[AUDITORY] Call for abstracts on aural diversity (Bill Davies )

Subject: [AUDITORY] Call for abstracts on aural diversity From: Bill Davies <00000193a08a7512-dmarc-request@xxxxxxxx> Date: Fri, 18 Feb 2022 15:55:46 +0000 --_000_DU2PR01MB8077A2B57C6C7866AAC67737D2379DU2PR01MB8077eurp_ Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable Dear Colleagues, I'm very pleased to announce details for the third workshop in our Aural Di= versity Network<https://auraldiversity.org/network.html>. This will be led = by me on 26 and 27 May 2022. Like the previous two workshops<https://aurald= iversity.org/workshops.html>, this one will be online. This message invites= you to consider contributing a paper for the workshop. Call for Papers<https://auraldiversity.org/workshop3.html> Up to now, the acoustic design of almost everything has assumed a typical l= istener with typical hearing. This includes the physical environment (homes= , workplaces, public space), products that make sound (transport, appliance= s, audio systems), and systems for broadcast and reproduction (TV, radio, g= ames). But about one in five people in the world has atypical hearing. They= tend either to be narrowly medicalised (e.g., hearing aids) or overlooked = (e.g., noise sensitivity). As the global population ages this proportion wi= ll increase. There is a pressing need to explore how acoustic design can im= prove accessibility for an aurally diverse population. What are the problem= s? How can the sounds of places, things and systems be reimagined? What new= design methods, case studies and information are needed? The Aural Diversity Network Workshop 3: Acoustics and Psychoacoustics will = examine the ways in which hearing differences might be better understood an= d accommodated in acoustic design, practice and research. The goal of the network is to bring together researchers and practitioners = to develop interdisciplinary approaches to understanding how people hear di= fferently. Whilst we hope to receive contributions from researchers and pra= ctitioners in acoustics and psychoacoustics given the focus of the workshop= , we also hope to receive submissions from those working across a broad ran= ge of disciplines such as architecture, planning, design, audio, music and = noise control engineering, music and performance arts, sound studies and so= undscape, transport, and speech. Submissions may consist of proposals for spoken papers, demonstrations, wor= kshops, or thematic symposia. Symposia are intended to include contribution= s from multiple geographical locations. Please note: due to the online format, poster presentations will not be sup= ported. Live captioning will be available throughout. British Sign Language= interpretation will be available on request at time of booking. A text-onl= y version of all presentations must be submitted in advance. Important dates: * 15 Feb 2022 Registration opens * 25 Mar 2022 Deadline for abstract submissions * 4 April 2022 Review outcomes * 10 May 2022 Final workshop programme * 20 May Deadline for submission of the text of your presentation * 26-27 May 2022 Workshop event (online) Submission guidelines for single paper or demonstration: * Structured abstract of max 300 words * Empirical studies: Background, Aims, Methods, Results, Conclusion and= Implications * Non-empirical studies: Background, Aims, Main Contribution, Conclusio= n and Implications * Demonstrations: Background, Aims, Main Contribution & Practical requi= rements. * Indication of topic, thematic highlight, and whether part of a sympos= ium Submission guidelines for symposia: * Structured abstract of max 300 words for symposium as a whole: Backgr= ound, Aims, Main contribution. * Overview of presentations including titles, authors, and selected hub= s. * Structured abstract for each contribution, following the guidelines f= or single submissions, submitted separately Your proposal must further include: * The title * The authors' names * Type of proposal (presentation, workshop, demonstration, symposium) * Your institutional affiliation(s) * The email address of the lead author * Where you are based nationally/internationally * What time zone you are in (-5 UTC Americas, +1UTC West-Europe, +4 UTC= East etc.) How to submit: Please submit your proposal via email to: info@xxxxxxxx= y.org<mailto:info@xxxxxxxx> Best regards, Bill Professor Bill Davies (he/him/his) Acoustics Research Centre | School of Science, Engineering & Environment w.davies@xxxxxxxx<mailto:w.davies@xxxxxxxx> | Google Scholar<http= s://eur01.safelinks.protection.outlook.com/?url=3Dhttps%3A%2F%2Fscholar.goo= gle.co.uk%2Fcitations%3Fuser%3DRPVF0EsAAAAJ%26hl%3Den&data=3D02%7C01%7CW.Da= vies%40salford.ac.uk%7C3949be5757754899b8af08d6b2b33835%7C65b52940f4b641bd8= 33d3033ecbcf6e1%7C0%7C0%7C636892880146544827&sdata=3DHTuYhtyCWjK3JyZIQnE1Hj= JWhIrTPPGB6%2B%2Bqxll29Ag%3D&reserved=3D0> | ResearchGate<https://eur01.saf= elinks.protection.outlook.com/?url=3Dhttps%3A%2F%2Fwww.researchgate.net%2Fp= rofile%2FWilliam_Davies8&data=3D02%7C01%7CW.Davies%40salford.ac.uk%7C3949be= 5757754899b8af08d6b2b33835%7C65b52940f4b641bd833d3033ecbcf6e1%7C0%7C0%7C636= 892880146554837&sdata=3Dr8x6h7UCqEAvuIKXqiO6CtgbNORuSAdtULnqZKOq4Y4%3D&rese= rved=3D0> | www.salford.ac.uk<http://www.salford.ac.uk/> Room 108, Newton Building, University of Salford, Salford M5 4WT t: +44 (0) 161 295 5986 --_000_DU2PR01MB8077A2B57C6C7866AAC67737D2379DU2PR01MB8077eurp_ Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable <html xmlns:v=3D"urn:schemas-microsoft-com:vml" xmlns:o=3D"urn:schemas-micr= osoft-com:office:office" xmlns:w=3D"urn:schemas-microsoft-com:office:word" = xmlns:m=3D"http://schemas.microsoft.com/office/2004/12/omml" xmlns=3D"http:= //www.w3.org/TR/REC-html40"> <head> <meta http-equiv=3D"Content-Type" content=3D"text/html; charset=3Dus-ascii"= > <meta name=3D"Generator" content=3D"Microsoft Word 15 (filtered medium)"> <style></style> </head> <body lang=3D"EN-GB" link=3D"#0563C1" vlink=3D"#954F72" style=3D"word-wrap:= break-word"> <div class=3D"WordSection1"> Dear Colleagues,<o:p></o:p> <o:p> </o:p> I’m very pleased to announce details for the t= hird workshop in our <a href=3D"https://auraldiversity.org/network.html">Aural Diversity Network= </a>. This will be led by me on 26 and 27 May 2022. Like the <a href=3D"https://auraldiversity.org/workshops.html">previous two workshop= s</a>, this one will be online. This message invites you to consider contri= buting a paper for the workshop.<o:p></o:p> <o:p> </o:p> <a href=3D"https://auraldiversity.org/workshop3.html= ">Call for Papers</a><o:p></o:p> <o:p> </o:p> Up to now, the acoustic design of almost everything = has assumed a typical listener with typical hearing. This includes the phys= ical environment (homes, workplaces, public space), products that make soun= d (transport, appliances, audio systems), and systems for broadcast and reproduction (TV, radio, games). But about o= ne in five people in the world has atypical hearing. They tend either to be= narrowly medicalised (e.g., hearing aids) or overlooked (e.g., noise sensi= tivity). As the global population ages this proportion will increase. There is a pressing need to explore ho= w acoustic design can improve accessibility for an aurally diverse populati= on. What are the problems? How can the sounds of places, things and systems= be reimagined? What new design methods, case studies and information are needed?