[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]

Re: Auditory Streaming

To: AUDITORY@xxxxxxxxxxxxxxx
Subject: Re: Auditory Streaming
From: Leon van Noorden <leonvannoorden@xxxxxxxxx>
Date: Sat, 1 May 2004 10:38:18 +0200
Comments: To: Roisin Loughran <loughrr@TCD.IE>
Delivery-date: Sat May 1 04:52:10 2004
Importance: Normal
In-reply-to: <1083336039.409265671e40a@mymail.tcd.ie>
Reply-to: Leon van Noorden <leonvannoorden@xxxxxxxxx>
Sender: AUDITORY Research in Auditory Perception <AUDITORY@xxxxxxxxxxxxxxx>

Dear Roisin,

on page 104, appendix C, of my PhD Thesis on Temporal Coherence:
http://alexandria.tue.nl/extra1/PRF2A/7707058.pdf I have copied a list from
Dowling's Thesis (1967) of 20 barock compositions with "intended" streaming
(or "fission" as I called back in 1975). Dowling called it "compound melodic
line".

The demonstrations that go with my thesis are available  as interactive
sound circuits on http://www.andyware.com/abox2/index.html in the section
research.

Regards,
Leon van Noorden

References:
- Auditory Streaming
  - From: Roisin Loughran

Prev by Date: Re: Computational ASA -- how many sources can humans perceive?
Next by Date: Re: Computational ASA -- how many sources can humans perceive?
Previous by thread: Auditory Streaming
Next by thread: Re: Computational ASA -- how many sources can humans perceive?
Index(es):
- Date
- Thread