[AUDITORY] [CfP] 5th IEEE International Symposium on the Internet of Sounds - Erlangen, Germany, Sep 30-Oct 2 2024 (Luca Turchet )

Subject: [AUDITORY] [CfP] 5th IEEE International Symposium on the Internet of Sounds - Erlangen, Germany, Sep 30-Oct 2 2024 From: Luca Turchet <luca.turchet@xxxxxxxx> Date: Mon, 15 Apr 2024 16:32:23 +0200 --000000000000052a050616237e26 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable <-- Apologies for cross-posting, please distribute widely --> *5th IEEE International Symposium on the Internet of Sounds* International Audio Laboratories Erlangen 30 September - 2 October 2024 *https://internetofsounds2024.ieee-is2.org/ <https://internetofsounds2024.ieee-is2.org/>* We are pleased to invite you to the 5th IEEE International Symposium on the Internet of Sounds (IEEE IS2 2024). The Internet of Sounds is an emerging research field at the intersection of the Sound and Music Computing and the Internet of Things domains. The symposium will be hosted at the International Audio Laboratories Erlangen <https://www.audiolabs-erlangen.de/>, Germany, a joint institution of the Friedrich-Alexander-Universit=C3=A4t Erlangen-N=C3=BCrnberg (FAU) and Fraunhofer Institute for Integrated Circuits IIS. The aim is to bring together academics and industry to investigate and advance the development of Internet of Sounds technologies by using novel tools and processes. The event will consist of presentations, keynotes, panels, poster presentations, demonstrations, tutorials, music performances, and installations. *Satellite Events* The program will include two satellite events: - The 1st IEEE International Workshop on the Musical Metaverse <https://internetofsounds2024.ieee-is2.org/workshop/ieee-iwmm-workshop> - The 2nd IEEE International Workshop on Networked Immersive Audio <https://internetofsounds2024.ieee-is2.org/workshop/ieee-iwnia-workshop> For the topics addressed in each workshop please visit the respective webpages. *Keynote Speakers* The program will include three keynotes: - Toon van Waterschoot, KU Leuven - Georg Hajdu, Hamburg University of Music and Theatre - Hanna Lukashevich, Fraunhofer Institute for Digital Media Technology *Call for Papers and Demos* Topics of interest include and are not limited to: - Networked immersive audio for the Internet of Sounds - Wireless acoustic sensor networks - Web Audio for the Internet of Sounds - Networked Musical XR - Semantic Audio applications for the Internet of Sounds - Embedded audio - 5G/6G architectures leveraging slicing and Multi-access Edge Computing - Smart musical instruments - Networked music performance systems - Detection and classification of sounds in acoustic sensor networks - Sonification for Internet of Sounds applications - Participatory live music performances - Musical haptics for the Internet of Musical Things - Music education applications for the Internet of Musical Things - Intelligent music production in Internet of Musical Things contexts - Protocols and exchange formats for the Internet of Sounds - Ecoacoustics - Ubiquitous music - Privacy and security in acoustic sensor networks - Visualization and Sonification of acoustic sensor networks - Audio datasets for Deep Learning and Data Mining - Challenges in the management and delivery of large audio databases - Visualization, access, and indexing of audio databases - Cloud-based services for musical and audio applications - Improving accessibility and inclusiveness within the Internet of Sound= s - Sustainability and ethical aspects of the Internet of Sounds - Music information retrieval in networked applications We consider submissions in the form of: - Full paper (min 5 pages, max 10 pages) - Poster paper (min 2 pages, max 4 pages) - Demo proposal (max 2 pages) Authors are welcome to submit to all three tracks. We encourage the submission of work in progress as well as more mature work. However, only the contributions of at least 4 pages are eligible for inclusion in the conference proceedings to be submitted to IEEE. *Paper Submission* All submissions will be fully, single-blind peer-reviewed. The expected number of pages for contribution should not exceed 10 pages for paper. Authors must follow IEEE ethical and writing guidelines. LaTeX and Word template: https://www.ieee.org/conferences/publishing/templates.html Submission portal: https://easychair.org/conferences/?conf=3Dis22024paper *Call for Internet of Sounds Performances and Installations* We invite submissions that showcase the internet of sounds in performance and sound installations. Proposed works should have a clear connection to the conference and may relate to a technical paper or demo submission. We particularly invite pieces that last 5-12 minutes, however, shorter and longer performance proposals will be considered. *Performances and Installations Submission* A proposal (compiled in a single pdf) should include: - One-page project description - One-page description of technical requirements - Short program notes - Artist bio(s) - URL to any performance/installation audio or audio-visual documentation (if available). The documentation link shoul= d use streaming-only services, e.g., SoundCloud, Vimeo, YouTube. Please keep in mind the following when preparing performance and installation submissions: - Space requirements: Indicate whether the work would be more suitable for a university environment (hallways, staircases, indoor and outdoor plazas), club, traditional concert stage, gallery, public space, or othe= r venue. For questions regarding equipment and venue descriptions, please contact the Music & Installations Co-chairs - Performer(s): List all performers that would need to be involved. Please note that the organizers cannot provide funding to support performers' travel or accommodation. - Feasibility: Provide evidence of the feasibility of the performance or installation. Include documentation and list of previous performances of the submitted or related work that demonstrate the submitter's capacity = to implement the proposal. Submission portal: https://easychair.org/conferences/?conf=3Dis22024music *Important Dates* - All submission deadlines: July 10, 2024 - Author notification: August 15, 2024 - Camera-ready due: September 9, 2024 - Early registration deadline: August 26, 2024 - Late registration deadline: September 23, 2024 - Symposium dates: September 30 =E2=80=93 Oct 2, 2024 *Awards* The Organizing Committee will select the winners for the Best Paper, Best Student Paper, and Best Demo awards. To be eligible for the Best Student Paper award, the presenting and first author of the paper must be a full-time student. *Organizing Committee* - Local Chair: Nils Peters =E2=80=93 International Audio Laboratories Er= langen, University of Erlangen-N=C3=BCrnberg - Paper Co-chair: Jakob Abe=C3=9Fer =E2=80=93 Fraunhofer Institute for D= igital Media Technology IDMT - Paper Co-chair: Joseph Malloch =E2=80=93 Dalhousie University - Music & Installations Co-chair: Esther Fee Feichtner =E2=80=93 Univers= ity of Music and Performing Arts Munich - Music & Installations Co-chair: Marlon Schumacher =E2=80=93 Institute = for Music informatics and Musicology Karlsruhe - Demo Chair: Robert Hupke =E2=80=93 Sennheiser - Diversity Chair: Claudia Rinaldi =E2=80=93 National Inter-University Consortium for Telecommunications - Industry Liaison Chair: Jan D=C3=BCrre =E2=80=93 Sennheiser - Communication Chair: Birgit Popp =E2=80=93 Fraunhofer Institute for In= tegrated Circuits IIS - Facility Chair: Stefan Turowski =E2=80=93 International Audio Laborato= ries Erlangen, University of Erlangen-N=C3=BCrnberg - General Chair: Luca Turchet =E2=80=93 University of Trento *General Contact* Enquiries can be addressed to conference-is2-2024@xxxxxxxx ---------------------------------------------------------------------------= -------------- *Luca Turchet*, Ph.D. Associate Professor Head of the *Creative, Intelligent & Multisensory Interactions Laboratory* <https://www.cimil.disi.unitn.it/> Chair of the *IEEE Emerging Technology Initiative on the Internet of Sounds= * <https://www.comsoc.org/about/committees/emerging-technologies-initiatives/= internet-of-sounds> Founder and President of the* Internet of Sounds Research Network <https://www.internetofsounds.net/>* Department of Information Engineering and Computer Science University of Trento Via Sommarive 9 - 38123 Trento - Italy E-mail: luca.turchet@xxxxxxxx Tel: +39 0461 283792 --000000000000052a050616237e26 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable <div dir=3D"ltr"><div><div dir=3D"ltr" class=3D"gmail_signature" data-smart= mail=3D"gmail_signature"><div dir=3D"ltr"><div dir=3D"ltr"><div dir=3D"ltr"= ><div dir=3D"ltr"><div><-- Apologies for = cross-posting, please distribute widely -->5th IEEE International Symposium on the Internet of Sounds<= /span>International Audio Laboratories Erlangen=C2=A030 September - 2 October 2= 024<a href=3D"http= s://internetofsounds2024.ieee-is2.org/" title=3D"https://internetofsounds.n= et/is2_2024/" rel=3D"noreferrer" target=3D"_blank">https://internetofsounds2024.ieee-is2.org/</fo= nt></a>=C2=A0</sp= an>We are pleased to invite you to the 5= th IEEE International Symposium on the Internet of Sounds (IEEE IS2</s= up>=C2=A02024).