[AUDITORY] Frontiers Research Topic on =?utf-8?Q?=E2=80=9CNew_Ideas_in_Performance_Science=E2=80=9D?= ("Niels Chr. Hansen" )

Subject: [AUDITORY] Frontiers Research Topic on =?utf-8?Q?=E2=80=9CNew_Ideas_in_Performance_Science=E2=80=9D?= From: "Niels Chr. Hansen" <ni3lschrhansen@xxxxxxxx> Date: Fri, 26 Aug 2022 22:02:58 +0200 This is a multipart message in MIME format. ------=_NextPart_000_0146_01D8B997.9AFD6E50 Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: quoted-printable Manuscript submission is now open for a new article collection for = Frontiers in Psychology (IF: 4.232;=E2=80=AFCiteScore: 4.0), titled = =E2=80=9CNew Ideas in Performance Science.=E2=80=9D =20 The aim of this Research Topic is to bring together quality articles = from researchers working in all basic and applied areas of Performance = Science, including the performing arts (e.g., music, dance, theatre), = sport and exercise, health sciences, educational sciences, and = organizational/work contexts. This will provide a topical and up-to-date = compendium of forward-looking contributions that shed light on recent = progress and remaining challenges ahead. Articles will focus on a wide = range of phenomena, participants, and contexts, from = individuals=E2=80=99 cognitive functions and emotions to embodied = interpersonal interactions; from solitary preparation to public = performance and audience engagement; from one acting individual to an = interacting dyad, an ensemble, or an entire profession; from a complete = novice practitioner to a specialized world-leading expert.=20 =20 All research will be published Open Access, and the editorial team = welcomes any of the article types allowed for Frontiers in Psychology.=20 =20 On behalf of the editorial team, we would like to include paper from = subscribers to the AUDITORY list in this collection =E2=80=93 as we = firmly believe a contribution from you and your colleagues would greatly = benefit our Research Topic and the ongoing conversation in the field of = Performance Science. You can find out more about the Research Topic via = its homepage: = <https://www.frontiersin.org/research-topics/40062/new-ideas-in-performan= ce-science> = https://www.frontiersin.org/research-topics/40062/new-ideas-in-performanc= e-science=20 =20 Although abstract submissions are optional for this Research Topic, we = encourage you to submit an abstract (or short proposal of your = manuscript of max. 1000 words) by 5 Oct 2022 if you would like some = initial feedback on your manuscript=E2=80=99s suitability. The deadline = for full manuscript submissions is on 1 Feb 2023. The editorial team = would be happy to answer any questions you may have about these = deadlines. =20 We are looking forward to receiving your contribution or answering any = questions you might have.=E2=80=AF=E2=80=AF=20 =20 =20 On behalf of the Editorial Team:=20 =20 Vassilis Sevdalis,=20 Valentin Begel, &=20 Niels Chr. Hansen =20 =20 Niels Chr. Hansen (PhD, MSc, MMus, BA)=20 Assistant Professor (AIAS-COFUND II Marie Sk=C5=82odowska-Curie Fellow) Aarhus Institute of Advanced Studies & Center for Music in the Brain, = Aarhus University, Denmark Editor, Empirical Musicology Review <https://emusicology.org/>=20 General Secretary, European Society for the Cognitive Sciences of Music = (ESCOM <https://www.escomsociety.org/> ) <mailto:nchansen@xxxxxxxx> nchansen@xxxxxxxx | ph. +45 25338833 ------=_NextPart_000_0146_01D8B997.9AFD6E50 Content-Type: text/html; charset="utf-8" Content-Transfer-Encoding: quoted-printable <META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; = charset=3Dutf-8"> <html xmlns:v=3D"urn:schemas-microsoft-com:vml" = xmlns:o=3D"urn:schemas-microsoft-com:office:office" = xmlns:w=3D"urn:schemas-microsoft-com:office:word" = xmlns:m=3D"http://schemas.microsoft.com/office/2004/12/omml" = xmlns=3D"http://www.w3.org/TR/REC-html40"><head><meta name=3DGenerator = content=3D"Microsoft Word 15 (filtered medium)"><style></style></head><body lang=3DDA = link=3D"#0563C1" vlink=3D"#954F72"><div class=3DWordSection1>Man= uscript submission is now open for a new article collection for = Frontiers in Psychology (IF: 4.232;=E2=80=AFCiteScore: 4.0), = titled =E2=80=9CNew Ideas in Performance = Science.