Subject: [AUDITORY] 3 weeks to WASPAA 2021 deadline - IEEE Workshop on Applications of Signal Processing to Audio and Acoustics From: Jonathan Le Roux <Jonathan.Le-Roux@xxxxxxxx> Date: Wed, 7 Apr 2021 22:44:33 -0400--00000000000001d10d05bf6d08a3 Content-Type: text/plain; charset="UTF-8" Hi all, This is a friendly reminder that the WASPAA 2021 deadline is in 3 weeks, April 28 (AoE). Submission site will open soon. Paper kits and other info at http://www.waspaa.com/. Note that there will be a rebuttal period this year. IMPORTANT DATES: - Paper submission deadline: April 28, 2021 - Rebuttal period: June 28-30, 2021 - Notification of acceptance: July 7, 2021 - Camera ready and Demonstrations: July 27, 2021 - Early registration until August 22, 2021 - Workshop dates: October 17-20, 2021 The WASPAA 2021 TP Chairs, Shoko Araki and Jonathan Le Roux On Tuesday, February 16, 2021 at 5:11:43 PM UTC-5 Jonathan Le Roux wrote: > -- Apologies for cross-listing -- > -- Please forward to other interested colleagues -- > > =========================================================== > > 2021 IEEE Workshop on Applications of Signal Processing > to Audio and Acoustics (WASPAA 2021) > > Mohonk Mountain House, New Paltz, NY, USA > Hybrid On-site/Online > 17-20 October, 2021 > www.waspaa.com > > =========================================================== > > IMPORTANT DATES > > - Paper submission deadline: April 28, 2021 > - Notification of acceptance: July 7, 2021 > - Camera ready and Demonstrations: July 27, 2021 > - Early registration until August 22, 2021 > - Workshop dates: October 17-20, 2021 > > > The 2021 IEEE Workshop on Applications of Signal Processing to Audio > and Acoustics (WASPAA 2021) will be held simultaneously online and at > the Mohonk Mountain House in New Paltz, New York, and is supported by > the Audio and Acoustic Signal Processing technical committee of the > IEEE Signal Processing Society. The objective of this workshop is to > provide an informal environment for the discussion of problems in audio, > acoustics and signal processing techniques leading to novel solutions. > Technical sessions will be scheduled throughout the day. Afternoons > will be left free for informal meetings among workshop participants. > Papers describing original research and new concepts are solicited > for technical sessions on, but not limited to, the topics below. > > In addition to papers presenting theoretical and practical advances, > WASPAA 2021 is seeking demonstrations of novel technologies in the > field. Demonstrations at WASPAA 2021 are intended to complement the > overall program of the workshop in order to present and discuss > practical achievements, challenges, and performance results of > innovative implementations, integrations, and prototypes. > > PROPOSED TOPICS > > Acoustic Signal Processing > - Source separation: single- and multi-microphone techniques > - Acoustic source localization and tracking > - Signal enhancement: dereverberation, noise reduction, echo reduction > - Microphone and loudspeaker array processing > - Acoustic sensor networks: distributed algorithms, synchronization > - Acoustic scene analysis: event detection and classification > - Room acoustics: analysis, modeling and simulation > > Audio and Music Signal Processing > - Content-based music retrieval: fingerprinting, matching, cover song > retrieval > - Musical signal analysis: segmentation, classification, transcription > - Music signal synthesis: waveforms, instrument models, singing > - Music separation: direct-ambient decomposition, vocal and instruments > - Audio effects: artificial reverberation, amplifier modeling > - Upmixing and downmixing > > Audio and Speech