[AUDITORY] Final posting of revised Request For Proposal to build a music visualization demo for a patent, for 10% of patent value. DEADLINE 7/23/19

[John Lathrop <lathrop@xxxxxxxxxxx>]

All,

I apologize for this second posting about my RFP.  I had to revise my RFP in response to questions from respondents.  But now I have the final version, DEADLINE 7/23/19 (four weeks from now, as promised).

Email me at lathrop@xxxxxxxxxxx<mailto:lathrop@xxxxxxxxxxx> for the final RFP.  (My previous post to you repeated here below the stars.)

If I sent you an RFP before, ask me to send you the revised-final version now.


  *   John
John Lathrop, Ph.D.
New Resonance, LLC
Decision Strategies, LLC
Consultant to Lawrence Livermore National Laboratory
Executive Principal Analyst,
Innovative Decisions, Inc.
Past Chair,
Applied Risk Management Specialty Group,
Society for Risk Analysis
650-906-8455

**************************************************
To repeat what I told you before:

I have a patent application for music visualization (WO 2017/136854 A9).  I need someone or a team with signal processing and visualization expertise to build a demo of the patented technology.  Compensation: 10% of the value of the patent, but will also be of interest since you will wind up with a platform for music perception research.  If interested, email me at lathrop@xxxxxxxxxxx<mailto:lathrop@xxxxxxxxxxx> and I'll send you the Request For Proposal (RFP).  - John Lathrop

Bullet Points:

Qualitatively different from any current music visualizations.

Perceptual level, mapping psychoacoustic cues to visual cues, cue to cue, to a time-streaming visual display.

Workbench orientation, with a dashboard such that the user can systematically explore different mappings.

That workbench a platform for research in music perception, empirically informed by experiments. Could be the start of a music perception research program at your institution.

That platform brings us into an unexplored two-mode perceptual space, so the research there has to be empirical.

Would be great to explore the effectiveness of mappings standardized within music genres, performance groups, etc.

That platform will be so much fun to work with, the 10% equity could be beside the point.

Users of that platform: music perception researchers, music consumers, music producers, concert producers, musicians.  Special interest: profoundly deaf music consumers.

BTW, am struck by one very basic cue of music perception that all other music visualizations miss.  I won't tell you what it is, to pique your interest.