[AUDITORY] 1st Call for Papers: CMMR 2025 =?utf-8?Q?=E2=80=9CSound=2C_Music=3A_Space=2C_Place=E2=80=9D_?=(UCL East, London, UK) (Solvi Ystad )

Subject: [AUDITORY] 1st Call for Papers: CMMR 2025 =?utf-8?Q?=E2=80=9CSound=2C_Music=3A_Space=2C_Place=E2=80=9D_?=(UCL East, London, UK) From: Solvi Ystad <ystad@xxxxxxxx> Date: Wed, 19 Mar 2025 19:23:05 +0100 --Apple-Mail=_827817AA-9A84-4364-A894-F3867A486EF6 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=utf-8 [Apologies for cross-posting, please distribute]=E2=80=AF 1st Call for Papers: 17th International Symposium on Computer Music = Multidisciplinary Research (CMMR 2025) =20 CMMR=E2=80=AF2025 =E2=80=9CSound, Music: Space, Place=E2=80=9D, UCL East = (London, UK), 3 - 7 November 2025 =E2=80=AF =E2=80=AF=20 The 17th International Symposium on Computer Music Multidisciplinary = Research (CMMR) will be held at=E2=80=AFUniversity College London (UCL) = in East London (United Kingdom), 3 - 7 November 2025. CMMR 2025 invites contributions related to all aspects of = multidisciplinary fields and approaches, regarding sound, music=E2=80=AFan= d computers. In particular, we=E2=80=AFwelcome submissions matching this = year=E2=80=99s topic =E2=80=9CSound, Music:=E2=80=AFSpace, Place=E2=80=9D.= The conference will be hosted by the world-leading departments of = Anthropology <https://www.ucl.ac.uk/anthropology/ucl-anthropology>=E2=80=AF= <https://www.ucl.ac.uk/anthropology/ucl-anthropology>(within the = forward-thinking School for the Creative & Cultural Industries = <https://www.ucl.ac.uk/creative-cultural-industries/school-creative-and-cu= ltural-industries>) and the Bartlett School of Architecture = <https://www.ucl.ac.uk/bartlett/architecture/>. As such, contributions = centring on practices of culture (those of human as well as other living = beings, including =E2=80=98musical=E2=80=99, acoustic and behavioural = aspects of animals) and spatial practices, including architecture, are = very welcome. CMMR is an open-minded symposium that provides=E2=80=AFan opportunity to = exchange ideas, opinions, and findings for everyone engaged in sound, = music,=E2=80=AFand computers. We warmly welcome submissions from = researchers and practitioners from academia and the industry, and others = with an interest in related topics. CMMR is an=E2=80=AFin-person = conference.=E2=80=AFAll presenters are required to participate=E2=80=AFin = the conference and present their works=E2=80=AFon site.=E2=80=AF CMMR 2025 will feature a diverse range of activities across the = following tracks: papers, demos, music and installations, tutorials, and = workshops. Call for Papers =20 The conference accepts short papers of 8 pages to present = work-in-progress and long papers of 12 pages to present a more = substantial contribution to the field (Springer LNCS single-column = format). Papers must be submitted as PDF files using EasyChair. All papers will = be peer-reviewed by at least two experts in the field to ensure quality = and suitability. Accepted papers will be presented in the conference = programme and proceedings in open access (OA) format. The Scientific Program Committee will determine the presentation format = (oral/poster) of each accepted paper based on the reviewers=E2=80=99 = recommendations. The camera-ready version of accepted papers must = implement revisions requested by the reviewers. The conference will feature special paper sessions, the topics of which = will be made available in due course. =20 As in the previous=E2=80=AFCMMRs, post-symposium proceedings consisting = of selected peer-reviewed papers are planned to be published in the = Lecture Notes in Computer Science Series of Springer Verlag. Original contributions are encouraged in, but not limited to, the = following topics:=20 Affective computing=20 Architectural acoustics=20 Artificial intelligence applied to sound and music=20 Audio signal processing=20 Auditory perception and cognition=20 Augmented and smart musical instruments=20 Aural diversities=20 Bioacoustics =20 Computational musicology=20 Cooperative music networks=20 Digital audio effects=20 Digital communities=20 Digital music libraries=20 Embodied musical interaction=20 Evaluation of creative music systems=20 Extended reality (VR/AR/MR) and music=20 Human-computer interaction applied to music=20 Intelligent music tutoring systems=20 Live coding=20 Motion and gesture=20 Multimodal perception=20 Music and emotions=20 Music education=20 Music ethnography=20 Music games and interactive learning=20 Music information retrieval=20 Music