[AUDITORY] Announcing Presentation Titles for the Future Directions of Music Cognition Speaker Series (Lindsay Warrenburg )

Subject: [AUDITORY] Announcing Presentation Titles for the Future Directions of Music Cognition Speaker Series From: Lindsay Warrenburg <lindsay.a.warrenburg@xxxxxxxx> Date: Wed, 10 Feb 2021 09:03:05 -0500 --000000000000cf26a005bafbde3f Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Dear all, We are pleased to announce the titles for the Future Directions of Music Cognition Speaker Series. In order to register for one or more talks, please sign up for the email listserv on the website below. The listserv will be the primary method of communication for information about the speaker series, including Zoom links and announcements. *Register for the speaker series here: * http://org.osu.edu/mascats/virtual-speaker-series/ Please reach out if you have any questions. We can't wait to see you on February 22 at 4PM EST for our first presentation! - February 22, 4pm EST: - *On the future of music research* - *David Huron*, Professor Emeritus, Ohio State University School of Music & Center for Cognitive and Brain Sciences - March 1,* 5pm EST*: - *Use-inspired music cognition: Designing cognitively informed musical interventions for the brain* - *Psyche Loui*, Assistant Professor of Creativity and Creative Practice, Northeastern University Department of Music - March 8, 4pm EST: - *Joint presentation* - *Dominique Vuvan*, Assistant Professor of Psychology, Skidmore College - *SMPC Anti-Racism committee* - March 15, 4pm EST: - *Career preparedness through alumni engagement* - *Roman Holowinsky*, Managing Director & Co-Founder at The Erd=C5=91= s Institute and Associate Professor of Mathematics, Ohio State Universi= ty - March 22, 4pm EST: - *Music theory as junk science, and how and why we need to fix it* - *Justin London**,* Andrew W. Mellon Professor of Music, Cognitive Science, and the Humanities, Carleton College - March 29, 4pm EST: - *Alt-ac panel from speakers with Music PhDs* - *Suhnne Ahn*, Director of the Peabody at Homewood Program - *Nell Cloutier*, Director of Measurement and Learning at Habitat for Humanity - *Dana DeVlieger*, Law Student, Northwestern University Pritzker School of Law - *Lindsay Warrenburg*, Data Scientist at Sonde Health - April 5, 4pm EST: - *What the history of computational musicology can tell us about the future of corpus studies* - *Daniel Shanahan*, Associate Professor of Music Theory and Cognition, Ohio State University School of Music - April 12, 4pm EST: - *The future of music cognition through the lens of music notation* - *Joe Plazak*, Sibelius Principal Software Engineer and Product Owne= r - April 19, 4pm EST: - *New frontiers in the genetic basis of musicality* - *Reyna Gordon*, Assistant Professor, Departments of Otolaryngology & Psychology, Vanderbilt University - April 26, 4pm EST: - *Empathic listening: Music and the social mind* - *Zachary Wallmark*, Assistant Professor of Musicology and Affiliated Faculty of the Center for Translational Neuroscience, University of Oregon - May 3, 4pm EST: - *Analyzing the perceptual effects of orchestration practice through the lens of auditory grouping principles* - *Stephen McAdams*, Canada Research Chair in Music Perception and Cognition; Professor of Music, Schulich School of Music, McGill University; Director, ACTOR Project (Analysis, Creation, and Teaching of ORchestration) - May 10, 4pm EST: - *Melody and rhythm: Effects on tempo determination* - *Leigh VanHandel*, Associate Professor of Music Theory, University of British Columbia - May 17, 4pm EST: - *Musicality and