=C2=A0The Internet of Sounds is an emerging research field a= t the intersection of the Sound and Music Computing and the Internet of Thi= ngs domains.=C2=A0Th= e symposium will be hosted at the=C2=A0<a href=3D"https://www.audiolabs-erl= angen.de/" title=3D"https://www.audiolabs-erlangen.de/" rel=3D"noreferrer" = target=3D"_blank">International Audio Laborator= ies Erlangen</a>, Germany, a joint institution of the=C2=A0Friedrich= -Alexander-Universit=C3=A4t Erlangen-N=C3=BCrnberg (FAU)=C2=A0and=C2=A0Frau= nhofer Institute for Integrated Circuits IIS.<sp= an style=3D"color:black">The aim is to bring together academics and industr= y to investigate and advance the development of Internet of Sounds technolo= gies by using novel tools and processes. The event will consist of presenta= tions, keynotes, panels, poster presentations, demonstrations, tutorials, m= usic performances, and installations.<font= size=3D"4">Satellite EventsThe program will include two satel= lite events:<ul type=3D"disc"= style=3D"margin-top:0in"><li style=3D"margin-left:0in;color:black;vertical= -align:baseline">The=C2=A0<a href=3D"https://internetofsounds2024.ieee-is2.= org/workshop/ieee-iwmm-workshop" title=3D"https://internetofsounds.net/1st-= international-workshop-on-the-musical-metaverse/" rel=3D"noreferrer" target= =3D"_blank">1= st=C2=A0IEEE International Workshop on the Musical Metaverse</a></li= ><li style=3D"margin-left:0in;color:black;vertical-align:baseline">The=C2= =A0<a href=3D"https://internetofsounds2024.ieee-is2.org/workshop/ieee-iwnia= -workshop" title=3D"https://internetofsounds.net/2nd-international-workshop= -on-networked-immersive-audio/" rel=3D"noreferrer" target=3D"_blank">2nd=C2=A0IEEE Inter= national Workshop on Networked Immersive Audio</a></li></ul>For the topics addressed in each workshop please visit the respective webp= ages.= Keynote Speakers</fo= nt><= span style=3D"color:black">The program will include three keynotes:<= /p><ul><li style=3D"margin-left:15px">Toon van = Waterschoot, KU Leuven</li><li style=3D"margin-left:15px">Georg Hajdu, Hamburg University of Music and Theatre</spa= n></li><li style=3D"margin-left:15px">Hanna Luk= ashevich, Fraunhofer Institute for Digital Media Technology</li></ul= >Call for Papers and Demos</s= pan> <sp= an style=3D"color:black">Topics of interest include and are not limited to:= <ul><li style=3D"margin-left:= 15px">Networked immersive audio for the Interne= t of Sounds</li><li style=3D"margin-left:15px">Wireless acoustic sensor networks</li><li style=3D"margin-lef= t:15px">Web Audio for the Internet of Sounds</s= pan></li><li style=3D"margin-left:15px">Network= ed Musical XR</li><li style=3D"margin-left:15px">Semantic Audio applications for the Internet of Sounds</li>= <li style=3D"margin-left:15px">Embedded audio</= span></li><li style=3D"margin-left:15px">5G/6G = architectures leveraging slicing and Multi-access Edge Computing = </li><li style=3D"margin-left:15px">Smart music= al instruments</li><li style=3D"margin-left:15px">Networked music performance systems</li><li style=3D"margi= n-left:15px">Detection and classification of so= unds in acoustic sensor networks</li><li style=3D"margin-left:15px">= Sonification for Internet of Sounds application= s</li><li style=3D"margin-left:15px">Par= ticipatory live music performances</li><li style=3D"margin-left:15px= ">Musical haptics for the Internet of Musical T= hings</li><li style=3D"margin-left:15px">Music education applications for the Internet of Musical Things</li= ><li style=3D"margin-left:15px">Intelligent mus= ic production in Internet of Musical Things contexts</li><li style= =3D"margin-left:15px">Protocols and exchange fo= rmats for the Internet of Sounds</li><li style=3D"margin-left:15px">= Ecoacoustics</li><li style=3D"margin-lef= t:15px">Ubiquitous music</li><li style= =3D"margin-left:15px">Privacy and security in a= coustic sensor networks</li><li style=3D"margin-left:15px">Visualization