Subject: [AUDITORY] Special session on "Sound quality and design" during Forum Acusticum 2023 in Torino / Deadline postponed to February 15th / From: Patrick Susini <Patrick.Susini@xxxxxxxx> Date: Thu, 2 Feb 2023 14:05:29 +0100--Apple-Mail=_BDDF679F-8E3D-497E-8C4A-DB3AF4C326C2 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=utf-8 Dear Colleagues=20 The 10th Convention of the European Acoustics Association, Forum = Acusticum 2023, will be held in presence in Torino (Italy), from = September 11 to 15, 2023. =20 The deadline has been extend to the 15th of February that lets you two = more weeks to submit an abstract to the Sound quality and design (A18) = session organized by Laura Rossi / Doriana Dal Pal=C3=B9 / Patrick = Susini.=20 We encourage you to submit an abstract to one of the following 4 = sub-sessions: Sub-session#1: Sound design in Arts/Movies (A18-01)=20 Organizers: Sandra Pauletto / Patrick Susini=20 This session aims to broaden the scope of applications often associated = with sound design, such as sound design for industrial products, to = applications that have historically developed in the fields of theatre, = cinema and sonic art. We would like to invite academic experts in these = fields to present the ideas that have emerged in connection with the = practices and the issues specific to these fields, or to talk about a = specific project in terms of sound creation.=20 Sub-session#2: =46rom brief to evaluation in the sound design process = (A18-02) Session Organizers: Stefano Delle Monache / Patrick Susini This session aims to draw attention on the study of and research into = the process of designing sound. Regardless of the application field, = sound design is either presented as a process naturally or ideally = embodied in an overall design process, or as a peculiar iterative = process of sound creation and evaluation with its own rules and = dynamics. The session welcomes submissions focused on the processual = aspects of designing sound, especially from the real-world practice and = listening perspectives. Topics include but are not limited to tools and = methods in project development, sketching and prototyping, user = engagement and participatory approaches, co-design and communication = with peers and stakeholders, evaluation practices. Sub-session#3:Sound design/quality in industrial products (A18-03) Session Organizers: Nicolas Misdariis / Laura Rossi=20 Sound design in industrial design, or said differently product sound = design, can be seen as product design with a particular attention to = sound. Seminal works have contributed to formalize this domain as an =C2=AB= interdisciplinary approach =C2=BB involving acoustics, engineering and = psychology =E2=80=93 to mention only the main disciplines. These same = works, and others, also postulate that product sound design is mainly = motivated by aspects of comfort, functionality and ergonomics or aims to = serve hedonic values, in order to improve the global user experience, at = the end. This session aims to bring together recent research, current = applications or upcoming projects in order to collectively update our = knowledge and references in that domain still in evolution, and to open = the debate on the role of sound in industrial artefacts, and by the same = token, in our everyday life. Sub-session#4: Sound for care and emotions (A18-04) Session Organizers: Elif Ozcan / Doriana Dal Pal=C3=B9=20 Listening to objects, events and soundscapes is a complex experience = that requires perceptual, cognitive and emotional processes and the = result of which depends on the context of listening and sound-induced = action. In this session, we intend to focus on the themes of = =E2=80=9Cemotion=E2=80=9D and/or =E2=80=9Ccare context=E2=80=9D to = extend our understanding of daily interactions with or via sounds. By = doing so, we