[AUDITORY] A Request For Proposal: To build a music visualization demo for a patent, compensation = 10% of patent value (John Lathrop )

Subject: [AUDITORY] A Request For Proposal: To build a music visualization demo for a patent, compensation = 10% of patent value From: John Lathrop <lathrop@xxxxxxxx> Date: Thu, 23 May 2019 18:49:16 +0000 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY> --_000_DM5PR22MB06188759E3F1E3FB8E569466FC010DM5PR22MB0618namp_ Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable All, I have a patent application for music visualization (WO 2017/136854 A9). I= need someone or a team with signal processing and visualization expertise = to build a demo of the patented technology. Compensation: 10% of the value= of the patent, but will also be of interest since you will wind up with a = platform for music perception research. If interested, email me at lathrop= @xxxxxxxx and I'll send you the Request For Proposal (RFP). - John Lath= rop Bullet Points: Qualitatively different from any current music visualizations. Perceptual level, mapping psychoacoustic cues to visual cues, cue to cue, t= o a time-streaming visual display. Workbench orientation, with a dashboard such that the user can systematical= ly explore different mappings. That workbench a platform for research in music perception, empirically inf= ormed by experiments. Could be the start of a music perception research pro= gram at your institution. That platform brings us into an unexplored two-mode perceptual space, so th= e research there has to be empirical. Would be great to explore the effectiveness of mappings standardized within= music genres, performance groups, etc. That platform will be so much fun to work with, the 10% equity could be bes= ide the point. Users of that platform: music perception researchers, music consumers, musi= c producers, concert producers, musicians. Special interest: profoundly de= af music consumers. BTW, am struck by one very basic cue of music perception that all other mus= ic visualizations miss. I won't tell you what it is, to pique your interes= t. --_000_DM5PR22MB06188759E3F1E3FB8E569466FC010DM5PR22MB0618namp_ Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable <html xmlns:v=3D"urn:schemas-microsoft-com:vml" xmlns:o=3D"urn:schemas-micr= osoft-com:office:office" xmlns:w=3D"urn:schemas-microsoft-com:office:word" = xmlns:m=3D"http://schemas.microsoft.com/office/2004/12/omml" xmlns=3D"http:= //www.w3.org/TR/REC-html40"> <head> <meta http-equiv=3D"Content-Type" content=3D"text/html; charset=3Dus-ascii"= > <meta name=3D"Generator" content=3D"Microsoft Word 15 (filtered medium)"> <style></style> </head> <body lang=3D"EN-US" link=3D"#0563C1" vlink=3D"#954F72"> <div class=3D"WordSection1"> All,<o:p></o:p> <o:p> </o:p> I have a patent application for music visualization = (WO 2017/136854 A9).  I need someone or a team with signal processing = and visualization expertise to build a demo of the patented technology.&nbs= p; Compensation: 10% of the value of the patent, but will also be of interest since you will wind up with a platform for mu= sic perception research.  If interested, email me at lathrop@xxxxxxxx= om and I’ll send you the Request For Proposal (RFP).  – Jo= hn Lathrop<o:p></o:p> <o:p> </o:p> Bullet Points:<o:p></o:p> <o:p> </o:p> Qualitatively different from any current music visua= lizations.<o:p></o:p> <o:p> </o:p> Perceptual level, mapping psychoacoustic cues to vis= ual cues, cue to cue, to a time-streaming visual display.<o:p></o:p> <o:p> </o:p> Workbench orientation, with a dashboard such that th= e user can systematically explore different mappings.<o:p></o:p> <o:p> </o:p> That workbench a platform for research in music perc= eption, empirically informed by experiments. Could be the start of a music = perception research program at your institution.<o:p></o:p> <o:p> </o:p> That platform brings us into an unexplored two-mode = perceptual space, so the research there has to be empirical.<o:p></o:p> <o:p> </o:p> Would be great to explore the effectiveness of mappi= ngs standardized within music genres, performance groups, etc.<o:p></o:p></= p> <o:p> </o:p> That platform will be so much fun to work with, the = 10% equity could be beside the point.<o:p></o:p> <o:p> </o:p> Users of that platform: music perception researchers= , music consumers, music producers, concert producers, musicians.  Spe= cial interest: profoundly deaf music consumers.<o:p></o:p> <o:p> </o:p> BTW, am struck by one very basic cue of music percep= tion that all other music visualizations miss.  I won’t tell you= what it is, to pique your interest.<o:p></o:p> <o:p> </o:p> </div> </body> </html> --_000_DM5PR22MB06188759E3F1E3FB8E569466FC010DM5PR22MB0618namp_--

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