[AUDITORY] ASA Fall 2024 Virtual Session - Trainee Competition (Anna Diedesch )


Subject: [AUDITORY] ASA Fall 2024 Virtual Session - Trainee Competition
From:    Anna Diedesch  <acdiedesch@xxxxxxxx>
Date:    Tue, 11 Jun 2024 15:57:55 +0000

--_000_CY5PR12MB6153A355485DD8A8ED1E6B02F6C72CY5PR12MB6153namp_ Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable Hi All, Please forward this opportunity to your trainees. Happy to answer any quest= ions you may have about the session. ~Anna Diedesch Lightning Round Trainee Competition at the 187th meeting of the Acoustical = Society of America: Virtual Fall Meeting Call for Abstracts Calling all trainees working in communication sciences and disorders, heari= ng science, audiology, or related fields. The Acoustical Society of America is hosting a virtual competition for trai= nees to present their research in a 5-minute lightning round competition. P= resentations will be judged by a panel of established researchers in Physio= logical and Psychological Acoustics. Trainees accepted for the lightning ro= und will have the opportunity to attend a virtual workshop focused on devel= oping skills for short presentations prior to the Fall ASA meeting. The authors of the top 6 presentations will each be invited to give podium = presentations at the 188th Meeting of the Acoustical Society of America in = New Orleans, Louisiana, United States and a $750 prize to offset travel cos= ts. Winners will also attend a luncheon with established researchers in the= field for an opportunity to network and familiarize themselves with the co= nference. Please submit a descriptive abstract of no more than 200 words for the pres= entation via the ASA Abstract Submission site<https://asa2024fall.abstractc= entral.com/>. Be sure your topic area falls under the scope of ASA=92s Phys= iological and Psychological Acoustics: 1) Perception and perceptual organization of simple and complex sounds, inc= luding speech 2) Anatomy and function of the auditory pathways, including all physical an= d biological responses to auditory stimulation 3) Hearing disorders, hearing loss, and auditory prostheses 4) Vibrotactile and vestibular sensation, and the interaction of hearing wi= th other sensory modalities 5) Developmental, aging, learning and plasticity effects in auditory functi= on 6) Theories and models of auditory processes The session will be first-come, first-served after abstracts not falling wi= thin the scope are removed. --_000_CY5PR12MB6153A355485DD8A8ED1E6B02F6C72CY5PR12MB6153namp_ Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable <html xmlns:v=3D"urn:schemas-microsoft-com:vml" xmlns:o=3D"urn:schemas-micr= osoft-com:office:office" xmlns:w=3D"urn:schemas-microsoft-com:office:word" = xmlns:m=3D"http://schemas.microsoft.com/office/2004/12/omml" xmlns=3D"http:= //www.w3.org/TR/REC-html40"> <head> <meta http-equiv=3D"Content-Type" content=3D"text/html; charset=3DWindows-1= 252"> <meta name=3D"Generator" content=3D"Microsoft Word 15 (filtered medium)"> <style><!-- /* Font Definitions */ @xxxxxxxx {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4;} @xxxxxxxx {font-family:Aptos; panose-1:2 11 0 4 2 2 2 2 2 4;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {margin-top:0in; margin-right:0in; margin-bottom:8.0pt; margin-left:0in; line-height:106%; font-size:11.0pt; font-family:"Aptos",sans-serif; mso-ligatures:standardcontextual;} a:link, span.MsoHyperlink {mso-style-priority:99; color:#467886; text-decoration:underline;} span.EmailStyle17 {mso-style-type:personal-compose; font-family:"Aptos",sans-serif; color:windowtext;} .MsoChpDefault {mso-style-type:export-only; font-size:11.0pt;} @xxxxxxxx WordSection1 {size:8.5in 11.0in; margin:1.0in 1.0in 1.0in 1.0in;} div.WordSection1 {page:WordSection1;} --></style><!--[if gte mso 9]><xml> <o:shapedefaults v:ext=3D"edit" spidmax=3D"1026" /> </xml><![endif]--><!--[if gte mso 9]><xml> <o:shapelayout v:ext=3D"edit"> <o:idmap v:ext=3D"edit" data=3D"1" /> </o:shapelayout></xml><![endif]--> </head> <body lang=3D"EN-US" link=3D"#467886" vlink=3D"#96607D" style=3D"word-wrap:= break-word"> <div class=3D"WordSection1"> <p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p> <p class=3D"MsoNormal"><span style=3D"font-size:14.0pt;line-height:106%">Hi= All, <o:p> </o:p></span></p> <p class=3D"MsoNormal"><span style=3D"font-size:14.0pt;line-height:106%">Pl= ease forward this opportunity to your trainees. Happy to answer any questio= ns you may have about the session.