Subject: Re: [AUDITORY] Papers on lack of effect of musical training From: Kelly Whiteford <0000011ab7a8e030-dmarc-request@xxxxxxxx> Date: Fri, 14 Aug 2020 10:26:26 -0500--000000000000f1e19705acd80b96 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Hi Francesco, Our preregistration protocol has related citations for both null and significant effects of musicianship on a variety of neural and perceptual measures: https://osf.io/pxwbu/ Here is another related paper: Madsen, Sara MK, et al. "Speech perception is similar for musicians and non-musicians across a wide range of conditions." *Scientific reports* 9.1 (2019): 1-10. Best, Kelly On Thu, Aug 13, 2020 at 11:50 PM Francesco Caprini <fcapri01@xxxxxxxx= > wrote: > Dear everyone, > > I'm currently conducting a literature review on the transfer of musical > expertise onto other domains of cognition, as part of a paper where I > compare musicians with sound engineers across a number of behavioural > tasks, i.e. psychophysics, auditory scene analysis, sustained selective > attention, and speech in noise perception. > > I am specifically interested in papers that *failed* to detect an > association between musicianship and any of these dimensions, which are > surprisingly (or unsurprisingly?) very hard to find via canonical search > engines. > > Would anyone know of any recent papers that might fit into this category? > > I=E2=80=99m only aware of the mixed literature on speech in noise percept= ion (see > refs below). > > Any help will be greatly appreciated. > > > Kind regards, > > Francesco > > > > **References** > > Ruggles, D. R., Freyman, R. L., & Oxenham, A. J. (2014). Influence of > musical training on understanding voiced and whispered speech in noise. > PLoS ONE, 9(1). https://doi.org/10.1371/journal.pone.0086980 > > Boebinger, D., Evans, S., Rosen, S., Lima, C. F., Manly, T., & Scott, S. > K. (2015). Musicians and non-musicians are equally adept at perceiving > masked speech. The Journal of the Acoustical Society of America, 137(1), > 378=E2=80=93387. https://doi.org/10.1121/1.4904537 > > Fuller, C. D., Galvin, J. J., Maat, B., Free, R. H., & Ba=C5=9Fkent, D. (= 2014). > The musician effect: Does it persist under degraded pitch conditions of > cochlear implant simulations? Frontiers in Neuroscience, 8(8 JUN), 1=E2= =80=9316. > https://doi.org/10.3389/fnins.2014.00179 > > Skoe, E., Camera, S., & Tufts, J. (2019). Noise exposure may diminish the > musician advantage for perceiving speech in noise. Ear and Hearing, 40(4)= , > 782=E2=80=93793. https://doi.org/10.1097/AUD.0000000000000665 > > Madsen, S. M. K., Whiteford, K. L., & Oxenham, A. J. (2017). Musicians do > not benefit from differences in fundamental frequency when listening to > speech in competing speech backgrounds. Scientific Reports, 7(1), 1=E2=80= =939. > https://doi.org/10.1038/s41598-017-12937-9 > > > ********************************************** > Francesco Caprini > PhD student in Auditory Neuroscience > Birkbeck, University of London > fcapri01@xxxxxxxx > ********************************************** > > --000000000000f1e19705acd80b96 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable <div dir=3D"ltr">Hi Francesco,=C2=A0<div><br></div><div>Our preregistration= protocol has related citations for both null and significant=C2=A0effects = of musicianship on a variety of neural and perceptual measures:=C2=A0<a hre= f=3D"https://osf.io/pxwbu/">https://osf.io/pxwbu/</a></div><div><br></div><= div>Here is another related paper:</div><div><br></div><div><span style=3D"= font-family:Arial,sans-serif;font-size:13px">Madsen, Sara MK, et al. "= Speech perception is similar for musicians and non-musicians across a wide = range of conditions."=C2=A0</span><i style=3D"font-family:Arial,sans-s= erif;font-size:13px">Scientific reports</i><span style=3D"font-family:Arial= ,sans-serif;font-size:13px">=C2=A09.1 (2019): 1-10.