[AUDITORY] [CFP] 18th Sound and Music Computing Conference (SMC) 2021 ("Mauro, Davide Andrea" )

Subject: [AUDITORY] [CFP] 18th Sound and Music Computing Conference (SMC) 2021 From: "Mauro, Davide Andrea" <maurod@xxxxxxxx> Date: Fri, 27 Nov 2020 18:36:57 +0000 --_000_MN2PR01MB5423D0238E1BE49FF0B52310A4F80MN2PR01MB5423prod_ Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable [Apologies for cross-postings] [Please distribute] SMC 2021 - Reconnecting Spaces - 1st CALL FOR PAPERS The 18th Sound & Music Computing Conference (SMC 2021) will be a free onlin= e event taking place between the 29th of June and the 01st of July 2021. Following last year's online format, SMC 2021 welcomes contributions for on= line presentations examining all the core topics of the Sound and Music Com= puting field, including but not limited to: - Algorithms and systems for music composition - Auditory display and data sonification - Automatic separation, recognition, classification of sound and music - Automatic music generation/accompaniment systems - Computational musicology and ethnomusicology - Content processing of music audio signals - Digital audio effects - Hardware systems for sound and music computing - History and aesthetics of electroacoustic music - Humanities in sound and music computing - Interactive performance systems - Interfaces for sound and music - Languages, protocols, and software environments for sound and music compu= ting - Models for sound analysis and synthesis - Multimodality in sound and music computing - Music information retrieval - Music performance analysis and rendering - Perception and cognition of sound and music - Sonic interaction design - Sound and music for accessibility and special needs - Sound/music and the neurosciences - Sound/music signal processing algorithms - Technologies for the preservation, access, and modelling of musical herit= age This year's featured topic is "Reconnecting spaces". The current pandemic s= ituation has dramatically shown that the whole world is closely interconnec= ted. At the same time, it has also demonstrated how fragile this system mad= e up of human relations is, the same system having been abruptly interrupte= d and fragmented at all levels. This fragmentation still has important cons= equences for our community, made up of scientists working in groups distrib= uted among several countries, and musicians, for whom reciprocal interactio= n is a constitutive element of their work. At the same time, we have witnes= sed a fast growth of connectivity, with the proliferation of online sharing= tools and more generally the renewal of work logics for better or for wors= e. What have we learned from this crisis? The accelerated development of netwo= rk technologies can not only allow to make up for the lack of physical inte= raction, but it can even contribute to the establishment of new paradigms t= hat combine real and virtual spaces. With this as the conference theme, SMC= 2021 particularly welcomes contributions in: - Networked performances - Online audio sharing technologies - Sound and music for augmented/virtual reality and games - Soundscape documentation, preservation, and composition - Spatial sound, reverberation, and virtual acoustics - Virtual communities for sound and music collaboration - Web Audio Papers should be between 4 and 8 pages, written in English and not previous= ly published. The paper submission must be in PDF and must conform to the c= onference template that will be made available (LaTeX and Office). Paper abstract submission deadline (strict!): March 05, 2021. Full paper submission deadline (strict!): March 12, 2021. All submissions will be peer-reviewed and all accepted papers will be inclu= ded in the conference Proceedings. In this edition all the contributions wi= ll be presented with the same format, and there will be no distinction betw= een posters and oral presentations. The Proceedings will have an ISBN and the electronic version will be availa= ble on the SMC website (http://smcnetwork.org/) and Zenodo (https://zenodo.= org/communities/smc/). Please note that all accepted papers will be subject= to a publication fee in order to be published in the Proceedings. Due to the uncertainty caused by this pandemic we are investigating the pos= sibility of setting up local hubs during the conference dates allowing for = in-person meetings of participants. More information will be provided in th= e next months. Please follow us at https://www.facebook.com/SMC2021Conference The SMC 2021 Chairs Davide Andrea Mauro (maurod@xxxxxxxx<mailto:maurod@xxxxxxxx>) Simone Spagnol (ssp@xxxxxxxx<mailto:ssp@xxxxxxxx>) Andrea Valle (andrea.valle@xxxxxxxx<mailto:andrea.valle@xxxxxxxx>) --------------------------------------------------------------- --_000_MN2PR01MB5423D0238E1BE49FF0B52310A4F80MN2PR01MB5423prod_ Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable <html xmlns:v=3D"urn:schemas-microsoft-com:vml" xmlns:o=3D"urn:schemas-micr= osoft-com:office:office" xmlns:w=3D"urn:schemas-microsoft-com:office:word" = xmlns:m=3D"http://schemas.microsoft.com/office/2004/12/omml" xmlns=3D"http:= //www.w3.org/TR/REC-html40"> <head> <meta http-equiv=3D"Content-Type" content=3D"text/html; charset=3Dus-ascii"= > <meta name=3D"Generator" content=3D"Microsoft Word 15 (filtered medium)"> <style></style> </head> <body lang=3D"EN-US" link=3D"#0563C1" vlink=3D"#954F72" style=3D"word-wrap:= break-word"> <div class=3D"WordSection1"> [Apologies for cross-postings]<o:p></o:p> [Please distribute]<o:p></o:p> <o:p> </o:p> SMC 2021 - Reconnecting Spaces - 1st CALL FOR PAPERS= <o:p></o:p> <o:p> </o:p> The 18th Sound & Music Computing Conference (SMC= 2021) will be a free online event taking place between the 29th of June an= d the 01st of July 2021. <o:p></o:p> <o:p> </o:p> Following last year’s online format, SMC 2021 = welcomes contributions for online presentations examining all the core topi= cs of the Sound and Music Computing field, including but not limited to: <o:p></o:p> <o:p> </o:p> - Algorithms and systems for music composition <o:p>= </o:p> - Auditory display and data sonification <o:p></o:p>= - Automatic separation, recognition, classification = of sound and music <o:p></o:p> - Automatic music generation/accompaniment systems <= o:p></o:p> - Computational musicology and ethnomusicology <o:p>= </o:p> - Content processing of music audio signals <o:p></o= :p> - Digital audio effects <o:p></o:p> - Hardware systems for sound and music computing <o:= p></o:p> - History and aesthetics of electroacoustic music <o= :p></o:p> - Humanities in sound and music computing <o:p></o:p= > - Interactive performance systems <o:p></o:p> - Interfaces for sound and music <o:p></o:p> - Languages, protocols, and software environments fo= r sound and music computing <o:p></o:p> - Models for sound analysis and synthesis <o:p></o:p= > - Multimodality in sound and music computing <o:p></= o:p> - Music information retrieval <o:p></o:p> - Music performance analysis and rendering <o:p></o:= p> - Perception and cognition of sound and music <o:p><= /o:p> - Sonic interaction design <o:p></o:p> - Sound and music for accessibility and special need= s <o:p></o:p> - Sound/music and the neurosciences <o:p></o:p> - Sound/music signal processing algorithms <o:p></o:= p> - Technologies for the preservation, access, and mod= elling of musical heritage <o:p></o:p> <o:p> </o:p> This year's featured topic is “Reconnecting sp= aces”. The current pandemic situation has dramatically shown that the= whole world is closely interconnected. At the same time, it has also demon= strated how fragile this system made up of human relations is, the same system having been abruptly interrupted and fragmen= ted at all levels. This fragmentation still has important consequences for = our community, made up of scientists working in groups distributed among se= veral countries, and musicians, for whom reciprocal interaction is a constitutive element of their work. A= t the same time, we have witnessed a fast growth of connectivity, with the = proliferation of online sharing tools and more generally the renewal of wor= k logics for better or for worse. <o:p></o:p> <o:p> </o:p> What have we learned from this crisis? The accelerat= ed development of network technologies can not only allow to make up for th= e lack of physical interaction, but it can even contribute to the establish= ment of new paradigms that combine real and virtual spaces. With this as the conference theme, SMC 2021 parti= cularly welcomes contributions in: <o:p></o:p> <o:p> </o:p> - Networked performances <o:p></o:p> - Online audio sharing technologies <o:p></o:p> - Sound and music for augmented/virtual reality and = games <o:p> </o:p> - Soundscape documentation, preservation, and compos= ition <o:p> </o:p> - Spatial sound, reverberation, and virtual acoustic= s <o:p></o:p> - Virtual communities for sound and music collaborat= ion <o:p> </o:p> - Web Audio <o:p></o:p> <o:p> </o:p> Papers should be between 4 and 8 pages, written in E= nglish and not previously published. The paper submission must be in PDF an= d must conform to the conference template that will be made available (LaTe= X and Office). <o:p></o:p> <o:p> </o:p> Paper abstract submission deadline (strict!): March = 05, 2021. <o:p></o:p> <o:p> </o:p> Full paper submission deadline (strict!): March 12, = 2021. <o:p> </o:p> <o:p> </o:p> All submissions will be peer-reviewed and all accept= ed papers will be included in the conference Proceedings. In this edition a= ll the contributions will be presented with the same format, and there will= be no distinction between posters and oral presentations. <o:p></o:p> <o:p> </o:p> The Proceedings will have an ISBN and the electronic= version will be available on the SMC website (<a href=3D"http://smcnetwork= .org/">http://smcnetwork.org/</a>) and Zenodo (<a href=3D"https://zenodo.or= g/communities/smc/">https://zenodo.org/communities/smc/</a>). Please note that all accepted papers will be subject to a publication fee = in order to be published in the Proceedings. <o:p></o:p> <o:p> </o:p> Due to the uncertainty caused by this pandemic we ar= e investigating the possibility of setting up local hubs during the confere= nce dates allowing for in-person meetings of participants. More information= will be provided in the next months. <o:p></o:p> <o:p> </o:p> Please follow us at <a href=3D"https://www.facebook.= com/SMC2021Conference"> https://www.facebook.com/SMC2021Conference</a> <o:p></o:p> <o:p> </o:p> The SMC 2021 Chairs <o:p></o:p> Davide Andrea Mauro (<a href=3D"mailto:maurod@xxxxxxxx= ll.edu">maurod@xxxxxxxx</a>) <o:p></o:p> Simone Spagnol (<a href=3D"mailto:ssp@xxxxxxxx"= >ssp@xxxxxxxx</a>) <o:p></o:p> Andrea Valle (<a href=3D"mailto:andrea.valle@xxxxxxxx= t">andrea.valle@xxxxxxxx</a>) <o:p></o:p> ----------------------------------------------------= -----------<o:p></o:p> </div> </body> </html> --_000_MN2PR01MB5423D0238E1BE49FF0B52310A4F80MN2PR01MB5423prod_--

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DAn Ellis <dpwe@ee.columbia.edu>
Electrical Engineering Dept., Columbia University