<o:p></o:p> <o:p> </o:p> The Aural Diversity Network Workshop 3: Acoustics an= d Psychoacoustics will examine the ways in which hearing differences might = be better understood and accommodated in acoustic design, practice and rese= arch.<o:p></o:p> <o:p> </o:p> The goal of the network is to bring together researc= hers and practitioners to develop interdisciplinary approaches to understan= ding how people hear differently. Whilst we hope to receive contributions f= rom researchers and practitioners in acoustics and psychoacoustics given the focus of the workshop, we also = hope to receive submissions from those working across a broad range of disc= iplines such as architecture, planning, design, audio, music and noise cont= rol engineering, music and performance arts, sound studies and soundscape, transport, and speech.<o:p></o:p> <o:p> </o:p> Submissions may consist of proposals for spoken pape= rs, demonstrations, workshops, or thematic symposia. Symposia are intended = to include contributions from multiple geographical locations.<o:p></o:p></= p> <o:p> </o:p> Please note: due to the online format, poster presen= tations will not be supported. Live captioning will be available throughout= . British Sign Language interpretation will be available on request at time= of booking. A text-only version of all presentations must be submitted in advance.<o:p></o:p> <o:p> </o:p> Important dates:<o:p></o:p> <ul style=3D"margin-top:0cm" type=3D"disc"> <li class=3D"MsoListParagraph" style=3D"margin-left:0cm;mso-list:l2 level1 = lfo1">15 Feb 2022 Registration opens<o:p></o:p></li><li class=3D"MsoListPar= agraph" style=3D"margin-left:0cm;mso-list:l2 level1 lfo1">25 Mar 2022 Deadl= ine for abstract submissions<o:p></o:p></li><li class=3D"MsoListParagraph" = style=3D"margin-left:0cm;mso-list:l2 level1 lfo1">4 April 2022 Review outco= mes<o:p></o:p></li><li class=3D"MsoListParagraph" style=3D"margin-left:0cm;= mso-list:l2 level1 lfo1">10 May 2022 Final workshop programme<o:p></o:p></l= i><li class=3D"MsoListParagraph" style=3D"margin-left:0cm;mso-list:l2 level= 1 lfo1">20 May Deadline for submission of the text of your presentation<o:p= ></o:p></li><li class=3D"MsoListParagraph" style=3D"margin-left:0cm;mso-lis= t:l2 level1 lfo1">26-27 May 2022 Workshop event (online)<o:p></o:p></li></u= l> <o:p> </o:p> Submission guidelines for single paper or demonstrat= ion:<o:p></o:p> <ul style=3D"margin-top:0cm" type=3D"disc"> <li class=3D"MsoListParagraph" style=3D"margin-left:0cm;mso-list:l1 level1 = lfo2">Structured abstract of max 300 words<o:p></o:p></li><li class=3D"MsoL= istParagraph" style=3D"margin-left:0cm;mso-list:l1 level1 lfo2">Empirical s= tudies: Background, Aims, Methods, Results, Conclusion and Implications<o:p= ></o:p></li><li class=3D"MsoListParagraph" style=3D"margin-left:0cm;mso-lis= t:l1 level1 lfo2">Non-empirical studies: Background, Aims, Main Contributio= n, Conclusion and Implications<o:p></o:p></li><li class=3D"MsoListParagraph= " style=3D"margin-left:0cm;mso-list:l1 level1 lfo2">Demonstrations: Backgro= und, Aims, Main Contribution & Practical requirements.<o:p></o:p></li><= li class=3D"MsoListParagraph" style=3D"margin-left:0cm;mso-list:l1 level1 l= fo2">Indication of topic, thematic highlight, and whether part of a symposi= um<o:p></o:p></li></ul> <o:p> </o:p> Submission guidelines for symposia:<o:p></o:p> <ul style=3D"margin-top:0cm" type=3D"disc"> <li class=3D"MsoListParagraph" style=3D"margin-left:0cm;mso-list:l0 level1 = lfo3">Structured abstract of max 300 words for symposium as a whole: Backgr= ound, Aims, Main contribution.