Subject: [AUDITORY] [CFC] SBCM 2025 =?UTF-8?Q?=E2=80=93_?=Final Call for Submissions: Deadline Extended to June 30, 2025 From: Micael Antunes <micaelant@xxxxxxxx> Date: Mon, 16 Jun 2025 20:34:57 +0200--000000000000c38d2c0637b4a7e3 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Dear colleagues, [Apologies for cross-posting.] We are pleased to announce a *final extended deadline* for submissions to the 19th Brazilian Symposium on Computer Music (SBCM 2025). The definitive deadline is *June 30, 2025*. The conference will take place from September 15 to 17, 2025, at the Convention Center =E2=80=93 CDC =E2=80=93 UNICAMP. All submissions must be made via the SBCM 2025 submission portals: =E2=80=93 Full Papers, Artistic Works and ENCM submissions: https://jems3.sbc.org.br/events/383 =E2=80=93 Workshop proposals: https://forms.gle/RcMkYuAJBnBbBbfS8 SBCM 2025 welcomes submissions in the following categories: *Full Papers* =E2=80=93 Submissions (6 to 8 pages) must present original re= search on technical, musical, or interdisciplinary topics at the intersection of computing and music. All submissions will undergo double-blind peer review. Both the manuscript and oral presentation must be in English. Topics include, but are not limited to: - Machine Learning, Artificial Intelligence, and Music Information Retrieval - Software Development for Musical Applications - Computational Musicology - Musical Cognition and Computer Music - Real-Time Musical Systems for Improvisation and Telematic Performance - Machine Listening and Musical Creation - Audio Signal Processing, Sound Analysis, and Digital Audio Effects - Physical Modeling and Sound Synthesis - Sound Spatialization and Immersive Environments Accepted papers will be published in the conference proceedings (ISBN and DOI). Selected papers will be invited to submit extended versions to *Music= a Hodie*. Author guidelines: https://revistas.ufg.br/musica/about/submissions#authorGuidelines *Performances and Artistic Works* =E2=80=93 Proposals should include a shor= t paper (up to 4 pages) detailing methods and/or the conceptual relation of the work to the conference scope. Evaluation will consider both the documentation and the paper. *ENCM =E2=80=93 Escola Nacional de Computa=C3=A7=C3=A3o Musical* =E2=80=93 = The ENCM promotes undergraduate and graduate participation in computer music research through= : - *Scientific Papers* (up to 4 pages): Written in Portuguese, English, or Spanish. May be presented as posters or talks. Selected contributions ma= y be published in *REIC* (ISSN 1519-8219). - *Reports from Research Groups, Studios, or Collectives* (4 to 8 pages): Descriptions of current practices or projects. - *Workshops and Tutorials*: Practical or conceptual sessions open to students and the broader academic/artistic community. *Important Dates (All Categories)* - Final submission deadline: *June 30, 2025* - Notification of acceptance: *August 4, 2025* - Camera-ready version: *August 25, 2025* We strongly encourage the participation of women, Black researchers and artists, LGBTQIAPN+ individuals, peripheral communities, and others underrepresented in academic and artistic contexts. SBCM is a biennial event organised by the Computer Music Interest Group (CECM) of the Brazilian Computer Society (SBC). For past editions and proceedings, visit: http://compmus.ime.usp.br/sbcm/ We look forward to receiving your contributions! Best regards, *SBCM 2025 Organising Committee* --=20 Micael Antunes Postdoctoral Researcher Aix-Marseille Univ., CNRS, PRISM, LIS, InCIAM --000000000000c38d2c0637b4a7e3 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable <div dir=3D"ltr"><div><div dir=3D"ltr"><div><p>Dear colleagues,<br> [Apologies for cross-posting.]</p> <p>We are pleased to announce a <strong>final extended deadline</strong> fo= r submissions to the 19th Brazilian Symposium on Computer Music (SBCM 2025)= . The definitive deadline is <strong>June 30, 2025</strong>. The conference= will take place from September 15 to 17, 2025, at the Convention Center = =E2=80=93 CDC =E2=80=93 UNICAMP.