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[AUDITORY] Audio Mostly 2017 “Augmented and Participatory Sound/Music Experiences”: Deadline Extension for workshop, music and demonstrations



[Apologies for cross-postings]
 
12th International Audio Mostly Conference 2017
“Augmented and Participatory Sound/Music Experiences”
23-26 August 2017, Queen Mary University of London (UK)
Conference website: http://audiomostly.com
 
Dear all,
 
Audio Mostly is an interdisciplinary conference on design and experience of interaction with sound that embraces applied theory and reflective practice. The 12th edition of the conference, organised by the Centre for Digital Music at Queen Mary University of London (UK), will be held on 23-26 August 2017 on the theme “Augmented and Participatory Sound/Music Experiences”.
 
Due to numerous requests from potential contributors, the submission deadline for workshop, music and demonstration proposals has been extended to 5 May 2017 (23:59 BST, i.e. GMT+1).
 
If possible, we encourage authors to initiate their submission on EasyChair by selecting the topics relevant to their work and submitting a draft submission in the appropriate category, that includes the title and abstract. Authors can then update their submission as desired until the extended deadline (title and abstract can be modified). The submissions will only be sent to reviewers after the extended deadline, i.e. once the submissions have been finalised by authors.
 
The deadline for regular papers is now closed, but Audio Mostly 2017 continues to encourage the submission of music, demos, and workshop proposals. This year the theme of the conference is “Augmented and Participatory Sound/Music Experiences”, but the Audio Mostly conference series is interested in sound interaction and design in general, and provides a space to reflect on the role of sound/music in our lives and how to innovate to create new experiences through sound. The conference welcomes studies in fields such as human computer interaction, music informatics, sound design, acoustics, signal processing, computer science, information and communication technologies, information visualisation, music composition, perception/cognition and aesthetics. Please visit our detailed call for contributions for further information:
 

Authors’ instructions and information on the submission process are provided here: http://audiomostly.com/contributions/authors-instructions-submission/

Keynote speakers
We are very pleased to announce that Andy Farnell will be one of the keynote speakers at Audio Mostly 2017. More information at: http://audiomostly.com/keynotes/

Twitter: @AudioMostly
 
Important dates
Deadline for music, demo and workshop submissions: 5th May 2017
Notification of acceptance for regular papers: 22 May 2017
Notification of acceptance for music, demo and workshops: 5 June 2017
Camera-ready paper submission: 23 June 2017
Early registration deadline: 7 July 2017
Conference: 23-26 August 2017
 
Colocation with the 3rd Web Audio Conference (WAC)
The conference will be collocated with the 3rd Web Audio Conference (WAC) “Collaborative Audio” (21-23 August 2017), with one day, Wednesday the 23rd, a common day between the two events. Participants will have the opportunity to attend both events at a discounted rate.
 
Contact
For more information or questions, please contact the organising committee at:
am2017-enquiries@xxxxxxxxxx

We look forward to welcome you in London in August 2017!
 
Audio Mostly 2017 Conference Committee
General Chair
George Fazekas, QMUL
Paper and Program Chairs
Mathieu Barthet and Tony Stockman, QMUL
Demonstration and Poster Chairs
Fabio Morreale and Johan Pauwels, QMUL
Music Chair
Adib Mehrabi, QMUL
Workshop Chair
Angela McArthur, QMUL
Other Organising Committee Members
Gary Bromham, Beici Liang, Hazar Emre Tez, Sue White, William James Wilkinson, Thomas Wilmering (QMUL)