Dear Annemarie,With regard to differences among listeners from different age groups and musical backgrounds (musicians and non-musicians), you could also see
Lapidaki, E. (2000). Stability of Tempo Perception in Music Listening. Music Education Research, 2(1), 25 - 44.
Best regards, Eleni ******************************** Eleni Lapidaki, PhD., Assistant Professor of Music, Department of Music Studies, Aristotle University of Thessaloniki, 51624 Thessaloniki, Greece. phone & voicemail (office):+30-2310991807 fax:+30-2310991815 website: http://users.auth.gr/lapidaki email: lapidaki@xxxxxxxxxxx On Jan 17, 2008, at 7:35 PM, Bruno Repp wrote:
Dear Annemarie: With regard to differences between musicians and non-musicians, seeJones, M. R., Jagacinski, R. J., et al. (1995). Tests of attentional flexibility in listening to polyrhythmic patterns. / Journal of Experimental Psychology: Human Perception and Performance, 21,/ 293-307.Best, Bruno Annemarie Seither-Preisler, Ph.D. wrote:Dear List,does anybody know whether there have been studies on developmental aspects of Auditory Scene Analysis, especially with the classical Bregman-paradigms?Are there related studies on possible performance differences between non-musicians and trained musicians?Thank you very much in advance! Annemarie Priv.-Doz. Dr. Annemarie Seither-Preisler Karl-Franzens-Universität Graz Institut für Psychologie Cognitive Science Section (CSS) Universitätsplatz 2 A-8010 Graz Österreich Tel.: 0043 / 316 / 380 / 8544 Fax: 0043 / 316 / 380 / 9806Email: annemarie.seither-preisler@xxxxxxxxxxx <mailto:annemarie.seither-preisler@xxxxxxxxxxx>-- Bruno H. Repp Haskins Laboratories 300 George Street New Haven, CT 06511-6624 Tel. (203) 865-6163, ext. 236 Fax (203) 865-8963 http://www.haskins.yale.edu/staff/repp.html
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