[AUDITORY] ANNOUNCEMENT: Journal of Sonic Studies - New issue now available (Vincent Meelberg )

Subject: [AUDITORY] ANNOUNCEMENT: Journal of Sonic Studies - New issue now available From: Vincent Meelberg <00000085e4d42aca-dmarc-request@xxxxxxxx> Date: Tue, 20 Oct 2020 09:43:15 +0200 --Apple-Mail=_5445C5D6-19E5-4491-8B18-B6AC3A4F6D76 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=utf-8 Journal of Sonic Studies 20 online JSS 20 <https://www.researchcatalogue.net/view/558606/558686> is = delighted to offer you eight exhibitions, a small cross-section of = current research taking place in sound studies. In this issue, the = reader can explore the sound worlds of the Baschet brothers=E2=80=99 = Odontophones or follow an (embodied) investigation of the textured sound = fields of =C3=89liane Radigue=E2=80=99s sonic works. =20 Take the sharply hooked turns to the Source Bleue in Tiznit, Morocco, = and experience the sonic thresholds that gently mark or guide your = experience. Ponder the tragic disruptions of Birdstrike through an audio = documentary by Jacob Smith or be confronted with the use of noise and = silence as powerful tools of disruption or coercion in the sound = sculptures of Adam Basanta. Take a guess at what lies within Marcel Duchamp=E2=80=99s With Hidden = Noise (1916) or observe the physiological effects of durational = listening to the sounds of Arctic winter winds featured on YouTube. Finally, and perhaps most pertinent to our current situation, our = readers can also consider the suggestions of Braxton Boren on how we = might reduce low frequency noise transmission to our neighbours in = adjacent apartment units. Perhaps with a few modifications, we can ease = the sonic disturbances within this strange version of =E2=80=9Cliving = together apart=E2=80=9D and improve the overall sonic liveability for = all those living and working at home in close quarters. Table of Contents and contributors to JSS20: Marcel Cobussen =E2=80=93 =E2=80=9CEditorial: Enjoy Sound Art and Sound = Studies at Home During Hard Times=E2=80=9D = <https://www.researchcatalogue.net/view/1010798/1010799> Mart=C3=AD Ruiz i Carulla and Sudhanshu Tewari =E2=80=93 = =E2=80=9COdontophones: An Empirical Approach to the Baschet Use of = Clamped Oscillators for Sound Sculptures (and Beyond)=E2=80=9D = <https://www.researchcatalogue.net/view/932703/939501> Mark Saccomano =E2=80=93 =E2=80=9CThe Timbre of Tone, the Texture of = Space: An Embodied Approach to the Atmospheric Modulations of =C3=89liane = Radigue=E2=80=9D=C2=A0 = <https://www.researchcatalogue.net/view/979475/979476> Noha Gamal Sa=C3=AFd =E2=80=93 =E2=80=9CSonic Affordances of a Sacred = Spring. The Urban Courtyard as a Figure of Rehabilitation of the = Medina=E2=80=9D <https://www.researchcatalogue.net/view/978902/978903> Jacob Smith =E2=80=93 =E2=80=9CThe Pteropoetics of Birdstrike=E2=80=9D = <https://www.researchcatalogue.net/view/873703/873704> Shauna Jean Doherty =E2=80=93 =E2=80=9CNoise and Silence: The = Contemporary Sound Sculptures of Adam Basanta=E2=80=9D = <https://www.researchcatalogue.net/view/978605/978606> Krzysztof Fijalkowski=C2=A0=C2=A0=E2=80=93 =E2=80=9CSecret Noise: Marcel = Duchamp and the (Un)sound Object=E2=80=9D = <https://www.researchcatalogue.net/view/978680/978681> Braxton Boren =E2=80=93 =E2=80=9CThe Soundscape of Quarantine: The Role = of Sound During a Public Health Crisis=E2=80=9D = <https://www.researchcatalogue.net/view/978530/978531> Svein H=C3=B8ier and Asbj=C3=B8rn Tiller =E2=80=93 =E2=80=9CExperiencing = Recorded Geophony. Listening to Arctic Winter Winds at Home=E2=80=9D = <https://www.researchcatalogue.net/view/979085/979086>= --Apple-Mail=_5445C5D6-19E5-4491-8B18-B6AC3A4F6D76 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=utf-8 <html><head><meta http-equiv=3D"Content-Type" content=3D"text/html; = charset=3Dutf-8"></head><body style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; line-break: after-white-space;" class=3D""><meta= http-equiv=3D"Content-Type" content=3D"text/html; charset=3Dutf-8" = class=3D""><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: = space; line-break: after-white-space;" class=3D""><meta = http-equiv=3D"Content-Type" content=3D"text/html; charset=3Dutf-8" = class=3D""><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: = space; line-break: after-white-space;" class=3D"">    Journal of Sonic Studies 20 online<o:p = class=3D""></o:p><a = href=3D"https://www.researchcatalogue.net/view/558606/558686" = class=3D"">JSS 20</a> is delighted to offer you eight exhibitions, a small cross-section of = current research taking place in sound studies. In this issue, the reader can = explore the sound worlds of the Baschet brothers=E2=80=99 Odontophones or follow = an (embodied) investigation of the textured sound fields of =C3=89liane Radigue=E2=80=99= s sonic works.  