[AUDITORY] CFP: TENOR2021 - 6th international conference on technologies for music notation and representation from Monday, May 10 to Thursday 13, 2021 in Hamburg, Germany (Greg Beller )


Subject: [AUDITORY] CFP: TENOR2021 -  6th international conference on technologies for music notation and representation  from Monday, May 10 to Thursday 13, 2021 in Hamburg, Germany
From:    Greg Beller  <beller@xxxxxxxx>
Date:    Fri, 11 Dec 2020 16:06:19 +0100

--Apple-Mail=_6EFD9595-8765-42A5-B930-604739C4C267 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=utf-8 Apologies for cross-posting. Please share this CFP with your network. =20 = =E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2= =80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80= =94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94= =E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2= =80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80= =94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94= =E2=80=94=E2=80=94=E2=80=94 TENOR 2021, 6th international conference on technologies for music = notation and representation=20 from Monday, May 10 to Thursday 13, 2021 in Hamburg, Germany The International Conference on Technologies for Music Notation and = Representation is dedicated to issues in theoretical and applied = research and development in Music Notation and Representation, with a = strong focus on computer tools and applications, as well as a tight = connection to music creation. =E2=80=9CTechnology=E2=80=9D in the = conference name refers to any mean that may contribute to the notation, = representation and/or visualisation of the music and sound, for purposes = that may include (but not limited to) music composition, performance, = representation, transcription, analysis and pedagogy. The first edition of the conference =E2=80=93 TENOR 2015 =E2=80=93 has = been held in Paris in May 2015. It was initiated as the final outcome of = a working group entitled The new Spaces of Music Notation. The other = editions were held in Cambrigde (2016), A Coru=C3=B1a (2017), Montreal = (2018) and Melbourne (2019). For more information visit http://www.tenor-conference.org/ = <http://www.tenor-conference.org/> The Hamburg University of Music and Drama (HfMT) will host the 6th = International Conference on Technologies for Music Notation and = Representation (TENOR) in Hamburg (Germany) from Monday, May 10 to = Thursday, May 13, 2021. The conference will include a special emphasis = on Notation and Representation in the Time of a Pandemic.=20 The last two days of the conference will overlap with the Klingt gut! = Symposium=E2=80=94an interdisciplinary event at the intersection of art = and technology hosted by the Hamburg University of Applied Sciences = (HAW). Attendees will be able to get passes at a reduced rate should = they wish to participate in both conferences. In light of the ongoing pandemic, we remain committed to both safety and = quality, and as such, we cannot yet say if the conference will be held = in person, online, or a mixture of both. We also recognize that while = the situation may improve in Hamburg to the point of being able to = safely host an in-person event, global travel may not yet be possible in = May of 2021. We intend to adapt to the circumstances, and are already in = the process of devising a number of different possible manifestations of = the conferences, so you can rest assured that the conference will = happen, and that its talks, concerts, and workshops will be presented = under the best conditions we can provide. Important Dates =E2=80=A2 Submission Deadline: January 10, 2021 =E2=80=A2 Start of review process: January 21, 2021 =E2=80=A2 Notifications: 5th of March, 2021 =E2=80=A2 Camera ready submissions: April 12, 2021 =E2=80=A2 Early registration: February 1 =E2=80=93 April 1, 2021 =E2=80=A2 Conference Program ready: May 6, 2021 Call for Papers We are now soliciting submissions for oral presentations as well as = workshops and round-table discussions, with a special emphasis on the = theme of Notation and Performance in the Time of a Pandemic. In addition = to that theme, we encourageencouraging submissions examining core areas = of Technologies for Music Notation and Representation, in