ICAD 94: Preliminary Papers List

[Gregory Kramer <kramer@xxxxxxxxxx>]

Dear Colleagues:

Below please find the tentative list of papers and posters for ICAD 94, the
second International Conference on Auditory Display, to be held in Santa
Fe, New Mexico, November 7-9.  For additional information, you can email
"icad94@santafe.edu" and receive an automated reponse with registration and
other information.

For questions about ICAD presentations, please feel free to contact me.
For conference logistics, you can contact Andi Sutherland at the Santa Fe
Institute.

Thanks.

Gregory Kramer
******************


INVITED PAPERS:
Chris Langton, Santa Fe Institute: "Data Presentation Issues in SWARM and
other Large Scale Simulations" (tentative title)
Steve Bryson:NASA-Ames: "Complex data representation issues in
visualization of fluid dynamics"

LONG PAPERS:
(Smith, Pickett) A system for psychometric testing of auditory
representations of scientific data.
(Barrass) A perceptual framework for the auditory display of scientific data.
(Mynatt) Designing with auditory icons.
(Watson, Kidd) Factors in the design of effective auditory displays.
(Lucas) An evaluation of the communicative ability of auditory icons and
earcons.
(Ballas) Effect of event variations and sound duration on sound identification.
(Albers) Hybrid auditory interfaces, the Varese system, and satellite-
ground control: Using auditory icons and sonification in a complex,
supervisory control system.
(Stevens, Brewster, Wright, Edwards) Design and evaluation of an auditory
glance at algebra for blind readers.
(J. Cohen) Out to lunch: Further adventures monitoring background activity.
(Shinn-Cunningham, Durlach) Defining and redefining the limits on human
performance in auditory spatial displays.
(Julig, Kaiwi) Task-oriented qualitative testing for synthesized 3-D
auditory displays.
(Hollander, Furness) Perception of virtual auditory shapes.
(Arons) Efficient listening with two ears.
(Hammershoi) Directional dependence of the free field sound transmission to the
human external ear; verification of a model.
(Jameson) The run-time components of Sonnet.
(Mathur, Boardman) LSL: A specification language for program auralization.
(Papp, Blattner) A Centralized Audio Presentation Manager.
(Das) An Organization For High-Level Interactive Control of Sound
(Choi) Sound synthesis and composition applied to observing chaotic systems.
(Choi, Axen) Traversing alpha shapes for processing the geometrical data
into sound.

SHORT PAPERS:
(Portigal, Carey) Auralization of document structure.
(McQueen) Using sound as feedback for gesture input.
(Bock) ADSL: An auditory domain specification language for program auralization.
(Steeples) Voice annotation of visual representations in computer-mediated
collaborative learning.
(Kennel, Thiel) How to integrate auditory symbols in user interfaces.
(Pitt) Improving the usability of speech-based interfaces.
(Macpherson) : On the role of head-related transfer function spectral
notches in the judgement of sound source elevation.
(Zahorik, Kistler, Wightman) : Sound localization in varying virtual
acoustic environments.
(Lueck): Efficient modeling of the head-related transfer functions.

POSTERS AND/OR DEMOS
(Abel, Foster) Measuring HRTFs in a reflective environment.
(Bidlack) Virtual Sonic Space: A realtime 3D binaural audio localization
algorithm.
(Davis) The Power Dac - a tool for spatial hearing and acoustic display
research
Lake DSP: Spatial Sound Demonstration
(Wightman, Kistler) poster: The importance of head movements for localizing
virtual auditory display objects.
(Cohen) Besides immersion: Using audio windows to analyze music.
(Grohn, Takala) MagicMikes - Adjustable aerial probes for sonification of
spatial data sets.
(Krispien) The GUIB spatial auditory display - Generation of an audio- based
interface for blind computer users.
(Poll, Eggen) GUI admission for VIPs: A sound initiative.
(Boelke, Gorny) Auditory direct manipulation of acoustical objects by blind
computer users.
(Guggiana, Munteanu, Darvishi, Schauer, Rauterberg) Automatic sound
generation for spherical objects hitting flat plates based on physical
models compared with the real sound.
(Chandra) CounterWave: A program for displaying and controlling degrees of
independence between simultaneously changing waveforms.
(Raman, Gries) Audio formatting - Making spoken text and math comprehensible.
(Grigg, Novack) Design considerations for integrating an auditory display
with electronic technical manuals.
(Whitehead) Using Virtual Environment Technology to Present a Digital Sound
Library.
(Munakata) Gene sequence analysis with auditory display.


Gregory Kramer
Clarity/Listen.com
Santa Fe Institute
1704 SW Spring Street
Portland, OR 97201
503-223-9948
fax:503-223-8293
listen@teleport.com