Take the sharply hooked = turns to the Source Bleue in Tiznit, Morocco, and experience the sonic thresholds that = gently mark or guide your experience. Ponder the tragic disruptions of Birdstrike = through an audio documentary by Jacob Smith or be confronted with the use of = noise and silence as powerful tools of disruption or coercion in the sound = sculptures of Adam Basanta.<o:p class=3D""></o:p>Take a guess at what lies within Marcel Duchamp=E2=80=99s With Hidden Noise (1916) or observe the physiological effects of durational listening to the sounds of Arctic = winter winds featured on YouTube.Finally, and perhaps most = pertinent to our current situation, our readers can also consider the suggestions of = Braxton Boren on how we might reduce low frequency noise transmission to our = neighbours in adjacent apartment units. Perhaps with a few modifications, we can = ease the sonic disturbances within this strange version of =E2=80=9Cliving = together apart=E2=80=9D and improve the overall sonic liveability for all those living and working = at home in close quarters.<o:p class=3D""></o:p>Table of Contents and contributors to JSS20: <ul style=3D"margin-top:0cm" type=3D"disc" class=3D""> <li class=3D"MsoNormal" = style=3D"margin-right:13.6pt;text-align:justify;line-height: 18.0pt;mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"><a = href=3D"https://www.researchcatalogue.net/view/1010798/1010799" = class=3D"">Marcel Cobussen =E2=80=93 =E2=80=9CEditorial: Enjoy Sound Art and Sound = Studies at Home During Hard Times=E2=80=9D</a><o:p class=3D""></o:p></li> <li class=3D"MsoNormal" = style=3D"margin-right:13.6pt;text-align:justify;line-height: 18.0pt;mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"><a = href=3D"https://www.researchcatalogue.net/view/932703/939501" = class=3D"">Mart=C3=AD Ruiz i Carulla and Sudhanshu Tewari =E2=80=93 =E2=80=9COdontophones: = An Empirical Approach to the Baschet Use of Clamped Oscillators for Sound Sculptures (and Beyond)=E2=80=9D</a><o:p class=3D""></o:p></li> <li class=3D"MsoNormal" = style=3D"margin-right:13.6pt;text-align:justify;line-height: 18.0pt;mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"><a = href=3D"https://www.researchcatalogue.net/view/979475/979476" = class=3D"">Mark Saccomano =E2=80=93 =E2=80=9CThe Timbre of Tone, the Texture of = Space: An Embodied Approach to the Atmospheric Modulations of =C3=89liane = Radigue=E2=80=9D </a><o:p class=3D""></o:p></li> <li class=3D"MsoNormal" = style=3D"margin-right:13.6pt;text-align:justify;line-height: 18.0pt;mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"><a = href=3D"https://www.researchcatalogue.net/view/978902/978903" = class=3D"">Noha Gamal Sa=C3=AFd =E2=80=93 =E2=80=9CSonic Affordances of a Sacred = Spring. The Urban Courtyard as a Figure of Rehabilitation of the Medina=E2=80=9D</a><o:p = class=3D""></o:p></li> <li class=3D"MsoNormal" = style=3D"margin-right:13.6pt;text-align:justify;line-height: 18.0pt;mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"><a = href=3D"https://www.researchcatalogue.net/view/873703/873704" = class=3D"">Jacob Smith =E2=80=93 =E2=80=9CThe Pteropoetics of Birdstrike=E2=80=9D</a><= o:p class=3D""></o:p></li> <li class=3D"MsoNormal" = style=3D"margin-right:13.6pt;text-align:justify;line-height: 18.0pt;mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"><a = href=3D"https://www.researchcatalogue.net/view/978605/978606" = class=3D"">Shauna Jean Doherty =E2=80=93 =E2=80=9CNoise and Silence: The Contemporary = Sound Sculptures of Adam Basanta=E2=80=9D</a><o:p class=3D""></o:p></li> <li class=3D"MsoNormal" = style=3D"margin-right:13.6pt;text-align:justify;line-height: 18.0pt;mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"><a = href=3D"https://www.researchcatalogue.net/view/978680/978681" = class=3D"">Krzysztof Fijalkowski  =E2=80=93 =E2=80=9CSecret Noise: Marcel = Duchamp and the (Un)sound Object=E2=80=9D</a><o:p class=3D""></o:p></li> <li class=3D"MsoNormal" = style=3D"margin-right:13.6pt;text-align:justify;line-height: 18.0pt;mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"><a = href=3D"https://www.researchcatalogue.net/view/978530/978531" = class=3D"">Braxton Boren =E2=80=93 =E2=80=9CThe Soundscape of Quarantine: The Role of = Sound During a Public Health Crisis=E2=80=9D</a><o:p class=3D""></o:p></li> <li class=3D"MsoNormal" = style=3D"margin-right:13.6pt;text-align:justify;line-height: 18.0pt;mso-list:l0 level1 lfo1;tab-stops:list 36.0pt"><a = href=3D"https://www.researchcatalogue.net/view/979085/979086" = class=3D"">Svein H=C3=B8ier and Asbj=C3=B8rn Tiller =E2=80=93 =E2=80=9CExperiencing = Recorded Geophony. Listening to Arctic Winter Winds at Home=E2=80=9D</a><o:p = class=3D""></o:p></li> </ul> </div></div></body></html>= --Apple-Mail=_5445C5D6-19E5-4491-8B18-B6AC3A4F6D76--

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