[AUDITORY] 2nd CfP 3rd International Conference on Computational and Cognitive Musicology ("Volk, A. (Anja)" )

Subject: [AUDITORY] 2nd CfP 3rd International Conference on Computational and Cognitive Musicology From: "Volk, A. (Anja)" <00000160534d63c6-dmarc-request@xxxxxxxx> Date: Mon, 12 May 2025 14:49:15 +0000 --_000_AS8PR05MB79424443A52C5C5F0E3984D58797AAS8PR05MB7942eurp_ Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable Dear colleagues, The Third International Conference on Computational and Cognitive Musicolog= y (ICCCM2025) will take place at Aalborg University, Denmark, on October 8= =9610, 2025. Following editions in Athens (2023) and Utrecht (2024), ICCCM2= 025 invites researchers to explore the intersection of musicology, computat= ional methods and cognitive science in advancing our understanding of music= and musical processes. Key Information for Authors: Submission Types: Abstracts for oral presentations or posters Submission Limits: max. 300 words for main text + max. 1 page for reference= s Submission Deadline: 30 June, 2025 Notification of Acceptance: 15 July, 2025 Submission portal: Send your abstract as a PDF file to dave@xxxxxxxx<m= ailto:dave@xxxxxxxx> Publication: Accepted abstracts published online; extended papers considere= d for a special issue of the Journal of New Music Research. Conference Theme: "Getting to Grips with Musical Complexity" This year=92s theme encourages submissions addressing large and complex mus= ical works or insights from diverse digital music collections. We especiall= y welcome research using innovative computing paradigms (e.g., massive para= llelism, quantum computing) to tackle challenges in musicology and music co= gnition. However, as in previous years, we remain fully open to any researc= h that advances our understanding of music through computational approaches= . Topics of interest include, but are not limited to: * Computational modeling of musical history using big data * Theories of musical structure implemented computationally * Computational approaches to the study of music perception and cogniti= on * Automatic music transcription * Computational music analysis * Digital representation of musical information * Development and use of digital corpora for musicological research * Health-related applications of music computing * Computational ethnomusicology * Teaching computational and digital musicology * User experience design for musicological tools ICCCM stands out for its focus on fundamental research rather than applicat= ion-driven perspectives, distinguishing it from conferences like ISMIR, MCM= , or ICMPC. Its small size and informal atmosphere make it especially welco= ming to early-stage researchers, who have been a significant presence at pa= st editions. Submission Guidelines We invite submission of abstracts (max. 300 words + max 1 page of reference= s) for oral presentations and posters, outlining research questions, method= s, and contributions. Submission Deadline: June 30th, 2025 Notification: July 15th 2025 Submission Portal: Send your abstract as a PDF file to dave@xxxxxxxx<m= ailto:dave@xxxxxxxx> Each abstract should include the following information: * Title * Name, affiliation and email address of each author * Text of abstract (300 words maximum) * Reference list (max 1 page) * Authors may optionally also include up to one figure * A statement as to whether you prefer to present orally or as a poster There will be a light-weight review procedure regarding match to the aim of= the conference, originality and quality of the proposal, and variety in co= ntent. Since space is restricted, we will also take order of submission int= o account. Accepted abstracts will be published online, with authors invited to submit= extended papers for a special issue of the Journal of New Music Research. Travel stipends Authors of accepted papers whose travel and accommodation will not be funde= d by their employer or a grant and have no other source of funding to cover= the expenses they incur as a result of attending the conference, are eligi= ble to apply for a grant to help with covering these costs. There will only= be a limited number of these grants available and these will be awarded on= a first-come, first-served basis. If you would like to be considered for r= eceiving one of these grants, please include a short statement with your su= bmission, declaring that you do not have any other source of financial supp= ort that would cover the costs of you attending the conference. You will al= so need to supply an estimate of the total cost of your trip, with relevant= documentation (e.g., quotes from an online travel agency). Acknowledgements The conference is generously supported by the Carlsberg Foundation, grant C= F24-2307. Contact Stay tuned to the conference website (https://digital.musicology.org/icccm2= 025/) for updates. For general queries regarding the conference, contact