=E2=80=9D<o:p></o:p><o:p> </o:p>The= aim of this Research Topic is to bring together quality articles from = researchers working in all basic and applied areas of Performance = Science, including the performing arts (e.g., music, dance, theatre), = sport and exercise, health sciences, educational sciences, and = organizational/work contexts. This will provide a topical and up-to-date = compendium of forward-looking contributions that shed light on recent = progress and remaining challenges ahead. Articles will focus on a wide = range of phenomena, participants, and contexts, from = individuals=E2=80=99 cognitive functions and emotions to embodied = interpersonal interactions; from solitary preparation to public = performance and audience engagement; from one acting individual to an = interacting dyad, an ensemble, or an entire profession; from a complete = novice practitioner to a specialized world-leading expert. <o:p></o:p>&nb= sp;<o:p></o:p>All= research will be published Open Access, and the editorial team = welcomes any of the article types allowed for Frontiers in = Psychology. <o:p></o:p><o:= p> </o:p>On = behalf of the editorial team, we would like to include paper from = subscribers to the AUDITORY list in this collection =E2=80=93 as we = firmly believe a contribution from you and your colleagues would greatly = benefit our Research Topic and the ongoing conversation in the field of = Performance Science. = You can find out more about the Research Topic via its = homepage: <a = href=3D"https://www.frontiersin.org/research-topics/40062/new-ideas-in-pe= rformance-science" target=3D"_blank">https://www.fro= ntiersin.org/research-topics/40062/new-ideas-in-performance-science</span= ></a> <o:p></o:p><o:= p> </o:p>Alt= hough abstract submissions are optional for this Research Topic, we = encourage you to submit an abstract (or short proposal of your = manuscript of max. 1000 words) by 5 Oct 2022 if you would like = some initial feedback on your manuscript=E2=80=99s suitability. The = deadline for full manuscript submissions is on 1 Feb 2023. The = editorial team would be happy to answer any questions you may have about = these deadlines.<o:p></o:p> <o:p></o:p>We = are looking forward to receiving your contribution or answering any = questions you might have.=E2=80=AF=E2=80=AF <o:p></o:p> <o:p></o:p><o:p> </o:p>On = behalf of the Editorial Team: <o:p></o:p><o:= p> </o:p>Vas= silis Sevdalis, <o:p></o:p>Val= entin Begel, & <o:p></o:p>Nie= ls Chr. Hansen<o:p></o:p><o:p> </o:p><o:p> </o:p>Niels Chr. Hansen = (PhD, MSc, MMus, BA) <o:p></o:p>Assistant Professor = (AIAS-COFUND II Marie Sk=C5=82odowska-Curie = Fellow)<o:p></o:p>Aarhus Institute of = Advanced Studies & Center for Music in the Brain, Aarhus University, = Denmark<o:p></o:p>Editor, <a = href=3D"https://emusicology.org/">Empirical Musicology = Review</a><o:p></o:p>General Secretary, = European Society for the Cognitive Sciences of Music (<a = href=3D"https://www.escomsociety.org/">ESCOM</a>)<o:p></o:p><p= class=3DMsoNormal><a = href=3D"mailto:nchansen@xxxxxxxx">nchansen@xxxxxxxx</a> | ph. +45 = 25338833<o:p></o:p></div></body></html> ------=_NextPart_000_0146_01D8B997.9AFD6E50--

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