gene-culture coevolution* - *Aniruddh Patel*, Professor of Psychology, Tufts University - May 24, 4pm EST: - *Music cognition between the sciences and the humanities* - *Elizabeth Hellmuth Margulis*, Professor of Music, Princeton University - May 31, 4pm EST: - *From compassion to being moved: Social emotions evoked by music* - *Jonna Vuoskoski*, Associate Professor, Departments of Musicology and the Centre for Interdisciplinary Studies in Rhythm, Time and Moti= on (IMV), University of Oslo All the best, Lindsay Warrenburg Lindsey Reymore Daniel Shanahan =E2=80=94 *Lindsay Warrenburg, PhD* Music Theory, Cognition, and Perception lindsaywarrenburg.com <https://www.lindsaywarrenburg.com/> she/her/hers --000000000000cf26a005bafbde3f Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable <div dir=3D"ltr"><div class=3D"gmail_default" style=3D"font-family:georgia,= serif;font-size:small"><div class=3D"gmail_default">Dear all,</div><div cla= ss=3D"gmail_default"> </div><div class=3D"gmail_default"><div class=3D"g= mail_default">We are pleased to announce the titles for the Future Directio= ns of Music Cognition Speaker Series. In order to register for one or more = talks, please sign up for the email listserv on the website below. The list= serv will be the primary method of communication for information about the = speaker series, including Zoom links and announcements.</div><div class=3D"= gmail_default"> </div><div class=3D"gmail_default">Register for the s= peaker series here: <a href=3D"http://org.osu.edu/mascats/virtual-speak= er-series/">http://org.osu.edu/mascats/virtual-speaker-series/</a></div><di= v class=3D"gmail_default"> </div><div class=3D"gmail_default">Please rea= ch out if you have any questions. We can't wait to see you on=C2=A0Febr= uary 22 at 4PM EST=C2=A0for our first presentation!</div><div class=3D"gmai= l_default"> </div><div class=3D"gmail_default"><div class=3D"gmail_defau= lt" style=3D"font-family:Arial,Helvetica,sans-serif"><ul style=3D"box-sizin= g:border-box;margin-top:0px;margin-bottom:10px;color:rgb(66,66,66);text-ali= gn:justify"><li style=3D"margin-left:15px;box-sizing:border-box;text-align:= left">F= ebruary 22, 4pm EST:<ul style=3D"box-sizing:border-box;margin= -top:0px;margin-bottom:0px"><li style=3D"margin-left:15px;box-sizing:border= -box">On the future of music research= </li><li style=3D"margin-left:15px;box-sizing:border-box"><fo= nt face=3D"georgia, serif">David=C2=A0Huron,=C2=A0Professor Emerit= us, Ohio State University School of Music & Center for Cognitive and Br= ain Sciences </li></ul></l= i><li style=3D"margin-left:15px;box-sizing:border-box;text-align:left"><fon= t face=3D"georgia, serif">March 1,</s= pan>=C2=A05pm EST= :<ul style= =3D"box-sizing:border-box;margin-top:0px;margin-bottom:0px"><li style=3D"ma= rgin-left:15px;box-sizing:border-box;text-align:left">Use-inspired music cognition: Designing cognitively informed musi= cal interventions for the brain</li><li style=3D"margi= n-left:15px;box-sizing:border-box">Psyche Loui, Assistant Professor of Creativi= ty and Creative Practice, Northeastern University Department of Music</span= ></li></ul></li><li style=3D"margin-left:15px;box-sizing:bord= er-box;text-align:left">March 8, 4pm EST:<ul style=3D"box-sizing:bor= der-box;margin-top:0px;margin-bottom:0px"><li style=3D"margin-left:15px;box= -sizing:border-box">Joint presentation</font= ></li><li style=3D"margin-left:15px;box-sizing:border-box"><f= ont face=3D"georgia, serif">Dominique Vuvan</strong= >, Assistant Professor of Psyc= hology, Skidmore College</li><li style=3D"margin-left:15px;bo= x-sizing:border-box">SMPC Anti-Racism