the conference chair,= David Meredith dave@xxxxxxxx<mailto:dave@xxxxxxxx>. We look forward to your contributions to ICCCM2025! On behalf of the Organising Committee, Anja Volk Prof. Anja Volk | Chair of Music Information Computing | MA, MSc, PhD | Utr= echt University | Department of Information and Computing Sciences | Leuven= laan 4, 3584 CS Utrecht | Minnaertgebouw, room 4.05 | www.uu.nl/staff/AVolk= <http://www.uu.nl/staff/AVolk> | --_000_AS8PR05MB79424443A52C5C5F0E3984D58797AAS8PR05MB7942eurp_ Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable <html xmlns:o=3D"urn:schemas-microsoft-com:office:office" xmlns:w=3D"urn:sc= hemas-microsoft-com:office:word" xmlns:m=3D"http://schemas.microsoft.com/of= fice/2004/12/omml" xmlns=3D"http://www.w3.org/TR/REC-html40"> <head> <meta http-equiv=3D"Content-Type" content=3D"text/html; charset=3DWindows-1= 252"> <meta name=3D"Generator" content=3D"Microsoft Word 15 (filtered medium)"> <style></style> </head> <body lang=3D"en-NL" link=3D"#467886" vlink=3D"#96607D" style=3D"word-wrap:= break-word"> <div class=3D"WordSection1"> Dear colleagues, The Third Internationa= l Conference on Computational and Cognitive Musicology (ICCCM2025)<span= class=3D"apple-converted-space"> will take place at Aalborg Un= iversity, Denmark, on October 8=9610, 2025. Following editions in Athens (2023) and Utrecht (2024), ICCCM2025 invites researcher= s to explore the intersection of musicology, computational methods and cogn= itive science in advancing our understanding of music and musical processes= . Key Information for Authors: Submission Types: Abstracts for oral presentations or posters Submission Limits: max. 300 words for main text + max. 1 page for refer= ences Submission Deadline: </sp= an>30 June, 2025 Notification of Acceptance: </sp= an>15 </spa= n>July, 2025<o:p></o:p> Submission portal: Send your abstract as a PD= F file to <a href=3D"mail= to:dave@xxxxxxxx">dave@xxxxxxxx</sp= an></a> Publication: Accepted abstracts published online; extended papers considere= d for a special issue of the Journal of New Music Research. Conference Theme: "Getting to Grips with Musical Complexity"</= b> This year=92s theme encourages submissions addressing large and complex mus= ical works or insights from diverse digital music collections. We especiall= y welcome research using innovative computing paradigms (e.g., massive para= llelism, quantum computing) to tackle challenges in musicology and music cognition. However, as in previous year= s, we remain fully open to any research that advances our understanding of = music through computational approaches. Topics of interest include, but are not limited to:<o:p></o:p></span= > <ul style=3D"margin-top:0cm;caret-color: rgb(33, 33, 33);font-variant-caps:= normal;orphans: auto;text-align:start;widows: auto;-webkit-text-stroke-wid= th: 0px;word-spacing:0px" type=3D"disc"> <li class=3D"MsoListParagraph" style=3D"color:#212121;margin-top:0cm;margin= -bottom:0cm;mso-list:l3 level1 lfo3"> Computational modeling of m= usical history using big data<o:p><= /o:p></li><li class=3D"MsoListParagraph" style=3D"color:#212121;marg= in-top:0cm;margin-bottom:0cm;mso-list:l3 level1 lfo3"> Theories of musical structu= re implemented computationally<o:p>= </o:p></li><li class=3D"MsoListParagraph" style=3D"color:#212121;mar= gin-top:0cm;margin-bottom:0cm;mso-list:l3 level1 lfo3"> Computational approaches to= the study of music perception and cognition<o:p></o:p></li><li class=3D"MsoListParagraph" style=3D"col= or:#212121;margin-top:0cm;margin-bottom:0cm;mso-list:l3 level1 lfo3"> Automatic music transcripti= on<o:p></o:p></li><li class= =3D"MsoListParagraph" style=3D"color:#212121;margin-top:0cm;margin-bottom:0= cm;mso-list:l3 level1 lfo3"> Computational music analysi= s<o:p></o:p></li><li class= =3D"MsoListParagraph" style=3D"color:#212121;margin-top:0cm;margin-bottom:0= cm;mso-list:l3 level1 lfo3"> Digital representation of m= usical information<o:p></o:p></span= ></li><li class=3D"MsoListParagraph" style=3D"color:#212121;margin-top:0cm;= margin-bottom:0cm;mso-list:l3 level1 lfo3"> Development and use of digi= tal corpora for musicological research<o:p></o:p></li><li class=3D"MsoListParagraph" style=3D"color:#21= 2121;margin-top:0cm;margin-bottom:0cm;mso-list:l3 level1 lfo3"> Health-related applications= of music computing<o:p></o:p></spa= n></li><li class=3D"MsoListParagraph" style=3D"color:#212121;margin-top:0cm= ;margin-bottom:0cm;mso-list:l3 level1 lfo3"> Computational ethnomusicolo= gy<o:p></o:p></li><li class= =3D"MsoListParagraph" style=3D"color:#212121;margin-top:0cm;margin-bottom:0= cm;mso-list:l3 level1 lfo3"> Teaching computational and = digital musicology<o:p></o:p></span= ></li><li class=3D"MsoListParagraph" style=3D"color:#212121;margin-top:0cm;= margin-bottom:0cm;mso-list:l3 level1 lfo3"> User experience design for = musicological tools<o:p></o:p></spa= n></li></ul> ICCCM stands out for its