The fact that low pitch require longer time to identify is logical but this effect is disrupted in complex tones by the fact that subjects tend to switch to the analytic mode of pitch
perception when complex tones are shortened (i.e., they tend to hear the spectral pitches instead of the virtual ones), see: https://pubmed.ncbi.nlm.nih.gov/2808930/ John beerends http://beesikk.nl/JohnBeerends.htm From: AUDITORY - Research in Auditory Perception <AUDITORY@xxxxxxxxxxxxxxx>
On Behalf Of David McAlpine (Off the top of my head, so here goes) From a purely information processing perspective, with a brain 'normalisation' chaser, these are relatively low frequencies where
phase-locking is a 'thing'. Purely in terms of accumulating information about the signals (I'm guessing 'the brain' doesn't know or care about your task), the same number of spikes would take longer to accumulate for a lower frequency (fewer cycles, fewer
spikes, therefore less 'information'). just a hunch but move into the non-phase locking region above 4 kHz (for those who can still hear!) and see what happens. From: AUDITORY - Research in Auditory Perception <AUDITORY@xxxxxxxxxxxxxxx> on behalf of Lori Holt <lholt@xxxxxxxxxxxxxx>
Dear auditory aficionados, Fred Dick and I have been doing some work with a long-short tone duration identification task (50ms vs 90ms) where tone frequency is chosen
from one of x values in a truncated range (e.g., 800Hz, 920Hz, 1000Hz, 1080Hz, 1200Hz). (You might be familiar with this paradigm from Mondor & Bregman, 1994).
Best wishes, Lori & Fred ______________________________________________________________ loriholt
Professor | Department of Psychology Professor | Neuroscience Institute
Co-Director | Center for the Neural Basis of Cognition Co-Director | Behavioral Brain (B2) Research Training Program (NIGMS) Carnegie Mellon University pronouns: she, her, hers
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