[AUDITORY] Deadline Extension JAES Special Issue on “Augmented and Participatory Sound and Music Interaction using Semantic Audio”

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Subject: [AUDITORY] Deadline Extension JAES Special Issue on “Augmented and Participatory Sound and Music Interaction using Semantic Audio”

From: Mathieu Barthet <m.barthet@xxxxxxxxxx>

Date: Tue, 17 Oct 2017 10:26:43 +0000

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Thread-topic: Deadline Extension JAES Special Issue on “Augmented and Participatory Sound and Music Interaction using Semantic Audio”

CfP JAES Special Issue on “Augmented and Participatory Sound and Music Interaction using Semantic Audio”

Deadline extension: November 12, 2017

http://www.aes.org/journal/pdfs/2017/CfP_APSMIUSA_2017.pdf

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Apologies for potential cross-postings

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Dear all,

We are pleased to announce a deadline extension for the Special Issue of the Journal of the Audio Engineering Society on “Augmented and Participatory Sound and Music Interaction using Semantic Audio” that follows the Audio Mostly 2017 conference (http://audiomostly.com/). The new paper submission deadline is November 12, 2017.

Detailed information about the CfP and the submission process can be found at the following link: http://www.aes.org/journal/pdfs/2017/CfP_APSMIUSA_2017.pdf

Important Dates:

Submission deadline: November 12, 2017

Author Notification: December 15, 2017 (approx.)

Planned Publication: February/March 2018

Author Guidelines:

Please submit complete 6 to 8-page papers by November 12, 2017. All submissions will be peer-reviewed according to standard JAES review procedures. We welcome original research including revised and expanded versions of “Audio Mostly 2017” or AES conference papers addressing the theme of this special issue. Please follow the Author Guidelines found at: http://www.aes.org/journal/authors/guidelines/. Papers should be submitted online at: www.aes.org/journal/submit/. When submitting a paper, please choose the category “Special Issue (Augmented and Participatory Sound and Music Interaction using Semantic Audio)” rather than Research Paper or Engineering Report. This special issue is planned to be published in early 2018, therefore a tight reviewing and revision schedule will be in place.

Guest Editors:

George Fazekas <g.fazekas@xxxxxxxxxx>

Mathieu Barthet <m.barthet@xxxxxxxxxx>

George M. Kalliris <gkal@xxxxxxxxxxxx>

Best wishes on behalf of all the guest editors,

Mathieu Barthet

Lecturer in Digital Media

Technical Director of the Media and Arts Technology Studios

Centre for Digital Music (Room Eng 111)

School of Electronic Engineering and Computer Science

Queen Mary University of London

Mile End Road, London E1 4NS

Tel: +44 (0)20 7882 7518 - Fax: +44 (0)20 7882 7997

E-mail: m.barthet@xxxxxxxxxx

http://c4dm.eecs.qmul.ac.uk/

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