[AUDITORY] [IEEE VR SIVE 2025] IEEE 8th VR Workshop on Sonic Interaction in Virtual Environments - Call for papers (Michele Geronazzo )

Subject: [AUDITORY] [IEEE VR SIVE 2025] IEEE 8th VR Workshop on Sonic Interaction in Virtual Environments - Call for papers From: Michele Geronazzo <michele.geronazzo@xxxxxxxx> Date: Tue, 3 Dec 2024 15:19:31 +0000 --_000_PAXPR02MB771044F72A193C00E7A13820AA362PAXPR02MB7710eurp_ Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable Dear list, The online submission system is now open at https://new.precisionconference= .com/. You can select Society =93VR=94 - Conference =93IEEE VR 2025=94 - track "IE= EE VR 2025 Workshop: SIVE". The submission deadline is approaching (Dec 20th, 2024), IEEE 8th VR Workshop on Sonic Interaction in Virtual Environments (IEEE VR = - SIVE 2025) March 2025. Saint-Malo, France https://ieeevr.org/2025/ http://sive.create.aau.dk <Apologies for cross-posting> <Please distribute> -------------------------------------------------------------------------- CALL FOR PAPERS Sonic interaction design is defined as the study and exploitation of sound = as one of the principal channels conveying information, meaning, and aesthe= tic/emotional qualities in interactive contexts. This field lies at the int= ersection of interaction design and sound and music computing. In the virtual reality community, the focus on research in topics related t= o auditory feedback has been rather limited when compared, for example, to = the focus placed on visual feedback or even on haptic feedback. However, in= communities such as the film community or the product sound design communi= ty, it is well known that sound is a powerful way to communicate meaning an= d emotion to a scene or a product. The SIVE 2025 is the 8th of this series of workshops: https://sive.create.a= au.dk/index.php/pasteditions/ This workshop=92s main goal is to increase awareness among the virtual real= ity community of the importance of sonic elements when designing virtual/au= gmented/mixed reality environments (XR hereafter). We will also discuss how= research in other related fields such as film sound theory, product sound = design, sound and music computing, game sound design, and accessibility can= inform designers of XR environments. Moreover, the workshop will feature s= tate-of-the-art research on the field of sound for XR environments. Submissions of research papers outlining ongoing research in interactive so= und for virtual environments are welcome. Topics can include, but are not limited to: * Sound design and synthesis for XR environments * Sound modeling and rendering for XR environments * Multisensory (audio-visual and/or audio-haptics) interactions * Gestural control and action-sound mapping in XR * XR for Musical Expression * Perception-action loop in multimodal XR * Sound spatialisation and auralization * Binaural sound and head-related transfer functions * Headphones and speakers reproduction * Mobile XR applications and technologies of interactive sonification * Evaluation of user experience and sound quality * Virtual prototyping of devices and interactions involving sound * SIVE for accessibility * Audio only SIVE The submission website is: https://new.precisionconference.com <https://new= .precisionconference.com/> . We consider three categories of contributions: (C1) Papers should be 4-6 pages in length and prepared using the IEEE Compu= ter Society conference-style format described at https://tc.computer.org/vg= tc/publications/conference/.