Coding > - Waveform and parametric coding > - Spatial audio coding > - Sparse representations > - Low-delay audio and speech coding > - Digital rights > > Hearing and Perception > - Hearing aids > - Computational auditory scene analysis > - Auditory perception and spatial hearing > - Speech and audio quality assessment > - Speech intelligibility measures and prediction > > ORGANIZING COMMITTEE > > - General Chairs: Paris Smaragdis and Thushara Abhayapala > - Technical Program Chairs: Shoko Araki and Jonathan Le Roux > - Finance Chair: Christine Evers > - Publications Chair: Prasanga Samarasinghe > - Publicity Chair: Ina Kodrasi > - Local Arrangement Chair: Michael S. Brandstein and Bengt Jonas Borgstrom > - Far East Liaison Chair: Shoji Makino and Wen Zhang > - Demonstrations Chair: Antoine Deleforge > - Awards Chair: Mark Plumbley > - Industry Liaison Chair: Zafar Rafii Jonathan Le Roux <Jonathan.Le-Roux@xxxxxxxx> Senior Principal Research Scientist, Speech & Audio Senior Team Leader MERL - Mitsubishi Electric Research Laboratories 201 Broadway, 8th Floor, Cambridge, MA 02139 Tel.: +1-617-621-7547 Fax: +1-617-621-7550 --00000000000001d10d05bf6d08a3 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable <div dir=3D"ltr"> <div id=3D"gmail-:31h" class=3D"gmail-a3s gmail-aiL">Hi all,<br><br>This is= a friendly reminder that the WASPAA 2021 deadline is in 3 weeks, April 28 = (AoE).<br>Submission site will open soon. Paper kits and other info at <a h= ref=3D"http://www.waspaa.com/" target=3D"_blank">http://www.waspaa.com/</a>= .<br>Note that there will be a rebuttal period this year.<br><br> IMPORTANT= DATES:<br> - Paper submission deadline: April 28, 2021<br>- Rebuttal perio= d: June 28-30, 2021<br> - Notification of acceptance: July 7, 2021<br> - Ca= mera ready and Demonstrations: July 27, 2021<br> - Early registration until= August 22, 2021<br> - Workshop dates: October 17-20, 2021 <br><br> <div>The WASPAA 2021 TP Chairs,<br></div>Shoko Araki and Jonathan Le Roux <div><br></div><br><div class=3D"gmail_quote"><div dir=3D"auto" class=3D"gm= ail_attr">On Tuesday, February 16, 2021 at 5:11:43 PM UTC-5 Jonathan Le Rou= x wrote:<br></div><blockquote class=3D"gmail_quote" style=3D"margin:0px 0px= 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex"> -- Apologies for cross-listing --<br>-- Please forward to other interested = colleagues --<br><br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br><br>=C2=A0 2021 IEEE Wo= rkshop on Applications of Signal Processing<br>=C2=A0 to Audio and Acoustic= s (WASPAA 2021)<br><br>=C2=A0 Mohonk Mountain House, New Paltz, NY, USA<br>= =C2=A0 Hybrid On-site/Online<br>=C2=A0 17-20 October, 2021<br>=C2=A0 <a hre= f=3D"http://www.waspaa.com" rel=3D"nofollow" target=3D"_blank">www.waspaa.c= om</a><br><br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br><br>IMPORTANT DATES<br>=C2=A0= <br>=C2=A0- Paper submission deadline: April 28, 2021<br>=C2=A0- Notificati= on of acceptance: July 7, 2021<br>=C2=A0- Camera ready and Demonstrations: = July 27, 2021<br>=C2=A0- Early registration until August 22, 2021<br>=C2=A0= - Workshop dates: October 17-20, 2021<br><br>=C2=A0<br>The 2021 IEEE Worksh= op on Applications of Signal Processing to Audio <br>and Acoustics (WASPAA = 2021) will be held simultaneously online and at <br>the Mohonk Mountain Hou= se in New Paltz, New York, and is supported by <br>the Audio and Acoustic S= ignal Processing technical committee of the <br>IEEE Signal Processing Soci= ety. The objective of this workshop is to <br>provide an informal environme= nt for the discussion of problems in audio, <br>acoustics and signal proces= sing techniques leading to novel solutions. <br>Technical sessions will be = scheduled throughout the day. Afternoons <br>will be left free for informal= meetings among workshop participants. <br>Papers describing original resea= rch and new concepts are solicited <br>for technical sessions on, but not l= imited to, the topics below.