[AUDITORY] CfP Empirical Musicology Review: Special Issue on Open Science in Musicology (Fabian Moss )

Subject: [AUDITORY] CfP Empirical Musicology Review: Special Issue on Open Science in Musicology From: Fabian Moss <fabianmoss@xxxxxxxx> Date: Wed, 4 Dec 2019 12:37:18 +0100 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY> --000000000000e8a24a0598df3ce2 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable ** With apologies for cross-posting ** Please forward to interested colleagues Dear colleagues, We would like to draw your attention to two calls for the journal Empirical Musicology Review. Empirical Musicology Review: Special Issue on Open Science in Musicology Empirical musicology relies crucially on the creation, analysis, publication, and distribution of datasets. Despite the progress made over the past decades in this vibrating field, numerous issues regarding the sharing of data, the reproducibility of research findings, and the general role of transparency remain challenging. In many disciplines, these issues are addressed under the umbrella of the Open Science movement and the adherence to FAIR principles for scientific data management (findable, accessible, interoperable, reusable; https://www.go-fair.org/fair-principle= s). To advance the state-of-the-art in data-based music research, Empirical Musicology Review is devoting a special issue to a wide discussion of questions related to Open Science and Open Data, and introduces a new section on data reports that will remain a permanent part of the journal in all subsequent issues. CfP: Research Articles and Think Pieces We invite papers that address general aspects of Open Science / Open Data, discuss challenges in the application of the FAIR principles to music research, or reflect upon methodological and meta questions. Papers may also describe the generation of particular datasets and explore their characteristics in the context of the overall topic of this special issue. We envisage to include contributions from a wide variety of domains, such as music theory, music psychology, music information retrieval, historical musicology etc. The data must be accessible in an open repository or database. Papers should be 3000=E2=80=936000 words in length. CfP: Data Reports Starting with this special issue, EMR is introducing a new section on Data Reports. In order to promote Open Science and to facilitate reproducibility, empirical studies of music are increasingly relying on openly available corpora and datasets. Since the scientific value of creating, cleaning, curating, enabling access, and maintaining data is of the utmost importance, EMR invites researchers to share their datasets and to apply the FAIR principles. Data Reports may describe a variety of datasets such as musical metadata, annotations of musical corpora in symbolic or audio formats, automatically extracted musical features, data from psychological experiments etc. Data Reports should not exceed a word limit of 2000 words. Please register on http://emusicology.org/ and submit your contribution by = 31 March, 2020. If you have any further questions, please get in touch with the guest editors: Fabian C. Moss (fabian.moss@xxxxxxxx) and Markus Neuwirth ( markus.neuwirth@xxxxxxxx) --000000000000e8a24a0598df3ce2 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable <div dir=3D"ltr">** With= apologies for cross-posting** Please forward to interested colleagues Dear colle= agues, We would like to draw your attention to two calls for the jou= rnal <span style=3D"font-size:11pt;font-family:Arial;color:rgb(0,0,0= );background-color:transparent;font-style:italic;font-variant-numeric:norma= l;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wr= ap">Empirical Musicology Review. <span style=3D"font-size:11p= t;font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-weig= ht:700;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-= align:baseline;white-space:pre-wrap">Empirical Musicology Review: Special I= ssue on Open Science in Musicology Empirical musicology relies cruci= ally on the creation, analysis, publication, and distribution of datasets. = Despite the progress made over the past decades in this vibrating field, nu= merous issues regarding the sharing of data, the reproducibility of researc= h findings, and the general role of transparency remain challenging. In man= y disciplines, these issues are addressed under the umbrella of the Open Sc= ience movement and the adherence to FAIR principles for scientific data man= agement (findable, accessible, interoperable, reusable; <a href=3D"h= ttps://www.go-fair.org/fair-principles/" style=3D"text-decoration-line:none= "><span style=3D"font-size:11pt;font-family:Arial;background-color:transpar= ent;font-variant-numeric:normal;font-variant-east-asian:normal;text-decorat= ion-line:underline;vertical-align:baseline;white-space:pre-wrap">https://ww= w.go-fair.org/fair-principles</a>). To