take a human-centered approach and aim to establish what = sound-driven design can offer to improve daily listening experiences. =20 Papers can be submitted for oral (a 20-minute time slot is allotted) or = poster presentation through the Forum Acusticum 2023 website, = https://www.fa2023.org <https://www.fa2023.org/>. =20 Submission deadline for abstracts is February 15, 2023, while papers = need to be submitted by April 30, 2023. The abstract is 200-words long = and authors can submit either a short paper from 2 to 4 pages or a long = paper of max. 8 pages. All the papers will undergo a peer review = process. =20 Thank you in advance for your kind consideration, and if you have any = questions do not hesitate to contact us. We look forward to seeing you = in Torino! =20 Sincerely, Doriana Dal Pal=C3=B9, Stefano Delle Monache, Nicolas Misdariis,=20 Elif =C3=96zcan, Sandra Pauletto, Laura Rossi, Patrick Susini=20 --Apple-Mail=_BDDF679F-8E3D-497E-8C4A-DB3AF4C326C2 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=utf-8 <html><head><meta http-equiv=3D"Content-Type" content=3D"text/html; = charset=3Dutf-8"></head><body style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; line-break: after-white-space;" class=3D""><div = id=3D"divtagdefaultwrapper" dir=3D"ltr" style=3D"font-size: 12pt; = font-family: Calibri, Helvetica, sans-serif;" class=3D""><div = style=3D"font-family: Calibri, Helvetica, sans-serif, serif, EmojiFont;" = class=3D""><font style=3D"font-family: AvenirNext-Regular, serif, = EmojiFont;" class=3D"">Dear Colleagues </font></div><div = style=3D"font-family: Calibri, Helvetica, sans-serif, serif, EmojiFont;" = class=3D""><font style=3D"font-family: AvenirNext-Regular, serif, = EmojiFont;" class=3D""><br class=3D""></font></div><div = style=3D"font-family: Calibri, Helvetica, sans-serif, serif, EmojiFont;" = class=3D""><font style=3D"font-family: AvenirNext-Regular, serif, = EmojiFont;" class=3D"">The 10th Convention of the = European Acoustics Association, Forum Acusticum 2023, will be held = in presence in <b class=3D"">Torino (Italy), from = September 11 to 15, 2023.</b></font></div><div style=3D"font-family: = Calibri, Helvetica, sans-serif, serif, EmojiFont;" class=3D""><font = style=3D"font-family: AvenirNext-Regular, serif, EmojiFont;" = class=3D""> </font></div><div style=3D"font-family: Calibri, = Helvetica, sans-serif, serif, EmojiFont;" class=3D""><font = style=3D"font-family: AvenirNext-Regular, serif, EmojiFont;" class=3D""><b= class=3D"">The deadline has been extend to the 15th of = February</b> that lets you two more weeks to submit an abstract to = the <b class=3D"">Sound quality and design</b> (A18) session = organized by Laura Rossi / Doriana Dal Pal=C3=B9 / Patrick = Susini. </font></div><div style=3D"font-family: Calibri, Helvetica, = sans-serif, serif, EmojiFont;" class=3D""><font style=3D"font-family: = AvenirNext-Regular, serif, EmojiFont;" class=3D""><br = class=3D""></font></div><div style=3D"font-family: Calibri, Helvetica, = sans-serif, serif, EmojiFont;" class=3D""><font style=3D"font-family: = AvenirNext-Regular, serif, EmojiFont;" class=3D"">We encourage you = to submit an abstract to one of the following 4 = sub-sessions:</font></div><div style=3D"font-family: Calibri, Helvetica, = sans-serif, serif, EmojiFont;" class=3D""><font style=3D"font-family: = AvenirNext-Regular, serif, EmojiFont;" class=3D""><br = class=3D"">Sub-session#1: <b class=3D"">Sound design in = Arts/Movies </b>(A18-01) </font></div><div style=3D"font-family:= Calibri, Helvetica, sans-serif, serif, EmojiFont;" class=3D""><font = style=3D"font-family: AvenirNext-Regular, serif, EmojiFont;" = class=3D"">Organizers: Sandra Pauletto / Patrick = Susini </font></div><div style=3D"font-family: Calibri, Helvetica, = sans-serif, serif, EmojiFont;" class=3D""><font style=3D"font-family: = AvenirNext-Regular, serif, EmojiFont;" class=3D""><br = class=3D""></font></div><div style=3D"font-family: Calibri, Helvetica, = sans-serif, serif, EmojiFont;" class=3D""><font style=3D"font-family: = AvenirNext-Regular, serif, EmojiFont;" class=3D""><i class=3D"">This = session aims to broaden the scope of applications often associated with = sound design, such as sound design for industrial products, to = applications that have historically developed in the fields of = theatre, cinema and sonic art. We would like to invite academic experts = in these fields to present the ideas that have emerged in = connection with the practices and the issues specific to these fields, = or to talk about a specific project in terms of sound = creation. </i><i class=3D""><br class=3D""></i></font></div><div = style=3D"font-family: Calibri, Helvetica, sans-serif, serif, EmojiFont;" = class=3D""><font style=3D"font-family: AvenirNext-Regular, serif, = EmojiFont;" class=3D""><b class=3D""><br class=3D""></b></font></div><div = style=3D"font-family: Calibri, Helvetica, sans-serif, serif, EmojiFont;" = class=3D""><font style=3D"font-family: AvenirNext-Regular, serif, = EmojiFont;" class=3D"">Sub-session#2: <b class=3D"">=46rom brief to = evaluation in the sound design process </b>(A18-02)<b = class=3D""></b></font></div><div style=3D"font-family: Calibri, = Helvetica, sans-serif, serif, EmojiFont;" class=3D""><font = style=3D"font-family: AvenirNext-Regular, serif, EmojiFont;" = class=3D"">Session Organizers: Stefano Delle Monache = / Patrick Susini</font></div><div style=3D"font-family: Calibri, = Helvetica, sans-serif, serif, EmojiFont;" class=3D""><font = style=3D"font-family: AvenirNext-Regular, serif, EmojiFont;" = class=3D""><br class=3D""></font></div><div style=3D"font-family: = Calibri, Helvetica, sans-serif, serif, EmojiFont;" class=3D""><font = style=3D"font-family: AvenirNext-Regular, serif, EmojiFont;" class=3D""><i= class=3D"">This session aims to draw attention on the study of and = research into the process of designing sound. Regardless of the = application field, sound design is either presented as a process = naturally or ideally embodied in an overall design process, or as a = peculiar iterative process of sound creation and evaluation with its own = rules and dynamics. The session welcomes submissions focused on the = processual aspects of designing sound, especially from the real-world = practice and listening perspectives. Topics include but are not limited = to tools and methods in project development, sketching and prototyping, = user engagement and participatory approaches, co-design and = communication with peers and stakeholders, evaluation = practices.</i></font></div><div style=3D"font-family: Calibri, = Helvetica, sans-serif, serif, EmojiFont;" class=3D""><font = style=3D"font-family: AvenirNext-Regular, serif, EmojiFont;" class=3D""><b= class=3D""><br class=3D""></b></font></div><div style=3D"font-family: = Calibri, Helvetica, sans-serif, serif, EmojiFont;" class=3D""><font = style=3D"font-family: AvenirNext-Regular, serif, EmojiFont;" = class=3D"">Sub-session#3:<b class=3D"">Sound design/quality in = industrial products </b>(A18-03)</font></div><div = style=3D"font-family: Calibri, Helvetica, sans-serif, serif, EmojiFont;" = class=3D""><font style=3D"font-family: AvenirNext-Regular, serif, = EmojiFont;" class=3D"">Session Organizers: Nicolas Misdariis = / Laura Rossi <br class=3D""></font></div><div = style=3D"font-family: Calibri, Helvetica, sans-serif, serif, EmojiFont;" = class=3D""><font style=3D"font-family: AvenirNext-Regular, serif, = EmojiFont;" class=3D""><b class=3D""><br class=3D""></b></font></div><div = style=3D"margin-top: 0px; margin-bottom: 0px;" class=3D""><font = style=3D"font-family: AvenirNext-Regular, serif, EmojiFont;" class=3D""><i= class=3D"">Sound design in industrial design, or