[AUDITORY] Participants needed for subjective testing of Time Scale Modification algorithms (Timothy Roberts )

Subject: [AUDITORY] Participants needed for subjective testing of Time Scale Modification algorithms From: Timothy Roberts <timothy.roberts@xxxxxxxx> Date: Fri, 9 Aug 2019 01:40:10 +0000 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY> --_000_SYCPR01MB362984226A91189B3FFCD75CDAD60SYCPR01MB3629ausp_ Content-Type: text/plain; charset=WINDOWS-1252 Content-Transfer-Encoding: quoted-printable Hi All, As I have previous sent, as part of my PhD I am conducting large scale subj= ective testing of audio that has been processed using different Time-Scale = Modification algorithms, and I would appreciate your assistance. To facili= tate this I have used the Web Audio Evaluation Tool to enable subjective te= sting through a browser, and am conducting the research under Griffith Univ= ersity Ethics Reference 2018/671. A massive thank you to everyone who has been involved already. As of this = morning almost 32000 opinion scores have been given heading towards the goa= l of 37000 opinion scores (7 ratings per file). This means that there are = only 92 sets out of 532 sets to go. The subjective testing can be found at http://www.timrobertssound.com.au/TS= M/index.html with each set taking approximately 10 minutes to complete. Yo= u are able to complete as many or as few sets as you prefer. Once testing is complete a MOS labelled data set will be released (with a p= aper of course) containing the 88 source files and 5280 processed files. 1= 0 playback rates ranging from 30% to 200% have been used with 6 TSM algorit= hms, Phase Vocoder, Identity Phase Locking Phase Vocoder, Harmonic Percussi= ve TSM, WSOLA, Mel-Scale TSM and FESOLA). The data set contains Speech (M&= F), singing, solo instruments, percussion, complex music (recorded and synt= hesised) and sound effect style sounds. If you have any questions or suggestions please feel free to contact me. A= lso, please feel free to pass the link through to anyone who you believe ma= y be interested in this research. Regards, Tim Roberts PhD Candidate B. MusTech, B. Eng ECE --_000_SYCPR01MB362984226A91189B3FFCD75CDAD60SYCPR01MB3629ausp_ Content-Type: text/html; charset=WINDOWS-1252 Content-Transfer-Encoding: quoted-printable <html> <head> <meta http-equiv=3D"Content-Type" content=3D"text/html; charset=3Diso-8859-= 1"> <style type=3D"text/css" style=3D"display:none;"></style> </head> <body dir=3D"ltr"> <div id=3D"divtagdefaultwrapper" dir=3D"ltr" style=3D"font-size: 12pt; colo= r: rgb(0, 0, 0); font-family: Calibri, Helvetica, sans-serif, "EmojiFo= nt", "Apple Color Emoji", "Segoe UI Emoji", NotoCo= lorEmoji, "Segoe UI Symbol", "Android Emoji", EmojiSymb= ols;"> <div> Hi All, As I have previous sent, as part= of my PhD I am conducting large scale subjective testing of audio that has= been processed using different Time-Scale Modification algorithms, and I w= ould appreciate your assistance.  To facilitate this I have used the Web Audio Evaluation Tool to enable sub= jective testing through a browser, and am conducting the research under Gri= ffith University Ethics Reference 2018/671. A massive thank you to everyone = who has been involved already.  As of this morning almost 32000 opinio= n scores have been given heading towards the goal of 37000 opinion scores (= 7 ratings per file).  This means that there are only 92 sets out of 532 sets to go. The subjective testing can be fo= und at <a href=3D"http://www.timrobertssound.com.au/TSM/index.html" target= =3D"_blank" rel=3D"noopener noreferrer" class=3D"x_OWAAutoLink" id=3D"LPlnk= 625866" previewremoved=3D"true"> http://www.timrobertssound.com.au/TSM/index.html</a> with each set taking a= pproximately 10 minutes to complete.  You are able to complete as many= or as few sets as you prefer. Once testing is complete a MOS l= abelled data set will be released (with a paper of course) containing the 8= 8 source files and 5280 processed files.  10 playback rates ranging fr= om 30% to 200% have been used with 6 TSM algorithms, Phase Vocoder, Identity Phase Locking Phase Vocoder, Harmonic = Percussive TSM, WSOLA, Mel-Scale TSM and FESOLA).  The data set contai= ns Speech (M&F), singing, solo instruments, percussion, complex music (= recorded and synthesised) and sound effect style sounds. If you have any questions or sug= gestions please feel free to contact me.  Also, please feel free to pa= ss the link through to anyone who you believe may be interested in this res= earch. Regards, Tim Roberts PhD Candidate B. MusTech, B. Eng ECE</div> </div> </body> </html> --_000_SYCPR01MB362984226A91189B3FFCD75CDAD60SYCPR01MB3629ausp_--

This message came from the mail archive
src/postings/2019/
maintained by:

DAn Ellis <dpwe@ee.columbia.edu>
Electrical Engineering Dept., Columbia University