Subject: [AUDITORY] [Extended Deadline] Call for Paper of SI: Auditory Displays and Auditory User Interfaces in Journal on Multimodal User Interfaces From: Myounghoon Jeon <philart@xxxxxxxx> Date: Mon, 29 Apr 2019 10:00:03 -0400 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>--0000000000008dfd7e0587abb5ab Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable (Apologies for cross-postings) Hello audio researchers, due to numerous requests, the deadline for paper submissions to JMUI special issue has been extended from May 1st 2019 to *June 1st 2019*. Please consider submitting your work to the special issue: *Auditory Displays and Auditory User Interfaces:* *Art-Design-Science-Research* *Journal on Multimodal User Interfaces * *Guest Editors:* Myounghoon Jeon (Philart), Virginia Tech, USA (myounghoonjeon@xxxxxxxx) Areti Andreopoulou, University of Athens, Greece ( a.andreopoulou@xxxxxxxx) Brian FG Katz, Sorbonne University, France ( brian.katz@xxxxxxxx) Deadline for paper submission: *June 1, 2019* This special issue concerning Auditory Displays and Auditory User Interfaces: Art-Design-Science-Research (ADSR) is motivated by the theme of the 2018 Conference of ICAD (International Community for Auditory Display), a wordplay on the term =E2=80=9CADSR=E2=80=9D (Attack-Decay-Sustain-Release= ), commonly used in sound-related domains. This is an open call to authors for contributions under this broad theme. We welcome technical, theoretical, and empirical papers that can contribute to any aspect (art, design, science, and research) of auditory displays and auditory user interfaces. Designers and researchers have tried to make auditory displays and auditory user interfaces more useful in numerous areas, extending typical visuo-centric interactions to multimodal and multisensorial systems. Application areas include education, assistive technologies, auditory wayfinding, auditory graphs, speech interfaces, virtual and augmented reality environments, and associated perceptual, cognitive, technical, and technological research and development. *Research through design* or *embed= ded design research* has recently become more pervasive for auditory display designers. Hence, we welcome all types of =E2=80=9Cdesign=E2=80=9D activiti= es as a necessary process in auditory display. In addition, methodical evaluation and analysis have become more prominent, leading to more robust science. In this iterative process, auditory displays can achieve improved reliability through robust and repeatable research. In some areas, we have already arrived at the *science *stage, while in other areas we are still exploring the possibilities. Pursuing novelty encourages artists to seek the integration of different genres and transform modalities. By definition, auditory displays and sonification *transform* data into sound. Thanks to the characteristics of this transformation, there have been active interactions between auditory displays and various forms of art. Hence, we would also like to invite contributions addressing artistic approaches to auditory displays and auditory user interfaces. Rather than insisting on a specific approach, we encourage a broad spectrum of diverse strategies. In other words, all these approaches =E2=80=93 art, = design, science, and research =E2=80=93 should be balanced and utilized more flexib= ly depending on the circumstances. *T**opics of interest* for this special issue include, but are not limited to, the following: - Multimodal user interfaces (auditory + visual/haptic/tactile/olfactory/gustatory, etc.) - Auditory displays inspired by music or other forms of art - Culture-specific auditory displays - Speculative, aspirational prototype designs, case studies, and real-world applications - Aesthetics of auditory displays and auditory user interfaces - Auditory display design paradigm, theory, and taxonomy - Design methods, processes, tools, and techniques - Users, experiences, and contexts of auditory displays and auditory user interfaces - Development of new sensors, devices, or