Subject: [AUDITORY] Final posting of revised Request For Proposal to build a music visualization demo for a patent, for 10% of patent value. DEADLINE 7/23/19 From: John Lathrop <lathrop@xxxxxxxx> Date: Tue, 25 Jun 2019 14:12:47 +0000 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>All, I apologize for this second posting about my RFP. I had to revise my RFP i= n response to questions from respondents. But now I have the final version= , DEADLINE 7/23/19 (four weeks from now, as promised). Email me at lathrop@xxxxxxxx<mailto:lathrop@xxxxxxxx> for the final R= FP. (My previous post to you repeated here below the stars.) If I sent you an RFP before, ask me to send you the revised-final version n= ow. * John John Lathrop, Ph.D. New Resonance, LLC Decision Strategies, LLC Consultant to Lawrence Livermore National Laboratory Executive Principal Analyst, Innovative Decisions, Inc. Past Chair, Applied Risk Management Specialty Group, Society for Risk Analysis 650-906-8455 ************************************************** To repeat what I told you before: I have a patent application for music visualization (WO 2017/136854 A9). I= need someone or a team with signal processing and visualization expertise = to build a demo of the patented technology. Compensation: 10% of the value= of the patent, but will also be of interest since you will wind up with a = platform for music perception research. If interested, email me at lathrop= @xxxxxxxx<mailto:lathrop@xxxxxxxx> and I'll send you the Request For = Proposal (RFP). - John Lathrop Bullet Points: Qualitatively different from any current music visualizations. Perceptual level, mapping psychoacoustic cues to visual cues, cue to cue, t= o a time-streaming visual display. Workbench orientation, with a dashboard such that the user can systematical= ly explore different mappings. That workbench a platform for research in music perception, empirically inf= ormed by experiments. Could be the start of a music perception research pro= gram at your institution. That platform brings us into an unexplored two-mode perceptual space, so th= e research there has to be empirical. Would be great to explore the effectiveness of mappings standardized within= music genres, performance groups, etc. That platform will be so much fun to work with, the 10% equity could be bes= ide the point. Users of that platform: music perception researchers, music consumers, musi= c producers, concert producers, musicians. Special interest: profoundly de= af music consumers. BTW, am struck by one very basic cue of music perception that all other mus= ic visualizations miss. I won't tell you what it is, to pique your interes= t.