<https://tc.computer.org/vgtc/publications/conf= erence/> For accepted papers, authors must prepare a 5-minute video to be d= elivered during the workshop. (C2) Posters should be 2-4 pages in length and prepared according to the sa= me template. (C3) Demos should be 2-4 pages in length and prepared according to the same= template, with an artifact shown at the conference. Accepted papers/abstracts (all categories) will be included in the IEEE VR = Workshop Proceedings and will be published on IEEE Xplore Digital Library (= Scopus indexing service and more). IMPORTANT DATES =96 December 20th, 2024: Scientific Paper submission =96 January 9th, 2025: Notification of Scientific Paper acceptance =96 January 16th, 2025: Camera-ready material to be published in IEEEXplore =96 February 7th, 2025: Late Breaking Report submission =96 February 14th, 2025: Notification of Late Breaking Report acceptance =96 March 8th or 9th, 2025: Half-day onsite workshop ORGANIZERS Stefania Serafin sts@xxxxxxxx Ali Adjorlu adj@xxxxxxxx Florent Berthaut florent.berthaut@xxxxxxxx Tifanie Bouchara tifanie.bouchara@xxxxxxxx Federico Fontana federico.fontana@xxxxxxxx Michele Geronazzo michele.geronazzo@xxxxxxxx Dorte Hammersh=F8i dh@xxxxxxxx Romain Michon romain.michon@xxxxxxxx Rolf Nordahl rn@xxxxxxxx Lorenzo Picinali l.picinali@xxxxxxxx -- Michele Geronazzo, Ph.D. - IEEE Senior Member, ACM Member - SIGCHI Associate Professor in Computer Engineering University of Padova, Department of Engineering and Management (DTG) Human Inspired Technologies (HIT) Research Centre Email: michele.geronazzo@xxxxxxxx<mailto:michele.geronazzo@xxxxxxxx> Tel: +39 0444 998886 Office @xxxxxxxx: Stradella San Nicola, 3 - 36100 Vicenza =96 Italy, 3rd floor, = Complesso S. Nicola The "Sonic Interactions in Virtual Environments" book, Springer Internation= al Publishing https://link.springer.com/book/10.1007/978-3-031-04021-4 (egocentric audio) https://link.springer.com/chapter/10.1007/978-3-031-0402= 1-4_1 --_000_PAXPR02MB771044F72A193C00E7A13820AA362PAXPR02MB7710eurp_ Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable <html xmlns:v=3D"urn:schemas-microsoft-com:vml" xmlns:o=3D"urn:schemas-micr= osoft-com:office:office" xmlns:w=3D"urn:schemas-microsoft-com:office:word" = xmlns:m=3D"http://schemas.microsoft.com/office/2004/12/omml" xmlns=3D"http:= //www.w3.org/TR/REC-html40"> <head> <meta http-equiv=3D"Content-Type" content=3D"text/html; charset=3DWindows-1= 252"> <meta name=3D"Generator" content=3D"Microsoft Word 15 (filtered medium)"> <style></style> </head> <body lang=3D"en-IT" link=3D"#467886" vlink=3D"#96607D" style=3D"word-wrap:= break-word"> <div class=3D"WordSection1"> Dear list, The online submission system is now open at <a = href=3D"https://new.precisionconference.com/" target=3D"_blank"> https://new.precisionconference.com/</a>. <o:p></o:p><= /span> You can select Society =93VR=94 - Conference =93IEEE VR 2025=94 - track "IEEE = VR 2025 Workshop: SIVE". The submission deadline is approaching (Dec 20t= h, 2024),<o:p></o:p></span= >   IEEE 8th VR Work= shop on Sonic Interaction in Virtual Environments (IEEE VR -&nbsp= ;SIVE 2025) March 2025. Saint-Malo, France  <a href=3D"https://ieeevr.org/2025/">https://ieeevr.org/2025/</a> <a href=3D"http://sive.create.aau.dk" title=3D"http://sive.create.aa= u.dk">http://sive.create.aau.dk</a>   <Apologies for cross-posting= > <Please distribute>    -------------------------------= ------------------------------------------- CALL FOR PAPERS Sonic interaction design is defined as the study and= exploitation of sound as one of the principal channels conveying informati= on, meaning, and aesthetic/emotional qualities in interactive contexts. Thi= s field lies at the intersection of interaction design and sound and music computing.