</p> <p>All submissions must be made via the SBCM 2025 submission portals:<br> =E2=80=93 Full Papers, Artistic Works and ENCM submissions: <a rel=3D"noope= ner" href=3D"https://jems3.sbc.org.br/events/383" target=3D"_blank">https:/= /jems3.sbc.org.br/events/383</a><br> =E2=80=93 Workshop proposals: <a rel=3D"noopener" href=3D"https://forms.gle= /RcMkYuAJBnBbBbfS8" target=3D"_blank">https://forms.gle/RcMkYuAJBnBbBbfS8</= a></p> <p>SBCM 2025 welcomes submissions in the following categories:</p> <p><strong>Full Papers</strong> =E2=80=93 Submissions (6 to 8 pages) must p= resent original research on technical, musical, or interdisciplinary topics= at the intersection of computing and music. All submissions will undergo d= ouble-blind peer review. Both the manuscript and oral presentation must be = in English.</p> <p>Topics include, but are not limited to:</p> <ul> <li> <p>Machine Learning, Artificial Intelligence, and Music Information Retriev= al</p> </li> <li> <p>Software Development for Musical Applications</p> </li> <li> <p>Computational Musicology</p> </li> <li> <p>Musical Cognition and Computer Music</p> </li> <li> <p>Real-Time Musical Systems for Improvisation and Telematic Performance</p= > </li> <li> <p>Machine Listening and Musical Creation</p> </li> <li> <p>Audio Signal Processing, Sound Analysis, and Digital Audio Effects</p> </li> <li> <p>Physical Modeling and Sound Synthesis</p> </li> <li> <p>Sound Spatialization and Immersive Environments</p> </li> </ul> <p>Accepted papers will be published in the conference proceedings (ISBN an= d DOI). Selected papers will be invited to submit extended versions to <em>= Musica Hodie</em>. Author guidelines: <a rel=3D"noopener" href=3D"https://r= evistas.ufg.br/musica/about/submissions#authorGuidelines" target=3D"_blank"= >https://revistas.ufg.br/musica/about/submissions#authorGuidelines</a></p> <p><strong>Performances and Artistic Works</strong> =E2=80=93 Proposals sho= uld include a short paper (up to 4 pages) detailing methods and/or the conc= eptual relation of the work to the conference scope. Evaluation will consid= er both the documentation and the paper.</p> <p><strong>ENCM =E2=80=93 Escola Nacional de Computa=C3=A7=C3=A3o Musical</= strong> =E2=80=93 The ENCM promotes undergraduate and graduate participatio= n in computer music research through:</p> <ul> <li> <p><strong>Scientific Papers</strong> (up to 4 pages): Written in Portugues= e, English, or Spanish. May be presented as posters or talks. Selected cont= ributions may be published in <em>REIC</em> (ISSN 1519-8219).</p> </li> <li> <p><strong>Reports from Research Groups, Studios, or Collectives</strong> (= 4 to 8 pages): Descriptions of current practices or projects.</p> </li> <li> <p><strong>Workshops and Tutorials</strong>: Practical or conceptual sessio= ns open to students and the broader academic/artistic community.</p> </li> </ul> <p><strong>Important Dates (All Categories)</strong></p> <ul> <li> <p>Final submission deadline: <strong>June 30, 2025</strong></p> </li> <li> <p>Notification of acceptance: <strong>August 4, 2025</strong></p> </li> <li> <p>Camera-ready version: <strong>August 25, 2025</strong></p> </li> </ul> <p>We strongly encourage the participation of women, Black researchers and = artists, LGBTQIAPN+ individuals, peripheral communities, and others underre= presented in academic and artistic contexts.</p> <p>SBCM is a biennial event organised by the Computer Music Interest Group = (CECM) of the Brazilian Computer Society (SBC). For past editions and proce= edings, visit: <a rel=3D"noopener" href=3D"http://compmus.ime.usp.br/sbcm/"= target=3D"_blank">http://compmus.ime.usp.br/sbcm/</a></p> <p>We look forward to receiving your contributions!</p> <p>Best regards,<br> <strong>SBCM 2025 Organising Committee</strong></p></div><span class=3D"gma= il_signature_prefix">-- </span><br><div dir=3D"ltr" class=3D"gmail_signatur= e"><div dir=3D"ltr"><div><div dir=3D"ltr"><p dir=3D"ltr" style=3D"line-heig= ht:1.38;margin-top:0pt;margin-bottom:0pt;text-align:justify">Micael Antunes= <br>Postdoctoral Researcher<br>Aix-Marseille Univ., CNRS, PRISM, LIS, InCIA= M</p></div></div></div></div></div></div><div><br></div><br></div> --000000000000c38d2c0637b4a7e3--