production and composition tools=20 Music representation and visualization=20 Music structure analysis=20 Music transcription=20 Musical interface design=20 Optical music recognition=20 Oral histories & storytelling=20 Semantic web=20 Sonification and musification=20 Sound and music in visual media=20 Sound source separation=20 Sound studies & sonic anthropology=20 Sound synthesis=20 Soundscape and acoustic ecology=20 Spatial audio=20 User studies (e.g., ethnography, UI/UX) =20 Important Dates Paper submission deadline: 30 May 2025=20 Paper notification of acceptance: 28 July 2025 =20 Conference dates: 3 =E2=80=93 7 November 2025 Conference Committee=20 General Chair: Angela McArthur (UCL)=20 General Co-Chair: Emma-Kate Matthews (UCL) =20 Further information pertaining to the various conference tracks, = including submission requirements and conference logistics, will be = disseminated in due course.= --Apple-Mail=_827817AA-9A84-4364-A894-F3867A486EF6 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=utf-8 <html><head><meta http-equiv=3D"content-type" content=3D"text/html; = charset=3Dutf-8"></head><body style=3D"overflow-wrap: break-word; = -webkit-nbsp-mode: space; line-break: after-white-space;"><div = class=3D"elementToProof" style=3D"font-family: "Segoe UI", = "Segoe UI Web (West European)", -apple-system, system-ui, = Roboto, "Helvetica Neue", sans-serif; font-size: 15px; color: = rgb(36, 36, 36);">[Apologies for cross-posting, please = distribute]=E2=80=AF</div><div dir=3D"ltr" id=3D"divRplyFwdMsg"></div> 1st Call for Papers: 17th International Symposium on = Computer Music Multidisciplinary Research (CMMR 2025)  =  CMMR=E2=80=AF2025 =E2=80=9CSound, Music: Space, = Place=E2=80=9D, UCL East (London, UK), 3 - 7 November = 2025 =E2=80=AF  =E2=80=AF<spa= n style=3D"font-family: "Segoe UI", "Segoe UI Web (West = European)", -apple-system, system-ui, Roboto, "Helvetica = Neue", sans-serif; font-size: 15px; color: rgb(36, 36, = 36);">  The = 17th International Symposium on Computer Music Multidisciplinary = Research (CMMR) will be held at=E2=80=AFUniversity College London (UCL) in East London = (United Kingdom), 3 - 7 November 2025. CMMR 2025 invites = contributions related to all aspects of multidisciplinary fields and = approaches, regarding sound, music=E2=80=AFand computers. In particular, we=E2=80=AFwelcome submissions matching this = year=E2=80=99s topic =E2=80=9CSound, Music:=E2=80=AFSpace, Place=E2=80=9D. The = conference will be hosted by the world-leading departments = of <a href=3D"https://www.ucl.ac.uk/anthropology/ucl-anthropology" = id=3D"OWA0ffb9408-d6ab-ef66-69d6-99297d86c1cf" class=3D"OWAAutoLink" = title=3D"https://www.ucl.ac.uk/anthropology/ucl-anthropology" = originalsrc=3D"https://www.ucl.ac.uk/anthropology/ucl-anthropology" = data-auth=3D"NotApplicable" style=3D"margin-top: 0px; margin-bottom: = 0px;">Anthropology</a><a = href=3D"https://www.ucl.ac.uk/anthropology/ucl-anthropology" = id=3D"OWA15d168e2-c107-26bd-0dfa-06037cdad5ea" class=3D"x_OWAAutoLink" = title=3D"Original URL: = https://www.ucl.ac.uk/anthropology/ucl-anthropology. Click or tap if you = trust this link." = originalsrc=3D"https://www.ucl.ac.uk/anthropology/ucl-anthropology" = data-linkindex=3D"0" data-auth=3D"NotApplicable" style=3D"color: blue; = text-decoration: none; margin: 0px;">=E2=80=AF</a>(within the forward-thinking <a = href=3D"https://www.ucl.ac.uk/creative-cultural-industries/school-creative= -and-cultural-industries" id=3D"OWAd92adf1e-2ba9-c0b0-819b-51c62b420a18" = class=3D"OWAAutoLink" = title=3D"https://www.ucl.ac.uk/creative-cultural-industries/school-creativ= e-and-cultural-industries" = originalsrc=3D"https://www.ucl.ac.uk/creative-cultural-industries/school-c= reative-and-cultural-industries" data-auth=3D"NotApplicable" = style=3D"margin-top: 0px; margin-bottom: 0px;">School for the Creative = & Cultural Industries</a>) and = the <a href=3D"https://www.ucl.ac.uk/bartlett/architecture/" = id=3D"OWA081cc06b-8472-ab47-e062-35f4bfe3bbc3" class=3D"OWAAutoLink" = title=3D"https://www.ucl.ac.uk/bartlett/architecture/" = originalsrc=3D"https://www.ucl.ac.uk/bartlett/architecture/" = data-auth=3D"NotApplicable" style=3D"margin-top: 0px; margin-bottom: = 0px;">Bartlett School of Architecture</a>. As = such, contributions centring on practices of culture (those of human as = well as other living beings, including =E2=80=98musical=E2=80=99, = acoustic and behavioural aspects of animals) and spatial practices, = including architecture, are very welcome. CMMR is an = open-minded symposium that provides=E2=80=AFan opportunity to exchange ideas, opinions, and = findings for everyone engaged in sound, music,=E2=80=AFand computers. We warmly welcome = submissions from researchers and practitioners from academia and = the industry, and others with an interest in related topics. CMMR is = an=E2=80=AFin-person = conference.