[apologies for cross-postings]
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2nd CALL FOR PAPERS
Paper submission deadline: May 2, 2014
ISMIR 2014:
The 15th International Society for Music Information Retrieval Conference
Oct 27-31, 2014
The Grand Hotel, Taipei, Taiwan
Important Dates
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Paper submission due: May 2, 2014
Notification of paper acceptance: June 27, 2014
Deadline for uploading camera-ready papers: July 18, 2014
Music submission due: June 1, 2014
LBD submission open: July 1, 2014
Author/Early registration deadline: July 25, 2014
Overview
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The annual conference of the International Society for Music Information Retrieval (ISMIR) is the world's leading interdisciplinary forum on accessing, analyzing, and organizing digital music of all sorts. The ISMIR conference embraces the complexity and diversity of music by showcasing ideas and applications that enhance the way in which we interact with music. Centered around MIR, the conference aims to foster dialogue across disciplines by bringing together researchers, developers, educators, librarians, students and professionals, providing multifaceted interaction and cross-fertilization that will benefit a wide range of related fields.
Programs and Events
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ISMIR 2014 will feature the following programs/events:
- Tutorials and keynote speech
- Oral and poster presentations
- Grand Challenge of MIREX (to celebrate the 10th MIREX)
- Late-breaking/demo session and unconference
- Music program
- Music hack day (a satellite event on Oct 25-26)
Paper Submission Open
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Submit your formatted paper on https://www.softconf.com/f/ismir2014/ (left column "For Authors", choose "click here to make a new submission")
There will be no extension to the paper submission deadline (May 2). However, authors of registered papers on May 2 will be allowed to upload new versions of their papers (in PDF format) until May 9 (23h59 American Samoa timezone). No other changes will be possible (i.e. authors will not be able to change title, abstract, authors, keywords/topics, or other metadata). No submission of new papers will be possible after May 2.
Topics of Interest
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ISMIR 2014 solicits contributions to the fields of music information retrieval, including but not limited to the following topics:
- content-based query and retrieval
- database systems, indexing and query
- fingerprinting and digital right management
- music transcription and annotation
- music signal processing
- symbolic music processing
- music sound source separation
- score following and music synchronization
- optical music recognition
- melody and motives
- rhythm, beat, tempo
- structure segmentation and analysis
- harmony, chords and tonality
- timbre, instrumentation and voice
- performance analysis
- music synthesis and transformation
- computational musicology
- music perception and cognition
- computational ethnomusicology
- emotion, mood, affection
- MIR applications
- genre, style and mood analysis
- similarity metrics
- music summarization
- user interfaces & interaction
- user modeling
- music recommendation
- playlist generation
- text and web mining
- social tags and metadata
- libraries, archives and digital collections
- evaluation and annotation
- aesthetics
- music and gaming
All papers will go through a double-blind selection process with at least three reviewers per submission. Accepted papers will be designated by the Program Committee to be presented either as posters or as lectures. All accepted papers have the same status, assignment as poster or lecture is not indicative of the relevance or potential impact but on the type of content and way to better reach the intended audience.
Tutorials
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The first day of ISMIR 2014 will consist of parallel sessions of tutorials, each lasting three hours and concentrating on a single topic. The tutorials are intended to provide a stimulating coverage of the topic appealing to a general audience.
The morning tutorials are:
Tutorial 1: "Why is Greek music interesting? Towards an ethics of MIR" by Andre Holzapfel and George Tzanetakis
Tutorial 2:"Musical structure analysis" by Meinard Mueller and Jordan Smith
The afternoon tutorials are:
Tutorial 3: "Jingju music: concepts and computational tools for its analysis" by Rafael Caro Repetto, Ajay Srinivasamurthy, Sankalp Gulati and Xavier Serra
Tutorial 4: "MiningSuite, a comprehensive framework for music analysis, articulating audio (MIRtoolbox 2.0) and symbolic approaches" by Olivier Lartillot
Late-Break, Demos, and Unconference
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ISMIR2014 will hold present two consecutive special sessions ---Late-Breaking / Demo (LBD) and unconference--- in the afternoon of the last conference day (Friday). The LDB session is dedicated to the presentation of preliminary result, ideas, applications or system prototypes that are not yet fully formed nor systematically evaluated, but of interest to the MIR community. Additionally, ISMIR2014 will continue the recent trend of hosting an informal group discussion and brainstorming event, known as an "unconference," which offers the unique opportunity to foster engaging conversations and interactions among participants across a wide range of seniority and experience.
For the LBD submissions we will operate on a “first come, first served” policy and screen submissions for formatting compliance. Submissions that do not conform to the required format will be rejected. A maximum of thirty (30) works will be accepted, and therefore interested researchers should be prepared to submit work as early as possible. The LBD submission portal will be made available on July 1, 2014. Acceptance/rejection notifications will be sent to authors as submissions are screened. Note that at least one author of an accepted LBD abstract should present the poster at the session.