</span>=C2=A0=C2=A0<br><= /div><div><br></div><div>Best,</div><div><br></div><div>Kelly</div></div><b= r><div class=3D"gmail_quote"><div dir=3D"ltr" class=3D"gmail_attr">On Thu, = Aug 13, 2020 at 11:50 PM Francesco Caprini <<a href=3D"mailto:fcapri01@xxxxxxxx= ail.bbk.ac.uk">fcapri01@xxxxxxxx</a>> wrote:<br></div><blockquote = class=3D"gmail_quote" style=3D"margin:0px 0px 0px 0.8ex;border-left:1px sol= id rgb(204,204,204);padding-left:1ex"><div style=3D"overflow-wrap: break-wo= rd;"><div style=3D"overflow-wrap: break-word;"><div>Dear everyone,</div><di= v><br></div><div>I'm currently conducting a literature review on the tr= ansfer of musical expertise onto other domains of cognition, as part of a p= aper where I compare musicians with sound engineers across a number of beha= vioural tasks, i.e. psychophysics, auditory scene analysis, sustained selec= tive attention, and speech in noise perception.</div><div><br></div><div>I = am specifically interested in papers that=C2=A0<u>failed</u>=C2=A0to detect= an association between musicianship and any of these dimensions, which are= surprisingly (or unsurprisingly?) very hard to find via canonical search e= ngines.=C2=A0</div><div><br></div><div>Would anyone know of any recent pape= rs that might fit into this category?</div><div><br></div><div>I=E2=80=99m = only aware of the mixed literature on speech in noise perception (see refs = below).</div><div><br></div><div>Any help will be greatly appreciated.</div= ><div><br></div><div><br></div><div>Kind regards,</div><div><br></div><div>= Francesco</div><div><br></div><div><br></div><div><br></div><div>**Referenc= es**</div><div><br></div><div><div>Ruggles, D. R., Freyman, R. L., & Ox= enham, A. J. (2014). Influence of musical training on understanding voiced = and whispered speech in noise. PLoS ONE, 9(1).=C2=A0<a href=3D"https://doi.= org/10.1371/journal.pone.0086980" target=3D"_blank">https://doi.org/10.1371= /journal.pone.0086980</a></div><div><br></div><div>Boebinger, D., Evans, S.= , Rosen, S., Lima, C. F., Manly, T., & Scott, S. K. (2015). Musicians a= nd non-musicians are equally adept at perceiving masked speech. The Journal= of the Acoustical Society of America, 137(1), 378=E2=80=93387.=C2=A0<a hre= f=3D"https://doi.org/10.1121/1.4904537" target=3D"_blank">https://doi.org/1= 0.1121/1.4904537</a></div><div><br></div><div>Fuller, C. D., Galvin, J. J.,= Maat, B., Free, R. H., & Ba=C5=9Fkent, D. (2014). The musician effect:= Does it persist under degraded pitch conditions of cochlear implant simula= tions? Frontiers in Neuroscience, 8(8 JUN), 1=E2=80=9316.=C2=A0<a href=3D"h= ttps://doi.org/10.3389/fnins.2014.00179" target=3D"_blank">https://doi.org/= 10.3389/fnins.2014.00179</a></div><div><br></div><div>Skoe, E., Camera, S.,= & Tufts, J. (2019). Noise exposure may diminish the musician advantage= for perceiving speech in noise. Ear and Hearing, 40(4), 782=E2=80=93793.= =C2=A0<a href=3D"https://doi.org/10.1097/AUD.0000000000000665" target=3D"_b= lank">https://doi.org/10.1097/AUD.0000000000000665</a></div><div><br></div>= <div>Madsen, S. M. K., Whiteford, K. L., & Oxenham, A. J. (2017). Music= ians do not benefit from differences in fundamental frequency when listenin= g to speech in competing speech backgrounds. Scientific Reports, 7(1), 1=E2= =80=939.=C2=A0<a href=3D"https://doi.org/10.1038/s41598-017-12937-9" target= =3D"_blank">https://doi.org/10.1038/s41598-017-12937-9</a></div><div><br></= div><div><br></div></div><div>*********************************************= *</div><div>Francesco Caprini</div><div>PhD student in Auditory Neuroscienc= e</div><div>Birkbeck, University of London</div><div><a href=3D"mailto:fcap= ri01@xxxxxxxx" target=3D"_blank">fcapri01@xxxxxxxx</a></div><di= v><div>**********************************************</div><div><br></div><= /div></div></div></blockquote></div> --000000000000f1e19705acd80b96--