[AUDITORY] Issue 53(5) of the Journal of New Music Research has been published (David Meredith )


Subject: [AUDITORY] Issue 53(5) of the Journal of New Music Research has been published
From:    David Meredith  <dave@xxxxxxxx>
Date:    Tue, 28 Oct 2025 15:17:30 +0100

> This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. --B_3844509452_229902177 Content-type: text/plain; charset="UTF-8" Content-transfer-encoding: quoted-printable Dear list members, =20 Issue 5 of volume 53 of the Journal of New Music Research has now been publ= ished! =20 The issue contains five articles, as follows: "Evaluation of audio-tactile congruences for a wearable musical interface" = by Scott C. Aker, Claire Richards, Jeremy Marozeau, Damien Faux & Nicolas Mi= sdariis "User experience with digital musical instruments: a transferable method fo= r longitudinal evaluation" by P. J. Charles Reimer, Atishi Gupta, Catherine = Guastavino & Marcelo M. Wanderley "How clarinettists vary amplitude, frequency, spectral features and microti= ming to play music expressively" by Andr=C3=A9 Almeida, Joe Wolfe, Emery Schuber= t, Weicong Li & John Smith "Mechanisms of musical emotion transfer: insights from 22 composers and the= musicological and psychological literature" by Peter J. Varga & Brian Parki= nson "Effective features to define harmonic distance models" by Hiroyuki Yamamot= o & Satoshi Tojo =20 There is also a short editorial introducing the articles. =20 Best regards, David Meredith =20 --B_3844509452_229902177 Content-type: text/html; charset="UTF-8" Content-transfer-encoding: quoted-printable <html xmlns:o=3D"urn:schemas-microsoft-com:office:office" xmlns:w=3D"urn:schema= s-microsoft-com:office:word" xmlns:m=3D"http://schemas.microsoft.com/office/20= 04/12/omml" xmlns=3D"http://www.w3.org/TR/REC-html40"><head><meta http-equiv=3DC= ontent-Type content=3D"text/html; charset=3Dutf-8"><meta name=3DGenerator content=3D= "Microsoft Word 15 (filtered medium)"><style><!-- /* Font Definitions */ @xxxxxxxx {font-family:Wingdings; panose-1:5 0 0 0 0 0 0 0 0 0;} @xxxxxxxx {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4;} @xxxxxxxx {font-family:Aptos; panose-1:2 11 0 4 2 2 2 2 2 4;} @xxxxxxxx {font-family:"Segoe UI"; panose-1:2 11 5 2 4 2 4 2 2 3;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {margin:0cm; 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mso-level-tab-stop:252.0pt; mso-level-number-position:left; text-indent:-18.0pt; mso-ansi-font-size:10.0pt; font-family:Wingdings;} @xxxxxxxx l1:level8 {mso-level-number-format:bullet; mso-level-text:=EF=82=A7; mso-level-tab-stop:288.0pt; mso-level-number-position:left; text-indent:-18.0pt; mso-ansi-font-size:10.0pt; font-family:Wingdings;} @xxxxxxxx l1:level9 {mso-level-number-format:bullet; mso-level-text:=EF=82=A7; mso-level-tab-stop:324.0pt; mso-level-number-position:left; text-indent:-18.0pt; mso-ansi-font-size:10.0pt; font-family:Wingdings;} ol {margin-bottom:0cm;} ul {margin-bottom:0cm;} --></style></head><body lang=3DEN-GB link=3D"#467886" vlink=3D"#96607D" style=3D'wo= rd-wrap:break-word'><div class=3DWordSection1><p class=3Dember-view style=3D'margi= n:0cm;vertical-align:baseline'><span style=3D'font-family:"Segoe UI",sans-seri= f'>Dear list members,<o:p></o:p></span></p><p class=3Dember-view style=3D'margin= :0cm;vertical-align:baseline'><span style=3D'font-family:"Segoe