particular: =E2=80=A2 Real-time composition, improvisation and = comprovisation =E2=80=A2 History and aesthetics of notation =E2=80=A2 Notation of microtonal and/or electronic music =E2=80=A2 Performer perspectives on technologies around notation =E2=80=A2 Notation for and in virtual environments =E2=80=A2 New interfaces for music notation =E2=80=A2 Digital games as notation=20 =E2=80=A2 Notation as an emergent property of the performance = system =E2=80=A2 Critical, aesthetic and sociological examinations of = the interactions between new notation technologies and performance =E2=80=A2 Notation/representation technologies for time-based = arts beyond music including notations for space, gesture, movement =E2=80=A2 Non-visual notation systems (aural, tactile, = olfactory, etc.) =E2=80=A2 Principles of mnemonic notation, exploring the = relationship between memory and representation =E2=80=A2 We also welcome submissions on the following topics: =E2=80=A2 Notation and representation of sonified data=20 =E2=80=A2 Computational musicology and mathematical music theory = with a focus on music representation =E2=80=A2 Computer environments for music notation =E2=80=A2 Notation in interactive performance systems =E2=80=A2 Notation and robotics =E2=80=A2 Music information retrieval =E2=80=A2 Notation and music representation in education =E2=80=A2 Notation and neurocognition=20 =E2=80=A2 Special theme: Notation and Performance in the Time of = a Pandemic: We are particularly interested in the ways in which research related to = notation and performance responds to the extreme conditions that we = currently find ourselves in. How might notational practices and = platforms for collaborative music-making be mobilized during a period of = forced isolation without emphasizing that which we lack: physical = colocation? Are there questions that we, in this unique moment of our = lives, are particularly well-situated to address? What will remain of = the practices and works created during this period when, and if, we are = able to return to =E2=80=9Cnormal=E2=80=9D? Papers should be between 4 and 10 pages, written in English and not = previously published. All submissions should be anonymous and will be = peer-reviewed. Accepted papers are expected to be delivered as oral = presentations: 15 minute talk followed by 5 minutes of Q&A. Papers must be submitted by January 10, 2021 via the TENOR conference = system at https://easychair.org/conferences/?conf=3Dtenor2021 = <https://easychair.org/conferences/?conf=3Dtenor2021> and must comply = with the given templates. The conference system will open on November 1, = 2020. Upon acceptance, camera-ready versions should be re-submitted by = April 12, 2021. All accepted papers will be included in the conference proceedings which = will be available on the conference website = (https://tenor2021.hfmt-hamburg.de/ = <https://tenor2021.hfmt-hamburg.de/>) as an electronic publication. = Please note that per paper at least one of the authors needs to register = in order for the paper to be presented and included in the proceedings. Sonic Works & Workshops Since the coronavirus pandemic caused us to reschedule the 2020 edition = of the TENOR conference, we have decided to reprogram those sonic works = and workshops that had been previously selected, but never presented. In = light of this, there will be no call for sonic works or workshops this = year, although the conference itself will feature numerous performances = and workshops, either online or in person. Contact Inquiries on submissions and presentations should be directed to the = paper chair Rama Gottfried: paper-chair.tenor20.21@xxxxxxxx = <mailto:paper-chair.tenor20.21@xxxxxxxx> Inquiries on musical submissions and concerts should be directed to the = music chairs Greg Beller & Jacob Sello: = music-chair.tenor2020@xxxxxxxx = <mailto:music-chair.tenor2020@xxxxxxxx> General inquiries should be directed to the conference chair Georg = Hajdu: chair.tenor20.21@xxxxxxxx = <mailto:chair.tenor20.21@xxxxxxxx> and = organisation.tenor20.21@xxxxxxxx = <mailto:organisation.tenor20.21@xxxxxxxx> Dr. Greg Beller <http://www.gregbeller.com/> =20 Product Manager IRCAM Forum <http://forum.ircam.fr/> Dr. sc. mus. KiSS =E2=80=93 HfMT