and Sonification of acoustic sensor networ= ks</li><li style=3D"margin-left:15px">Au= dio datasets for Deep Learning and Data Mining</li><li style=3D"marg= in-left:15px">Challenges in the management and = delivery of large audio databases</li><li style=3D"margin-left:15px"= >Visualization, access, and indexing of audio d= atabases</li><li style=3D"margin-left:15px">Cloud-based services for musical and audio applications</li><li = style=3D"margin-left:15px">Improving accessibil= ity and inclusiveness within the Internet of Sounds</li><li style=3D= "margin-left:15px">Sustainability and ethical a= spects of the Internet of Sounds</li><li style=3D"margin-left:15px">= Music information retrieval in networked applic= ations</li></ul>We consider submissions in the form of:</sp= an><ul type=3D"disc" style=3D"margin= -top:0in"><li style=3D"margin-left:0in;color:black;vertical-align:baseline"= >Full paper (min 5 pages, max 10 pages)</li><li style=3D"margin-left:0in;co= lor:black;vertical-align:baseline">Poster paper (min 2 pages, max 4 pages)<= /li><li style=3D"margin-left:0in;color:black;vertical-align:baseline">Demo = proposal (max 2 pages)=C2=A0</li></ul>= Authors are welcome to submit to all three trac= ks. We encourage the submission of work in progress as well as more mature = work. However, only the contributions of at least 4 pages are eligible for = inclusion in the conference proceedings to be submitted to IEEE.= Paper Submission<b= >All submissions will be fu= lly, single-blind peer-reviewed. The expected number of pages for contribut= ion should not exceed 10 pages for paper. Authors must follow=C2=A0IEEE ethical and writing guidelin= es.LaTeX and Word template= :=C2=A0<a href=3D"https://www.ieee.org/c= onferences/publishing/templates.html" target=3D"_blank">https://www.ieee.or= g/conferences/publishing/templates.html</a>Submission portal:=C2=A0<a href=3D"htt= ps://easychair.org/conferences/?conf=3Dis22024paper" target=3D"_blank">http= s://easychair.org/conferences/?conf=3Dis22024paper</a>Call for Internet of Sounds Performances and Installations</span= >We invite submissions that showcase the internet of sounds in performance = and sound installations. Proposed works should have a clear connection to t= he conference and may relate to a technical paper or demo submission. We pa= rticularly invite pieces that last 5-12 minutes, however, shorter and longe= r performance proposals will be considered.Perform= ances and Installations SubmissionA proposal (compiled in a si= ngle pdf) should include:<ul><li style=3D"margin-left:15px"><spa= n style=3D"color:black">One-page project=C2=A0description</li><li st= yle=3D"margin-left:15px">One-page description o= f technical requirements</li><li style=3D"margin-left:15px">Short program notes</li><li style=3D"margin-left= :15px">Artist bio(s)</li><li style=3D"ma= rgin-left:15px">URL to any performance/installa= tion audio or audio-visual=C2=A0documentation (if available).=C2=A0 The doc= umentation link should use streaming-only services, e.g., SoundCloud, Vimeo= , YouTube.</li></ul>Please keep in mind the following when = preparing performance and installation submissions:<ul type=3D"disc" style=3D"margin-top:0in"><li style= =3D"margin-left:0in;color:black;vertical-align:baseline">Space requirements= : Indicate whether the work would be more suitable for a university environ= ment (hallways, staircases, indoor and outdoor plazas), club, traditional c= oncert stage, gallery, public space, or other venue. For questions regardin= g equipment and venue descriptions, please contact the Music & Installa= tions Co-chairs</li><li style=3D"margin-left:0in;color:black;vertical-align= :baseline">Performer(s): List all performers that would need to be involved= . Please note that the organizers cannot provide funding to support perform= ers' travel or accommodation.</li><li style=3D"margin-left:0in;color:bl= ack;vertical-align:baseline">Feasibility: Provide evidence of the feasibili= ty of the performance or installation.=C2=A0Include documentation and list = of previous performances of the submitted or related work that demonstrate = the submitter's capacity to implement the proposal.