UI",sans-serif= '><o:p>&nbsp;</o:p></span></p><p class=3Dember-view style=3D'margin:0cm;vertical= -align:baseline'><span style=3D'font-family:"Segoe UI",sans-serif'><a href=3D"ht= tps://www.tandfonline.com/toc/nnmr20/53/5?nav=3DtocList" target=3D"_self"><b><sp= an style=3D'color:#0A66C2;border:none windowtext 1.0pt;padding:0cm'>Issue 5 of= volume 53 of the Journal of New Music Research</span></b></a><span class=3Dwh= ite-space-pre><span style=3D'border:none windowtext 1.0pt;padding:0cm'> </span= ></span>has now been published!<o:p></o:p></span></p><p class=3Dember-view sty= le=3D'margin:0cm;vertical-align:baseline'><span style=3D'font-family:"Segoe UI",= sans-serif'><o:p>&nbsp;</o:p></span></p><p class=3Dember-view style=3D'mso-margi= n-top-alt:0cm;margin-right:0cm;margin-bottom:24.0pt;margin-left:0cm;vertical= -align:baseline;box-sizing: inherit;border-color:rgba(0, 0, 0, 0.9);border-i= mage: none 100% / 1 / 0 stretch;background:padding-box border-box rgb(255, 2= 55, 255);color:rgba(0, 0, 0, 0.9);pointer-events: all;font-variant-ligatures= : normal;font-variant-caps: normal;orphans: 2;text-align:start;widows: 2;-we= bkit-text-stroke-width: 0px;text-decoration-thickness: initial;text-decorati= on-style: initial;text-decoration-color: initial;word-spacing:0px' id=3Dember1= 666><span style=3D'font-family:"Segoe UI",sans-serif'>The issue contains five = articles, as follows:<o:p></o:p></span></p><ul style=3D'margin-top:0cm;box-siz= ing: inherit;border-color:rgba(0, 0, 0, 0.9);border-image: none 100% / 1 / 0= stretch;background:padding-box border-box rgba(0, 0, 0, 0);color:rgba(0, 0,= 0, 0.9)' type=3Ddisc><li class=3DMsoNormal style=3D'mso-list:l1 level1 lfo3;verti= cal-align:baseline;box-sizing: inherit;border-color:rgba(0, 0, 0, 0.9);borde= r-image: none 100% / 1 / 0 stretch;background:padding-box border-box rgba(0,= 0, 0, 0)'><span style=3D'font-family:"Segoe UI",sans-serif'>&quot;<a href=3D"ht= tps://www.tandfonline.com/doi/full/10.1080/09298215.2025.2540440" target=3D"_s= elf"><b><span style=3D'color:#0A66C2;border:none windowtext 1.0pt;padding:0cm'= >Evaluation of audio-tactile congruences for a wearable musical interface</s= pan></b></a>&quot; by Scott C. Aker, Claire Richards, Jeremy Marozeau, Damie= n Faux &amp; Nicolas Misdariis<o:p></o:p></span></li><li class=3DMsoNormal sty= le=3D'mso-list:l1 level1 lfo3;vertical-align:baseline;box-sizing: inherit;bord= er-color:rgba(0, 0, 0, 0.9);border-image: none 100% / 1 / 0 stretch;backgrou= nd:padding-box border-box rgba(0, 0, 0, 0)'><span style=3D'font-family:"Segoe = UI",sans-serif'>&quot;<a href=3D"https://www.tandfonline.com/doi/full/10.1080/= 09298215.2025.2540433" target=3D"_self"><b><span style=3D'color:#0A66C2;border:n= one windowtext 1.0pt;padding:0cm'>User experience with digital musical instr= uments: a transferable method for longitudinal evaluation</span></b></a>&quo= t; by P. J. Charles Reimer, Atishi Gupta, Catherine Guastavino &amp; Marcelo= M. Wanderley<o:p></o:p></span></li><li class=3DMsoNormal style=3D'mso-list:l1 l= evel1 lfo3;vertical-align:baseline;box-sizing: inherit;border-color:rgba(0, = 0, 0, 0.9);border-image: none 100% / 1 / 0 stretch;background:padding-box bo= rder-box rgba(0, 0, 0, 0)'><span style=3D'font-family:"Segoe UI",sans-serif'>&= quot;<a href=3D"https://www.tandfonline.com/doi/full/10.1080/09298215.2025.253= 9102" target=3D"_self"><b><span style=3D'color:#0A66C2;border:none windowtext 1.