Hamburg = <https://www.hfmt-hamburg.de/innovative-hochschule/> Dr. Greg Beller <http://www.gregbeller.com/> =20 Product Manager IRCAM Forum <http://forum.ircam.fr/> Dr. sc. mus. KiSS =E2=80=93 HfMT Hamburg = <https://www.hfmt-hamburg.de/innovative-hochschule/>=20 --Apple-Mail=_6EFD9595-8765-42A5-B930-604739C4C267 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=utf-8 <html><head><meta http-equiv=3D"Content-Type" content=3D"text/html; = charset=3Dutf-8"></head><body style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; line-break: after-white-space;" = class=3D"">Apologies for cross-posting. Please share this CFP with your = network.<br class=3D"">&nbsp;<br = class=3D"">=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94= =E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2= =80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80= =94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94= =E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2= =80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80=94=E2=80= =94=E2=80=94=E2=80=94=E2=80=94=E2=80=94<br class=3D""><br class=3D""><br = class=3D"">TENOR 2021, 6th international conference on technologies for = music notation and representation&nbsp;<br class=3D"">from Monday, May = 10 to Thursday 13, 2021 in Hamburg, Germany<br class=3D""><br = class=3D"">The International Conference on Technologies for Music = Notation and Representation is dedicated to issues in theoretical and = applied research and development in Music Notation = and&nbsp;Representation, with a strong focus on computer tools and = applications, as well as a tight connection to music creation. = =E2=80=9CTechnology=E2=80=9D in the conference name refers to any mean = that may&nbsp;contribute to the notation, representation and/or = visualisation of the music and sound, for purposes that may include (but = not limited to) music composition, performance, = representation,&nbsp;transcription, analysis and pedagogy.<br = class=3D"">The first edition of the conference =E2=80=93 TENOR 2015 =E2=80= =93 has been held in Paris in May 2015. It was initiated as the final = outcome of a working group entitled The new Spaces of Music = Notation.&nbsp;The other editions were held in Cambrigde (2016), A = Coru=C3=B1a (2017), Montreal (2018) &nbsp;and Melbourne (2019).<br = class=3D""><br class=3D"">For more information visit&nbsp;<a = href=3D"http://www.tenor-conference.org/" = class=3D"">http://www.tenor-conference.org/</a><br class=3D""><br = class=3D"">The Hamburg University of Music and Drama (HfMT) will host = the 6th International Conference on Technologies for Music Notation and = Representation (TENOR) in Hamburg (Germany)&nbsp;from Monday, May 10 to = Thursday, May 13, 2021. The conference will include a special emphasis = on Notation and Representation in the Time of a Pandemic.&nbsp;<br = class=3D""><br class=3D"">The last two days of the conference will = overlap with the Klingt gut! Symposium=E2=80=94an interdisciplinary = event at the intersection of art and technology hosted by the Hamburg = University of&nbsp;Applied Sciences (HAW). Attendees will be able to get = passes at a reduced rate should they wish to participate in both = conferences.<br class=3D""><br class=3D"">In light of the ongoing = pandemic, we remain committed to both safety and quality, and as such, = we cannot yet say if the conference will be held in person, online, or a = mixture of both. We&nbsp;also recognize that while the situation may = improve in Hamburg to the point of being able to safely host an = in-person event, global travel may not yet be possible in May of 2021. = We intend&nbsp;to adapt to the circumstances, and are already in the = process of devising a number of different possible manifestations of the = conferences, so you can rest assured that the conference = will&nbsp;happen, and that its talks, concerts, and workshops will be = presented under the best conditions we can provide.