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Re: working memory and melody
Title: Re: working memory and melody
Bob Port wrote:
So the prediction would have
to be that the only way the ``phonological loop'' could encode music
is if it could be stored as something one could SING!
... or tap! There is also evidence that the "phonological
loop" is used for rhythms.
Grube, D. (1996).
Verarbeitung akustisch dargebotener Zeitintervalle im Sekundenbereich:
Eine Leistung der phonologischen Schleife des Arbeitsgedächtnisses?
[Processing of acoustically presented temporal intervals in the second
range: An achievement of the phonological loop of working memory?]
Zeitschrift für Experimentelle Psychologie, 43,
527-546.
Grube, D. (1998). Die Kapazität des phonetischen Speichers des
Arbeitsgedächtnisses als 'auditive Präsenzzeit' und ihr Einfluß
auf die Reproduktion von Zeitmustern. [The capacity of the phonetic
store of working memory as the 'auditory present' and its influence on
the reproduction of temporal patterns.] In U. Kotkamp & W. Krause
(Eds.), Intelligente Informationsverarbeitung (pp. 223-231).
Deutscher Universitätsverlag.
Larsen, J. D., & Baddeley, A. (2003). Disruption of verbal STM by
irrelevant speech, articulatory suppression, and manual tapping: Do
they have a common source? Quarterly Journal of Experimental
Psychology, 56A, 1249-1268.
Saito, S. (1993).
The disappearance of phonological similarity effect by complex
rhythmic tapping. Psychologia, 36, 27-33.
Saito, S. (1994). What effect can rhythmic finger tapping have on the
phonological similarity effect? Memory & Cognition, 22,
181-187.
Saito, S. (2001). The phonological loop and memory for rhythms: an
individual difference approach. Memory, 9,
313-322.
Saito, S., &
Ishio, A. (1998). Rhythmic information in working memory: Effects of
concurrent articulation on reproduction of rhythms. Japanese
Psychological Research, 40, 10-18.
--Bruno
--
Bruno H. Repp
Haskins Laboratories
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New Haven, CT 06511-6624
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