<o:p></o:p> In the virtual reality community, the focus on resea= rch in topics related to auditory feedback has been rather limited when com= pared, for example, to the focus placed on visual feedback or even on hapti= c feedback. However, in communities such as the film community or the product sound design community, it is we= ll known that sound is a powerful way to communicate meaning and emotion to= a scene or a product.<o:p></o:p> <o:p> </o:p> The SIVE 2025 is the 8th of this series of workshops= : <a href=3D"https://sive.create.aau.dk/index.php/pasteditions/">https= ://sive.create.aau.dk/index.php/pasteditions/</a><o:p></o:p> <o:p> </o:p> This workshop=92s main goal is to increase awareness= among the virtual reality community of the importance of sonic elements wh= en designing virtual/augmented/mixed reality environments (XR hereafter). W= e will also discuss how research in other related fields such as film sound theory, product sound design, soun= d and music computing, game sound design, and accessibility can inform desi= gners of XR environments. Moreover, the workshop will feature state-of-the-= art research on the field of sound for XR environments.<o:p></o:p> Submissions of research papers outlining ongoing res= earch in interactive sound for virtual environments are welcome.<o:p></o:p> <o:p> </o:p> Topics can include, but are not limited to:<o:p></o:= p> <ul style=3D"margin-top:0cm" type=3D"disc"> <li class=3D"MsoNormal" style=3D"mso-list:l0 level1 lfo1">Sound design and = synthesis for XR environments<o:p></o:p></li><li class=3D"MsoNormal" style= =3D"mso-list:l0 level1 lfo1">Sound modeling and rendering for XR environmen= ts<o:p></o:p></li><li class=3D"MsoNormal" style=3D"mso-list:l0 level1 lfo1"= >Multisensory (audio-visual and/or audio-haptics) interactions<o:p></o:p></= li><li class=3D"MsoNormal" style=3D"mso-list:l0 level1 lfo1">Gestural contr= ol and action-sound mapping in XR<o:p></o:p></li><li class=3D"MsoNormal" st= yle=3D"mso-list:l0 level1 lfo1">XR for Musical Expression<o:p></o:p></li><l= i class=3D"MsoNormal" style=3D"mso-list:l0 level1 lfo1">Perception-action l= oop in multimodal XR<o:p></o:p></li><li class=3D"MsoNormal" style=3D"mso-li= st:l0 level1 lfo1">Sound spatialisation and auralization<o:p></o:p></li><li= class=3D"MsoNormal" style=3D"mso-list:l0 level1 lfo1">Binaural sound and h= ead-related transfer functions<o:p></o:p></li><li class=3D"MsoNormal" style= =3D"mso-list:l0 level1 lfo1">Headphones and speakers reproduction<o:p></o:p= ></li><li class=3D"MsoNormal" style=3D"mso-list:l0 level1 lfo1">Mobile XR a= pplications and technologies of interactive sonification<o:p></o:p></li><li= class=3D"MsoNormal" style=3D"mso-list:l0 level1 lfo1">Evaluation of user e= xperience and sound quality<o:p></o:p></li><li class=3D"MsoNormal" style=3D= "mso-list:l0 level1 lfo1">Virtual prototyping of devices and interactions i= nvolving sound<o:p></o:p></li><li class=3D"MsoNormal" style=3D"mso-list:l0 = level1 lfo1">SIVE for accessibility<o:p></o:p></li><li class=3D"MsoNormal" = style=3D"mso-list:l0 level1 lfo1">Audio only SIVE<o:p></o:p></li></ul> <o:p> </o:p> The submission website is: <a href=3D"https://n= ew.precisionconference.com/">https://new.precisionconference.com </a><= span lang=3D"EN-US">.