<br class=3D""><br = class=3D""><b class=3D"">Important Dates</b><br class=3D""><br = class=3D""><span class=3D"Apple-tab-span" style=3D"white-space: pre;"> = </span>=E2=80=A2 Submission Deadline: January 10, 2021<br class=3D""><span= class=3D"Apple-tab-span" style=3D"white-space: pre;"> </span>=E2=80=A2 = Start of review process: January 21, 2021<br class=3D""><span = class=3D"Apple-tab-span" style=3D"white-space: pre;"> </span>=E2=80=A2 = Notifications: &nbsp;5th of March, 2021<br class=3D""><span = class=3D"Apple-tab-span" style=3D"white-space: pre;"> </span>=E2=80=A2 = Camera ready submissions: April 12, 2021<br class=3D""><span = class=3D"Apple-tab-span" style=3D"white-space: pre;"> </span>=E2=80=A2 = Early registration: February 1 =E2=80=93 April 1, 2021<br class=3D""><span= class=3D"Apple-tab-span" style=3D"white-space: pre;"> </span>=E2=80=A2 = Conference Program ready: May 6, 2021<br class=3D""><br class=3D""><b = class=3D"">Call for Papers</b><br class=3D""><br class=3D"">We are now = soliciting submissions for oral presentations as well as workshops and = round-table discussions, with a special emphasis on the theme of = Notation and Performance in the Time&nbsp;of a Pandemic. In addition to = that theme, we encourageencouraging submissions examining core areas of = Technologies for Music Notation and Representation, in particular:<br = class=3D""><span class=3D"Apple-tab-span" style=3D"white-space: pre;"> = </span>=E2=80=A2 Real-time composition, improvisation and = comprovisation<br class=3D""><span class=3D"Apple-tab-span" = style=3D"white-space: pre;"> </span>=E2=80=A2 History and aesthetics = of notation<br class=3D""><span class=3D"Apple-tab-span" = style=3D"white-space: pre;"> </span>=E2=80=A2 Notation of microtonal = and/or electronic music<br class=3D""><span class=3D"Apple-tab-span" = style=3D"white-space: pre;"> </span>=E2=80=A2 Performer perspectives = on technologies around notation<br class=3D""><span = class=3D"Apple-tab-span" style=3D"white-space: pre;"> </span>=E2=80=A2 = Notation for and in virtual environments<br class=3D""><span = class=3D"Apple-tab-span" style=3D"white-space: pre;"> </span>=E2=80=A2 = New interfaces for music notation<br class=3D""><span = class=3D"Apple-tab-span" style=3D"white-space: pre;"> </span>=E2=80=A2 = Digital games as notation&nbsp;<br class=3D""><span = class=3D"Apple-tab-span" style=3D"white-space: pre;"> </span>=E2=80=A2 = Notation as an emergent property of the performance system<br = class=3D""><span class=3D"Apple-tab-span" style=3D"white-space: pre;"> = </span>=E2=80=A2 Critical, aesthetic and sociological examinations of = the interactions between new notation technologies and performance<br = class=3D""><span class=3D"Apple-tab-span" style=3D"white-space: pre;"> = </span>=E2=80=A2 Notation/representation technologies for time-based = arts beyond music including notations for space, gesture, movement<br = class=3D""><span class=3D"Apple-tab-span" style=3D"white-space: pre;"> = </span>=E2=80=A2 Non-visual notation systems (aural, tactile, olfactory, = etc.)<br class=3D""><span class=3D"Apple-tab-span" style=3D"white-space: = pre;"> </span>=E2=80=A2 Principles of mnemonic notation, exploring the = relationship between memory and representation<br class=3D""><span = class=3D"Apple-tab-span" style=3D"white-space: pre;"> </span>=E2=80=A2 = We also welcome submissions on the following topics:<br class=3D""><span = class=3D"Apple-tab-span" style=3D"white-space: pre;"> </span>=E2=80=A2 = Notation and representation of sonified data&nbsp;<br class=3D""><span = class=3D"Apple-tab-span" style=3D"white-space: pre;"> </span>=E2=80=A2 = Computational musicology and mathematical music theory with a focus on = music representation<br class=3D""><span class=3D"Apple-tab-span" = style=3D"white-space: pre;"> </span>=E2=80=A2 Computer environments = for music notation<br class=3D""><span class=3D"Apple-tab-span" = style=3D"white-space: pre;"> </span>=E2=80=A2 Notation in interactive = performance systems<br class=3D""><span class=3D"Apple-tab-span" = style=3D"white-space: pre;"> </span>=E2=80=A2 Notation and = robotics<br class=3D""><span class=3D"Apple-tab-span" = style=3D"white-space: pre;"> </span>=E2=80=A2 Music information = retrieval<br class=3D""><span class=3D"Apple-tab-span" = style=3D"white-space: pre;"> </span>=E2=80=A2 Notation and music = representation in education<br class=3D""><span class=3D"Apple-tab-span" = style=3D"white-space: pre;"> </span>=E2=80=A2 Notation and = neurocognition&nbsp;<br class=3D""><span