focus on fundamental research rather than applicat= ion-driven perspectives, distinguishing it from conferences like ISMIR, MCM= , or ICMPC. Its small size and informal atmosphere make it especially welco= ming to early-stage researchers, who have been a significant presence at past editions. Submission Guidelines We invite submission of abstracts (max. 300 words + max 1 page of reference= s) for oral presentations and posters, outlining research questions, method= s, and contributions. Submission Deadline: June&nbsp= ;30th, 2025 Notification: July 15th 2025 Submission Portal: Send your abstract as a PDF file to <a href=3D"mailto:dave@xxxxxxxx" = title=3D"mailto:dave@xxxxxxxx">dave@xxxxxxxx= te.aau.dk</a><o:p></o:p>  <o:p></o:p> Each abstract should include the following in= formation:<o:p></o:p> <ul style=3D"margin-top:0cm;caret-color: rgb(33, 33, 33);font-variant-caps:= normal;orphans: auto;text-align:start;widows: auto;-webkit-text-stroke-wid= th: 0px;word-spacing:0px" type=3D"disc"> <li class=3D"MsoListParagraph" style=3D"color:#212121;margin-top:0cm;margin= -bottom:0cm;mso-list:l2 level1 lfo6"> Title<o:p></o:p></li><li class=3D"M= soListParagraph" style=3D"color:#212121;margin-top:0cm;margin-bottom:0cm;ms= o-list:l2 level1 lfo6"> Name, affiliation and email address of eac= h author<o:p></o:p></li><li class=3D"MsoListParagraph" style=3D"colo= r:#212121;margin-top:0cm;margin-bottom:0cm;mso-list:l2 level1 lfo6"> Text of abstract (300 words maximum)<o:p><= /o:p></li><li class=3D"MsoListParagraph" style=3D"color:#212121;marg= in-top:0cm;margin-bottom:0cm;mso-list:l2 level1 lfo6"> Reference list (max 1 page)<o:p></o:p></sp= an></li><li class=3D"MsoListParagraph" style=3D"color:#212121;margin-top:0c= m;margin-bottom:0cm;mso-list:l2 level1 lfo6"> Authors may optionally also include up to = one figure<o:p></o:p></li><li class=3D"MsoListParagraph" style=3D"co= lor:#212121;margin-top:0cm;margin-bottom:0cm;mso-list:l2 level1 lfo6"> A statement as to whether you prefer to pr= esent orally or as a poster<o:p></o:p></li></ul>  <o:p></o:p> There will be a light-weight review procedure= regarding match to the aim of the conference, originality and quality of t= he proposal, and variety in content. Since space is restricted, we will als= o take order of submission into account. Accepted abstracts will be published online, with authors invited to submit= extended papers for a special issue of the Journal of New Music Research.<= br> Travel stipends Authors of accepted papers whose travel and accommodation will not be funde= d by their employer or a grant and have no other source of funding to cover= the expenses they incur as a result of attending the conference, are eligi= ble to apply for a grant to help with covering these costs. There will only be a limited number of these gr= ants available and these will be awarded on a first-come, first-served basi= s. If you would like to be considered for receiving one of these grants, pl= ease include a short statement with your submission, declaring that you do not have any other source of financ= ial support that would cover the costs of you attending the conference. You= will also need to supply an estimate of the total cost of your trip, with = relevant documentation (e.g., quotes from an online travel agency). Acknowledgements The conference is generously supported by the Carlsberg Foundation, grant C= F24-2307. Contact Stay tuned to the conference website <spa= n lang=3D"EN-US" style=3D"color:#212121">(<a href=3D"https://digital.musico= logy.org/icccm2025/" title=3D"https://eur03.safelinks.protection.outlook.co= m/?url=3Dhttps%3A%2F%2Fdigital.musicology.org%2Ficccm2025%2F&data=3D05%= 7C02%7CA.Volk%40uu.nl%7C196c19d49420410babc508dd913884b4%7Cd72758a0a4464e0f= a0aa4bf95a4a10e7%7C0%7C0%7C638826394106341780%7CUnknown%7CTWFpbGZsb3"><span= style=3D"color:#96607D">https://digital.musicology.org/icccm2025/</= a>) for updates. For general queries regarding the conference, contact the conference chair,= David Meredith <a href= =3D"mailto:dave@xxxxxxxx" title=3D"mailto:dave@xxxxxxxx">dave@xxxxxxxx</a>. We look forward to your contributions to ICCCM2025! On behalf of the Organising Committee,<o:p></o:p> Anja Volk<o:p></o:p>  <o:p></o:p> Pr= of. Anja Volk&nbs= p;| Chair of Music Information Computing | MA, MSc, PhD | Utrecht Universit= y | Department of Information and Computing Sciences | Leuvenlaan 4, 3584 CS Utrecht | Minnaertgebouw, room 4.05 | = <a href=3D"http://www.uu.nl/staff/AVolk" title=3D"https://eur03.safelinks.p= rotection.outlook.com/?url=3Dhttp%3A%2F%2Fwww.uu.nl%2Fstaff%2FAVolk&dat= a=3D05%7C02%7CA.Volk%40uu.nl%7Cc859c93f88b04ef1cd0208dc90778a3c%7Cd72758a0a= 4464e0fa0aa4bf95a4a10e7%7C0%7C0%7C638544090302913795%7CUnknown%7CTWFpbGZsb3= d8eyJWIjoiMC4">www.uu.nl/s= taff/AVolk</a> |= </div> </body> </html> --_000_AS8PR05MB79424443A52C5C5F0E3984D58797AAS8PR05MB7942eurp_--

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