Call for Music Submissions
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ISMIR 2014 will incorporate the 10th International Workshop of Computer Music and Audio Technology (WOCMAT 2014) to invite submissions of musical works for presentation at the workshop concerts. ISMIR/WOCMAT 2014 invites submissions of musical composition for evaluation and possible inclusion in the concert program. We encourage works with ISMIR/WOCMAT 2014 Theme “Oriental Thinking”, which can be related to any oriental elements in your works in wide range to submit. As the use of technology in music creation develops across composition and performance practices, structured data plays an increasingly important role in the processing of musical materials, their analysis and their manifestation in a live environment. The music program in the conference will be centered around one concert that will take place on October 29.
Call for Sponsorships
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ISMIR 2014 offers sponsorship opportunities at Gold, Silver and Bronze levels. Be sure to take this opportunity and become a proud sponsor of the conference, where you can showcase your company's latest products and development to an international crowd of MIR researchers/practitioners, and learn about the state-of-the-art research and technologies in MIR. Benefits of the sponsorships can be found here: http://www.terasoft.com.tw/conf/ismir2014/CallforSponsorship.html
About Taipei & Taiwan
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- CNN: 10 things Taiwan does better than anywhere else
- BuzzFeed Travel: 28 Reasons To Love Taipei
- New York Times: 36 Hours in Taipei, Taiwan
- BuzzFeed Travel: 26 Remarkable Places For Solo Travel
- New York Times: 52 Places to Go in 2014
Organizing Team
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- General chairs
JS Roger Jang (National Taiwan University)
Masataka Goto (National Institute of Advanced Industrial Science and Technology)
Xiao Hu (University of Hong Kong)
- Program chairs
Hsin-Min Wang (Academia Sinica)
Yi-Hsuan Yang (Academia Sinica)
Jin Ha Lee (University of Washington)
- Publicity chair
Ye Wang (National University of Singapore)
- Tutorial chair
Li Su (Academia Sinica)
- Music chairs
Jeff Huang (Kainan University)
Yi-Wen Liu (National Tsing Hua University)
- Web/publication chair
Ching-Hua Chuan (University of North Florida)
- Registration chair
Jia-Ching Wang (National Central University)
- Late breaking and demo chair
Ju-Chiang Wang (University of California, San Diego)
- Unconference chair
Eric Humphrey (New York University)
- Finance chair
Ming-Feng Tsai (National Chengchi University)
- Local arrangement chairs
Jia-Lien Hsu (Fu Jen Catholic University)
Wei-Ho Tsai (National Taipei University of Technology)
- Program committee
Jean-Julien Aucouturier (Institut de Recherche et Coordination Acoustique/Musique)
Juan Pablo Bello (New York University)
Elaine Chew (Queen Mary University of London)
Darrell Conklin (Universidad del Pais Vasco)
Sally Jo Cunningham (University of Waikato)
Matthew Davies (Institute for Systems and Computer Engineering of Porto)
J. Stephen Downie (University of Illinois)
Zhiyao Duan (Rochester University)
Andreas Ehmann (Pandora)
Dan Ellis (Columbia University)
Slim Essid (ParisTech)
Arthur Flexer (Austrian Research Institute for Artificial Intelligence)
Rebecca Fiebrink (Princeton University)
Ichiro Fujinaga (McGill University)
Emilia Gomez (Universitat Pompeu Fabra)
Perfecto Herrera (Universitat Pompeu Fabra)
Andre Holzapfel (University of Crete)
Hirokazu Kameoka (Tokyo University)
Peter Knees (Johannes Kepler University)
Audrey Laplante (University of Montreal)
Luis Gustavo Martins (Catholic University of Porto)
Brian Mcfee (Columbia University)
Meinard Mueller (Max-Planck-Institut fur Informatik)
Geoffroy Peeters (Institut de Recherche et Coordination Acoustique/Musique)
Markus Schedl (Johannes Kepler University)
Erik Schmidt (Pandora Internet Radio)
Joan Serra (Artificial Intelligence Research Institute)
Mohamed Sordo (Universitat Pompeu Fabra)
Bob Sturm (Aalborg University Copenhagen)
Li Su (Academia Sinica)
Douglas Turnbull (Ithaca College)
George Tzanetakis (University of Victoria)
Emmanuel Vincent (Institut National de Recherche en Informatique et en Automatique)
Anja Volk (Utrecht University)
Ju-Chiang Wang (University of California, San Diego)
Frans Wiering (Utrecht)
Kazuyoshi Yoshii (Kyoto University)
Contact Info
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- Questions about
Paper submission: ismir2014-papers@xxxxxxxxx
Music submission: ismir2014-music@xxxxxxxxx
Tutorials: ismir2014-tutorials@xxxxxxxxx
Late breaking and demos: ismir2014-latebreak@xxxxxxxxx
Registrations: ismir2014-registration@xxxxxxxxx
Sponsorship: ismir2014-sponsorship@xxxxxxxxx
Finance: ismir2014-finance@xxxxxxxxx
Website: ismir2014-web@xxxxxxxxx
- Contact
General chair: ismir2014-generalchair@xxxxxxxxx
Program chair: ismir2014-programChair@xxxxxxxxx
Local chair: ismir2014-localchair@xxxxxxxxx