class=3D"Apple-tab-span" = style=3D"white-space: pre;"> </span>=E2=80=A2 Special theme: Notation = and Performance in the Time of a Pandemic:<br class=3D"">We are = particularly interested in the ways in which research related to = notation and performance responds to the extreme conditions that we = currently find ourselves in. How might&nbsp;notational practices and = platforms for collaborative music-making be mobilized during a period of = forced isolation without emphasizing that which we lack: physical = colocation? Are there&nbsp;questions that we, in this unique moment of = our lives, are particularly well-situated to address? What will remain = of the practices and works created during this period when, and if, we = are&nbsp;able to return to =E2=80=9Cnormal=E2=80=9D?<br class=3D""><br = class=3D"">Papers should be between 4 and 10 pages, written in English = and not previously published. All submissions should be anonymous and = will be peer-reviewed. Accepted papers are&nbsp;expected to be delivered = as oral presentations: 15 minute talk followed by 5 minutes of = Q&amp;A.<br class=3D""><br class=3D"">Papers must be submitted by = January 10, 2021 via the TENOR conference system at&nbsp;<a = href=3D"https://easychair.org/conferences/?conf=3Dtenor2021" = class=3D"">https://easychair.org/conferences/?conf=3Dtenor2021</a>&nbsp;an= d must comply with the given templates. The&nbsp;conference system will = open on November 1, 2020. Upon acceptance, camera-ready versions should = be re-submitted by April 12, 2021.<br class=3D""><br class=3D"">All = accepted papers will be included in the conference proceedings which = will be available on the conference website (<a = href=3D"https://tenor2021.hfmt-hamburg.de/" = class=3D"">https://tenor2021.hfmt-hamburg.de/</a>) as an electronic = publication.&nbsp;Please note that per paper at least one of the authors = needs to register in order for the paper to be presented and included in = the proceedings.<br class=3D""><br class=3D""><b class=3D"">Sonic Works = &amp; Workshops</b><br class=3D""><br class=3D"">Since the coronavirus = pandemic caused us to reschedule the 2020 edition of the TENOR = conference, we have decided to reprogram those sonic works and workshops = that had been&nbsp;previously selected, but never presented. In light of = this, there will be no call for sonic works or workshops this year, = although the conference itself will feature numerous performances = and&nbsp;workshops, either online or in person.<br class=3D""><br = class=3D""><b class=3D"">Contact</b><br class=3D""><br = class=3D"">Inquiries on submissions and presentations should be directed = to the paper chair Rama Gottfried:&nbsp;<a = href=3D"mailto:paper-chair.tenor20.21@xxxxxxxx" = class=3D"">paper-chair.tenor20.21@xxxxxxxx</a><br = class=3D"">Inquiries on musical submissions and concerts should be = directed to the music chairs Greg Beller &amp; Jacob Sello:&nbsp;<a = href=3D"mailto:music-chair.tenor2020@xxxxxxxx" = class=3D"">music-chair.tenor2020@xxxxxxxx</a><br class=3D"">General= inquiries should be directed to the conference chair Georg = Hajdu:&nbsp;<a href=3D"mailto:chair.tenor20.21@xxxxxxxx" = class=3D"">chair.tenor20.21@xxxxxxxx</a>&nbsp;and&nbsp;<a = href=3D"mailto:organisation.tenor20.21@xxxxxxxx" = class=3D"">organisation.tenor20.21@xxxxxxxx</a><br class=3D""><div = class=3D""><div dir=3D"auto" class=3D"" style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; line-break: after-white-space;"><div class=3D"" = style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; line-break: = after-white-space;"><div class=3D"" style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; line-break: after-white-space;"><div class=3D"" = style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; line-break: = after-white-space;"><div class=3D"" style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; line-break: after-white-space;"><div class=3D"" = style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; line-break: = after-white-space;"><div class=3D"" style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; line-break: after-white-space;"><div class=3D"" = style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; line-break: = after-white-space;"><div class=3D"" style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; line-break: after-white-space;"><p = class=3D"MsoNormal"><a href=3D"http://www.gregbeller.com/" class=3D"">Dr. = Greg Beller</a>&nbsp;&nbsp;&nbsp;&nbsp;<br class=3D"">Product = Manager&nbsp;<span class=3D"" style=3D"color: rgb(56, 110, 255);"><a = href=3D"http://forum.ircam.fr/" class=3D"">IRCAM Forum</a><br = class=3D""></span>Dr. sc. mus.