<o:p></o:p></li><li class=3D"MsoListParagraph= " style=3D"margin-left:0cm;mso-list:l0 level1 lfo3">Overview of presentatio= ns including titles, authors, and selected hubs.<o:p></o:p></li><li class= =3D"MsoListParagraph" style=3D"margin-left:0cm;mso-list:l0 level1 lfo3">Str= uctured abstract for each contribution, following the guidelines for single= submissions, submitted separately<o:p></o:p></li></ul> <o:p> </o:p> Your proposal must further include:<o:p></o:p> <ul style=3D"margin-top:0cm" type=3D"disc"> <li class=3D"MsoListParagraph" style=3D"margin-left:0cm;mso-list:l3 level1 = lfo4">The title<o:p></o:p></li><li class=3D"MsoListParagraph" style=3D"marg= in-left:0cm;mso-list:l3 level1 lfo4">The authors' names<o:p></o:p></li><li = class=3D"MsoListParagraph" style=3D"margin-left:0cm;mso-list:l3 level1 lfo4= ">Type of proposal (presentation, workshop, demonstration, symposium)<o:p><= /o:p></li><li class=3D"MsoListParagraph" style=3D"margin-left:0cm;mso-list:= l3 level1 lfo4">Your institutional affiliation(s)<o:p></o:p></li><li class= =3D"MsoListParagraph" style=3D"margin-left:0cm;mso-list:l3 level1 lfo4">The= email address of the lead author<o:p></o:p></li><li class=3D"MsoListParagr= aph" style=3D"margin-left:0cm;mso-list:l3 level1 lfo4">Where you are based = nationally/internationally<o:p></o:p></li><li class=3D"MsoListParagraph" st= yle=3D"margin-left:0cm;mso-list:l3 level1 lfo4">What time zone you are in (= -5 UTC Americas, +1UTC West-Europe, +4 UTC East etc.)<o:p></o:p></li></ul> <o:p> </o:p> How to submit: Please submit your proposal via email= to: <a href=3D"mailto:info@xxxxxxxx"> info@xxxxxxxx</a> <o:p></o:p> <o:p> </o:p> Best rega= rds,<o:p></o:p> <o:p>&nbs= p;</o:p> Bill<o:p>= </o:p>  <o:p></o:p> Professor Bill Davies<span= lang=3D"EN-US" style=3D"font-size:8.0pt;font-family:"Arial",sans= -serif;mso-fareast-language:EN-GB"> (he/him/his)<o:p></o:p> Acoustics Research Centre  |&nbsp= ; School of Science, Engineering & Environment<o:p></o:p> <a href=3D"mailto:w.davies@xxxxxxxx" tar= get=3D"_blank">w.davies@xxxxxxxx</a> | <a href=3D"https://eur= 01.safelinks.protection.outlook.com/?url=3Dhttps%3A%2F%2Fscholar.google.co.= uk%2Fcitations%3Fuser%3DRPVF0EsAAAAJ%26hl%3Den&data=3D02%7C01%7CW.Davie= s%40salford.ac.uk%7C3949be5757754899b8af08d6b2b33835%7C65b52940f4b641bd833d= 3033ecbcf6e1%7C0%7C0%7C636892880146544827&sdata=3DHTuYhtyCWjK3JyZIQnE1H= jJWhIrTPPGB6%2B%2Bqxll29Ag%3D&reserved=3D0">= Google Scholar</a> | <a href=3D"https://eur01.safeli= nks.protection.outlook.com/?url=3Dhttps%3A%2F%2Fwww.researchgate.net%2Fprof= ile%2FWilliam_Davies8&data=3D02%7C01%7CW.Davies%40salford.ac.uk%7C3949b= e5757754899b8af08d6b2b33835%7C65b52940f4b641bd833d3033ecbcf6e1%7C0%7C0%7C63= 6892880146554837&sdata=3Dr8x6h7UCqEAvuIKXqiO6CtgbNORuSAdtULnqZKOq4Y4%3D= &reserved=3D0">ResearchGate</a> |<= span lang=3D"EN-US" style=3D"font-size:8.0pt;font-family:"Arial",= sans-serif;color:black;mso-fareast-language:EN-GB"> <a href=3D"= http://www.salford.ac.uk/" target=3D"_blank">www.salford.ac.uk</a><s= pan style=3D"font-size:8.0pt;font-family:"Arial",sans-serif;color= :black;mso-fareast-language:EN-GB"><o:p></o:p> = Room 108, Newton Building, University of Salford, Salford  M5 4WT</spa= n><o:p></o:p> t: +44 (0) 161 295 5986<s><o:p></o:p></s> </div> </body> </html> --_000_DU2PR01MB8077A2B57C6C7866AAC67737D2379DU2PR01MB8077eurp_--

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