[AUDITORY] [CfP] 5th International Symposium on the Internet of Sounds - Erlangen, Germany, Sep 30-Oct 2 2024 (Luca Turchet )

Subject: [AUDITORY] [CfP] 5th International Symposium on the Internet of Sounds - Erlangen, Germany, Sep 30-Oct 2 2024 From: Luca Turchet <luca.turchet@xxxxxxxx> Date: Thu, 8 Feb 2024 11:47:00 +0100 --0000000000000e24410610dc8ccc Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable <-- Apologies for cross-posting, please distribute widely --> *5th International Symposium on the Internet of Sounds* International Audio Laboratories Erlangen 30 September - 2 October 2024 *https://internetofsounds.net/is2_2024/ <https://internetofsounds.net/is2_2024/>* We are pleased to invite you to the 5th International Symposium on the Internet of Sounds (IS2 2024). The Internet of Sounds is an emerging research field at the intersection of the Sound and Music Computing and the Internet of Things domains. The symposium will be hosted at the International Audio Laboratories Erlangen <https://www.audiolabs-erlangen.de/>, Germany, a joint institution of the Friedrich-Alexander-Universit=C3=A4t Erlangen-N=C3=BCrnberg (FAU) and Fraunhofer Institute for Integrated Circuits IIS. The aim is to bring together academics and industry to investigate and advance the development of Internet of Sounds technologies by using novel tools and processes. The event will consist of presentations, keynotes, panels, poster presentations, demonstrations, tutorials, music performances, and installations. *Keynote Speakers* The program will include three keynotes: - Toon van Waterschoot, KU Leuven - Georg Hajdu, Hamburg University of Music and Theatre - Hanna Lukashevich, Fraunhofer Institute for Digital Media Technology *Satellite Events* The program will include two satellite events: - The 1st International Workshop on the Musical Metaverse <https://internetofsounds.net/1st-international-workshop-on-the-musical-= metaverse/> - The 2nd International Workshop on Networked Immersive Audio <https://internetofsounds.net/2nd-international-workshop-on-networked-im= mersive-audio/> For the topics addressed in each workshop please visit the respective webpages. *Call for Papers and Demos* Topics of interest include and are not limited to: - Networked immersive audio for the Internet of Sounds - Web Audio for the Internet of Sounds - Networked Musical XR - Semantic Audio applications for the Internet of Sounds - Embedded audio - Smart musical instruments - Ubiquitous music - Networked music performances - Participatory live music performances - Musical haptics for the Internet of Musical Things - Music education applications for the Internet of Musical Things - Intelligent music production in Internet of Musical Things contexts - Protocols and exchange formats for the Internet of Sounds - Ecoacoustics - Wireless acoustic sensor networks - Privacy and security in acoustic sensor networks - Detection and classification of sounds in acoustic sensor networks - Visualization and Sonification of acoustic sensor networks - Sonification for Internet of Sounds applications - Audio datasets for Deep Learning and Data Mining - Challenges in the management and delivery of large audio databases - Visualization, access, and indexing of audio databases - Cloud-based services for musical and audio applications - Improving accessibility and inclusiveness within the Internet of Sound= s - Sustainability and ethical aspects of the Internet of Sounds - Music information retrieval in networked applications We consider submissions in the form of: - Full paper (min 5 pages, max 10 pages) - Poster paper (min 2 pages, max 4 pages) - Demo proposal (max 2 pages) Authors are welcome to submit to all three tracks. We encourage the submission of work in progress as well as more mature work. However, only the contributions of at least 4 pages will be included in the Proceedings to be submitted to IEEE. *Paper Submission* All submissions will be fully, single-blind peer-reviewed. The expected number of pages for contribution should not exceed 10 pages for paper. Authors must follow IEEE ethical and writing guidelines. LaTeX and Word template: https://www.ieee.org/conferences/publishing/templates.html Submission