</li></ul>Submission portal:=C2=A0<a href=3D"https://easychair.org/conferences/?conf= =3Dis22024music" rel=3D"noreferrer" target=3D"_blank">https://easychair.org/conferences/?conf=3Dis22024music</a></s= pan>Important Dates</span= ><ul type= =3D"disc" style=3D"margin-top:0in"><li style=3D"margin-left:0in;color:black= ;vertical-align:baseline">All submission deadlines: =C2=A0=C2=A0 July 10, 2= 024</li><li style=3D"margin-left:0in;color:black;vertical-align:baseline">A= uthor notification:=C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0A= ugust 15, 2024</li><li style=3D"margin-left:0in;color:black;vertical-align:= baseline">Camera-ready due: =C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2= =A0=C2=A0=C2=A0=C2=A0=C2=A0 September 9, 2024</li><li style=3D"margin-left:= 0in;color:black;vertical-align:baseline">Early registration deadline:=C2=A0= August 26, 2024</li><li style=3D"margin-left:0in;color:black;vertical-alig= n:baseline">Late registration deadline:=C2=A0 =C2=A0September 23, 2024</li>= <li style=3D"margin-left:0in;color:black;vertical-align:baseline">Symposium= dates:=C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0 =C2=A0September 30 = =E2=80=93 Oct 2, 2024</li></ul>Award= s</b= >The Organizing Committee will select the winners for the Best= Paper, Best Student Paper, and Best Demo awards. To be eligible for the Be= st Student Paper award, the presenting and first author of the paper must b= e a full-time student.Organizing Committee<= ul type=3D"disc" style=3D"margin-top:0in"><li style=3D"margin-left:0in;colo= r:black">Local Chair:=C2= =A0Nils Peters=C2=A0=E2=80=93 International Audio Laboratories Erlangen, Un= iversity of Erlangen-N=C3=BCrnberg</li><li style=3D"margin-le= ft:0in;color:black">Paper Co-chair:=C2=A0Jakob Abe=C3=9Fer=C2=A0=E2=80=93 Fraunhofer Institut= e for Digital Media Technology IDMT</li><li style=3D"margin-left:0in;color:black">Pape= r Co-chair:=C2=A0Joseph M= alloch=C2=A0=E2=80=93 Dalhousie University</li><li style=3D"margin-left:0in;col= or:black">Music & Installations Co-chair:=C2=A0Esther Fee Feichtner=C2=A0=E2=80=93 Univer= sity of Music and Performing Arts Munich</li><li style=3D"margin-left:0in;color:black"= >Music & Installations Co-chair:=C2=A0Marlon Schumacher=C2=A0=E2=80=93 Institute for Musi= c informatics and Musicology Karlsruhe</li><li style=3D"margin-left:0in;color:black">D= emo Chair: Robert Hupke =E2=80=93 Sennheiser</li><li style=3D"margin-left:0in;color:bl= ack">Diversity Chair:=C2=A0Claudia Rinaldi=C2=A0=E2=80=93=C2=A0National Inter-University Cons= ortium for Telecommunications</li><li style=3D"margin-left:0in;color:black"= >Industry Liaison Chair:=C2=A0Jan D=C3=BCrre=C2=A0=E2=80=93 Sennheiser</li><li style=3D"margin-left:0in;= color:black">Communication Chair:=C2=A0Birgit Popp=C2=A0=E2=80=93 Fraunhofer Institute for In= tegrated Circuits IIS</li><li style=3D"margin-left:0in;color:black">Facilit= y Chair:=C2=A0Stefan Turo= wski=C2=A0=E2=80=93 International Audio Laboratories Erlangen, Unive= rsity of Erlangen-N=C3=BCrnberg</li><li style=3D"margin-left:0in;color:black">General = Chair:=C2=A0Luca Turchet<= /span>=C2=A0=E2=80=93 University of Trento</li></ul><= font size=3D"4">General ContactEnquiries can be addressed to=C2=A0<a hre= f=3D"mailto:conference-is2-2024@xxxxxxxx" rel=3D"noreferrer" target=3D"_blank= ">conference-is2-2024@xxxxxxxx</a></div><div>----------------------------= -------------------------------------------------------------</div><div><br= ></div><div>Luca Turchet, Ph.D.</div><div>Associate Professor</div><= div> </div><div>Head of the <a href=3D"https://www.cimil.disi.unitn.it/"= target=3D"_blank">Creative, Intelligent & M= ultisensory Interactions Laboratory</a></div><div> </div><div= ><div>Chair of the <a href=3D"https://www.co= msoc.org/about/committees/emerging-technologies-initiatives/internet-of-sou= nds" target=3D"_blank">IEEE Emerging Technology = Initiative on the Internet of Sounds</a></div></div><div style= =3D"color:rgb(34,34,34)"> </div><div>Founder and President of the= <a href=3D"https://www.internetofsounds.net/" target=3D"_blank">Internet of Sounds Research Network</a></div><d= iv> </div><div><div>Department of Information Engineering and Computer S= cience</div><div>University of Trento</div><div>Via Sommarive 9 - 38123 Tre= nto - Italy</div><div> </div><div>E-mail:=C2=A0<a href=3D"mailto:luca.tu= rchet@xxxxxxxx" target=3D"_blank">luca.turchet@xxxxxxxx= n.it</a></div><div>Tel: +39 0461 283792</div></div><div> </div></= div></div></div></div></div></div></div> --000000000000052a050616237e26--

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