committee</st= rong></li></ul></li><li style=3D"margin-left:15px;box-sizing:= border-box;text-align:left">March 15, 4pm EST:<ul style=3D"box-sizin= g:border-box;margin-top:0px;margin-bottom:0px"><li style=3D"margin-left:15p= x;box-sizing:border-box">Career preparednes= s through alumni engagement</li><li style=3D"margin-le= ft:15px;box-sizing:border-box">Roman Holowinsky, Managing Director & Co-Fou= nder at The Erd=C5=91s Institute and Associate Professor of Mathematics, Oh= io State University</li></ul></li><li style=3D"margin-= left:15px;box-sizing:border-box;text-align:left">March 22, 4pm EST:<= ul style=3D"box-sizing:border-box;margin-top:0px;margin-bottom:0px"><li sty= le=3D"margin-left:15px;box-sizing:border-box">Music theory as junk science, and how and why we need to fix it</s= trong></li><li style=3D"margin-left:15px;box-sizing:border-box">Justin London,=C2=A0Andrew W.= Mellon Professor of Music, Cognitive Science, and the Humanities, Carleton= College</li></ul></li><li style=3D"margin-left:15px;b= ox-sizing:border-box;text-align:left">March 29, 4pm EST:<ul style=3D= "box-sizing:border-box;margin-top:0px;margin-bottom:0px"><li style=3D"margi= n-left:15px;box-sizing:border-box"><str= ong style=3D"box-sizing:border-box">Alt-ac pa= nel from speakers with Music PhDs</li><li style=3D"mar= gin-left:15px;box-sizing:border-box">Suhnne Ahn, Director of the Peabody at Homewood Program=C2=A0</li>= <li style=3D"margin-left:15px;box-sizing:border-box">Nell Cloutier, Director of Measurement and Learning at Habitat f= or Humanity=C2=A0</li><li style=3D"margin-left:15px;box-sizin= g:border-box">Dana De= Vlieger, Law Student,= Northwestern University Pritzker School of Law=C2=A0</li><li= style=3D"margin-left:15px;box-sizing:border-box">Lindsay Warrenburg, Data Sci= entist at Sonde Health</li></ul></li><li style=3D"marg= in-left:15px;box-sizing:border-box;text-align:left">April 5, 4pm EST:</span= ><ul style=3D"box-sizing:border-box;margin-top:0px;margin-bottom:0px"><li s= tyle=3D"margin-left:15px;box-sizing:border-box">What the history of computational musicology can tell us about the futu= re of corpus studies</li><li style=3D"margin-left:15px= ;box-sizing:border-box">Daniel Shanahan</s= pan>, Associate Professor of Music Theory and Cognition, Ohio State Univer= sity School of Music</li></ul></li><li style=3D"margin= -left:15px;box-sizing:border-box;text-align:left">April 12, 4pm EST:= <ul style=3D"box-sizing:border-box;margin-top:0px;margin-bottom:0px"><li st= yle=3D"margin-left:15px;box-sizing:border-box">The future of music cognition through the lens of music notation<= /strong></li><li style=3D"margin-left:15px;box-sizing:border-box"><fon= t face=3D"georgia, serif">Joe Plazak</span= >, Sibelius Principal Software Engineer and Product Owner</f= ont></li></ul></li><li style=3D"margin-left:15px;box-sizing:border-box;text= -align:left">April 19, 4pm EST:<ul style=3D"box-sizing:border-box;ma= rgin-top:0px;margin-bottom:0px"><li style=3D"margin-left:15px;box-sizing:bo= rder-box">New frontiers in the genetic basis= of musicality</li><li style=3D"margin-left:15px;box-s= izing:border-box">Rey= na Gordon, Assistant Professor, Departments of Otolaryngo= logy & Psychology, Vanderbilt University</li></ul>= </li><li style=3D"margin-left:15px;box-sizing:border-box;text-align:left"><= span style=3D"box-sizing:border-box">April 26= , 4pm EST:<ul style=3D"box-sizing:border-box;margin-top:0px;m= argin-bottom:0px"><li style=3D"margin-left:15px;box-sizing:border-box"><fo= nt face=3D"georgia, serif">Empathic listening: Music and the social mind</f= ont></li><li style=3D"margin-left:15px;box-sizing:border-box"= >Zachary