advance the state-of-the-art in data-based music resear= ch, <span style=3D"font-size:11pt;font-family:Arial;color:rgb(0,0,0)= ;background-color:transparent;font-style:italic;font-variant-numeric:normal= ;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wra= p">Empirical Musicology Review is devoting a special issue to a wide discussion of questions r= elated to Open Science and Open Data, and introduces a new section on data = reports that will remain a permanent part of the journal in all subsequent = issues. <span style=3D"font-size:11pt;font= -family:Arial;color:rgb(0,0,0);background-color:transparent;font-weight:700= ;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:= baseline;white-space:pre-wrap">CfP: Research Articles and Think Pieces</spa= n> We invite papers that address general aspects of Open Science / Open Dat= a, discuss challenges in the application of the FAIR principles to music re= search, or reflect upon methodological and meta questions. Papers may also = describe the generation of particular datasets and explore their characteri= stics in the context of the overall topic of this special issue.= We envi= sage to include contributions from a wide variety of domains, such as music= theory, music psychology, music information retrieval, historical musicolo= gy etc. The data must be accessible in an open repository or database. Pape= rs should be 3000=E2=80=936000 words in length. <span style=3D"font-size:11pt;font-family:Arial;color:rgb(0,0,0);back= ground-color:transparent;font-weight:700;font-variant-numeric:normal;font-v= ariant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">CfP:= Data Reports Starting with this special issue,<span style=3D= "font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-color:transpa= rent;font-style:italic;font-variant-numeric:normal;font-variant-east-asian:= normal;vertical-align:baseline;white-space:pre-wrap"> EMR<span style=3D"font-size:11pt;= font-family:Arial;color:rgb(0,0,0);background-color:transparent;font-style:= italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-= align:baseline;white-space:pre-wrap"> is introducing a new section on Data Reports. In order t= o promote Open Science and to facilitate reproducibility, empirical studies= of music are increasingly relying on openly available corpora and datasets= . Since the scientific value of creating, cleaning, curating, enabling acce= ss, and maintaining data is of the utmost importance, EMR invites researche= rs to share their datasets and to apply the FAIR principles.Data Report= s may describe a variety of datasets such as musical metadata, annotations = of musical corpora in symbolic or audio formats, automatically extracted mu= sical features, data from psychological experiments etc. Data Reports shoul= d not exceed a word limit of 2000 words. <= span style=3D"font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-= color:transparent;font-variant-numeric:normal;font-variant-east-asian:norma= l;vertical-align:baseline;white-space:pre-wrap">Please register on <= a href=3D"http://emusicology.org/" style=3D"text-decoration-line:none"><spa= n style=3D"font-size:11pt;font-family:Arial;background-color:transparent;fo= nt-variant-numeric:normal;font-variant-east-asian:normal;text-decoration-li= ne:underline;vertical-align:baseline;white-space:pre-wrap">http://emusicolo= gy.org/</a> and sub= mit your contribution by <span style=3D"font-size:11pt;font-family:A= rial;color:rgb(0,0,0);background-color:transparent;font-weight:700;font-var= iant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;= white-space:pre-wrap">31 March, 2020. If you have any further questions, please get in = touch with the guest editors:Fabian C. Moss (<a href=3D"mailto:f= abian.moss@xxxxxxxx" style=3D"text-decoration-line:none"><span style=3D"font= -size:11pt;font-family:Arial;background-color:transparent;font-variant-nume= ric:normal;font-variant-east-asian:normal;text-decoration-line:underline;ve= rtical-align:baseline;white-space:pre-wrap">fabian.moss@xxxxxxxx</a><= span style=3D"font-size:11pt;font-family:Arial;color:rgb(0,0,0);background-= color:transparent;font-variant-numeric:normal;font-variant-east-asian:norma= l;vertical-align:baseline;white-space:pre-wrap">) and Markus Neuwirth (</sp= an><a href=3D"mailto:markus.neuwirth@xxxxxxxx" style=3D"text-decoration-line= :none"><span style=3D"font-size:11pt;font-family:Arial;background-color:tra= nsparent;font-variant-numeric:normal;font-variant-east-asian:normal;text-de= coration-line:underline;vertical-align:baseline;white-space:pre-wrap">marku= s.neuwirth@xxxxxxxx</a>) </div> --000000000000e8a24a0598df3ce2--

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Electrical Engineering Dept., Columbia University