Issue 54(1) of the Journal of New Music Research has been published (David Meredith )

Subject: Issue 54(1) of the Journal of New Music Research has been published From: David Meredith <dave@xxxxxxxx> Date: Mon, 26 Jan 2026 13:54:37 +0100 > This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. --B_3852280479_430677629 Content-type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Dear list members, =20 Issue 54(1) of the Journal of New Music Research has been published! =20 The issue contains six papers and an editorial. You can check it out here: https://urldefense.com/v3/__https://www.tandfonline.com/toc/nnmr20/54/1?nav= =3DtocList__;!!BDUfV1Et5lrpZQ!RpAA7HV2feb0s0-tUWRT9zIx1npag_VWTH2ulKmnkIGSU= o1W8QdOcFaIvW7NJT-DTz8_azm7jc2gyzCgwQ$=20 =20 Here are some direct links to the content of the issue. =20 Editorial=20 https://urldefense.com/v3/__https://www.tandfonline.com/doi/full/10.1080/09= 298215.2025.2600216__;!!BDUfV1Et5lrpZQ!RpAA7HV2feb0s0-tUWRT9zIx1npag_VWTH2u= lKmnkIGSUo1W8QdOcFaIvW7NJT-DTz8_azm7jc0GXTLpYg$=20 =20 Lahdelma et al.: "The perception of tension in harmonic intervals across In= dian and Western listeners: the roles of psychoacoustics and musical expert= ise" https://urldefense.com/v3/__https://www.tandfonline.com/doi/full/10.1080/09= 298215.2025.2582843__;!!BDUfV1Et5lrpZQ!RpAA7HV2feb0s0-tUWRT9zIx1npag_VWTH2u= lKmnkIGSUo1W8QdOcFaIvW7NJT-DTz8_azm7jc2DbLlK5A$=20 =20 Y=C3=A1nez: "Mid-century timings: an exploration into musical genre, tempo = and tempo variability in Ecuadorian m=C3=BAsica nacional performance" https://urldefense.com/v3/__https://www.tandfonline.com/doi/full/10.1080/09= 298215.2025.2561590__;!!BDUfV1Et5lrpZQ!RpAA7HV2feb0s0-tUWRT9zIx1npag_VWTH2u= lKmnkIGSUo1W8QdOcFaIvW7NJT-DTz8_azm7jc0Q4pd-aw$=20 =20 Alanko et al.: "Developing and testing an analysis system to assess singing= -pitch accuracy of Chinese children" https://urldefense.com/v3/__https://www.tandfonline.com/doi/full/10.1080/09= 298215.2025.2561580__;!!BDUfV1Et5lrpZQ!RpAA7HV2feb0s0-tUWRT9zIx1npag_VWTH2u= lKmnkIGSUo1W8QdOcFaIvW7NJT-DTz8_azm7jc2DNkYycA$=20 =20 Rajan and Aiswarya: "Tonic identification in classical music using source-m= odified group delay functions" https://urldefense.com/v3/__https://www.tandfonline.com/doi/full/10.1080/09= 298215.2025.2561577__;!!BDUfV1Et5lrpZQ!RpAA7HV2feb0s0-tUWRT9zIx1npag_VWTH2u= lKmnkIGSUo1W8QdOcFaIvW7NJT-DTz8_azm7jc2qxPC6Ng$=20 =20 Brisson: "Is the revised version of the Short Test of Musical Preferences a= sound measure of musical tastes?" https://urldefense.com/v3/__https://www.tandfonline.com/doi/full/10.1080/09= 298215.2025.2543822__;!!BDUfV1Et5lrpZQ!RpAA7HV2feb0s0-tUWRT9zIx1npag_VWTH2u= lKmnkIGSUo1W8QdOcFaIvW7NJT-DTz8_azm7jc2j9RJ_tw$=20 =20 Nishimura and Marui: "Pytakt: a Python library for symbolic music descripti= on, generation, and real-time processing" https://urldefense.com/v3/__https://www.tandfonline.com/doi/full/10.1080/09= 298215.2025.2540434__;!!BDUfV1Et5lrpZQ!RpAA7HV2feb0s0-tUWRT9zIx1npag_VWTH2u= lKmnkIGSUo1W8QdOcFaIvW7NJT-DTz8_azm7jc0Yjv1P-Q$=20 =20 Best wishes to all list members! =20 David Meredith --B_3852280479_430677629 Content-type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable <html xmlns:o=3D"urn:schemas-microsoft-com:office:office" xmlns:w=3D"urn:sc= hemas-microsoft-com:office:word" xmlns:m=3D"http://schemas.microsoft.com/of= fice/2004/12/omml" xmlns=3D"http://www.w3.org/TR/REC-html40"><head><meta ht= tp-equiv=3DContent-Type content=3D"text/html; charset=3Dutf-8"><meta name= =3DGenerator content=3D"Microsoft Word 15 (filtered medium)"><style></style></head><body lang=3DEN-GB link=3D"#467886" vlink=3D"#96607D" sty= le=3D'word-wrap:break-word'><div class=3DWordSection1>= Dear list members,<o:p></o:p><p= class=3DMsoNormal><o:p> </o:p></span= >Issue 54(1) of t= he Journal of New Music Research has been published!