Subject: [AUDITORY] Announcing =?utf-8?Q?=E2=80=9CTimbre=3A_Acoustics=2C_Perception=2C_and_Cognition=E2?= =?utf-8?Q?=80=9D_?=book From: Kai <kai.siedenburg@xxxxxxxx> Date: Mon, 13 May 2019 11:09:30 +0200 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>--Apple-Mail=_2162B258-D1C6-447D-89D8-B5B54CBE7314 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=utf-8 Dear list, Following the Berlin Interdisciplinary Workshop on Timbre (2017) and the = conference Timbre is a Many-Splendored Thing (2018), we=E2=80=99re happy = to announce that "Timbre: Acoustics, Perception, and Cognition=E2=80=9D, = the first comprehensive volume on the science of timbre, has just gone = online. https://www.springer.com/gp/book/9783030148317 = <https://www.springer.com/gp/book/9783030148317> Divided into three parts, part I addresses the principal processes = underlying timbre perception and cognition. Part II examines specific = scenarios of timbre perception in voice, music, sound design, and = cochlear implants. Part III is focused on the acoustic modeling of = timbre.=20 It's part of the Springer Handbook of Auditory Research Series and will = be valuable to various subfields of hearing science, including cognitive = auditory neuroscience, psychoacoustics, music perception and cognition, = but may also be useful for researchers in musical acoustics and music = information retrieval.=20 We would like to thank all the authors for their valuable contribution = to this book! We dedicate this volume to two giants in contemporary = timbre research and practice: the late David L. Wessel, whose work on = timbre inspired some of the first computer music software that = emphasizes real-time musical control of timbre, and the late Roger A. = Kendall, whose explorations of perception, language, and meaning in = musical timbre continue to resonate. Best wishes, Kai, Charis, Stephen= --Apple-Mail=_2162B258-D1C6-447D-89D8-B5B54CBE7314 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=utf-8 <html><head><meta http-equiv=3D"Content-Type" content=3D"text/html; = charset=3Dutf-8"></head><body style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; line-break: after-white-space;" class=3D""><div = class=3D"">Dear list,</div><div class=3D""><br class=3D""></div><div = class=3D"">Following the Berlin Interdisciplinary Workshop on Timbre = (2017) and the conference Timbre is a Many-Splendored Thing (2018), = we=E2=80=99re happy to announce that "Timbre: Acoustics, Perception, and = Cognition=E2=80=9D, the first comprehensive volume on the science of = timbre, has just gone online. <a = href=3D"https://www.springer.com/gp/book/9783030148317" = class=3D"">https://www.springer.com/gp/book/9783030148317</a></div><div = class=3D""><br class=3D""></div><div class=3D"">Divided into three = parts, part I addresses the principal processes underlying timbre = perception and cognition. Part II examines specific scenarios of timbre = perception in voice, music, sound design, and cochlear implants. Part = III is focused on the acoustic modeling of timbre. </div><div = class=3D""><br class=3D""></div><div class=3D"">It's part of the = Springer Handbook of Auditory Research Series and will be valuable to = various subfields of hearing science, including cognitive auditory = neuroscience, psychoacoustics, music perception and cognition, but may = also be useful for researchers in musical acoustics and music = information retrieval. </div><div class=3D""><br = class=3D""></div><div class=3D"">We would like to thank all the authors = for their valuable contribution to this book! We dedicate this volume to = two giants in contemporary timbre research and practice: the late David = L. Wessel, whose work on timbre inspired some of the first computer = music software that emphasizes real-time musical control of timbre, and = the late Roger A. Kendall, whose explorations of perception, language, = and meaning in musical timbre continue to resonate.</div><div = class=3D""><br class=3D""></div><div class=3D"">Best wishes,</div><div = class=3D"">Kai, Charis, Stephen</div></body></html>= --Apple-Mail=_2162B258-D1C6-447D-89D8-B5B54CBE7314--