platforms for auditory displays and auditory user interfaces - Accessibility, inclusive design, and assistive technologies - Computational/algorithmic approaches - Human Factors, Ergonomics and Usability - Auditory displays with a focus on spatial/3D sound - Sonification in Health and Environmental Data (soniHED) - Sonification in the Internet of Things, Big Data, or Cybersecurity - Sonification in vehicles *Schedule:* Submission deadline: June 1, 2019 1st round review: September, 2019 2nd round review: November, 2019 Publication: Spring 2020 *Authors Instructions:* Submissions should be 8-12 pages long, presenting original unpublished work. Previously presented conference and workshop papers should include a minimum of 30% new content. The authors will be required to follow the Author=E2=80=99s Guide for manuscript submission to the Journal on Multimod= al User Interfaces published by Springer. (http://www.springer.com/computer/hci/journal/12193) During the submission process, please select =E2=80=9CS.I.: Auditory Displa= y 2018=E2=80=9D as article type. ************************************************ Myounghoon Jeon (Philart), Ph.D. pronounced as /"me" + "young" quickly/ /hoon/ /juhn/ Associate Professor *Mind Music Machine Lab <http://ise.vt.edu/philart>* Grado Department of Industrial and Systems Engineering Virginia Tech 519D Whittemore Hall 1185 Perry St. Blacksburg, VA 24061 myounghoonjeon@xxxxxxxx --0000000000008dfd7e0587abb5ab Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable <div dir=3D"ltr"><div><div>(<span class=3D"gmail-m_-1186612870231836530gmai= l-m_-4668831385630416307gmail-m_-2680277487202299318gmail-m_-36286112345475= 89308gmail-m_-6147935594520564625gmail-il">Apologies</span>=C2=A0for cross-= postings)<br></div><div><br></div>Hello audio researchers,<div><div>due to = numerous requests, the deadline for paper submissions to JMUI special issue= has been extended from May 1st 2019 to=C2=A0<b>June=C2=A01st 2019</b>.=C2= =A0</div><div><br></div><div>Please consider submitting your work to the sp= ecial issue:=C2=A0</div></div><div><br></div><div><p class=3D"MsoNormal" al= ign=3D"center" style=3D"margin:0in 0in 0.0001pt;text-align:center;font-size= :12pt;font-family:"Times New Roman",serif"><b>Auditory Displays a= nd Auditory User Interfaces:</b></p><p class=3D"MsoNormal" align=3D"center"= style=3D"margin:0in 0in 0.0001pt;text-align:center;font-size:12pt;font-fam= ily:"Times New Roman",serif"><b>Art-Design-Science-Research</b></= p><p class=3D"MsoNormal" align=3D"center" style=3D"margin:0in 0in 0.0001pt;= text-align:center;font-size:12pt;font-family:"Times New Roman",se= rif"><b>=C2=A0</b></p><p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001= pt;font-size:12pt;font-family:"Times New Roman",serif"><b style= =3D"font-family:Arial,Helvetica,sans-serif;font-size:small"><i><span style= =3D"color:rgb(1,2,2);font-family:"Times New Roman",serif;font-siz= e:16px;text-align:justify">Journal on Multimodal User Interfaces=C2=A0</spa= n></i></b><b><span style=3D"color:rgb(1,2,2)"><br></span></b></p><p class= =3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;font-size:12pt;font-family:= "Times New Roman",serif"><b><span style=3D"color:rgb(1,2,2)"><br>= </span></b></p><p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;font= -size:12pt;font-family:"Times New Roman",serif"><b><span style=3D= "color:rgb(1,2,2)">Guest Editors:</span></b></p><p class=3D"MsoNormal" styl= e=3D"margin:0in 0in 0.0001pt;font-size:12pt;font-family:"Times New Rom= an",serif">Myounghoon Jeon (Philart), Virginia Tech, USA (<span lang= =3D"EN-GB"><a href=3D"mailto:myounghoonjeon@xxxxxxxx" target=3D"_blank" style= =3D"color:navy">myounghoonjeon@xxxxxxxx</a></span>)</p><p class=3D"MsoNormal"= style=3D"margin:0in 0in 0.0001pt;font-size:12pt;font-family:"Times Ne= w Roman",serif">Areti Andreopoulou, University of Athens, Greece (<a h= ref=3D"mailto:a.andreopoulou@xxxxxxxx" target=3D"_blank" style=3D"color= :navy">a.andreopoulou@xxxxxxxx</a>)</p><p class=3D"MsoNormal" style=3D"= margin:0in 