Subject: [AUDITORY] 2nd Call for Papers: IEEE 5th International Symposium on the Internet of Sounds - Erlangen, Germany, Sep 30-Oct 2 2024 From: Nils Peters <000003073c1d89f6-dmarc-request@xxxxxxxx> Date: Thu, 30 May 2024 21:54:56 +0200<-- Apologies for cross-posting, please distribute widely --> *IEEE 5th International Symposium on the Internet of Sounds*** International Audio Laboratories Erlangen, Germany 30 September - 2 October 2024 *https://internetofsounds2024.ieee-is2.org/ <https://internetofsounds2024.ieee-is2.org/>* We are pleased to invite you to the 5th IEEE International Symposium on the Internet of Sounds (IEEE IS^2 =C2=A02024).=C2=A0The Internet of Sounds= is an emerging research field at the intersection of the Sound and Music Computing and the Internet of Things domains. The symposium will be hosted at the International Audio Laboratories Erlangen <https://www.audiolabs-erlangen.de/>, Germany, a joint institution of the=C2=A0Friedrich-Alexander-Universit=C3=A4t Erlangen-N=C3= =BCrnberg (FAU)=C2=A0and=C2=A0Fraunhofer Institute for Integrated Circuits IIS. The aim is to bring together academics and industry to investigate and advance the development of Internet of Sounds technologies by using novel tools and processes. The event will consist of presentations, keynotes, panels, poster presentations, demonstrations, tutorials, music performances, and installations. *Satellite Events*** The program will include two satellite events: * The 1st=C2=A0IEEE International Workshop on the Musical Metaverse <https://internetofsounds2024.ieee-is2.org/workshop/ieee-iwmm-workshop= > * The 2nd=C2=A0IEEE International Workshop on Networked Immersive Audio <https://internetofsounds2024.ieee-is2.org/workshop/ieee-iwnia-worksho= p> For the topics addressed in each workshop please visit the respective webpages. *Keynote Speakers* The program will include three keynotes: * Toon van Waterschoot, KU Leuven * Georg Hajdu, Hamburg University of Music and Theatre * Hanna Lukashevich, Fraunhofer Institute for Digital Media Technology IDMT *Call for Papers and Demos* Topics of interest include and are not limited to: * Networked immersive audio for the Internet of Sounds * Wireless acoustic sensor networks * Web Audio for the Internet of Sounds * Networked Musical XR * Semantic Audio applications for the Internet of Sounds * Embedded audio * 5G/6G architectures leveraging slicing and Multi-access Edge Computing * Smart musical instruments * Networked music performance systems * Detection and classification of sounds in acoustic sensor networks * Sonification for Internet of Sounds applications * Participatory live music performances * Musical haptics for the Internet of Musical Things * Music education applications for the Internet of Musical Things * Intelligent music production in Internet of Musical Things contexts * Protocols and exchange formats for the Internet of Sounds * Ecoacoustics * Ubiquitous music * Privacy and security in acoustic sensor networks * Visualization and Sonification of acoustic sensor networks * Audio datasets for Deep Learning and Data Mining * Challenges in the management and delivery of large audio databases * Visualization, access, and indexing of audio databases * Cloud-based services for musical and audio applications * Improving accessibility and inclusiveness within the Internet of Sound= s * Sustainability and ethical aspects of the Internet of Sounds * Music information retrieval in networked applications We consider submissions in the form of: * Full paper (min 5 pages, max 10 pages) * Poster paper (min 2 pages, max 4 pages) * Demo proposal (max 2 pages) Authors are welcome to submit to all three tracks. We encourage the submission of work in progress as well as more mature work. However, only the contributions of at least 4 pages are eligible for inclusion in the conference proceedings to be submitted to IEEE. *Paper Submission*** All submissions will be fully, single-blind peer-reviewed. The expected number of pages for