<o:p></o:p> We consider three categories of contributions:<o:p><= /o:p> (C1) Papers should be 4-6 pages in length and prepar= ed using the IEEE Computer Society conference-style format described at&nbs= p;<a href=3D"https://tc.computer.org/vgtc/publications/conference/">https:/= /tc.computer.org/vgtc/publications/conference/.</a> For accepted papers, authors must prepare a 5-minute video to be delivered dur= ing the workshop.<o:p></o:p> (C2) Posters should be 2-4 pages in length and prepa= red according to the same template.<o:p></o:p> (C3) Demos should be 2-4 pages in length and prepare= d according to the same template, with an artif= act shown at the conference.<o:p></o:p> <o:p> </o:p> Accepted papers/abstracts (all categories) will be i= ncluded in the IEEE VR Workshop Proceedings and will be published on IEEE X= plore Digital Library (Scopus indexing service and more). <o:p></o:p> IMPORTANT DATES =96 December 20th, 2024: Scientific Paper submission= =96 January 9th, 2025: Notification of Scientific Paper acceptance =96 January 16th, 2025: Camera-ready material to be published in IEEEX<span= lang=3D"EN-US">plore =96 February 7th, 2025: Late Breaking Report submission =96 February 14th, 2025: Notification of Late Breaking Report acceptance =96 March 8th or 9th, 2025: Half-day onsite workshop<o= :p></o:p> ORGANIZERS Stefania Serafin sts@xxxxxxxx<o:p><= /o:p> Ali Adjorlu adj@xxxxxxxx<o:p></o:p>= Florent Berthaut florent.berthaut@xxxxxxxx= ille.fr<o:p></o:p> Tifanie Bouchara tifanie.bouchara@xxxxxxxx= site-paris-saclay.fr<o:p></o:p> Federico Fontana federico.fontana@xxxxxxxx= it<o:p></o:p> Michele Geronazzo michele.geronazzo@xxxxxxxx= d.it<o:p></o:p> Dorte Hammersh=F8i dh@xxxxxxxx<o:p></o:= p> Romain Michon romain.michon@xxxxxxxx<o:p= ></o:p> Rolf Nordahl rn@xxxxxxxx<o:p></o:p>= Lorenzo Picinali l.picinali@xxxxxxxx= uk<o:p></o:p>  <o:p></o:p> <o:p> </o:p> <div> -- <o:p></o:p></= span> </div> Michele Geronazzo, Ph.D. - IEEE Senior Member<spa= n lang=3D"EN-US" style=3D"font-family:"Calibri",sans-serif;color:= #222222;mso-ligatures:none;mso-fareast-language:EN-GB">, ACM Member - SIGCHI Associate Professor in Computer Engineering<o:p></o:p>  <o:p></o:p> University of Padova, Department of Engin= eering and Management (DTG) Human Inspired Technolog= ies (HIT) Research Centre<o:p></o:p> <div style=3D"border:none;border-bottom:solid windowtext 1.0pt;padding:0cm = 0cm 1.0pt 0cm"> <o:p> </o:p> </div> Email: <a href= =3D"mailto:michele.geronazzo@xxxxxxxx" target=3D"_blank">michele.geronazzo@xxxxxxxx</a><span= style=3D"font-family:"Calibri",sans-serif;color:#222222;mso-liga= tures:none;mso-fareast-language:EN-GB"><o:p></o:p> Tel: +39 0444 998886 <o:p></o:p></sp= an> <div style=3D"border:none;border-bottom:solid windowtext 1.0pt;padding:0cm = 0cm 1.0pt 0cm"> Office @xxxxxxxx: Stradella San Nicola, 3<= /span> - 36100 Vicenza =96 Ita= ly, 3rd floor, Complesso S. Nicola<o:p></o:p> </div>  <o:p></o:p> The "Sonic Interactions in Virtual E= nvironments" book, Springer International Publishing<o:p></o:p> <a href=3D"https://link.springer.com/book/10.1007/978-3-031-04021-4" tar= get=3D"_blank">https://link.spr= inger.com/book/10.1007/978-3-031-04021-4</a><o:p></o:p> (egocentric audio) <a h= ref=3D"https://link.springer.com/chapter/10.1007/978-3-031-04021-4_1" targe= t=3D"_blank">https://link.springer.com/chapter/10.1007/978= -3-031-04021-4_1</a> </div> </body> </html> --_000_PAXPR02MB771044F72A193C00E7A13820AA362PAXPR02MB7710eurp_--

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