[AUDITORY] CfP 3rd International Conference on Computational and Cognitive Musicology ("Volk, A. (Anja)" )

Subject: [AUDITORY] CfP 3rd International Conference on Computational and Cognitive Musicology From: "Volk, A. (Anja)" <00000160534d63c6-dmarc-request@xxxxxxxx> Date: Wed, 16 Apr 2025 12:43:47 +0000 --_000_DU0PR05MB9582740C713550F6B8D0839087BD2DU0PR05MB9582eurp_ Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable Dear colleagues, The Third International Conference on Computational and Cognitive Musicolog= y (ICCCM 2025) will take place at Aalborg University, Denmark, on October 8= =9610, 2025. Following editions in Athens (2023) and Utrecht (2024), ICCCM = 2025 invites researchers to explore the intersection of musicology, computa= tional methods and cognitive science in advancing ourunderstanding of music= and musical processes. Call for Abstracts Third International Conference on Computational and Cognitive Musicology (I= CCCM2025) Aalborg University, Aalborg, Denmark, 8-10 October 2025 Key Information for Authors: Submission Types: Abstracts for oral presentations or posters Submission Limits: max. 300 words Submission Deadline: 15 June, 2025 Notification of Acceptance: 1 July, 2025 Submission portal: See conference website: https://digital.musicology.org/i= cccm2025 Publication: Accepted abstracts published online; extended papers considere= d for a special issue of the Journal of New Music Research. Conference Theme: "Getting to Grips with Musical Complexity" This year=92s theme encourages submissions addressing large and complex mus= ical works orinsights from diverse digital music collections. We especially= welcome research usinginnovative computing paradigms (e.g., massive parall= elism, quantum computing) to tacklechallenges in musicology and music cogni= tion. However, as in previous years, we remain fully open to any research t= hat advances our understanding of music through computationalapproaches. Topics of interest include, but are not limited to: Computational modeling of musical history using big data Theories of musical structure implemented computationally Computational approaches to the study of music perception and cognition Automatic music transcription Computational music analysis Digital representation of musical information Development and use of digital corpora for musicological research Health-related applications of music computing Computational ethnomusicology Teaching computational and digital musicology User experience design for musicological tools ICCCM stands out for its focus on fundamental research rather than applicat= ion-driven perspectives, distinguishing it from conferences like ISMIR, MCM= , or ICMPC. Its small size and informal atmosphere make it especially welco= ming to early-stage researchers, who have been a significant presence at pa= st editions. Submission Guidelines We invite submission of abstracts (max. 300 words) for oral presentations a= nd posters, outlining research questions, methods, and contributions. Submission Deadline: June 15th, 2025 Notification: July 1st 2025 Submission Portal: See conference website: https://digital.musicology.org/i= cccm2025/ There will be a light-weight review procedure regarding match to the aim of= the conference, originality and quality of the proposal, and variety in co= ntent. Since space is restricted, we will also take order of submission int= o account. Accepted abstracts will be published online, with authors invited to submit= extended papers for a special issue of the Journal of New Music Research. Travel stipends Authors of accepted papers whose travel and accommodation will not be funde= d by their employer or a grant and have no other source of funding to cover= the expenses they incur as a result of attending the conference, are eligi= ble to apply for a grant to help with covering these costs. There will only= be a limited number of these grants available and these will be awarded on= a first-come, first-served basis. If you would like to be considered for r= eceiving one of these grants, please include a short statement with your su= bmission, declaring that you do not have any other source of financial supp= ort that would cover the costs of you attending the conference. You will al= so need to supply an estimate of the total cost of your trip, with relevant= documentation (e.g., quotes from an online travel agency). Acknowledgements The conference is generously supported by the Carlsberg Foundation, grant C= F24-2307. Contact Stay tuned to the conference website (https://digital.musicology.org/icccm2= 025/) for updates. For general queries regarding the conference, contact the conference chair,= David Meredith<dave@xxxxxxxx<mailto:dave@xxxxxxxx>>. Queries regarding submission should be sent through EasyChair. We look forward to your contributions to ICCCM2025! On behalf of the Organising Committee, Anja Volk Prof. Anja Volk | Chair of Music Information Computing | MA, MSc, PhD | Utr= echt University | Department of Information and Computing Sciences | Leuven= laan 4, 3584 CS Utrecht | Minnaertgebouw, room 4.05 | www.uu.nl/staff/AVolk= <http://www.uu.nl/staff/AVolk> | --_000_DU0PR05MB9582740C713550F6B8D0839087BD2DU0PR05MB9582eurp_ Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable <html xmlns:o=3D"urn:schemas-microsoft-com:office:office" xmlns:w=3D"urn:sc= hemas-microsoft-com:office:word" xmlns:m=3D"http://schemas.microsoft.com/of= fice/2004/12/omml" xmlns=3D"http://www.w3.org/TR/REC-html40"> <head> <meta http-equiv=3D"Content-Type" content=3D"text/html; charset=3DWindows-1= 252"> <meta name=3D"Generator" content=3D"Microsoft Word 15 (filtered medium)"> <style></style> </head> <body lang=3D"en-NL" link=3D"#467886" vlink=3D"#96607D" style=3D"word-wrap:= break-word"> <div class=3D"WordSection1"> Dear colleagues, The Third Internationa= l Conference on Computational and Cognitive Musicology (ICCCM 2025) will take place at Aalborg University, Denmark, on October 8=96= 10, 