Subject: [AUDITORY] ICAD 2021 Full Paper Deadline Extended From: Areti Andreopoulou <aa1510@xxxxxxxx> Date: Sat, 27 Mar 2021 16:04:27 +0200--000000000000576e7505be8521f7 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable [Apologies for cross posting] Following several demands we have decided to extend the ICAD 2021 Full-Paper submission deadline as follows: Authors who submit a title and an abstract via easychair by March 31st will be allowed to modify their submissions and upload full manuscripts until Sunday April 11th. More details follow: 26th International Conference on Auditory Display Virtual Conference 25-28 June 2021 https://icad2021.icad.org THEME: =E2=80=9CSOUNDING BOARD=E2=80=9D In addition to being part of the resonating chamber in a musical instrument, the term sounding board is also a metaphor for a channel through which ideas are discussed and disseminated. ICAD, established in 1992 has, through its 25 conference meetings, shared over 1,150 papers with the auditory display community. This year, the conference will offer itself as a sounding board for the community, allowing time to pause and reflect on the history of auditory display research, review how research has changed throughout the years, and discuss future areas of inquiry as well as how to adapt our research during these challenging times. Therefore, the ICAD 2021 committee is seeking full papers, abstracts, concert pieces, demos, installations, workshops, and tutorials from across the full spectrum of auditory display research and practice. From discussions and reflections on the history of auditory display research with a view to generating new ways of thinking about how we as practitioners should go about things, to speculative ideas or news of late-breaking work, submissions are sought across all the categories. We are particularly interested in hearing from researchers who have never considered themselves to be part of the community before, or whose work sits at the periphery of the field. Important Dates: Full Papers =E2=80=93 Abstract submission: March 31st, Full paper submissi= on April 11th* Abstract Only Submissions (no paper published) =E2=80=93 April 30th Workshops/Tutorials/Demos =E2=80=93 April 30th Live Performances/Installations =E2=80=93 April 30th Doctoral Consortium/Thinktank =E2=80=93 April 30th *Submit an abstract by March 31st and you will be allowed to upload your full paper by April 11th. For details on topics of interest, proposal format, submission instructions, and additional conference information, please visit https://icad2021.icad.org/call-for-participation/ Papers Chairs: Areti Andreopoulou and Milena Droumeva papers@xxxxxxxx Conference Chairs: Kyla McMullen and Paul Vickers chairs@xxxxxxxx About ICAD: First held in 1992, ICAD is a highly interdisciplinary conference with relevance to researchers, practitioners, artists, and graduate students working with sound to convey and explore information. The conference is unique in its specific focus on auditory displays and the range of interdisciplinary issues related to their use. Like its predecessors, ICAD 2021 will be a single-track conference, open to all, with no membership or affiliation requirements. --000000000000576e7505be8521f7 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable <div dir=3D"ltr">[Apologies for cross posting]<br><br>Following several dem= ands we have decided to extend the ICAD 2021 Full-Paper submission deadline= as follows:<br><br>Authors who submit a title and an abstract via easychai= r by March 31st will be allowed to modify their submissions and upload full= manuscripts until Sunday April 11th. <br><br>More details follow:<br><br>2= 6th International Conference on Auditory Display<br>Virtual Conference<br>2= 5-28 June 2021<br><a href=3D"https://icad2021.icad.org">https://icad2021.ic= ad.org</a><br><br>THEME: =E2=80=9CSOUNDING BOARD=E2=80=9D<br><br>In additio= n to being part of the resonating chamber in a musical<br>instrument, the t= erm sounding board is also a metaphor for a channel<br>through which ideas = are discussed and disseminated. ICAD, established in<br>1992 has, through i= ts 25 conference meetings, shared over 1,150 papers with<br>the auditory di= splay community. This year, the conference will offer itself<br>as a soundi= ng board for the community, allowing time to pause and reflect<br>on the hi= story of auditory display research, review how research has<br>changed thro= ughout the years, and discuss future areas of inquiry as well<br>as how to = adapt our research during these challenging times. Therefore, the<br>ICAD 2= 021 committee is seeking full papers, abstracts, concert pieces,<br>demos, = installations, workshops, and tutorials from across the full<br>spectrum of= auditory display research and practice. From discussions and<br>reflection= s on the history of auditory display research with a view to<br>generating = new ways of thinking about how we as practitioners should go<br>about thing= s, to speculative ideas or news of late-breaking work,<br>submissions are s= ought across all the categories. We are particularly<br>interested in heari= ng from researchers who have never considered themselves<br>to be part of t= he community before, or whose work sits at the periphery of<br>the field.<b= r><br>Important Dates:<br><br>Full Papers =E2=80=93 =C2=A0Abstract submissi= on: March 31st, Full paper submission April 11th*<br>Abstract Only Submissi= ons (no paper published) =E2=80=93 April 30th<br>Workshops/Tutorials/Demos = =E2=80=93 April 30th<br>Live Performances/Installations =E2=80=93 April 30t= h<br>Doctoral Consortium/Thinktank =E2=80=93 April 30th<br><br>*Submit an a= bstract by March 31st and you will be allowed to upload your full paper by = April 11th.<br><br><br>For details on topics of interest, proposal format, = submission<br>instructions, and additional conference information, please v= isit<br><a href=3D"https://icad2021.icad.org/call-for-participation/">https= ://icad2021.icad.org/call-for-participation/</a><br><br>Papers Chairs:<br>A= reti Andreopoulou and Milena Droumeva<br><a href=3D"mailto:papers@xxxxxxxx= icad.org">papers@xxxxxxxx</a><br><br>Conference Chairs:<br>Kyla Mc= Mullen and Paul Vickers<br><a href=3D"mailto:chairs@xxxxxxxx">chai= rs@xxxxxxxx</a><br><br><br>About ICAD:<br><br>First held in 1992, = ICAD is a highly interdisciplinary conference with<br>relevance to research= ers, practitioners, artists, and graduate students<br>working with sound to= convey and explore information. The conference is<br>unique in its specifi= c focus on auditory displays and the range of<br>interdisciplinary issues r= elated to their use. Like its predecessors, ICAD<br>2021 will be a single-t= rack conference, open to all, with no membership or<br>affiliation requirem= ents.<br></div> --000000000000576e7505be8521f7--