Subject: [AUDITORY] Papers on lack of effect of musical training From: Francesco Caprini <fcapri01@xxxxxxxx> Date: Thu, 13 Aug 2020 17:27:47 +0100--Apple-Mail=_64A88517-FC45-4C60-99D6-D230A985BA63 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=utf-8 Dear everyone, I'm currently conducting a literature review on the transfer of musical = expertise onto other domains of cognition, as part of a paper where I = compare musicians with sound engineers across a number of behavioural = tasks, i.e. psychophysics, auditory scene analysis, sustained selective = attention, and speech in noise perception. I am specifically interested in papers that failed to detect an = association between musicianship and any of these dimensions, which are = surprisingly (or unsurprisingly?) very hard to find via canonical search = engines.=20 Would anyone know of any recent papers that might fit into this = category? I=E2=80=99m only aware of the mixed literature on speech in noise = perception (see refs below). Any help will be greatly appreciated. Kind regards, Francesco **References** Ruggles, D. R., Freyman, R. L., & Oxenham, A. J. (2014). Influence of = musical training on understanding voiced and whispered speech in noise. = PLoS ONE, 9(1). https://doi.org/10.1371/journal.pone.0086980 = <https://doi.org/10.1371/journal.pone.0086980> Boebinger, D., Evans, S., Rosen, S., Lima, C. F., Manly, T., & Scott, S. = K. (2015). Musicians and non-musicians are equally adept at perceiving = masked speech. The Journal of the Acoustical Society of America, 137(1), = 378=E2=80=93387. https://doi.org/10.1121/1.4904537 = <https://doi.org/10.1121/1.4904537> Fuller, C. D., Galvin, J. J., Maat, B., Free, R. H., & Ba=C5=9Fkent, D. = (2014). The musician effect: Does it persist under degraded pitch = conditions of cochlear implant simulations? Frontiers in Neuroscience, = 8(8 JUN), 1=E2=80=9316. https://doi.org/10.3389/fnins.2014.00179 = <https://doi.org/10.3389/fnins.2014.00179> Skoe, E., Camera, S., & Tufts, J. (2019). Noise exposure may diminish = the musician advantage for perceiving speech in noise. Ear and Hearing, = 40(4), 782=E2=80=93793. https://doi.org/10.1097/AUD.0000000000000665 = <https://doi.org/10.1097/AUD.0000000000000665> Madsen, S. M. K., Whiteford, K. L., & Oxenham, A. J. (2017). Musicians = do not benefit from differences in fundamental frequency when listening = to speech in competing speech backgrounds. Scientific Reports, 7(1), = 1=E2=80=939. https://doi.org/10.1038/s41598-017-12937-9 = <https://doi.org/10.1038/s41598-017-12937-9> ********************************************** Francesco Caprini PhD student in Auditory Neuroscience Birkbeck, University of London fcapri01@xxxxxxxx <mailto:fcapri01@xxxxxxxx> ********************************************** --Apple-Mail=_64A88517-FC45-4C60-99D6-D230A985BA63 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=utf-8 <html><head><meta http-equiv=3D"Content-Type" content=3D"text/html; = charset=3Dutf-8"></head><body style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; line-break: after-white-space;" class=3D""><meta= http-equiv=3D"Content-Type" content=3D"text/html; charset=3Dutf-8" = class=3D""><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: = space; line-break: after-white-space;" class=3D""><div class=3D"">Dear = everyone,</div><div class=3D""><br class=3D""></div><div class=3D"">I'm = currently conducting a literature review on the transfer of musical = expertise onto other domains of cognition, as part of a paper where I = compare musicians with sound engineers across a number of behavioural = tasks, i.e. psychophysics, auditory scene analysis, sustained selective = attention, and speech in noise perception.</div><div class=3D""><br = class=3D""></div><div class=3D"">I am specifically interested in papers = that <u class=3D"">failed</u> to detect an association between = musicianship and any of these dimensions, which are surprisingly (or = unsurprisingly?) very hard to find via canonical search = engines. </div><div class=3D""><br class=3D""></div><div = class=3D"">Would anyone know of any recent papers that might fit into = this category?</div><div class=3D""><br class=3D""></div><div = class=3D"">I=E2=80=99m only aware of the mixed literature on speech in = noise perception (see refs below).</div><div class=3D""><br = class=3D""></div><div class=3D"">Any help will be greatly = appreciated.</div><div class=3D""><br class=3D""></div><div class=3D""><br= class=3D""></div><div class=3D"">Kind regards,</div><div class=3D""><br = class=3D""></div><div class=3D"">Francesco</div><div class=3D""><br = class=3D""></div><div class=3D""><br class=3D""></div><div class=3D""><br = class=3D""></div><div class=3D"">**References**</div><div class=3D""><br = class=3D""></div><div class=3D""><div class=3D"">Ruggles, D. R., = Freyman, R. L., & Oxenham, A. J. (2014). Influence of musical = training on understanding voiced and whispered speech in noise. PLoS = ONE, 9(1). <a href=3D"https://doi.org/10.1371/journal.pone.0086980" = class=3D"">https://doi.org/10.1371/journal.pone.0086980</a></div><div = class=3D""><br class=3D""></div><div class=3D"">Boebinger, D., Evans, = S., Rosen, S., Lima, C. F., Manly, T., & Scott, S. K. (2015). = Musicians and non-musicians are equally adept at perceiving masked = speech. The Journal of the Acoustical Society of America, 137(1), = 378=E2=80=93387. <a href=3D"https://doi.org/10.1121/1.4904537" = class=3D"">https://doi.org/10.1121/1.4904537</a></div><div class=3D""><br = class=3D""></div><div class=3D"">Fuller, C. D., Galvin, J. J., Maat, B., = Free, R. H., & Ba=C5=9Fkent, D. (2014). The musician effect: Does it = persist under degraded pitch conditions of cochlear implant simulations? = Frontiers in Neuroscience, 8(8 JUN), 1=E2=80=9316. <a = href=3D"https://doi.org/10.3389/fnins.2014.00179" = class=3D"">https://doi.org/10.3389/fnins.2014.00179</a></div><div = class=3D""><br class=3D""></div><div class=3D"">Skoe, E., Camera, S., = & Tufts, J. (2019). Noise exposure may diminish the musician = advantage for perceiving speech in noise. Ear and Hearing, 40(4), = 782=E2=80=93793. <a = href=3D"https://doi.org/10.1097/AUD.0000000000000665" = class=3D"">https://doi.org/10.1097/AUD.0000000000000665</a></div><div = class=3D""><br class=3D""></div><div class=3D"">Madsen, S. M. K., = Whiteford, K. L., & Oxenham, A. J. (2017). Musicians do not benefit = from differences in fundamental frequency when listening to speech in = competing speech backgrounds. Scientific Reports, 7(1), 1=E2=80=939. = <a href=3D"https://doi.org/10.1038/s41598-017-12937-9" = class=3D"">https://doi.org/10.1038/s41598-017-12937-9</a></div><div = class=3D""><br class=3D""></div><div class=3D""><br = class=3D""></div></div><div = class=3D"">**********************************************</div><div = class=3D"">Francesco Caprini</div><div class=3D"">PhD student in = Auditory Neuroscience</div><div class=3D"">Birkbeck, University of = London</div><div class=3D""><a href=3D"mailto:fcapri01@xxxxxxxx" = class=3D"">fcapri01@xxxxxxxx</a></div><div class=3D""><div = class=3D"">**********************************************</div><div = class=3D""><br class=3D""></div></div></div></body></html>= --Apple-Mail=_64A88517-FC45-4C60-99D6-D230A985BA63--