[AUDITORY] CFP: Journal of Sonic Studies - Call for Papers: Sound at Home (Vincent Meelberg )

Subject: [AUDITORY] CFP: Journal of Sonic Studies - Call for Papers: Sound at Home From: Vincent Meelberg <00000085e4d42aca-dmarc-request@xxxxxxxx> Date: Thu, 28 May 2020 13:51:09 +0200 --Apple-Mail=_2CC9D412-98B1-4794-9AA9-8B9CDFA98DD1 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=utf-8 Journal of Sonic Studies - Call for Papers: Sound at Home Sound at home is the hum of appliances, the babble of water piping, the = chatter of media, and the creaking of a wooden floor; it seeps in from = other homes and from the world outside =E2=80=93 traffic, music, = shouting; it is the disconcerting, unfamiliar sounds of the places that = have become temporary homes; it is sounds which go unheard in their = familiarity. =20 In this call, the Journal of Sonic Studies asks authors to explore = relationships between notions of home and the auditory. We encourage = studies that consider home as a permanent dwelling for families and = individuals as well as studies that consider the homely in a more = abstract sense, as an ideal to long for or a place to dream of or run = from. The broad aim of this special issue is an interest in explorations = of the home as that which is close, most habitual =E2=80=93 and perhaps = therefore often overheard =E2=80=93 as well as the methodological = considerations that follow. Examinations might follow the home as = private and secure, but we also encourage studies where sound at home = reveals itself as problematic and =E2=80=9Cunheimlich=E2=80=9D (cf. = Raahauge 2009; Freud 1919). =20 Concretely, we ask how home designs and technologies shape the = soundscapes and atmospheres of the home, how they are negotiated and how = they influence the dynamics of the different occupants of the home? What = kind of =E2=80=9Cacoustic agency=E2=80=9D (Cusick 2013) is expected of = the home =E2=80=93 and what is available? How do we explore = =E2=80=9Cacoustemologies=E2=80=9D (Feld 2012) of the homes of the = present and the past? What can we learn from the changes they might have = undergone? What methodologies allow us to explore habitual sounds, and = can we re-enchant (Mannay 2010; Sikes 2006) these sounds? What is the = meaning of sounds that are transported into or out of the house = deliberately or inadvertently? How do the other beings that we share our = homes with influence our sense of home through their =E2=80=9Csonic = traces=E2=80=9D (Schulze 2018) and kinetic melodies? What characterizes = our own =E2=80=9Chomebody=E2=80=9D (Steinbock 1995)? =20 Proposals for this special issue might speak to some of the following = subjects and points of discussion, but are not limited to: =C2=B7 Soundscapes and acoustemologies of the home and the homely =C2=B7 The shifting historical role of sound technologies in homes =C2=B7 Power relations and acoustic agency of the homely =C2=B7 Methodological approaches to studies of the intimate and = the well-known =C2=B7 Histories of sensing, habituation and overhearing sounds =C2=B7 Sounds as mediations between the home and its surroundings =C2=B7 Sound as indicators of safety versus uncanny sounds. =20 Deadline Potential contributors are invited to submit full articles by July 1st, = 2020. For more information, or to submit an article, please contact = sandra.lori.petersen@xxxxxxxx = <mailto:sandra.lori.petersen@xxxxxxxx> or = m.a.cobussen@xxxxxxxx = <mailto:m.a.cobussen@xxxxxxxx> =20 Guest editors Mette Simonsen Abildgaard (cultural historian of technologies, Aalborg = University), Marie Koldkj=C3=A6r H=C3=B8jlund (composer and audio = designer, Aarhus University) and Sandra Lori Petersen, (anthropologist, = University of Copenhagen) will be guest editors of this special issue. =20 The Journal of Sonic Studies is a peer-reviewed, online, open access = journal providing a platform for theorists and artist-researchers who = would like to present relevant work regarding auditory cultures, to = further our collective understanding of the impact and importance of = sound for our cultures. The editors welcome scholarly as well as = artistic