[AUDITORY] ANNOUNCEMENT: New issue of Journal of Sonic Studies now available (Vincent Meelberg )

Subject: [AUDITORY] ANNOUNCEMENT: New issue of Journal of Sonic Studies now available From: Vincent Meelberg <00000085e4d42aca-dmarc-request@xxxxxxxx> Date: Mon, 7 Jun 2021 12:55:56 +0200 --Apple-Mail=_EAF2E6BA-F90D-4EB5-9D7E-8E6113AA7CC9 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=utf-8 Journal of Sonic Studies 21 - Sound at Home 1: Territory, Materiality = and the Extension of Home The editorial team of The Journal of Sonic Studies (JSS) is happy and = proud to announce that JSS21 is online now. Please click here = <https://www.researchcatalogue.net/view/558606/558686> for the Table of = Contents and the links to all articles. JSS21 is edited by Mette = Simonsen Abildgaard, Marie Koldkj=C3=A6r H=C3=B8jlund and Sandra Lori = Petersen, and the papers and exhibitions in this issue question whether = the territory of the home is demarcated by its walls and floors or made = up of zones of sounds that might be designed. They question what happens = when the workplace is acoustically present in a kitchen as well as how = intimacy is distributed throughout the home, for example when private = conversations take place on a landline situated in the living room. As = we learn from the papers published here, sonic territoriality of the = home implies exploring and negotiating what makes up a home as well as = the possibility of stretching and rearranging the established order of = the home. When headphones are used to accompany the listener through the = city, they might be considered a component of a sonic shield of = familiarity, with COVID-19 making the notion of the home as a shield = especially poignant. When sound becomes transportable through electronic = devices, its materiality comes to the fore =E2=80=93 the handheld device = makes it (almost) tangible; when one=E2=80=99s work is building musical = instruments, working from home implies impactful changes in the sounds = at home. And when the online meeting platforms that COVID-19 has made us = integrate into our working lives filter and configure sound in a certain = way, sounds that we might not have noticed before suddenly become = remarkable. Table of Contents: ANTIVIRUS !Make some domestic noise! Track I on =E2=88=8F Node - Sarah = Brown and Valentina Vuksic Editorial - Sound at Home 1: Territory, Materiality and the Extension of = Home - Mette Simonsen Abildgaard, Marie Koldkj=C3=A6r H=C3=B8jlund and = Sandra Lori Petersen At Home in Montreal=E2=80=99s Quartier des Spectacles Festival = Neighborhood - Edda Bild, Daniel Steele, Catherine Guastavino Sounds of Another Home: Telepresence, COVID-19 and a Bioscience = Laboratory in Transition - Rebecca Carlson Acoustic Territories of the Body: Headphone Listening, Embodied Space, = and the Phenomenology of Sonic Homeliness - Jacob Kingsbury Downs Soundwalking Homes in Design Ethnography - Stine Schmieg Johansen and = Peter Axel Nielsen Fading Quietly - Nanna Hauge Kristensen Sound, Space, and the Home(less) - Kevin Toks=C3=B6z Fairbairn Echoes of Subjectivity: A Literary Acoustemology of the Home - Katharina = Schmidt Telephonic Territories. The Landline Phone As a =E2=80=9CPlace-Dependent=E2= =80=9D Sound Technology - Mette Simonsen Abildgaard=20 ANTIVIRUS !Make some domestic noise! Track II on =E2=88=8F Node - Sarah = Brown and Valentina Vuksic Vincent Meelberg = =E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2= =80=93=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80= =93=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80=93= Founding editor of the Journal of Sonic Studies - = http://www.sonicstudies.org <http://www.sonicstudies.org/> --Apple-Mail=_EAF2E6BA-F90D-4EB5-9D7E-8E6113AA7CC9 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=utf-8 <html><head><meta http-equiv=3D"Content-Type" content=3D"text/html; = charset=3Dutf-8"></head><body style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; line-break: after-white-space;" class=3D""><meta= http-equiv=3D"Content-Type" content=3D"text/html; charset=3Dutf-8" = class=3D""><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: = space; line-break: after-white-space;" class=3D""><meta = http-equiv=3D"Content-Type" content=3D"text/html; charset=3Dutf-8" = class=3D""><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: = space; line-break: after-white-space;" class=3D"">    <p class=3D"MsoNormal" = style=3D"margin-right:13.6pt;text-align:justify;line-height: 18.0pt;tab-stops:list 36.0pt"><b class=3D""><i class=3D""><span = lang=3D"EN-US" class=3D"">Journal of Sonic Studies </span></i></b><b = class=3D""><span lang=3D"EN-US" class=3D"">21 - </span>Sound at = Home 1: Territory, Materiality and the Extension of Home</b></p><p = class=3D"MsoNormal" = style=3D"margin-right:13.6pt;text-align:justify;tab-stops: list 36.0pt"><span lang=3D"EN-US" = style=3D"font-size:10.0pt;mso-ansi-language:EN-US" class=3D"">The editorial team of <i class=3D"">The Journal of Sonic Studies </i>(JSS) = is happy and proud to announce that JSS21 is online now. Please click </span><a = href=3D"https://www.researchcatalogue.net/view/558606/558686" = class=3D""><span lang=3D"EN-US" = style=3D"font-size:10.0pt;mso-ansi-language:EN-US" = class=3D"">here</span></a><span lang=3D"EN-US" = style=3D"font-size:10.0pt;mso-ansi-language:EN-US" class=3D""> for the = Table of  Contents and the links to all articles. JSS21 is edited by </span><span = style=3D"font-size:10.0pt;mso-bidi-font-weight:bold" class=3D"">Mette Simonsen Abildgaard, Marie Koldkj=C3=A6r H=C3=B8jlund and Sandra Lori = Petersen, and </span><span style=3D"font-size:10.0pt" class=3D"">the = papers and exhibitions in this issue question whether the territory of the home is demarcated by its walls and floors = or made up of zones of sounds that might be designed. They question what happens = when the workplace is acoustically present in a kitchen as well as how = intimacy is distributed throughout the home, for example when private conversations = take place on a landline situated in the living room. As we learn from the = papers published here, sonic territoriality of the home implies exploring and negotiating what makes up a home as well as the possibility of = stretching and rearranging the established order of the home. When headphones are used = to accompany the listener through the city, they might be considered a = component of a sonic shield of familiarity, with COVID-19 making the notion of the = home as a shield especially poignant. When sound becomes transportable = through electronic devices, its materiality comes to the fore =E2=80=93 the = handheld device makes it (almost) tangible; when one=E2=80=99s work is building musical = instruments, working from home implies impactful changes in the sounds at home. And when the = online meeting platforms that COVID-19 has made us integrate into our working = lives filter and configure sound in a certain way, sounds that we might not = have noticed before suddenly become remarkable.<o:p = class=3D""></o:p></span></p><p class=3D"MsoNormal" = style=3D"margin-right:13.6pt;text-align:justify;tab-stops: list 36.0pt"><font size=3D"2" class=3D"">Table of = Contents:</font></p><div class=3D"">ANTIVIRUS !Make some domestic = noise! Track I on =E2=88=8F Node - Sarah Brown and = Valentina Vuksic</div><div class=3D""><br class=3D""></div><div = class=3D"">Editorial - Sound at Home 1: Territory, Materiality and the = Extension of Home - Mette Simonsen Abildgaard, Marie Koldkj=C3=A6= r H=C3=B8jlund and Sandra Lori Petersen</div><div class=3D""><br = class=3D""></div><div class=3D"">At Home in Montreal=E2=80=99s Quartier = des Spectacles Festival Neighborhood - Edda Bild, Daniel Steele, = Catherine Guastavino</div><div class=3D""><br class=3D""></div><div = class=3D"">Sounds of Another Home: Telepresence, COVID-19 and a = Bioscience Laboratory in Transition = - Rebecca Carlson</div><div class=3D""><br class=3D""></div><div= class=3D"">Acoustic Territories of the Body: Headphone Listening, = Embodied Space, and the Phenomenology of Sonic Homeliness = - Jacob Kingsbury Downs</div><div class=3D""><br = class=3D""></div><div class=3D"">Soundwalking Homes in Design = Ethnography - Stine Schmieg Johansen and Peter Axel = Nielsen</div><div class=3D""><br class=3D""></div><div class=3D"">Fading = Quietly - Nanna Hauge Kristensen</div><div class=3D""><br = class=3D""></div><div class=3D"">Sound, Space, and the Home(less) = - Kevin Toks=C3=B6z Fairbairn</div><div class=3D""><br = class=3D""></div><div class=3D"">Echoes of Subjectivity: A Literary = Acoustemology of the Home - Katharina Schmidt</div><div = class=3D""><br class=3D""></div><div class=3D"">Telephonic = Territories. The Landline Phone As a =E2=80=9CPlace-Dependent=E2=80=9D= Sound Technology - Mette Simonsen Abildgaard </div><div = class=3D""><br class=3D""></div><div class=3D"">ANTIVIRUS !Make = some domestic noise! Track II on =E2=88=8F Node - Sarah = Brown and Valentina Vuksic</div><div class=3D""><br class=3D""></div><div = class=3D""><br class=3D""></div><div class=3D""><div dir=3D"auto" = style=3D"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); letter-spacing: = normal; text-align: start; text-indent: 0px; text-transform: none; = white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; = text-decoration: none; word-wrap: break-word; -webkit-nbsp-mode: space; = line-break: after-white-space;" class=3D""><div style=3D"color: rgb(0, = 0, 0); letter-spacing: normal; text-align: start; text-indent: 0px; = text-transform: none; white-space: normal; word-spacing: 0px; = -webkit-text-stroke-width: 0px; word-wrap: break-word; = -webkit-nbsp-mode: space; line-break: after-white-space;" class=3D""><div = style=3D"color: rgb(0, 0, 0); letter-spacing: normal; text-align: start; = text-indent: 0px; text-transform: none; white-space: normal; = word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: = break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" = class=3D""><div style=3D"orphans: 2; widows: 2; word-wrap: break-word; = -webkit-nbsp-mode: space; line-break: after-white-space;" = class=3D"">Vincent Meelberg</div><div style=3D"orphans: 2; widows: 2; = word-wrap: break-word; -webkit-nbsp-mode: space; line-break: = after-white-space;" class=3D""><span class=3D"Apple-style-span" = style=3D"border-collapse: separate; font-variant-ligatures: normal; = font-variant-position: normal; font-variant-numeric: normal; = font-variant-alternates: normal; font-variant-east-asian: normal; = line-height: normal; border-spacing: = 0px;">=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80= =93=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80=93= =E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2=80=93=E2= =80=93</span></div><div style=3D"orphans: 2; widows: 2; word-wrap: = break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" = class=3D"">Founding editor of the Journal of Sonic Studies - <a = href=3D"http://www.sonicstudies.org/" = class=3D"">http://www.sonicstudies.org</a><br = class=3D""></div></div></div></div> </div> <br class=3D""></div></div></body></html>= --Apple-Mail=_EAF2E6BA-F90D-4EB5-9D7E-8E6113AA7CC9--

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