Subject: [AUDITORY] JNMR Special Issue on Technoscientific Practices of Music; Critical Implications of New Technologies From: =?utf-8?Q?Koray_Tahiro=C4=9Flu?= <koray.tahiroglu@xxxxxxxx> Date: Mon, 9 Oct 2023 09:42:34 +0200--Apple-Mail=_06BF5971-E9B9-4A95-BDC7-8DED11209C76 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=utf-8 Dear all, (sorry for cross-posting) Call for Submissions for the Special Issue of Journal of New Music = Research on Technoscientific Practices of Music; Critical Implications = of New Technologies=20 Guest Editors: Koray Tahiro=C4=9Flu (Aalto University, Finland) Lonce Wyse (University of Pompeu Fabra, Spain) Submission Deadline: 15th June, 2024 Expected publication of issue: December 2024 Technoscientific practices in music emphasise the importance of the use = of technology and scientific methods in the creation, production, and = analysis of music. In addition to technical and scientific = considerations, technoscientific approaches to music also take into = account the social and cultural conditions that influence the = development, implementation, and use of music technology, which result = in a wide range of research that looks at the desirable outcome of human = technology relationship / interaction and how it can be used to create = more meaningful and impactful music experiences. Given the complex and ever-evolving nature of the music technology = research field, it is vital that music practitioners are able to = recognise both the technical and cultural aspects with the knowledge and = understanding to navigate and address various ethical, economic, social, = and environmental implications that arise with the use of technology in = music today. In doing so, practitioners can ensure that the technology = is ethically sound, that it fosters inclusive and equitable human = connections, and that it has a positive impact on the environment. In = line with this vision, the primary objective of this special journal = issue is to explore a range of critical approaches within the realm of = technoscientific practices in music. Our focus lies in prioritising and = elevating the importance of accessibility, sustainability, human and = non-human interaction, the requirements and viewpoints of musical = communities and the general public, as well as ethical considerations. We invite submissions that deepen and broaden the ongoing interest in = the development and practices of music technologies that support and = empower people, promote artistic expression, and contribute to a more = diverse and inclusive musical culture. The compilation of articles in = this special issue grows out from questions, concerns, and topics that = emerged during the open-public symposium held on November 11, 2022, in = Helsinki (http://dmi.aalto.fi/symposium22/). Topics of interest of the special issue include, but are not limited to: Technology as musical cultural production Musical publics - new perspectives of music communities Human-machine agency in music productions Rematerialising music performances Bias and generality in music applications Cultural practices for sustainable music technologies Human and material intentionality in digital musical instruments Mutual incorporation - humans, agents and technologies Reconceptualising data as an interface Accessibility and cultural evolution in music practice Listening strategies in machine vs human music Environmental impact of technology for music Manuscripts: Prepare your manuscript following the JNMR's standard formatting = guidelines. Manuscripts should be between 6,000 and 9,000 words, including = references, tables, and figures. Online Submission: Submit your manuscript electronically through the journal's online = submission system, ScholarOne Manuscripts. When submitting your paper, please select the "special issue" category = to ensure it is considered for this Special Issue. Peer Review Process: All submitted manuscripts will undergo a peer-review process. Peer review will take place between June and August 2024, and authors = will receive feedback and decisions during this period. Author Guidelines: = https://www.tandfonline.com/action/authorSubmission?show=3Dinstructions&jo= urnalCode=3Dnnmr20 Best, Koray ------------------------------------- M.Koray Tahiro=C4=9Flu Department of Art and Media, Aalto University School of Arts, Design and Architecture http://sopi.aalto.fi/ http://dmi.aalto.fi/ http://dmi.aalto.fi/koraytahiroglu/ tel. +358 50 4088441 --Apple-Mail=_06BF5971-E9B9-4A95-BDC7-8DED11209C76 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=utf-8 <html><head><meta http-equiv=3D"content-type" content=3D"text/html; = charset=3Dutf-8"></head><body style=3D"overflow-wrap: break-word; = -webkit-nbsp-mode: space; line-break: after-white-space;"><div>Dear = all,</div><div><br></div><div>(sorry for = cross-posting)</div><div><br></div><div><br></div><div>Call for = Submissions for the Special Issue of Journal of New Music Research on = Technoscientific Practices of Music; Critical Implications of New = Technologies </div><div><br></div><div><br></div><div>Guest = Editors:</div><div>Koray Tahiro=C4=9Flu (Aalto University, = Finland)</div><div>Lonce Wyse (University of Pompeu Fabra, = Spain)</div><div><br></div><div><br></div><div>Submission Deadline: 15th = June, 2024</div><div>Expected publication of issue: December = 2024</div><div><br></div><div><br></div><div>Technoscientific practices = in music emphasise the importance of the use of technology and = scientific methods in the creation, production, and analysis of music. = In addition to technical and scientific considerations, technoscientific = approaches to music also take into account the social and cultural = conditions that influence the development, implementation, and use of = music technology, which result in a wide range of research that looks at = the desirable outcome of human technology relationship / interaction and = how it can be used to create more meaningful and impactful music = experiences.</div><div><br></div><div>Given the complex and = ever-evolving nature of the music technology research field, it is vital = that music practitioners are able to recognise both the technical and = cultural aspects with the knowledge and understanding to navigate and = address various ethical, economic, social, and environmental = implications that arise with the use of technology in music today. In = doing so, practitioners can ensure that the technology is ethically = sound, that it fosters inclusive and equitable human connections, and = that it has a positive impact on the environment. In line with this = vision, the primary objective of this special journal issue is to = explore a range of critical approaches within the realm of = technoscientific practices in music. Our focus lies in prioritising and = elevating the importance of accessibility, sustainability, human and = non-human interaction, the requirements and viewpoints of musical = communities and the general public, as well as ethical = considerations.</div><div><br></div><div>We invite submissions that = deepen and broaden the ongoing interest in the development and practices = of music technologies that support and empower people, promote artistic = expression, and contribute to a more diverse and inclusive musical = culture. The compilation of articles in this special issue grows out = from questions, concerns, and topics that emerged during the open-public = symposium held on November 11, 2022, in Helsinki (<a = href=3D"http://dmi.aalto.fi/symposium22/">http://dmi.aalto.fi/symposium22/= </a>).</div><div><br></div><div><br></div><div>Topics of interest of the = special issue include, but are not limited = to:</div><div><br></div><div><ul class=3D"MailOutline"><li>Technology as = musical cultural production</li><li>Musical publics - new perspectives = of music communities</li><li>Human-machine agency in music = productions</li><li>Rematerialising music performances</li><li>Bias and = generality in music applications</li><li>Cultural practices for = sustainable music technologies</li><li>Human and material intentionality = in digital musical instruments</li><li>Mutual incorporation - humans, = agents and technologies</li><li>Reconceptualising data as an = interface</li><li>Accessibility and cultural evolution in music = practice</li><li>Listening strategies in machine vs human = music</li><li>Environmental impact of technology for = music</li></ul></div><div><br></div><div><br></div><div><br></div><div>Man= uscripts:</div><div><ul class=3D"MailOutline"><li>Prepare your = manuscript following the JNMR's standard formatting = guidelines.</li><li>Manuscripts should be between 6,000 and 9,000 words, = including references, tables, and = figures.</li></ul></div><div><br></div><div><br></div><div>Online = Submission:</div><div><ul class=3D"MailOutline"><li>Submit your = manuscript electronically through the journal's online submission = system, ScholarOne Manuscripts.</li><li>When submitting your paper, = please select the "special issue" category to ensure it is considered = for this Special = Issue.</li></ul></div><div><br></div><div><br></div><div>Peer Review = Process:</div><div><ul class=3D"MailOutline"><li>All submitted = manuscripts will undergo a peer-review process.</li><li>Peer review will = take place between June and August 2024, and authors will receive = feedback and decisions during this = period.</li></ul></div><div><br></div><div>Author = Guidelines:</div><div><a = href=3D"https://www.tandfonline.com/action/authorSubmission?show=3Dinstruc= tions&journalCode=3Dnnmr20">https://www.tandfonline.com/action/authorS= ubmission?show=3Dinstructions&journalCode=3Dnnmr20</a></div><div><br><= /div><div><br></div><div>Best,</div>Koray<div><br></div><div><br></div><di= v>-------------------------------------<br><div><div>M.Koray = Tahiro=C4=9Flu<br>Department of Art and Media,<br>Aalto = University<br>School of Arts, Design and = Architecture<br>http://sopi.aalto.fi/<br>http://dmi.aalto.fi/<br>http://dm= i.aalto.fi/koraytahiroglu/<br>tel. +358 50 4088441</div> </div> <br></div></body></html>= --Apple-Mail=_06BF5971-E9B9-4A95-BDC7-8DED11209C76--