<o:p></o:p></span></p> <p class=3D"MsoNormal"><span style=3D"font-size:14.0pt;line-height:106%">~A= nna Diedesch<o:p></o:p></span></p> <p class=3D"MsoNormal" align=3D"center" style=3D"text-align:center"><b><spa= n style=3D"font-size:14.0pt;line-height:106%"><o:p>&nbsp;</o:p></span></b><= /p> <p class=3D"MsoNormal" align=3D"center" style=3D"text-align:center"><b><spa= n style=3D"font-size:14.0pt;line-height:106%">Lightning Round Trainee Compe= tition at the 187<sup>th</sup> meeting of the Acoustical Society of America= : Virtual Fall Meeting<o:p></o:p></span></b></p> <p class=3D"MsoNormal" align=3D"center" style=3D"text-align:center"><b><u><= span style=3D"font-size:14.0pt;line-height:106%">Call for Abstracts<o:p></o= :p></span></u></b></p> <p class=3D"MsoNormal" align=3D"center" style=3D"text-align:center"><span s= tyle=3D"font-size:14.0pt;line-height:106%">Calling all trainees working in = communication sciences and disorders, hearing science, audiology, or relate= d fields.<o:p></o:p></span></p> <p class=3D"MsoNormal" style=3D"text-align:justify"><span style=3D"font-siz= e:14.0pt;line-height:106%">The Acoustical Society of America is hosting a v= irtual competition for trainees to present their research in a 5-minute lig= htning round competition. Presentations will be judged by a panel of established researchers in Physiological and = Psychological Acoustics. Trainees accepted for the lightning round will hav= e the opportunity to attend a virtual workshop focused on developing skills= for short presentations prior to the Fall ASA meeting. <o:p></o:p></span></p> <p class=3D"MsoNormal" style=3D"text-align:justify"><span style=3D"font-siz= e:14.0pt;line-height:106%">The authors of the top 6 presentations will each= be invited to give podium presentations at the 188<sup>th</sup> Meeting of= the Acoustical Society of America in New Orleans, Louisiana, United States and a $750 prize to offset travel co= sts. Winners will also attend a luncheon with established researchers in th= e field for an opportunity to network and familiarize themselves with the c= onference.<o:p></o:p></span></p> <p class=3D"MsoNormal" style=3D"text-align:justify"><span style=3D"font-siz= e:14.0pt;line-height:106%">Please submit a descriptive abstract of no more = than 200 words for the presentation via the </span><a href=3D"https://asa2024fall.abstractcentral.com/"><span style=3D"= font-size:14.0pt;line-height:106%">ASA Abstract Submission site</span></a><= span style=3D"font-size:14.0pt;line-height:106%">. Be sure your topic area = falls under the scope of ASA=92s Physiological and Psychological Acoustics: <o:p></o:p></span></p> <p class=3D"MsoNormal" style=3D"margin-bottom:0in;text-align:justify"><span= style=3D"font-size:14.0pt;line-height:106%;color:black">1) Perception and = perceptual organization of simple and complex sounds, including speech<o:p>= </o:p></span></p> <p class=3D"MsoNormal" style=3D"margin-bottom:0in;text-align:justify"><span= style=3D"font-size:14.0pt;line-height:106%;color:black">2) Anatomy and fun= ction of the auditory pathways, including all physical and biological respo= nses to auditory stimulation</span><span style=3D"font-size:14.0pt;line-hei= ght:106%"><o:p></o:p></span></p> <p style=3D"margin:0in;background:white;vertical-align:baseline"><span styl= e=3D"font-size:14.0pt;font-family:&quot;Aptos&quot;,sans-serif;color:black"= >3) Hearing disorders, hearing loss, and auditory prostheses<o:p></o:p></sp= an></p> <p style=3D"margin:0in;background:white;vertical-align:baseline"><span styl= e=3D"font-size:14.0pt;font-family:&quot;Aptos&quot;,sans-serif;color:black"= >4) Vibrotactile and vestibular sensation, and the interaction of hearing w= ith other sensory modalities<o:p></o:p></span></p> <p style=3D"margin:0in;background:white;vertical-align:baseline"><span styl= e=3D"font-size:14.0pt;font-family:&quot;Aptos&quot;,sans-serif;color:black"= >5) Developmental, aging, learning and plasticity effects in auditory funct= ion<o:p></o:p></span></p> <p style=3D"margin:0in;background:white;vertical-align:baseline"><span styl= e=3D"font-size:14.0pt;font-family:&quot;Aptos&quot;,sans-serif;color:black"= >6) Theories and models of auditory processes<o:p></o:p></span></p> <p style=3D"margin:0in;background:white;vertical-align:baseline"><span styl= e=3D"font-size:14.0pt;font-family:&quot;Aptos&quot;,sans-serif;color:black"= ><o:p>&nbsp;</o:p></span></p> <p style=3D"margin:0in;background:white;vertical-align:baseline"><span styl= e=3D"font-size:14.0pt;font-family:&quot;Aptos&quot;,sans-serif;color:black"= >The session will be first-come, first-served after abstracts not falling w= ithin the scope are removed. </span><span style=3D"font-size:14.0pt"><o:p></o:p></span></p> <p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p> <p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p> </div> </body> </html> --_000_CY5PR12MB6153A355485DD8A8ED1E6B02F6C72CY5PR12MB6153namp_--


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Electrical Engineering Dept., Columbia University