contribution should not exceed 10 pages for paper. Authors must follow IEEE ethical and writing guidelines. LaTeX and Word template: https://www.ieee.org/conferences/publishing/templates.html Submission portal: https://easychair.org/conferences/?conf=3Dis22024paper *Call for Internet of Sounds Performances and Installations*** We invite submissions that showcase the internet of sounds in performance and sound installations. Proposed works should have a clear connection to the conference and may relate to a technical paper or demo submission. We particularly invite pieces that last 5-12 minutes, however, shorter and longer performance proposals will be considered. *Performances and Installations Submission*** A proposal (compiled in a single pdf) should include: * One-page project=C2=A0description * One-page description of technical requirements * Short program notes * Artist bio(s) * URL to any performance/installation audio or audio-visual=C2=A0documentation (if available).=C2=A0 The documentatio= n link should use streaming-only services, e.g., SoundCloud, Vimeo, YouTube. Please keep in mind the following when preparing performance and installation submissions: * Space requirements: Indicate whether the work would be more suitable for a university environment (hallways, staircases, indoor and outdoor plazas), club, traditional concert stage, gallery, public space, or other venue. For questions regarding equipment and venue descriptions, please contact the Music & Installations Co-chairs * Performer(s): List all performers that would need to be involved. Please note that the organizers cannot provide funding to support performers' travel or accommodation. * Feasibility: Provide evidence of the feasibility of the performance or installation.=C2=A0Include documentation and list of previous performances of the submitted or related work that demonstrate the submitter's capacity to implement the proposal. Submission portal: https://easychair.org/conferences/?conf=3Dis22024music <https://easychair.org/conferences/?conf=3Dis22024music> *Important Dates*** * All submission deadlines: =C2=A0=C2=A0=C2=A0 July 10, 2024 * Author notification:=C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0 A= ugust 15, 2024 * Camera-ready due: =C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2= =A0=C2=A0=C2=A0=C2=A0 September 9, 2024 * Early registration deadline:=C2=A0 August 26, 2024 * Late registration deadline:=C2=A0 =C2=A0September 23, 2024 * Symposium dates:=C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2= =A0September 30 =E2=80=93 Oct 2, 2024 *Awards*** The Organizing Committee will select the winners for the Best Paper, Best Student Paper, and Best Demo awards. To be eligible for the Best Student Paper award, the presenting and first author of the paper must be a full-time student. *Organizing Committee* * Local Chair:=C2=A0Nils Peters=C2=A0=E2=80=93 International Audio Labor= atories Erlangen, University of Erlangen-N=C3=BCrnberg** * Paper Co-chair: Jakob Abe=C3=9Fer=C2=A0=E2=80=93 Fraunhofer Institute = for Digital Media Technology IDMT** * Paper Co-chair: Joseph Malloch=C2=A0=E2=80=93 Dalhousie University** * Music & Installations Co-chair: Esther Fee Feichtner=C2=A0=E2=80=93 Un= iversity of Music and Performing Arts Munich** * Music & Installations Co-chair: Marlon Schumacher=C2=A0=E2=80=93 Insti= tute for Music informatics and Musicology Karlsruhe** * Demo Chair: Robert Hupke =E2=80=93 Sennheiser** * Diversity Chair: Claudia Rinaldi=C2=A0=E2=80=93=C2=A0National Inter-Un= iversity Consortium for Telecommunications * Industry Liaison Chair: Jan D=C3=BCrre=C2=A0=E2=80=93 Sennheiser** * Communication Chair: Birgit Popp=C2=A0=E2=80=93 Fraunhofer Institute f= or Integrated Circuits IIS * Facility Chair: Stefan Turowski=C2=A0=E2=80=93 International Audio Lab= oratories Erlangen, University of Erlangen-N=C3=BCrnberg** * General Chair: Luca Turchet=C2=A0=E2=80=93 University of Trento *General Contact* Enquiries can be addressed to conference-is2-2024@xxxxxxxx