portal: https://easychair.org/conferences/?conf=3Dis22024paper *Call for Internet of Sounds Performances and Installations* We invite submissions that showcase the internet of sounds in performance and sound installations. Proposed works should have a clear connection to the conference and may relate to a technical paper or demo submission. We particularly invite pieces that last 5-12 minutes, however, shorter and longer performance proposals will be considered. *Performances and Installations Submission* A proposal (compiled in a single pdf) should include: - One-page project description - One-page description of technical requirements - Short program notes - Artist bio(s) - URL to any performance/installation audio or audio-visual documentation (if available). The documentation link shoul= d use streaming-only services, e.g., SoundCloud, Vimeo, YouTube. Please keep in mind the following when preparing performance and installation submissions: - Space requirements: Indicate whether the work would be more suitable for a university environment (hallways, staircases, indoor and outdoor plazas), club, traditional concert stage, gallery, public space, or othe= r venue. For questions regarding equipment and venue descriptions, please contact the Music & Installations Co-chairs - Performer(s): List all performers that would need to be involved. Please note that the organizers cannot provide funding to support performers' travel or accommodation. - Feasibility: Provide evidence of the feasibility of the performance or installation. Include documentation and list of previous performances of the submitted or related work that demonstrate the submitter's capacity = to implement the proposal. Submission portal: https://easychair.org/conferences/?conf=3Dis22024music *Important Dates* - All submission deadlines: July 10, 2024 - Author notification: August 15, 2024 - Camera-ready due: September 9, 2024 - Early registration deadline: August 26, 2024 - Late registration deadline: September 23, 2024 - Symposium dates: September 30 =E2=80=93 Oct 2, 2024 *Awards* The Organizing Committee will select the winners for the Best Paper, Best Student Paper, and Best Demo awards. To be eligible for the Best Student Paper award, the presenting and first author of the paper must be a full-time student. *Organizing Committee* - Local Chair: Nils Peters =E2=80=93 International Audio Laboratories Er= langen, University of Erlangen-N=C3=BCrnberg - Paper Co-chair: Jakob Abe=C3=9Fer =E2=80=93 Fraunhofer Institute for D= igital Media Technology IDMT - Paper Co-chair: Joseph Malloch =E2=80=93 Dalhousie University - Music & Installations Co-chair: Esther Fee Feichtner =E2=80=93 Univers= ity of Music and Performing Arts Munich - Music & Installations Co-chair: Marlon Schumacher =E2=80=93 Institute = for Music informatics and Musicology Karlsruhe - Demo Chair: Robert Hupke =E2=80=93 Sennheiser - Diversity Chair: Claudia Rinaldi =E2=80=93 University of L'Aquila - Industry Liaison Chair: Jan D=C3=BCrre =E2=80=93 Sennheiser - Communication Chair: Birgit Popp =E2=80=93 Fraunhofer Institute for In= tegrated Circuits IIS - Web Chair: Alberto Boem =E2=80=93 University of Trento - Facility Chair: Stefan Turowski =E2=80=93 International Audio Laborato= ries Erlangen, University of Erlangen-N=C3=BCrnberg - General Chair: Luca Turchet =E2=80=93 University of Trento *General Contact* Enquiries can be addressed to conference-is2-2024@xxxxxxxx ---------------------------------------------------------------------------= -------------- *Luca Turchet*, Ph.D. Associate Professor Head of the *Creative, Intelligent & Multisensory Interactions Laboratory* <https://www.cimil.disi.unitn.it/> Chair of the *IEEE Emerging Technology Initiative on the Internet of Sounds= * <https://www.comsoc.org/about/committees/emerging-technologies-initiatives/= internet-of-sounds> Founder and President of the* Internet of Sounds Research Network <https://www.internetofsounds.net/>* Department of Information Engineering and Computer Science University of Trento Via Sommarive 9 - 38123 Trento - Italy E-mail: luca.turchet@xxxxxxxx Tel: +39 0461 283792 --0000000000000e24410610dc8ccc Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable <div dir=3D"ltr"><div><div dir=3D"ltr" class=3D"gmail_signature" data-smart= mail=3D"gmail_signature"><div dir=3D"ltr"><div dir=3D"ltr"><div dir=3D"ltr"= ><div dir=3D"ltr"><div><div><div><-- Apol= ogies for cross-posting, please distribute widely -->5th International Symposium on the Internet of S= oundsInternational Audio Laboratories Erlangen=C2=A030 September - 2 Oct= ober 2024<a href= =3D"https://internetofsounds.net/is2_2024/" title=3D"https://internetofsoun= ds.net/is2_2024/" rel=3D"noreferrer" target=3D"_blank">https://internetofsounds.net/is2_2024/</fo= nt></a>=C2=A0</sp= an>We are pleased to invite you to the 5= th International Symposium on the Internet of Sounds (IS2=C2=A02= 024).=C2=A0The Internet of Sounds is an emerging research field at the inte= rsection of the Sound and Music Computing and the Internet of Things domain= s.=C2=A0The symposiu= m will be hosted at the=C2=A0<a href=3D"https://www.audiolabs-erlangen.de/"= title=3D"https://www.audiolabs-erlangen.de/" rel=3D"noreferrer" target=3D"= _blank">International Audio Laboratories Erlang= en</a>, Germany, a joint institution of the=C2=A0Friedrich-Alexander= -Universit=C3=A4t Erlangen-N=C3=BCrnberg (FAU)=C2=A0and=C2=A0Fraunhofer Ins= titute for Integrated Circuits IIS.</spa= n>The aim is to bring together academics and industry to inv= estigate and advance the development of Internet of Sounds technologies by = using novel tools and processes. The event will consist of presentations, k= eynotes, panels, poster presentations, demonstrations, tutorials, music per= formances, and installations.Keynote SpeakersThe program will include= three keynotes:<ul><li>Toon van Wat= erschoot, KU Leuven</li><li>Georg Hajdu,= Hamburg University of Music and Theatre</li><li>Hanna Lukashevich, Fraunhofer Institute for Digital Media Technolo= gy</li></ul>= Satellite Events<= /font><= /p>The program will include two satellite events:<ul type=3D"disc" style=3D"margin-top:0in"><li= style=3D"margin-left:0in;color:black;vertical-align:baseline">The=C2=A0<a = href=3D"https://internetofsounds.net/1st-international-workshop-on-the-musi= cal-metaverse/" title=3D"https://internetofsounds.net/1st-international-wor= kshop-on-the-musical-metaverse/" rel=3D"noreferrer" target=3D"_blank"><span= style=3D"color:black;border:1pt windowtext;padding:0in">1st=C2=A0Internati= onal Workshop on the Musical Metaverse</a></li><li style=3D"margin-l= eft:0in;color:black;vertical-align:baseline">The=C2=A0<a href=3D"https://in= ternetofsounds.net/2nd-international-workshop-on-networked-immersive-audio/= " title=3D"https://internetofsounds.net/2nd-international-workshop-on-netwo= rked-immersive-audio/" rel=3D"noreferrer" target=3D"_blank">2nd=C2=A0International Works= hop on Networked Immersive Audio</a></li></ul>=C2=A0= For the topics addressed in each workshop pleas= e visit the respective webpages.<= /p>Call for Papers and Demos</font= ><p= style=3D"margin-bottom:15pt;vertical-align:baseline">Topics of interest include and are not limited to:<ul><li>Networked i= mmersive audio for the Internet of Sounds</li><li>Web Audio for the Internet of Sounds</li><li>Networked Musical XR</li><li>Semantic Audio applications for the Internet of Sounds</li><li= >Embedded audio</li><li>Smart musical instruments</li><li>Ubiquitous music</li><li>Networked= music performances</li><li>Participator= y live music performances</li><li>Musica= l haptics for the Internet of Musical Things</li><li>Music education applications for the Internet of Musical Thing= s</li><li>Intelligent music production i= n Internet of Musical Things contexts</li><li>Protocols and exchange formats for the Internet of Sounds</li>= <li>Ecoacoustics</li><li>Wireless acoustic sensor networks</li><li>Privacy and security in acoustic sensor networks</l= i><li>Detection and classification of sounds in= acoustic sensor networks</li><li>Visual= ization and Sonification of acoustic sensor networks</li><li>Sonification for Internet of Sounds applications</span= ></li><li>Audio datasets for Deep Learning and = Data Mining</li><li>Challenges in the ma= nagement and delivery of large audio databases</li><li>Visualization, access, and indexing of audio databases</sp= an></li><li>Cloud-based services