<br><br>In addition to papers presenting theore= tical and practical advances,<br>WASPAA 2021 is seeking demonstrations of n= ovel technologies in the<br>field. Demonstrations at WASPAA 2021 are intend= ed to complement the<br>overall program of the workshop in order to present= and discuss<br>practical achievements, challenges, and performance results= of<br>innovative implementations, integrations, and prototypes.<br><br>PRO= POSED TOPICS<br><br>=C2=A0Acoustic Signal Processing<br>=C2=A0- Source sepa= ration: single- and multi-microphone techniques<br>=C2=A0- Acoustic source = localization and tracking<br>=C2=A0- Signal enhancement: dereverberation, n= oise reduction, echo reduction<br>=C2=A0- Microphone and loudspeaker array = processing<br>=C2=A0- Acoustic sensor networks: distributed algorithms, syn= chronization<br>=C2=A0- Acoustic scene analysis: event detection and classi= fication<br>=C2=A0- Room acoustics: analysis, modeling and simulation<br>= =C2=A0<br>Audio and Music Signal Processing<br>=C2=A0- Content-based music = retrieval: fingerprinting, matching, cover song retrieval<br>=C2=A0- Musica= l signal analysis: segmentation, classification, transcription<br>=C2=A0- M= usic signal synthesis: waveforms, instrument models, singing<br>=C2=A0- Mus= ic separation: direct-ambient decomposition, vocal and instruments<br>=C2= =A0- Audio effects: artificial reverberation, amplifier modeling<br>=C2=A0-= Upmixing and downmixing<br><br>Audio and Speech Coding<br>=C2=A0- Waveform= and parametric coding<br>=C2=A0- Spatial audio coding<br>=C2=A0- Sparse re= presentations<br>=C2=A0- Low-delay audio and speech coding<br>=C2=A0- Digit= al rights<br>=C2=A0<br>Hearing and Perception<br>=C2=A0- Hearing aids<br>= =C2=A0- Computational auditory scene analysis<br>=C2=A0- Auditory perceptio= n and spatial hearing<br>=C2=A0- Speech and audio quality assessment<br>=C2= =A0- Speech intelligibility measures and prediction<br><br>ORGANIZING COMMI= TTEE<br><br>=C2=A0- General Chairs:=C2=A0 Paris Smaragdis and Thushara Abha= yapala<br>=C2=A0- Technical Program Chairs: Shoko Araki and Jonathan Le Rou= x<br>=C2=A0- Finance Chair:=C2=A0 Christine Evers<br>=C2=A0- Publications C= hair: Prasanga Samarasinghe<br>=C2=A0- Publicity Chair: Ina Kodrasi<br>=C2= =A0- Local Arrangement Chair: Michael S. Brandstein and Bengt Jonas Borgstr= om<br>=C2=A0- Far East Liaison Chair: Shoji Makino and Wen Zhang<br>=C2=A0-= Demonstrations Chair: Antoine Deleforge<br>=C2=A0- Awards Chair: Mark Plum= bley<br>=C2=A0- Industry Liaison Chair: Zafar Rafii</blockquote></div></div= > <br clear=3D"all"><div><div dir=3D"ltr" class=3D"gmail_signature" data-smar= tmail=3D"gmail_signature"><div dir=3D"ltr"><div><div dir=3D"ltr"><div><div = dir=3D"ltr"><font color=3D"#888888">Jonathan Le Roux <<a href=3D"mailto:= Jonathan.Le-Roux@xxxxxxxx" target=3D"_blank">Jonathan.Le-Roux@xxxxxxxx= sup.org</a>><br>Senior Principal Research Scientist, Speech & Audio = Senior Team Leader<br>MERL - Mitsubishi Electric Research Laboratories<br>2= 01 Broadway, 8th Floor, Cambridge, MA 02139<br></font><font color=3D"#88888= 8"><font color=3D"#888888">Tel.: <a value=3D"+16176217547">+1-617-621-7547<= /a>=C2=A0 </font></font><font color=3D"#888888"><font color=3D"#888888">Fax= : +1-617-621-7550</font></font><br><font color=3D"#888888"><font color=3D"#= 888888"><br></font></font></div></div></div></div></div></div></div></div> --00000000000001d10d05bf6d08a3--