=E2=80=AFAll = presenters are required to participate=E2=80=AFin the conference and present their = works=E2=80=AFon = site.=E2=80=AF CMMR = 2025 will feature a diverse range of activities across the following = tracks: papers, demos, music and installations, tutorials, and = workshops. Call for Papers   The conference = accepts short papers of 8 pages to present work-in-progress and long = papers of 12 pages to present a more substantial contribution to the = field (Springer LNCS single-column format). Papers must be = submitted as PDF files using EasyChair. All papers will be = peer-reviewed by at least two experts in the field to ensure quality and = suitability. Accepted papers will be presented in the conference = programme and proceedings in open access (OA) format. The Scientific = Program Committee will determine the presentation format = (oral/poster) of each accepted paper based on the reviewers=E2=80=99 = recommendations. The camera-ready version of accepted papers must = implement revisions requested by the reviewers. The conference = will feature special paper sessions, the topics of which will be = made available in due course.  As in the previous=E2=80=AF<spa= n style=3D"font-family: "Segoe UI", "Segoe UI Web (West = European)", -apple-system, system-ui, Roboto, "Helvetica = Neue", sans-serif; font-size: 15px; color: rgb(36, 36, 36);">CMMRs, = post-symposium proceedings consisting of selected peer-reviewed papers = are planned to be published in the Lecture Notes in Computer Science = Series of Springer Verlag. Original contributions are encouraged in, but not limited to, the = following topics: <ul style=3D"direction: ltr; = margin-bottom: 0cm; background-color: rgb(255, 255, 255);"><li = style=3D"font-family: Aptos, sans-serif; font-size: 10pt; color: rgb(36, = 36, 36); direction: ltr; margin: 0cm;">Affective computing </li><li style=3D"font-family: = Aptos, sans-serif; font-size: 10pt; color: rgb(36, 36, 36); direction: = ltr; margin: 0cm;">Architectural = acoustics </li><li style=3D"font-family: Aptos, sans-serif; = font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; margin: = 0cm;">Artificial intelligence applied = to sound and music </li><li style=3D"font-family: Aptos, = sans-serif; font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; = margin: 0cm;">Audio signal = processing </li><li style=3D"font-family: Aptos, sans-serif; = font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; margin: = 0cm;">Auditory perception and = cognition </li><li style=3D"font-family: Aptos, sans-serif; = font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; margin: = 0cm;">Augmented and smart musical = instruments </li><li style=3D"font-family: Aptos, = sans-serif; font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; = margin: 0cm;">Aural = diversities </li><li style=3D"font-family: Aptos, = sans-serif; font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; = margin: 0cm;">Bioacoustics  =  </li><li style=3D"font-family: Aptos, sans-serif; = font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; margin: = 0cm;">Computational = musicology </li><li style=3D"font-family: Aptos, sans-serif; = font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; margin: = 0cm;">Cooperative music = networks </li><li style=3D"font-family: Aptos, sans-serif; = font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; margin: = 0cm;">Digital audio = effects </li><li style=3D"font-family: Aptos, sans-serif; = font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; margin: = 0cm;">Digital = communities </li><li style=3D"font-family: Aptos, = sans-serif; font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; = margin: 0cm;">Digital music = libraries </li><li style=3D"font-family: Aptos, sans-serif; = font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; margin: = 0cm;">Embodied musical = interaction </li><li style=3D"font-family: Aptos, = sans-serif; font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; = margin: 0cm;">Evaluation of creative = music systems </li><li style=3D"font-family: Aptos, = sans-serif; font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; = margin: 0cm;">Extended reality = (VR/AR/MR) and music </li><li style=3D"font-family: Aptos, = sans-serif; font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; = margin: 0cm;">Human-computer = interaction applied to music </li><li style=3D"font-family: = Aptos, sans-serif; font-size: 10pt; color: rgb(36, 36, 36); direction: = ltr; margin: 0cm;">Intelligent music = tutoring systems </li><li style=3D"font-family: Aptos, = sans-serif; font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; = margin: 0cm;">Live = coding </li><li style=3D"font-family: Aptos, sans-serif; = font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; margin: = 0cm;">Motion and = gesture </li><li style=3D"font-family: Aptos, sans-serif; = font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; margin: = 0cm;">Multimodal = perception </li><li style=3D"font-family: Aptos, sans-serif; = font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; margin: = 0cm;">Music and = emotions </li><li style=3D"font-family: Aptos, sans-serif; = font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; margin: = 0cm;">Music = education </li><li style=3D"font-family: Aptos, sans-serif; = font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; margin: = 0cm;">Music = ethnography </li><li style=3D"font-family: Aptos, = sans-serif; font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; = margin: 0cm;">Music games and = interactive learning </li><li style=3D"font-family: Aptos, = sans-serif; font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; = margin: 0cm;">Music information = retrieval </li><li style=3D"font-family: Aptos, sans-serif; = font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; margin: = 0cm;">Music production and composition = tools </li><li style=3D"font-family: Aptos, sans-serif; = font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; margin: = 0cm;">Music representation and = visualization </li><li style=3D"font-family: Aptos, = sans-serif; font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; = margin: 0cm;">Music structure = analysis </li><li style=3D"font-family: Aptos, sans-serif; = font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; margin: = 0cm;">Music = transcription </li><li style=3D"font-family: Aptos, = sans-serif; font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; = margin: 0cm;">Musical interface = design </li><li style=3D"font-family: Aptos, sans-serif; = font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; margin: = 0cm;">Optical music = recognition </li><li style=3D"font-family: Aptos, = sans-serif; font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; = margin: 0cm;">Oral histories & = storytelling </li><li style=3D"font-family: Aptos, = sans-serif; font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; = margin: 0cm;">Semantic = web </li><li style=3D"font-family: Aptos, sans-serif; = font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; margin: = 0cm;">Sonification and = musification </li><li style=3D"font-family: Aptos, = sans-serif; font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; = margin: 0cm;">Sound and music in visual = media </li><li style=3D"font-family: Aptos, sans-serif; = font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; margin: = 0cm;">Sound source = separation </li><li style=3D"font-family: Aptos, sans-serif; = font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; margin: = 0cm;">Sound studies & sonic = anthropology </li><li style=3D"font-family: Aptos, = sans-serif; font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; = margin: 0cm;">Sound = synthesis </li><li style=3D"font-family: Aptos, sans-serif; = font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; margin: = 0cm;">Soundscape and acoustic = ecology </li><li style=3D"font-family: Aptos, sans-serif; = font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; margin: = 0cm;">Spatial = audio </li><li style=3D"font-family: Aptos, sans-serif; = font-size: 10pt; color: rgb(36, 36, 36); direction: ltr; margin: = 0cm;">User studies (e.g., ethnography, = UI/UX)   </li></ul> Important DatesPaper submission deadline: 30 May 2025 Paper notification = of acceptance: 28 July 2025  Conference dates: 3 =E2=80=93 7 November = 2025 Conference Committee General Chair: = Angela McArthur (UCL) General Co-Chair: Emma-Kate Matthews (UCL) Further information pertaining to the various = conference tracks, including submission requirements and conference = logistics, will be disseminated in due = course.</body></html>= --Apple-Mail=_827817AA-9A84-4364-A894-F3867A486EF6--

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