for musical an= d audio applications</li><li>Improving a= ccessibility and inclusiveness within the Internet of Sounds</li><li= >Sustainability and ethical aspects of the Inte= rnet of Sounds</li><li>Music information= retrieval in networked applications</li></ul>We consider s= ubmissions in the form of:<ul= type=3D"disc" style=3D"margin-top:0in"><li style=3D"margin-left:0in;color:= black;vertical-align:baseline">Full paper (min 5 pages, max 10 pages)</li><= li style=3D"margin-left:0in;color:black;vertical-align:baseline">Poster pap= er (min 2 pages, max 4 pages)</li><li style=3D"margin-left:0in;color:black;= vertical-align:baseline">Demo proposal (max 2 pages)=C2=A0</li></ul>Authors are welco= me to submit to all three tracks. We encourage the submission of work in pr= ogress as well as more mature work. However, only the contributions of at l= east 4 pages will be included in the Proceedings to be submitted to IEEE.</= span>Paper Submission</sp= an>All submissions w= ill be fully, single-blind peer-reviewed. The expected number of pages for = contribution should not exceed 10 pages for paper. Authors must follow=C2= =A0IEEE ethical and writi= ng guidelines.LaTeX and Word temp= late:=C2=A0<a href=3D"https://www= .ieee.org/conferences/publishing/templates.html">https://www.ieee.org/confe= rences/publishing/templates.html</a>Submission portal:=C2=A0<a href=3D"https://ea= sychair.org/conferences/?conf=3Dis22024paper">https://easychair.org/confere= nces/?conf=3Dis22024paper</a><= span style=3D"color:rgb(30,115,190)">Call for Internet of = Sounds Performances and InstallationsWe invite submissions tha= t showcase the internet of sounds in performance and sound installations. P= roposed works should have a clear connection to the conference and may rela= te to a technical paper or demo submission. We particularly invite pieces t= hat last 5-12 minutes, however, shorter and longer performance proposals wi= ll be considered.<= /p>Performances and Installations = Submission<= /span><span= style=3D"color:black">A proposal (compiled in a single pdf) should include= :<ul><li>One-page project=C2=A0descr= iption</li><li>One-page description of t= echnical requirements</li><li>Short prog= ram notes</li><li>Artist bio(s)</= li><li>URL to any performance/installation audi= o or audio-visual=C2=A0documentation (if available).=C2=A0 The documentatio= n link should use streaming-only services, e.g., SoundCloud, Vimeo, YouTube= .</li></ul><= span style=3D"color:black">Please keep in mind the following when preparing= performance and installation submissions:<ul type=3D"disc" style=3D"margin-top:0in"><li style=3D"margin= -left:0in;color:black;vertical-align:baseline">Space requirements: Indicate= whether the work would be more suitable for a university environment (hall= ways, staircases, indoor and outdoor plazas), club, traditional concert sta= ge, gallery, public space, or other venue. For questions regarding equipmen= t and venue descriptions, please contact the Music & Installations Co-c= hairs</li><li style=3D"margin-left:0in;color:black;vertical-align:baseline"= >Performer(s): List all performers that would need to be involved. Please n= ote that the organizers cannot provide funding to support performers' t= ravel or accommodation.</li><li style=3D"margin-left:0in;color:black;vertic= al-align:baseline">Feasibility: Provide evidence of the feasibility of the = performance or installation.=C2=A0Include documentation and list of previou= s performances of the submitted or related work that demonstrate the submit= ter's capacity to implement the proposal.