&nbsp;<u class=3D""><span class=3D"" = style=3D"color: rgb(56, 110, 255);"><a = href=3D"https://www.hfmt-hamburg.de/innovative-hochschule/" = class=3D"">KiSS =E2=80=93 HfMT = Hamburg</a></span></u></p></div></div></div></div></div></div></div></div>= </div></div><br class=3D""><br class=3D""><div class=3D""> <div dir=3D"auto" style=3D"caret-color: rgb(0, 0, 0); color: rgb(0, 0, = 0); letter-spacing: normal; text-align: start; text-indent: 0px; = text-transform: none; white-space: normal; word-spacing: 0px; = -webkit-text-stroke-width: 0px; text-decoration: none; word-wrap: = break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" = class=3D""><div style=3D"color: rgb(0, 0, 0); letter-spacing: normal; = text-align: start; text-indent: 0px; text-transform: none; white-space: = normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: = break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" = class=3D""><div style=3D"color: rgb(0, 0, 0); letter-spacing: normal; = text-align: start; text-indent: 0px; text-transform: none; white-space: = normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: = break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" = class=3D""><div style=3D"color: rgb(0, 0, 0); letter-spacing: normal; = text-align: start; text-indent: 0px; text-transform: none; white-space: = normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: = break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" = class=3D""><div style=3D"color: rgb(0, 0, 0); letter-spacing: normal; = text-align: start; text-indent: 0px; text-transform: none; white-space: = normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: = break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" = class=3D""><div style=3D"color: rgb(0, 0, 0); letter-spacing: normal; = text-align: start; text-indent: 0px; text-transform: none; white-space: = normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: = break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" = class=3D""><div style=3D"text-align: start; text-indent: 0px; word-wrap: = break-word; -webkit-nbsp-mode: space; line-break: after-white-space; = -webkit-text-stroke-width: 0px; word-spacing: 0px; white-space: normal; = text-transform: none; letter-spacing: normal; color: rgb(0, 0, 0);" = class=3D""><div style=3D"letter-spacing: normal; text-align: start; = text-indent: 0px; text-transform: none; white-space: normal; = word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: = break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" = class=3D""><div style=3D"letter-spacing: normal; text-align: start; = text-indent: 0px; text-transform: none; white-space: normal; = word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: = break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" = class=3D""><p class=3D"MsoNormal"><a href=3D"http://www.gregbeller.com" = class=3D"">Dr. Greg Beller</a>&nbsp;<span = class=3D"Apple-converted-space">&nbsp;</span>&nbsp;&nbsp;<br = class=3D"">Product Manager&nbsp;<span style=3D"color: rgb(56, 110, = 255);" class=3D""><a href=3D"http://forum.ircam.fr/" class=3D"">IRCAM = Forum</a><br class=3D""></span>Dr. sc. mus.&nbsp;<u class=3D""><span = style=3D"color: rgb(56, 110, 255);" class=3D""><a = href=3D"https://www.hfmt-hamburg.de/innovative-hochschule/" = class=3D"">KiSS =E2=80=93 HfMT Hamburg</a></span></u>&nbsp;</p><p = class=3D"MsoNormal"><br = class=3D""></p></div></div></div></div></div></div><br = class=3D"Apple-interchange-newline"></div><br = class=3D"Apple-interchange-newline"></div><br = class=3D"Apple-interchange-newline"></div><br = class=3D"Apple-interchange-newline"><br = class=3D"Apple-interchange-newline"> </div> <br class=3D""></body></html>= --Apple-Mail=_6EFD9595-8765-42A5-B930-604739C4C267--


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Electrical Engineering Dept., Columbia University