0in 0.0001pt;font-size:12pt;font-family:"Times New Roman&qu= ot;,serif"><span style=3D"color:rgb(1,2,2)">Brian FG Katz, Sorbonne Univers= ity, France (</span><span style=3D"color:rgb(68,68,85);background-image:ini= tial;background-position:initial;background-size:initial;background-repeat:= initial;background-origin:initial;background-clip:initial"><a href=3D"mailt= o:brian.katz@xxxxxxxx" target=3D"_blank" style=3D"color:navy"= >brian.katz@xxxxxxxx</a>)</span></p><p class=3D"MsoNormal" st= yle=3D"margin:0in 0in 0.0001pt;text-align:justify;font-size:12pt;font-famil= y:"Times New Roman",serif"><span style=3D"color:rgb(1,2,2)">=C2= =A0</span></p><p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;text-= align:justify;font-size:12pt;font-family:"Times New Roman",serif"= ><span style=3D"color:rgb(1,2,2)">Deadline for paper submission:=C2=A0<b>Ju= ne 1, 2019</b></span></p><p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0= 001pt;text-align:justify;font-size:12pt;font-family:"Times New Roman&q= uot;,serif"><span style=3D"color:rgb(1,2,2)">=C2=A0</span></p><p class=3D"M= soNormal" style=3D"margin:0in 0in 0.0001pt;text-align:justify;font-size:12p= t;font-family:"Times New Roman",serif"><span style=3D"color:rgb(1= ,2,2)">This special issue concerning Auditory Displays and Auditory User In= terfaces: Art-Design-Science-Research (ADSR) is motivated by the theme of t= he 2018 Conference of ICAD (International Community for Auditory Display), = a wordplay on the term =E2=80=9CADSR=E2=80=9D (Attack-Decay-Sustain-Release= ), commonly used in sound-related domains. This is an open call to authors = for contributions under this broad theme. We welcome technical, theoretical= , and empirical papers that can contribute to any aspect (art, design, scie= nce, and research) of auditory displays and auditory user interfaces.</span= ></p><p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;text-align:jus= tify;font-size:12pt;font-family:"Times New Roman",serif"><br></p>= <p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;text-align:justify;= font-size:12pt;font-family:"Times New Roman",serif"><span lang=3D= "EN-GB">Designers and researchers have tried to make auditory displays and = auditory user interfaces more useful in numerous areas, extending typical v= isuo-centric interactions to multimodal and multisensorial systems. Applica= tion areas include education, assistive technologies,=C2=A0<span style=3D"c= olor:black">auditory wayfinding, auditory graphs, speech interfaces, virtua= l and augmented reality environments, and associated perceptual, cognitive,= technical, and technological research and development.=C2=A0<i>Research th= rough design</i>=C2=A0or=C2=A0<i>embedded design research</i>=C2=A0has rece= ntly become more pervasive for auditory display designers. Hence, we welcom= e all types of =E2=80=9Cdesign=E2=80=9D activities as a necessary process i= n auditory display. In addition, methodical evaluation and analysis have be= come more prominent, leading to more robust science. In this iterative proc= ess, auditory displays=C2=A0</span>can achieve improved reliability through= robust and repeatable research. In some areas, we have already arrived at = the=C2=A0<i>science=C2=A0</i>stage, while in other areas we are still explo= ring the possibilities.</span></p><p class=3D"MsoNormal" style=3D"margin:0i= n 0in 0.0001pt;text-align:justify;font-size:12pt;font-family:"Times Ne= w Roman",serif"><span lang=3D"EN-GB">=C2=A0</span></p><p class=3D"MsoN= ormal" style=3D"margin:0in 0in 0.0001pt;text-align:justify;font-size:12pt;f= ont-family:"Times New Roman",serif"><span lang=3D"EN-GB">Pursuing= novelty encourages artists to seek the integration of different genres and= transform modalities. By definition, auditory displays and sonification=C2= =A0<i>transform</i>=C2=A0data into sound. Thanks to the characteristics of = this transformation, there have been active interactions between auditory d= isplays and various forms of art. Hence, we would also like to invite contr= ibutions addressing artistic approaches to auditory displays and auditory u= ser interfaces.