Wallmark</st= rong>, Assistant Professor of Musicology and Affiliated Faculty of = the Center for Translational Neuroscience, University of Oregon</spa= n></li></ul></li><li style=3D"margin-left:15px;box-sizing:border-box= ;text-align:left">May 3, 4pm EST:<ul style=3D"box-sizing:border-box;= margin-top:0px;margin-bottom:0px"><li style=3D"margin-left:15px;box-sizing:= border-box">Analyzing the perceptual effects= of orchestration practice through the lens of auditory grouping principles= </li><li style=3D"margin-left:15px;box-sizing:border-b= ox">Stephen McAdams</= strong>, Canada Research Chair in Music Perception and Cognition; P= rofessor of Music, Schulich School of Music, McGill University; Director, A= CTOR Project (Analysis, Creation, and Teaching of ORchestration)</sp= an></li></ul></li><li style=3D"margin-left:15px;box-sizing:border-bo= x;text-align:left">May 10, 4pm EST:<ul style=3D"box-sizing:border-bo= x;margin-top:0px;margin-bottom:0px"><li style=3D"margin-left:15px;box-sizin= g:border-box">Melody and rhythm: Effects on = tempo determination</li><li style=3D"margin-left:15px;= box-sizing:border-box">Leigh VanHandel<spa= n style=3D"box-sizing:border-box">, Associate Professor of Music Theory, Un= iversity of British Columbia</li></ul></li><li style= =3D"margin-left:15px;box-sizing:border-box;text-align:left">May 17, 4pm EST:</font= ><ul style=3D"box-sizing:border-box;margin-top:0px;margin-bottom:0px= "><li style=3D"margin-left:15px;box-sizing:border-box">Musicality and gene-culture coevolution</li= ><li style=3D"margin-left:15px;box-sizing:border-box"><strong= style=3D"box-sizing:border-box">Aniruddh Patel, Professo= r of Psychology, Tufts University</li></ul></li><li st= yle=3D"margin-left:15px;box-sizing:border-box;text-align:left">May 24, 4pm EST:</= font><ul style=3D"box-sizing:border-box;margin-top:0px;margin-bottom= :0px"><li style=3D"margin-left:15px;box-sizing:border-box">Music cognition between the sciences and the humanities</fon= t></li><li style=3D"margin-left:15px;box-sizing:border-box"><= font face=3D"georgia, serif">Elizabeth Hellmuth Mar= gulis, Professor of Music, Princeton University</sp= an></li></ul></li><li style=3D"margin-left:15px;box-sizing:border-bo= x">May 31, 4pm EST:<ul style=3D"box-si= zing:border-box;margin-top:0px;margin-bottom:0px"><li style=3D"margin-left:= 15px;box-sizing:border-box;text-align:left">= From compassion to being moved: Social emotions evoked by music</str= ong></li><li style=3D"margin-left:15px;box-sizing:border-box;text-alig= n:left">Jonna Vuoskos= ki, Associate Professor, Departments of Musicology and the = Centre for Interdisciplinary Studies in Rhythm, Time and Motion (IMV), Univ= ersity of Oslo</li></ul></li></ul></div><div class=3D"gmail_default"= > </div><div class=3D"gmail_default">All the best,</div><div class=3D"gm= ail_default">Lindsay Warrenburg</div><div class=3D"gmail_default">Lindsey R= eymore</div><div class=3D"gmail_default">Daniel Shanahan</div></div></div><= /div><div><div dir=3D"ltr" class=3D"gmail_signature" data-smartmail=3D"gmai= l_signature"><div dir=3D"ltr"><div><div dir=3D"ltr"><div><div dir=3D"ltr"><= div><div dir=3D"ltr"><div dir=3D"ltr">=E2=80= =94 =C2=A0 =C2=A0<div dir=3D"ltr">L= indsay Warrenburg,=C2=A0PhD<div>Mu= sic Theory, Cognition, and Perception</div><div><a href=3D"https://www.lindsaywarrenburg.com/" style= =3D"font-weight:bold" target=3D"_blank">lindsaywarrenburg.com</a><br= ></div><div>she/her/hers</div></div></= div></div></div></div></div></div></div></div></div></div></div> --000000000000cf26a005bafbde3f--

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