[AUDITORY] Speaker list: MUSIC&COVID19 network events on May 19 (Niels Christian Hansen )


Subject: [AUDITORY] Speaker list: MUSIC&COVID19 network events on May 19
From:    Niels Christian Hansen  <nch@xxxxxxxx>
Date:    Sat, 16 May 2020 16:44:15 +0000

Preliminary program: MUSIC&COVID19 network events on May 19, 2020 We are excited to announce the preliminary program and speaker list for the= two virtual events of the MUSIC&COVID19 research network to be held on Zoo= m on Tuesday 19th May at 9:00-10:30am CEST and 4:00-5:30pm CEST: 1st meeting, 9:00-10:30am CEST: 1. Welcome 2. Brief summary of talks presented at 2nd meeting 3. 3-5 mins presentations on research plans and ideas, preliminary re= sults and observations, and/or potential calls for collaborators: o Alexandra Lamont (Keele University): DIY Desert Island Discs: Building = Collaborations and Taking Studies Online Under Lockdown" o Dana Swarbrick (University of Oslo): =94Quarantine Concerts: The Social= Impacts of Virtual Concerts on Audience Members=94 o Melanie Wald-Fuhrmann (Max Planck Institute for Empirical Aesthetics): = =94Musicking against loneliness and depression: Preliminary results from a = cross-national survey=94 o Mikaela Leandertz/Andrew Danso Adu (University of Jyv=E4skyl=E4): =94Mu= sic Therapy & COVID-19: The Pandemic=92s Impact on Music Therapists=92 Prof= essional Practice, Use of Virtual Therapy Environments, and Perception of P= rofessional Identity=94 o Kelsey Onderdijk (Ghent University): =94Impact of Lockdown Measures on = Joint Music Making: Playing Online and Physically Together=94 o Niels Chr. Hansen (Aarhus University): =94Musical Escapisms and A Crowd= -Sourced Database of #Coronamusic=94 o Bavo van Kerrebroeck (Ghent University): =94A Breathing Musical Sonific= ation System for Health & Well-Being=94 o Will M. Randall (University of Jyv=E4skyl=E4): =94Emotional Outcomes of= Music Listening in Isolation: A Mobile Experience Sampling Study=94 o Jane Davidson (Melbourne University): =94Music Across the Balconies: A = Site for Sharing and Exchange=94 o Eric Larrieux/Sascha J=F6sler/Eric Lemmon (Zurich University of the Art= s): =94Sonification during the COVID-19 Pandemic as Music and Representatio= n=94 (still awaiting confirmation) o Ruth M=FCller-Lindenberg(Hochschule f=FCr Musik, Theater und Medien)/St= effen Lepa (Technische Universit=E4t Berlin): =94Streaming Berlin Opera in = times of Corona (SBOTCO): Institutions, Performance, Reception=94 4. MUSIC&COVID19 resources (suitable publication avenues, funding opp= ortunities, research initiatives etc.) 2nd meeting, 4:00-5:30pm CEST: 1. Welcome 2. Brief summary of talks presented at 1st meeting 3. 3-5 mins presentations on research plans and ideas, preliminary re= sults and observations, and/or potential calls for collaborators: o Remi Chiu (Loyola Univeristy Maryland): =94Music and Pandemics: Possibl= e Lessons from the Plague and COVID-19=94 o Psyche Loui (Northeastern University): =94Boston Hope: A Data-Driven Pe= rspective for Music Making for Recovering COVID-19 Patients=94 o Lea Hagmann (University of Bern): =94ChorOnline: A Transnational Singi= ng Project Fostering Applied Ethnomusicology=94 o Frank Russo/Arla Good (Ryerson University): =94Effects of group singing= on social wellbeing in older adults=94 o Gracia M. Gil (University of Burgos): =94Dynamics of use and influence = of music during confinement due to the Covid 19 crisis in Spain=94 o Heather Sparling (Cape Breton University): =94Comparing Covid-19 Songs = and Disaster Songs=94 o Niels Chr. Hansen (Aarhus University): =94Musical Escapisms and A Crowd= -Sourced Database of #Coronamusic=94 o Carol Krumhansl/Emily Hurwitz (Cornell University): =94Disrupted Listen= ing Niches: Signature Songs=94 o Melanie Wald-Fuhrmann (Max Planck Institute for Empirical Aesthetics): = =94Musicking against loneliness and depression: Preliminary results from a = cross-national survey=94 o Pete Stollery (University of Aberdeen): =94Changing Places: A COVID-19= Sound Map=94 o James Deaville (Carleton University): =94Politicizing the Sounds of Qua= rantine: Music and Sound in Pandemic News Coverage from Wuhan, Tehran and M= ilan=94 o Amy Belfi (Missouri University of Science and Technology): =94Comparing= Aesthetic Responses to Live vs. Recorded Music=94 4. MUSIC&COVID19 resources (suitable publication avenues, funding opp= ortunities, research initiatives etc.) TO REGISTER FOR ONE OR BOTH OF THESE EVENTS, PLEASE COMPLETE THE REGISTRATI= ON FORM (https://www.aesthetics.mpg.de/fileadmin/user_upload/200-Research/D= ep-MUSIK/11-Music-Covid-19/Covid19-Network-Registration-form-with-data-prot= ection-information.pdf) AND RETURN IT TO musikundcorona@xxxxxxxx<mailto:mu= sikundcorona@xxxxxxxx> AS SOON AS POSSIBLE. Even if you cannot attend any of the events, but still want to become a mem= ber of our global research network, then please complete and return a netwo= rk registration form anyway Registered participants will receive a Zoom link via email. Current list of publication opportunities for research on the role of music= during the COVID-19-pandemic: * Research Topic in Frontiers in Psychology on =93Social Convergence in= Times of Spatial Distancing: The Role of Music During the COVID-19 Pandemi= c=94 (https://www.frontiersin.org/research-topics/14089/social-convergence-= in-times-of-spatial-distancing-the-role-of-music-during-the-covid-19-pandem= ic), edited by Niels Chr. Hansen, Melanie Wald-Fuhrmann, & Jane Davidson, = Please note: ***Due to the exceptional nature of the COVID-19 situation, Fr= ontiers is waiving all article publishing charges for COVID-19 related rese= arch in this Research Topic.*** Abstract deadline: Sep 1. Manuscript deadli= ne: Nov 1. * Special Issue of Critical Studies in Improvisation / =C9tudes critiqu= es en improvisation on =94Improvisation, Musical Communities, and the COVID= -19 Pandemic=94 (http://improvisationinstitute.ca/event/csi-eci-special-iss= ue-cfp/). Proposal deadline: May 15. * Special issue of Journal of Music, Health, and Wellbeing on =94The Ro= le of Music during Social Isolation: Perspectives through Technology, Wellb= eing and Education=94 (https://sites.manchester.ac.uk/alc-grad-school/2020/= 05/01/cfp-journal-of-music-health-and-wellbeing/). Best wishes, Niels Chr. Hansen & Melanie Wald-Fuhrmann Niels Chr. Hansen (PhD, MSc, MMus, BA) | Assistant Professor (AIAS-COFUND I= I Marie Curie Fellow) | Aarhus Institute of Advanced Studies (AIAS), Aarhus= University, Denmark | nchansen@xxxxxxxx<mailto:nchansen@xxxxxxxx> | +4= 5 25338833


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