
  • From: DeLiang Wang
• Re: Two helps
  • From: Peter Marvit
• The Future of NIH
  • From: William Yost
• Lois Elliiott
  • From: William Yost
• Re: Two helps
  • From: Al Bregman
• [no subject]
  • From: B.C.J. Moore
• audiologist population
  • From: R. Parncutt
• Gender differences in ear canal lengths
  • From: mjp
• rachel clifton
  • From: Bob Carlyon
• software information wanted
  • From: John F. Olsen
• [no subject]
  • From: B.C.J. Moore
• Oxford Dysfluency Conference
  • From: Kevin Baker
• PhD fellowship
  • From: CZTG000
• Int. Conf. on Auditory Display
  • From: kramer
• Seeking recommendations on DSP cards for PC
  • From: Gregory J. Sandell
• Anti-aliasing on low-cost audio cards, how done?
  • From: Gregory J. Sandell
• Re: Anti-aliasing on low-cost audio cards, how done?
  • From: Richard F. Lyon
• PC soundcard responses...see web page
  • From: Gregory J. Sandell
• Reference request
  • From: Rene van Egmond
• David Noelle: Cognitive Science '96
  • From: Dan Ellis
• Zwislocki
  • From: Richard F. Lyon
• Sound Analysis Tools Discussion ?
  • From: Thierry Rochebois
• Auditory archives
  • From: Thierry Rochebois
• Sound Analysis Tools
  • From: Thierry Rochebois
• Re: Sound Analysis Tools
  • From: Thierry Rochebois
• Re: Sound Analysis Tools
  • From: James Beauchamp
• Re: Sound Analysis Tools
  • From: Julius O. Smith III
• Environmental Sound Recognition
  • From: Lorin Wilde
• Re: Sound Analysis Tools
  • From: Thierry Rochebois
• unsubscribe
  • From: Eric Tsui
• Periodic admin reminder
  • From: Dan Ellis
• Re: Periodic admin reminder
  • From: Terry Olesen
• Re: Periodic admin reminder
  • From: Al Bregman
• POSTDOCTORAL FELLOWSHIP IN PSYCHOACOUSTICS
  • From: Volker Hohmann
• 'Mind as Motion' annct & web page
  • From: Dan Ellis
• New Book
  • From: B.C.J. Moore
• job available
  • From: Bob Carlyon
• Forwarded mail
  • From: deb
• Perceptual Consequences of Cochlear Damage
  • From: Bob Stuart
• How do you whisper a tone language?
  • From: Robert E. Remez
• physiological basis of tone deafness
  • From: Judith Brown
• Re: physiological basis of tone deafness
  • From: Daniel Levitin
• Re: physiological basis of tone deafness
  • From: Steven M. Boker
• Tone Deafness
  • From: Rebecca Mercuri
• Re: Tone Deafness
  • From: Malcolm Slaney
• Re: physiological basis of tone deafness
  • From: charles s. watson
• Re: Tone Deafness
  • From: Lonce LaMar Wyse
• tone deafness
  • From: hermes
• official ASA web page
  • From: Gregory J. Sandell
• tone deafness
  • From: h.e. fiske
• Re: physiological basis of tone deafness
  • From: Steve Mcadams
• Re: physiological basis of tone deafness
  • From: damian keller
• Re: official ASA web page
  • From: damian keller
• ASA home page
  • From: Israel Nelken
• ANNOUNCEMENT: ShATR - A Corpus for Auditory Scene Analysis
  • From: Brian Karlsen
• Re: ANNOUNCEMENT: ShATR - A Corpus for Auditory Scene Analysis
  • From: mmalcolm crawford
• Re: ANNOUNCEMENT: ShATR - A Corpus for Auditory Scene Analysis
  • From: Brian Karlsen
• MUMS CDs
  • From: Pamela GOAD
• Re: MUMS CDs
  • From: Rene Quesnel
• Book Announcement
  • From: h.e. fiske
• Post script re *Selected Theories of Music Perception*
  • From: h.e. fiske
• hd414 "classic" headphones
  • From: Bob Carlyon
• Re: NIDCD plan
  • From: Al Bregman
• Re: NIDCD plan
  • From: Harry Erwin
• PC Sound Cards
  • From: suem