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[AUDITORY] Timbre 2020 - Final CfP



[Apologies for cross-posting]

[Please distribute widely]

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Timbre 2020, virtual conference, September 3-4 2020
2nd International Conference on Timbre
https://timbre2020.mus.auth.gr/ 

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This is the final call for abstracts for Timbre 2020. The submission system is open at: https://easychair.org/conferences/?conf=timbre2020.
A Microsoft Word abstract template can be found at the conference website under the Authors tab 

IMPORTANT DATES:
  • Abstract submission deadline: May 22, 2020
  • Notification of acceptance: June 26, 2020
  • Camera ready paper submission deadline: July 17, 2020
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KEYNOTES:
  • Morwaread M. Farbood (New York University)
  • Jennifer Bizley (University College London)
  • Stefan Bilbao (University of Edinburgh)
  • David Howard (Royal Holloway University of London)
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Call for abstracts

Timbre 2020 invites submissions in the form of extended abstracts (up to 2 pages, 500-1000 words) for oral or poster presentation.
All submitted abstracts will be peer-reviewed and the accepted ones can be updated to a 4 pages paper that will be included in the conference proceedings. The proceedings will have an ISBN and its electronic version will become available online before the conference.
Please note that at least one of the paper authors has to register for the paper to be presented and included in the proceedings.
Topics of interest include all scientific contributions related to timbre. Specific topics include, but are not limited to:
  • history of timbre
  • timbre in popular, folk, and traditional music
  • control of timbre in film music and sound design
  • timbre in orchestration and compositional practices
  • cultural differences in timbre perception
  • the role of timbre in auditory scene analysis
  • the role of timbre in eliciting emotions and tension
  • timbral manipulation in music performance and conducting
  • timbre in audio recording and production
  • control of timbre in sound synthesis
  • acoustic modeling of timbre
  • computer aided orchestration
  • timbre perception, cognition, and aesthetics
  • timbre perception with cochlear implants
  • timbre of the human voice
  • musical instrument and room acoustics
  • crossmodal associations involving timbre
  • neural correlates of timbre processing
  • timbre in music pedagogy

Please stay tuned at the conference website for upcoming updates. 

With best wishes,

The Timbre 2020 Chairs

Asterios Zacharakis, Kai Siedenburg, Charalampos Saitis




Asteris Zacharakis, PhD
Research Associate
School of Music Studies 
Aristotle University of Thessaloniki
Greece
http://asteriszacharakis.wix.com/science










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