2025. Following editions in Athens (2023) and Utrecht (2024), ICCCM 2025 invites researchers to = explore the intersection of </sp= an>musicology, computational methods and cognitive science in advancing ourunderstanding of music and musical proc= esses. Call for Abstracts Third International Conference on Computational and Cognitive Musicology<sp= an class=3D"apple-converted-space"> (ICCCM2025) Aalborg University, Aalborg, Denmark, 8-10 October 2025 Key Information for Authors: Submission Types: Abstracts for oral presentations or posters Submission Limits: max. 300 words Submission Deadline: 15 June, 2025 Notification of Acceptance: 1 July, 2025 Submission portal: See conference website: <a href=3D"https://digital.musicology.org/icccm2025"><spa= n style=3D"color:#96607D">https://digital.musicology.org/icccm2025</= a> Publication: Accepted abstracts published online; extended papers considered for a special issue of = the Journal of New Music Research. Conference Theme: "Getting to Grips with Musical Complexity"</= b> This year=92s theme encourages submissions addressing large and complex<spa= n class=3D"apple-converted-space"> musical works orinsights fro= m diverse digital music collections. We especially welcome research usinginnovative computing paradigms (e.g., </sp= an>massive parallelism, quantum computing) to tacklechallenges in musicolog= y and music cognition. Ho= wever, as in previous years, we remain fully open to any research tha= t advances our understanding of music through computationalapproaches. Topics of interest include, but are not limited to:<o:p></o:p></span= >  <o:p></o:p> Computational modeling of musi= cal history using big data<o:p></o:p><= /span> Theories of musical structure = implemented computationally<o:p></o:p>= Computational approaches to th= e study of music perception and cognition<o:p></o:p> Automatic music transcription<= /span><o:p></o:p> Computational music analysis</= span><o:p></o:p> Digital representation of musi= cal information<o:p></o:p> Development and use of digital= corpora for musicological research<o:= p></o:p> Health-related applications of= music computing<o:p></o:p> Computational ethnomusicology<= /span><o:p></o:p> Teaching computational and dig= ital musicology<o:p></o:p> User experience design for mus= icological tools<o:p></o:p> ICCCM stands out for its focus on fundamental research rather than application-driven perspectives, = distinguishing it from conferences like ISMIR, MCM, or ICMPC. Its small size and informal atmosphere make it=  especially welcoming to early-stage researchers, who have been= a significant presence a= t past editions. Submission Guidelines We invite submission of abstracts (max. 300 words) for oral presentations<s= pan class=3D"apple-converted-space"> and posters, outlining<spa= n class=3D"apple-converted-space"> research questions, methods,= and contributions. Submission Deadline: June 15th, 2025 Notification: July 1st 2025 Submission Portal: See conference website: <a href=3D"https://digital.musicology.org/icccm2025/">https://digital.musicology.org/icccm2025/</a><span= style=3D"color:#212121"> There will be a light-weight review procedure regarding match to the aim<sp= an class=3D"apple-converted-space"> of the conference, original= ity and quality of the proposal, and variety in content. Since space is restricted, we will also take order of submission </span= >into account. Accepted abstracts will be published online, with authors invited to submit extended papers for a sp= ecial issue of the Journal of New Music Research. Travel stipends Authors of accepted papers whose travel and accommodation will not be funded by their employer or a = grant and have no other source of funding to cover the expenses they incur as a result of attending the conference, are eligible to apply for a grant to help with covering th= ese costs. There will onl= y be a limited number of these grants available and these will be awarde= d on a first-come, first-served basis. If you would like to be considered for receiving one of the= se grants, please include a short&nbs= p;statement with your submission, declaring that you do not have any other source of financial support that wo= uld cover the costs of you attending&= nbsp;the conference. You will also need to supply an estimate of= the total cost of your t= rip, with relevant documentation (e.g., quotes from an online travel agency). Acknowledgements The conference is generously supported by the Carlsberg Foundation, grant<s= pan class=3D"apple-converted-space"> CF24-2307. Contact Stay tuned to the conference website <spa= n lang=3D"EN-US" style=3D"color:#212121">(<a href=3D"https://digital.musico= logy.org/icccm2025/" title=3D"https://digital.musicology.org/icccm2025/"><s= pan style=3D"color:#96607D">https://digital.musicology.org/icccm2025/</span= ></a>) for updates. For general queries regarding the conference, contact the conference chair, David Meredith<<a hre= f=3D"mailto:dave@xxxxxxxx" title=3D"mailto:dave@xxxxxxxx">dave@xxxxxxxx</a>>. Queries regarding submission should be sent through EasyChair. We look forward to your contributions to ICCCM2025! On behalf of the Organising Committee,<o:p></o:p> Anja Volk<o:p></o:p> <o:p> </o:p> <o:p> </o:p> <div> <div>  <o:p></o:p> </div> </div> Pr= of. Anja Volk&nbs= p;| Chair of Music Information Computing | MA, MSc, PhD | Utrecht Universit= y | Department of Information and Computing Sciences | Leuvenlaan 4, 3584 CS Utrecht | Minnaertgebouw, room 4.05 | = <a href=3D"http://www.uu.nl/staff/AVolk" title=3D"https://eur03.safelinks.p= rotection.outlook.com/?url=3Dhttp%3A%2F%2Fwww.uu.nl%2Fstaff%2FAVolk&dat= a=3D05%7C02%7CA.Volk%40uu.nl%7Cc859c93f88b04ef1cd0208dc90778a3c%7Cd72758a0a= 4464e0fa0aa4bf95a4a10e7%7C0%7C0%7C638544090302913795%7CUnknown%7CTWFpbGZsb3= d8eyJWIjoiMC4">www.uu.nl/s= taff/AVolk</a> |= </div> </body> </html> --_000_DU0PR05MB9582740C713550F6B8D0839087BD2DU0PR05MB9582eurp_--

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