said differently = product sound design, can be seen as product design with = a particular attention to sound. Seminal works have contributed to = formalize this domain as an =C2=AB interdisciplinary approach =C2=BB = involving acoustics, engineering and psychology =E2=80=93 to = mention only the main disciplines. These same works, and others, = also postulate that product sound design is mainly motivated by = aspects of comfort, functionality and ergonomics or aims to serve = hedonic values, in order to improve the global user experience, at the = end. This session aims to bring together recent research, current = applications or upcoming projects in order to collectively update = our knowledge and references in that domain still in evolution, and to = open the debate on the role of sound in industrial artefacts, and = by the same token, in our everyday life.</i></font><br = style=3D"font-family: Calibri, Helvetica, sans-serif, serif, EmojiFont;" = class=3D""></div><div style=3D"font-family: Calibri, Helvetica, = sans-serif, serif, EmojiFont;" class=3D""><font style=3D"font-family: = AvenirNext-Regular, serif, EmojiFont;" class=3D""><br = class=3D""></font></div><div style=3D"font-family: Calibri, Helvetica, = sans-serif, serif, EmojiFont;" class=3D""><font style=3D"font-family: = AvenirNext-Regular, serif, EmojiFont;" class=3D"">Sub-session#4: <b = class=3D"">Sound for care and emotions </b>(A18-04)<b = class=3D""></b><div class=3D"">Session Organizers: Elif Ozcan = / Doriana Dal Pal=C3=B9 </div><div class=3D""><br = class=3D""></div><div class=3D""><i class=3D"">Listening to objects, = events and soundscapes is a complex experience that requires = perceptual, cognitive and emotional processes and the result = of which depends on the context of listening = and sound-induced action. In this session, we intend to focus = on the themes of =E2=80=9Cemotion=E2=80=9D = and/or =E2=80=9Ccare context=E2=80=9D to extend our = understanding of daily interactions with or via sounds. By doing = so, we take a human-centered approach and aim to = establish what sound-driven design can offer to improve = daily listening experiences.</i><br class=3D""> </div><div = class=3D"">Papers can be submitted for oral (a 20-minute time slot = is allotted) or poster presentation through the Forum Acusticum = 2023 website, <a href=3D"https://www.fa2023.org/" = target=3D"_blank" rel=3D"noopener noreferrer" = class=3D"">https://www.fa2023.org</a>.<br class=3D""> <br = class=3D"">Submission deadline for abstracts is <b = class=3D"">February 15, 2023</b>, while papers need to be = submitted by <b class=3D"">April 30, 2023</b>. The abstract is = 200-words long and authors can submit either a short paper from 2 = to 4 pages or a long paper of max. 8 pages. <b = class=3D"">All the papers will undergo a peer review process.</b><br = class=3D""> <br class=3D"">Thank you in advance for your kind = consideration, and if you have any questions do not hesitate = to contact us. We look forward to seeing you in Torino!<br = class=3D""> <br class=3D"">Sincerely,<br class=3D"">Doriana Dal = Pal=C3=B9, Stefano Delle Monache, Nicolas = Misdariis, </div></font></div><div style=3D"font-family: Calibri, = Helvetica, sans-serif, serif, EmojiFont;" class=3D""><font = style=3D"font-family: AvenirNext-Regular, serif, EmojiFont;" = class=3D"">Elif =C3=96zcan, </font><font style=3D"font-family: = AvenirNext-Regular, serif, EmojiFont;" class=3D"">Sandra Pauletto, Laura = Rossi, Patrick Susini</font> </div></div><br class=3D""><div = style=3D"font-family: AvenirNext-Regular;" class=3D""><div = id=3D"divtagdefaultwrapper" dir=3D"ltr" style=3D"font-size: 12pt; = font-family: Calibri, Helvetica, sans-serif;" class=3D""><br = class=3D""><br class=3D""><div class=3D""><br = class=3D""></div></div></div></body></html>= --Apple-Mail=_BDDF679F-8E3D-497E-8C4A-DB3AF4C326C2--