</span></p><p class=3D"MsoNormal" style=3D"margin:0in 0in 0.= 0001pt;text-align:justify;font-size:12pt;font-family:"Times New Roman&= quot;,serif"><span lang=3D"EN-GB">Rather than insisting on a specific appro= ach, we encourage a broad spectrum of diverse strategies. In other words, a= ll these approaches =E2=80=93 art, design, science, and research =E2=80=93 = should be balanced and utilized more flexibly depending on the circumstance= s.</span></p><p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;text-a= lign:justify;font-size:12pt;font-family:"Times New Roman",serif">= <span lang=3D"EN-GB"><br></span></p><p class=3D"MsoNormal" style=3D"margin:= 0in 0in 0.0001pt;line-height:13.65pt;background-image:initial;background-po= sition:initial;background-size:initial;background-repeat:initial;background= -origin:initial;background-clip:initial;font-size:12pt;font-family:"Ti= mes New Roman",serif"><b><span style=3D"color:rgb(1,2,2)">T</span></b>= <b><span lang=3D"EN-GB" style=3D"color:black">opics of interest</span></b><= span lang=3D"EN-GB" style=3D"color:black">=C2=A0for this special issue incl= ude, but are not limited to, the following:</span></p><ul type=3D"disc" sty= le=3D"margin-bottom:0in"><li class=3D"MsoNormal" style=3D"margin:0in 0in 0.= 0001pt;color:rgb(51,51,51);background-image:initial;background-position:ini= tial;background-size:initial;background-repeat:initial;background-origin:in= itial;background-clip:initial;font-size:12pt;font-family:"Times New Ro= man",serif">Multimodal user interfaces (auditory + visual/haptic/tacti= le/olfactory/gustatory, etc.)</li><li class=3D"MsoNormal" style=3D"margin:0= in 0in 0.0001pt;color:rgb(51,51,51);background-image:initial;background-pos= ition:initial;background-size:initial;background-repeat:initial;background-= origin:initial;background-clip:initial;font-size:12pt;font-family:"Tim= es New Roman",serif">Auditory displays inspired by music or other form= s of art</li><li class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;color= :rgb(51,51,51);background-image:initial;background-position:initial;backgro= und-size:initial;background-repeat:initial;background-origin:initial;backgr= ound-clip:initial;font-size:12pt;font-family:"Times New Roman",se= rif">Culture-specific auditory displays</li><li class=3D"MsoNormal" style= =3D"margin:0in 0in 0.0001pt;color:rgb(51,51,51);background-image:initial;ba= ckground-position:initial;background-size:initial;background-repeat:initial= ;background-origin:initial;background-clip:initial;font-size:12pt;font-fami= ly:"Times New Roman",serif">Speculative, aspirational prototype d= esigns, case studies, and real-world applications</li><li class=3D"MsoNorma= l" style=3D"margin:0in 0in 0.0001pt;color:rgb(51,51,51);background-image:in= itial;background-position:initial;background-size:initial;background-repeat= :initial;background-origin:initial;background-clip:initial;font-size:12pt;f= ont-family:"Times New Roman",serif">Aesthetics of auditory displa= ys and auditory user interfaces</li><li class=3D"MsoNormal" style=3D"margin= :0in 0in 0.0001pt;color:rgb(51,51,51);background-image:initial;background-p= osition:initial;background-size:initial;background-repeat:initial;backgroun= d-origin:initial;background-clip:initial;font-size:12pt;font-family:"T= imes New Roman",serif">Auditory display design paradigm, theory, and t= axonomy</li><li class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;color:= rgb(51,51,51);background-image:initial;background-position:initial;backgrou= nd-size:initial;background-repeat:initial;background-origin:initial;backgro= und-clip:initial;font-size:12pt;font-family:"Times New Roman",ser= if">Design methods, processes, tools, and techniques</li><li class=3D"MsoNo= rmal" style=3D"margin:0in 0in 0.0001pt;color:rgb(51,51,51);background-image= :initial;background-position:initial;background-size:initial;background-rep= eat:initial;background-origin:initial;background-clip:initial;font-size:12p= t;font-family:"Times