research and also expect all contributions to have a firm = theoretical grounding. Priority is given to contributions that = explicitly use the Internet as a medium, e.g. by inserting A/V = materials, hyperlinks, and the use of non-conventional structures. JSS = invites potential contributors to use the Research Catalogue as the = platform in which the submission is presented (see = http://www.researchcatalogue.net/ <http://www.researchcatalogue.net/>). = Other submission guidelines can be found at sonicstudies.org/guidelines = <http://sonicstudies.org/guidelines>. --Apple-Mail=_2CC9D412-98B1-4794-9AA9-8B9CDFA98DD1 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=utf-8 <html><head><meta http-equiv=3D"Content-Type" content=3D"text/html; = charset=3Dutf-8"></head><body style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; line-break: after-white-space;" class=3D""><meta= http-equiv=3D"Content-Type" content=3D"text/html; charset=3Dutf-8" = class=3D""><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: = space; line-break: after-white-space;" class=3D""><meta = http-equiv=3D"Content-Type" content=3D"text/html; charset=3Dutf-8" = class=3D""><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: = space; line-break: after-white-space;" class=3D""><meta = http-equiv=3D"Content-Type" content=3D"text/html; charset=3Dutf-8" = class=3D""><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: = space; line-break: after-white-space;" class=3D""><meta = http-equiv=3D"Content-Type" content=3D"text/html; charset=3Dutf-8" = class=3D""><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: = space; line-break: after-white-space;" class=3D""><meta = http-equiv=3D"Content-Type" content=3D"text/html; charset=3Dutf-8" = class=3D""><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: = space; line-break: after-white-space;" class=3D""> <meta http-equiv=3D"Content-Type" content=3D"text/html; charset=3Dutf-8" = class=3D""><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: = space; line-break: after-white-space;" class=3D"">    Journal of Sonic Studies - Call for = Papers: Sound at Home<o:p class=3D""></o:p><span lang=3D"EN-US" = style=3D"font-size:10.0pt; = line-height:150%;font-family:"Verdana",sans-serif;mso-bidi-font-= family:Calibri; mso-bidi-theme-font:minor-latin;color:black;mso-ansi-language:EN-US" = class=3D"">Sound at home is the hum of appliances, the babble of water piping, the chatter = of media, and the creaking of a wooden floor; it seeps in from other homes and = from the world outside =E2=80=93 traffic, music, shouting; it is the = disconcerting, unfamiliar sounds of the places that have become temporary homes; it is sounds = which go unheard in their familiarity.<o:p class=3D""></o:p><div = style=3D"margin-right: 13.6pt; text-align: justify; line-height: 150%;" = class=3D""><span lang=3D"EN-US" style=3D"font-size:10.0pt; = line-height:150%;font-family:"Verdana",sans-serif;mso-bidi-font-= family:Calibri; mso-bidi-theme-font:minor-latin;color:black;mso-ansi-language:EN-US" = class=3D"">  </div><span lang=3D"EN-US" = style=3D"font-size:10.0pt; = line-height:150%;font-family:"Verdana",sans-serif;mso-bidi-font-= family:Calibri; mso-bidi-theme-font:minor-latin;color:black;mso-ansi-language:EN-US" = class=3D"">In this call, the Journal of Sonic Studies asks authors to = explore relationships between = notions of home and the auditory. We encourage studies that = consider home as a permanent dwelling for families and individuals as well as studies that consider = the homely in a more abstract sense, as an ideal to long for or a place to = dream of or run from. The broad aim of this special issue is an interest in = explorations of the home as that which is close, most habitual =E2=80=93 and perhaps = therefore often overheard =E2=80=93 as well as the methodological considerations that = follow. Examinations might follow the home as private and secure, but we also encourage = studies where sound at home reveals itself as problematic and =E2=80=9Cunheimlich=E2=80=9D= (cf. Raahauge 2009; Freud 1919).