= 0pt;padding:0cm'>How clarinettists vary amplitude, frequency, spectral featu= res and microtiming to play music expressively</span></b></a>&quot; by Andr=C3= =A9 Almeida, Joe Wolfe, Emery Schubert, Weicong Li &amp; John Smith<o:p></o:p>= </span></li><li class=3DMsoNormal style=3D'mso-list:l1 level1 lfo3;vertical-alig= n:baseline;box-sizing: inherit;border-color:rgba(0, 0, 0, 0.9);border-image:= none 100% / 1 / 0 stretch;background:padding-box border-box rgba(0, 0, 0, 0= )'><span style=3D'font-family:"Segoe UI",sans-serif'>&quot;<a href=3D"https://ww= w.tandfonline.com/doi/full/10.1080/09298215.2025.2481852" target=3D"_self"><b>= <span style=3D'color:#0A66C2;border:none windowtext 1.0pt;padding:0cm'>Mechani= sms of musical emotion transfer: insights from 22 composers and the musicolo= gical and psychological literature</span></b></a>&quot; by Peter J. Varga &a= mp; Brian Parkinson<o:p></o:p></span></li><li class=3DMsoNormal style=3D'mso-lis= t:l1 level1 lfo3;vertical-align:baseline;box-sizing: inherit;border-color:rg= ba(0, 0, 0, 0.9);border-image: none 100% / 1 / 0 stretch;background:padding-= box border-box rgba(0, 0, 0, 0)'><span style=3D'font-family:"Segoe UI",sans-se= rif'>&quot;<a href=3D"https://www.tandfonline.com/doi/full/10.1080/09298215.20= 25.2523245" target=3D"_self"><b><span style=3D'color:#0A66C2;border:none windowt= ext 1.0pt;padding:0cm'>Effective features to define harmonic distance models= </span></b></a>&quot; by Hiroyuki Yamamoto &amp; Satoshi Tojo<o:p></o:p></sp= an></li></ul><p class=3DMsoNormal style=3D'vertical-align:baseline;box-sizing: i= nherit;border-color:rgba(0, 0, 0, 0.9);border-image: none 100% / 1 / 0 stret= ch;background:padding-box border-box rgb(255, 255, 255);color:rgba(0, 0, 0, = 0.9);pointer-events: all;font-variant-ligatures: normal;font-variant-caps: n= ormal;orphans: 2;text-align:start;widows: 2;-webkit-text-stroke-width: 0px;t= ext-decoration-thickness: initial;text-decoration-style: initial;text-decora= tion-color: initial;word-spacing:0px' id=3Dember1668><span style=3D'font-family:= "Segoe UI",sans-serif'><o:p>&nbsp;</o:p></span></p><p class=3Dember-view style= =3D'margin:0cm;vertical-align:baseline'><span style=3D'font-family:"Segoe UI",sa= ns-serif'>There is also a short<span class=3Dwhite-space-pre><span style=3D'bord= er:none windowtext 1.0pt;padding:0cm'> </span></span><a href=3D"https://www.ta= ndfonline.com/doi/full/10.1080/09298215.2025.2561417" target=3D"_self"><b><spa= n style=3D'color:#0A66C2;border:none windowtext 1.0pt;padding:0cm'>editorial</= span></b></a><span class=3Dwhite-space-pre><span style=3D'border:none windowtext= 1.0pt;padding:0cm'> </span></span>introducing the articles.<o:p></o:p></spa= n></p><p class=3Dember-view style=3D'margin:0cm;vertical-align:baseline'><span s= tyle=3D'font-family:"Segoe UI",sans-serif'><o:p>&nbsp;</o:p></span></p><p clas= s=3Dember-view style=3D'margin:0cm;vertical-align:baseline'><span style=3D'font-fa= mily:"Segoe UI",sans-serif'>Best regards,<o:p></o:p></span></p><p class=3Dembe= r-view style=3D'margin:0cm;vertical-align:baseline'><span style=3D'font-family:"= Segoe UI",sans-serif'>David Meredith<o:p></o:p></span></p><p class=3DMsoNormal= ><span style=3D'font-size:11.0pt'><o:p>&nbsp;</o:p></span></p></div></body></h= tml> --B_3844509452_229902177--


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