New Roman",serif">Users, experiences, and co= ntexts of auditory displays and auditory user interfaces</li><li class=3D"M= soNormal" style=3D"margin:0in 0in 0.0001pt;color:rgb(51,51,51);background-i= mage:initial;background-position:initial;background-size:initial;background= -repeat:initial;background-origin:initial;background-clip:initial;font-size= :12pt;font-family:"Times New Roman",serif">Development of new sen= sors, devices, or platforms for auditory displays and auditory user interfa= ces</li><li class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;color:rgb(= 51,51,51);background-image:initial;background-position:initial;background-s= ize:initial;background-repeat:initial;background-origin:initial;background-= clip:initial;font-size:12pt;font-family:"Times New Roman",serif">= Accessibility, inclusive design, and=C2=A0assistive technologies</li><li cl= ass=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;color:rgb(51,51,51);back= ground-image:initial;background-position:initial;background-size:initial;ba= ckground-repeat:initial;background-origin:initial;background-clip:initial;f= ont-size:12pt;font-family:"Times New Roman",serif">Computational/= algorithmic approaches</li><li class=3D"MsoNormal" style=3D"margin:0in 0in = 0.0001pt;color:rgb(51,51,51);background-image:initial;background-position:i= nitial;background-size:initial;background-repeat:initial;background-origin:= initial;background-clip:initial;font-size:12pt;font-family:"Times New = Roman",serif">Human Factors, Ergonomics and Usability</li><li class=3D= "MsoNormal" style=3D"margin:0in 0in 0.0001pt;color:rgb(51,51,51);background= -image:initial;background-position:initial;background-size:initial;backgrou= nd-repeat:initial;background-origin:initial;background-clip:initial;font-si= ze:12pt;font-family:"Times New Roman",serif">Auditory displays wi= th a focus on spatial/3D sound</li><li class=3D"MsoNormal" style=3D"margin:= 0in 0in 0.0001pt;color:rgb(51,51,51);background-image:initial;background-po= sition:initial;background-size:initial;background-repeat:initial;background= -origin:initial;background-clip:initial;font-size:12pt;font-family:"Ti= mes New Roman",serif">Sonification in Health and Environmental Data (s= oniHED)</li><li class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;color:= rgb(51,51,51);background-image:initial;background-position:initial;backgrou= nd-size:initial;background-repeat:initial;background-origin:initial;backgro= und-clip:initial;font-size:12pt;font-family:"Times New Roman",ser= if">Sonification in the Internet of Things, Big Data, or Cybersecurity</li>= <li class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;color:rgb(51,51,51= );background-image:initial;background-position:initial;background-size:init= ial;background-repeat:initial;background-origin:initial;background-clip:ini= tial;font-size:12pt;font-family:"Times New Roman",serif">Sonifica= tion in vehicles</li></ul><p class=3D"MsoNormal" style=3D"margin:0in 0in 0.= 0001pt;text-align:justify;font-size:12pt;font-family:"Times New Roman&= quot;,serif"><b><span lang=3D"EN-GB" style=3D"color:rgb(1,2,2)">=C2=A0</spa= n></b></p><p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;text-alig= n:justify;font-size:12pt;font-family:"Times New Roman",serif"><b>= <span style=3D"color:rgb(1,2,2)">Schedule:</span></b><span style=3D"color:r= gb(1,2,2)"></span></p><p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001= pt;font-size:12pt;font-family:"Times New Roman",serif"><span styl= e=3D"color:rgb(1,2,2)">Submission deadline:=C2=A0 June 1, 2019</span></p><p= class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;font-size:12pt;font-f= amily:"Times New Roman",serif"><span style=3D"color:rgb(1,2,2)">1= <sup>st</sup>=C2=A0round review:=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0= =C2=A0 September, 2019</span></p><p class=3D"MsoNormal" style=3D"margin:0in= 0in 0.0001pt;font-size:12pt;font-family:"Times New Roman",serif"= ><span style=3D"color:rgb(1,2,2)">2<sup>nd</sup>=C2=A0round review: =C2=A0= =C2=A0=C2=A0=C2=A0=C2=A0=C2=A0 November, 2019</span></p><p class=3D"MsoNorm= al" style=3D"margin:0in 0in 0.0001pt;font-size:12pt;font-family:"Times= New Roman",serif"><span style=3D"color:rgb(1,2,2)">Publication:=C2=A0= =C2=A0=C2=A0=C2=A0 =C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0= =C2=A0=C2=A0 Spring 2020</span></p><p class=3D"MsoNormal" style=3D"margin:0= in 0in 0.0001pt;font-size:12pt;font-family:"Times New Roman",seri= f"><b><span style=3D"color:rgb(1,2,2)">=C2=A0</span></b></p><p class=3D"Mso= Normal" style=3D"margin:0in 0in 0.0001pt;font-size:12pt;font-family:"T= imes New Roman",serif"><b><span style=3D"color:rgb(1,2,2)">Authors Ins= tructions:</span></b><span style=3D"color:rgb(1,2,2)"></span></p><p class= =3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;text-align:justify;font-siz= e:12pt;font-family:"Times New Roman",serif"><span style=3D"color:= rgb(1,2,2)">Submissions should be 8-12 pages long, presenting original unpu= blished work. Previously presented conference and workshop papers should in= clude a minimum of 30% new content. The authors will be required to follow = the Author=E2=80=99s Guide for manuscript submission to the Journal on Mult= imodal User Interfaces published by Springer.</span></p><p class=3D"MsoNorm= al" style=3D"margin:0in 0in 0.0001pt;text-align:justify;font-size:12pt;font= -family:"Times New Roman",serif"><span style=3D"color:rgb(1,2,2)"= >(</span><span lang=3D"EN-GB"><a href=3D"http://www.springer.com/computer/h= ci/journal/12193" target=3D"_blank" style=3D"color:navy">http://www.springe= r.com/computer/hci/journal/12193</a></span><span style=3D"color:rgb(1,2,2)"= >)</span></p><p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;text-a= lign:justify;font-size:12pt;font-family:"Times New Roman",serif">= <span style=3D"color:rgb(1,2,2)">=C2=A0</span></p><span style=3D"font-size:= 12pt;font-family:"Times New Roman",serif;color:rgb(1,2,2)">During= the submission process, please select =E2=80=9CS.I.: Auditory Display 2018= =E2=80=9D as article type.</span>=C2=A0=C2=A0</div></div><br clear=3D"all">= <div><div dir=3D"ltr" class=3D"gmail_signature" data-smartmail=3D"gmail_sig= nature"><div dir=3D"ltr"><div><div dir=3D"ltr"><div><div dir=3D"ltr"><div><= div dir=3D"ltr"><div><div dir=3D"ltr"><div dir=3D"ltr"><div dir=3D"ltr"><di= v dir=3D"ltr"><div dir=3D"ltr"><div dir=3D"ltr"><div dir=3D"ltr"><div dir= =3D"ltr"><div dir=3D"ltr"><div dir=3D"ltr"><div><font color=3D"#666666">***= *********************************************</font><br><font color=3D"#666= 666">Myounghoon Jeon (Philart), Ph.D.</font></div><div><font color=3D"#6666= 66">pronounced as /"me" + "young" quickly/ /hoon/ /juhn= /</font></div><div><font color=3D"#666666"><br></font></div><div><font colo= r=3D"#666666">Associate Professor</font></div><div><div style=3D"font-size:= small"><b style=3D"font-size:12.8px"><font face=3D"arial, helvetica, sans-s= erif" color=3D"#666666"><a href=3D"http://ise.vt.edu/philart" target=3D"_bl= ank">Mind Music Machine Lab</a></font></b></div></div><div><div style=3D"fo= nt-size:12.8px"><font color=3D"#666666">Grado Department of Industrial and = Systems Engineering=C2=A0</font></div><div style=3D"font-size:12.8px"><font= color=3D"#666666">Virginia=C2=A0Tech</font></div><div style=3D"font-size:1= 2.8px"><font color=3D"#666666"><span style=3D"font-size:12.8px;letter-spaci= ng:0.2px">519D=C2=A0</span><span style=3D"font-size:12.8px;letter-spacing:0= .2px">Whittemore Hall </span><b style=3D"font-size:12.8px;letter-spacing:0.= 2px">=C2=A0</b></font></div><div style=3D"font-size:12.8px"><span style=3D"= font-size:12.8px;letter-spacing:0.2px"><font color=3D"#666666">1185 Perry S= t. Blacksburg, VA 24061=C2=A0</font></span></div><div><font color=3D"#66666= 6"><a href=3D"mailto:myounghoonjeon@xxxxxxxx" target=3D"_blank">myounghoonjeo= n@xxxxxxxx</a></font><br></div></div><div><br><br></div></div></div></div></d= iv></div></div></div></div></div></div></div></div></div></div></div></div>= </div></div></div></div></div> --0000000000008dfd7e0587abb5ab--