<o:p class=3D""></o:p><div = style=3D"margin-right: 13.6pt; text-align: justify; line-height: 150%;" = class=3D"">  </div>Concretely, we ask how home designs and technologies shape the soundscapes and atmospheres of = the home, how they are negotiated and how they influence the dynamics of the = different occupants of the home? What kind of =E2=80=9Cacoustic agency=E2=80=9D = (Cusick 2013) is expected of the home =E2=80=93 and what is available? How do we explore = =E2=80=9Cacoustemologies=E2=80=9D (Feld 2012) of the homes of the present and the past? What can we learn from = the changes they might have undergone? What methodologies allow us to = explore habitual sounds, and can we re-enchant (Mannay 2010; Sikes 2006) = these sounds? What is the meaning of sounds that are = transported into or out of the house deliberately or inadvertently? How do the other beings = that we share our homes with influence our sense of home through their =E2=80=9Cso= nic traces=E2=80=9D (Schulze 2018) and kinetic melodies? What characterizes our own = =E2=80=9Chomebody=E2=80=9D (Steinbock 1995)?<o:p class=3D""></o:p><div = style=3D"margin-right: 13.6pt; text-align: justify; line-height: 150%;" = class=3D"">  </div>Proposals for this special issue might speak to some of the following subjects and = points of discussion, but are not limited to:<o:p class=3D""></o:p>=C2=B7       Soundscapes and acoustemologies of the home and the homely<o:p = class=3D""></o:p>=C2=B7       The shifting historical role of sound technologies in homes<o:p = class=3D""></o:p>=C2=B7       Power relations and acoustic agency of the homely<o:p = class=3D""></o:p>=C2=B7       Methodological approaches to studies of the intimate and the well-known<o:p = class=3D""></o:p>=C2=B7       Histories of sensing, habituation and overhearing sounds<o:p = class=3D""></o:p>=C2=B7       Sounds as mediations between the home and its surroundings<o:p = class=3D""></o:p>=C2=B7       Sound as indicators of safety versus uncanny sounds.<o:p = class=3D""></o:p><div style=3D"margin-right: 13.6pt; = text-align: justify; line-height: 150%;" class=3D"">  </div>Deadline<o:p class=3D""></o:p>Potential contributors are invited to submit full articles by July 1st, 2020.<o:p = class=3D""></o:p>For more information, or to submit an article, please contact <a = href=3D"mailto:sandra.lori.petersen@xxxxxxxx" class=3D"">sandra.lori.petersen@xxxxxxxx</a> or <a = href=3D"mailto:m.a.cobussen@xxxxxxxx" class=3D"">m.a.cobussen@xxxxxxxx</a> <o:p class=3D""></o:p><div = style=3D"text-align: justify; line-height: 150%;" class=3D"">  </div>Guest editors<o:p = class=3D""></o:p>Mette Simonsen Abildgaard (cultural historian of technologies, Aalborg University), Marie Koldkj=C3=A6r = H=C3=B8jlund (composer and audio designer, Aarhus University) and Sandra Lori Petersen, = (anthropologist, University of Copenhagen) will be guest editors of this special issue. = <o:p class=3D""></o:p><o:p = class=3D""> </o:p>The Journal of Sonic = Studies is = a peer-reviewed, online, open access journal providing a platform for theorists and artist-researchers who would like to present relevant work regarding auditory cultures, to further our collective understanding of = the impact and importance of sound for our cultures. The editors welcome = scholarly as well as artistic research and also expect all contributions to have a = firm theoretical grounding. Priority is given to contributions that = explicitly use the Internet as a medium, e.g. by inserting A/V materials, hyperlinks, = and the use of non-conventional structures. JSS invites potential contributors = to use the Research Catalogue as the platform in which the submission is = presented (see <a = href=3D"http://www.researchcatalogue.net/" class=3D"">http://www.researchcatalogue.net/</a>). Other = submission guidelines can be found at <a = href=3D"http://sonicstudies.org/guidelines" class=3D"">sonicstudies.org/guidelines</a>.<o:p class=3D""></o:p><div = style=3D"margin-right: 13.6pt; text-align: justify; line-height: 150%;" = class=3D""> </div></div></div></div></div></div></div></body></html>= --Apple-Mail=_2CC9D412-98B1-4794-9AA9-8B9CDFA98DD1--

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