</li></ul>Submission = portal:=C2=A0<a href=3D"https://easychair.org/conferences/?conf=3Dis22024mu= sic" rel=3D"noreferrer" target=3D"_blank">https= ://easychair.org/conferences/?conf=3Dis22024music</a>Important Dates<spa= n style=3D"font-size:24pt;color:black"><ul type=3D"disc" sty= le=3D"margin-top:0in"><li style=3D"margin-left:0in;color:black;vertical-ali= gn:baseline">All submission deadlines: =C2=A0=C2=A0 July 10, 2024</li><li s= tyle=3D"margin-left:0in;color:black;vertical-align:baseline">Author notific= ation: =C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0 A= ugust 15, 2024</li><li style=3D"margin-left:0in;color:black;vertical-align:= baseline">Camera-ready due: =C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2= =A0=C2=A0=C2=A0=C2=A0=C2=A0 September 9, 2024</li><li style=3D"margin-left:= 0in;color:black;vertical-align:baseline">Early registration deadline: Augus= t 26, 2024</li><li style=3D"margin-left:0in;color:black;vertical-align:base= line">Late registration deadline: September 23, 2024</li><li style=3D"margi= n-left:0in;color:black;vertical-align:baseline">Symposium dates: =C2=A0=C2= =A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0= September 30 =E2=80=93 Oct 2, 2024</li></ul>Awards= The Organizing Committee will select the winner= s for the Best Paper, Best Student Paper, and Best Demo awards. To be eligi= ble for the Best Student Paper award, the presenting and first author of th= e paper must be a full-time student.</sp= an>Organizing Committee</= span><ul type=3D"disc" style=3D"margin-top:0in"><li style=3D"margin= -left:0in;color:black">Lo= cal Chair:=C2=A0Nils Peters=C2=A0=E2=80=93 International Audio Laboratories= Erlangen, University of Erlangen-N=C3=BCrnberg</li><li style= =3D"margin-left:0in;color:black">Paper Co-chair:=C2=A0Jakob Abe=C3=9Fer=C2=A0=E2=80=93 Fraunh= ofer Institute for Digital Media Technology IDMT</li><li style=3D"margin-left:0in;colo= r:black">Paper Co-chair:=C2=A0Joseph Malloch=C2=A0=E2=80=93 Dalhousie University</li><li style=3D"margin= -left:0in;color:black">Music & Installations Co-chair:=C2=A0Esther Fee Feichtner=C2=A0=E2= =80=93 University of Music and Performing Arts Munich</li><li style=3D"margin-left:0in= ;color:black">Music & Installations Co-chair:=C2=A0Marlon Schumacher=C2=A0=E2=80=93 Insti= tute for Music informatics and Musicology Karlsruhe</li><li style=3D"margin-left:0in;c= olor:black">Demo Chair: Robert Hupke =E2=80=93 Sennheiser</li><li style=3D"margin-left= :0in;color:black">Diversity Chair:=C2=A0Claudia Rinaldi=C2=A0=E2=80=93 University of L'Aq= uila</li><l= i style=3D"margin-left:0in;color:black">Industry Liaison Chair:=C2=A0Jan D=C3=BCrre=C2=A0=E2= =80=93 Sennheiser</spa= n></li><li style=3D"margin-left:0in;color:black">Communication Chair:= =C2=A0Birgit Popp= =C2=A0=E2=80=93 Fraunhofer Institute for Integrated Circuits IIS</li><li style=3D"marg= in-left:0in;color:black">Web Chair:=C2=A0Alberto Boem=C2=A0=E2=80=93 University of Trento<= span style=3D"border:1pt windowtext;padding:0in"></li><li style= =3D"margin-left:0in;color:black">Facility Chair:=C2=A0Stefan Turowski=C2=A0=E2=80=93 Internat= ional Audio Laboratories Erlangen, University of Erlangen-N=C3=BCrnberg<= span style=3D"border:1pt windowtext;padding:0in"></li><li style= =3D"margin-left:0in;color:black">General Chair:=C2=A0Luca Turchet=C2=A0=E2=80=93 University o= f Trento</li></ul><= b>General Contact</f= ont>= Enquiries can be addressed to=C2=A0<a href=3D"mailto:conference-is2-2024@xxxxxxxx= u.de" rel=3D"noreferrer" target=3D"_blank">conference-is2-2024@xxxxxxxx</a></= p></div></div><div>--------------------------------------------------------= ---------------------------------</div><div> </div><div>Luca Turchet<= /b>, Ph.D.</div><div>Associate Professor</div><div> </div><div>Head of t= he=C2=A0<a href=3D"https://www.cimil.disi.unitn.it/" target=3D"_blank"><= font color=3D"#3d85c6">Creative, Intelligent & Multisensory Interaction= s Laboratory</a></div><div> </div><div><div>Chair of the=C2=A0<a href=3D"https://www.comsoc.org/about/com= mittees/emerging-technologies-initiatives/internet-of-sounds" target=3D"_bl= ank">IEEE Emerging Technology Initiative on the = Internet of Sounds</a></div></div><div> </div><div>Fou= nder and President of the=C2=A0<a href=3D"https://www.internetofsounds.n= et/" target=3D"_blank">Internet of Sounds Research = Network</a></div><div> </div><div><div>Department of Informat= ion Engineering and Computer Science</div><div>University of Trento</div><d= iv>Via Sommarive 9 - 38123 Trento - Italy</div><div> </div><div>E-mail:= =C2=A0<a href=3D"mailto:luca.turchet@xxxxxxxx" target=3D"_blank">luca.turchet@xxxxxxxx</a></div><div>Tel: +39 0461 2837= 92</div></div><div> </div></div></div></div></div></div></div></div></di= v> --0000000000000e24410610dc8ccc--

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