[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]
Re: working memory and melody
Title: Re: working memory and melody
I agree. The idea dates back to Broadbent's 'Perception and
Communication' (1958) - and a little earlier - which claims that
sensory information can only be held in memory for a time period of
the order of milliseconds unless it is encoded into verbal form, which
enables it to enter 'short term memory' and there be rehearsed
sufficiently, via a phonological loop, to enable it to be
transferred, yet again, into 'long term memory'. This idea always ran
into problems where musical information is concerned. It's amazing how
people who are musically untrained can nevertheless pick out a wrong
note in a complex piece - and the idea that this is done in some way
via verbal labelling clearly won't work.
Cheers,
Diana Deutsch
The recent comments on this issue (from
Deutsch, Demeny and others) are compatible with Margaret Wilson's
claim that ``the phonological loop'' is basically articulatory
or motor. See her review article: `The case for sensorimotor coding in
working memory' in Psychonomic Bulletin & Review 8 (2001),
pp. 44-57. She concludes that ``only a sensorimotor model can
accommodate the broad range of effects that characterize verbal
working memory'' and points out that this supports the general
viewpoint of embodied cognition. So what Baddeley called
`phonological' is not at all what linguists would call phonological
(since they would expect that to mean something completely abstract
and devoid of sensory or motor content).
So the prediction would have to be that the only
way the ``phonological loop'' could encode music is if it could be
stored as something one could SING!
Bob Port
Linguistics and Cognitive Science
Indiana University, Bloomington, IN