<o:p></o:p><= p class=3DMsoNormal><o:p> </o:p></spa= n>The issue conta= ins six papers and an editorial. You can check it out here:<o:p></o:p></spa= n><a href=3D"http= s://urldefense.com/v3/__https://www.tandfonline.com/toc/nnmr20/54/1?nav=3Dt= ocList__;!!BDUfV1Et5lrpZQ!RpAA7HV2feb0s0-tUWRT9zIx1npag_VWTH2ulKmnkIGSUo1W8= QdOcFaIvW7NJT-DTz8_azm7jc2gyzCgwQ$">https://www.tandfonline.com/toc/nnmr20/= 54/1?nav=3DtocList</a><o:p></o:p><o:p> </o:p><sp= an style=3D'font-size:11.0pt'>Here are some direct links to the content of = the issue.<o:p></o:p><o:p> </o:p>Editorial <o:p></o:p><spa= n style=3D'font-size:11.0pt'><a href=3D"https://urldefense.com/v3/__https:/= /www.tandfonline.com/doi/full/10.1080/09298215.2025.2600216__;!!BDUfV1Et5lr= pZQ!RpAA7HV2feb0s0-tUWRT9zIx1npag_VWTH2ulKmnkIGSUo1W8QdOcFaIvW7NJT-DTz8_azm= 7jc0GXTLpYg$">https://www.tandfonline.com/doi/full/10.1080/09298215.2025.26= 00216</a><o:p></o:p><o:p> </o:p>Lahdelma et al.: "The perception of tension in harmon= ic intervals across Indian and Western listeners: the roles of psychoacoust= ics and musical expertise"<o:p></o:p><= span style=3D'font-size:11.0pt'><a href=3D"https://urldefense.com/v3/__http= s://www.tandfonline.com/doi/full/10.1080/09298215.2025.2582843__;!!BDUfV1Et= 5lrpZQ!RpAA7HV2feb0s0-tUWRT9zIx1npag_VWTH2ulKmnkIGSUo1W8QdOcFaIvW7NJT-DTz8_= azm7jc2DbLlK5A$">https://www.tandfonline.com/doi/full/10.1080/09298215.2025= .2582843</a><o:p></o:p><o:p> </o:p>Y=C3=A1nez: "Mid-century timings: an exploration= into musical genre, tempo and tempo variability in Ecuadorian m=C3=BAsica = nacional performance"<o:p></o:p><a href=3D"https://urldefense.com/v3/__https://w= ww.tandfonline.com/doi/full/10.1080/09298215.2025.2561590__;!!BDUfV1Et5lrpZ= Q!RpAA7HV2feb0s0-tUWRT9zIx1npag_VWTH2ulKmnkIGSUo1W8QdOcFaIvW7NJT-DTz8_azm7j= c0Q4pd-aw$">https://www.tandfonline.com/doi/full/10.1080/09298215.2025.2561= 590</a><o:p></o:p><o:p> </o:p>Alanko et al.: "Developing and testing an analysis syst= em to assess singing-pitch accuracy of Chinese children"<o:p></o:p></s= pan><a href=3D"ht= tps://urldefense.com/v3/__https://www.tandfonline.com/doi/full/10.1080/0929= 8215.2025.2561580__;!!BDUfV1Et5lrpZQ!RpAA7HV2feb0s0-tUWRT9zIx1npag_VWTH2ulK= mnkIGSUo1W8QdOcFaIvW7NJT-DTz8_azm7jc2DNkYycA$">https://www.tandfonline.com/= doi/full/10.1080/09298215.2025.2561580</a><o:p></o:p><o:p> </o:p>Rajan and Aiswarya: &quot= ;Tonic identification in classical music using source-modified group delay = functions"<o:p></o:p><a href=3D"https://urldefense.com/v3/__https://www.tandfonl= ine.com/doi/full/10.1080/09298215.2025.2561577__;!!BDUfV1Et5lrpZQ!RpAA7HV2f= eb0s0-tUWRT9zIx1npag_VWTH2ulKmnkIGSUo1W8QdOcFaIvW7NJT-DTz8_azm7jc2qxPC6Ng$"= >https://www.tandfonline.com/doi/full/10.1080/09298215.2025.2561577</a><o:p= ></o:p><o:= p> </o:p>Brisson: "Is the revised version of the Short Test of Musical Pref= erences a sound measure of musical tastes?"<o:p></o:p><a href=3D"https://urldefe= nse.com/v3/__https://www.tandfonline.com/doi/full/10.1080/09298215.2025.254= 3822__;!!BDUfV1Et5lrpZQ!RpAA7HV2feb0s0-tUWRT9zIx1npag_VWTH2ulKmnkIGSUo1W8Qd= OcFaIvW7NJT-DTz8_azm7jc2j9RJ_tw$">https://www.tandfonline.com/doi/full/10.1= 080/09298215.2025.2543822</a><o:p></o:p><sp= an style=3D'font-size:11.0pt'><o:p> </o:p>Nishimura and Marui: "Pytakt: a P= ython library for symbolic music description, generation, and real-time pro= cessing"<o:p></o:p><a href=3D"https://urldefense.com/v3/__https://www.tandfonlin= e.com/doi/full/10.1080/09298215.2025.2540434__;!!BDUfV1Et5lrpZQ!RpAA7HV2feb= 0s0-tUWRT9zIx1npag_VWTH2ulKmnkIGSUo1W8QdOcFaIvW7NJT-DTz8_azm7jc0Yjv1P-Q$">h= ttps://www.tandfonline.com/doi/full/10.1080/09298215.2025.2540434</a><o:p><= /o:p><o:p>=  </o:p>Best wishes to all list members!<o:p></o:p><o:p> </o:p>David Meredith<o:p></o:p><= /p></div></body></html> --B_3852280479_430677629--

This message came from the mail archive
postings/2026/
maintained by:

DAn Ellis <dpwe@ee.columbia.edu>
Electrical Engineering Dept., Columbia University